Songs like Dedicated Man by The Counts
Based on a tempo of (+/- 10%) and a similar genre
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The Counts
Dedicated Man
107 bpm • C min • 03:22 • -9.75db
17% Popularity • 70% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 92% Positiveness
17% Popularity • 70% Danceability • 61% Energy • 24% Liveness
1% Instrumentalness • 92% Positiveness
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Gladys Knight & The Pips
Who Is She (And What Is She To You)
107 bpm • C# min • 04:13 • -15db
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 54% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
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B.T. Express
Give It What You Got
107 bpm • B min • 04:09 • -6.44db
18% Popularity • 79% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 79% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Lou Rawls
From Now On
107 bpm • G Maj • 04:54 • -9.05db
22% Popularity • 47% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 47% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
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Walter Jackson
Touching In The Dark
107 bpm • G Maj • 04:06 • -11.07db
13% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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The Manhattans
Soul Train
108 bpm • C Maj • 04:41 • -12.21db
17% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 58% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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King Radio
Hot Tamales
108 bpm • D min • 03:24 • -10.18db
0% Popularity • 68% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 68% Danceability • 63% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Gladys Knight & The Pips
On and On - Single Version
107 bpm • E min • 03:21 • -8db
8% Popularity • 86% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 90% Positiveness
8% Popularity • 86% Danceability • 84% Energy • 10% Liveness
6% Instrumentalness • 90% Positiveness
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The Counts
Hot Tamales
108 bpm • C Maj • 03:24 • -6.87db
0% Popularity • 49% Danceability • 88% Energy • 35% Liveness
2% Instrumentalness • 73% Positiveness
0% Popularity • 49% Danceability • 88% Energy • 35% Liveness
2% Instrumentalness • 73% Positiveness
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Milton Wright
Be With Me
108 bpm • G Maj • 02:42 • -10.31db
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
27% Popularity • 68% Danceability • 50% Energy • 7% Liveness
34% Instrumentalness • 90% Positiveness
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Lenny Williams
Half Past Love
106 bpm • C min • 03:38 • -10.25db
13% Popularity • 77% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 77% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 89% Positiveness
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Lord Luther
Two of a Kind
106 bpm • F min • 02:32 • -7.53db
8% Popularity • 49% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 49% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Con Funk Shun
DooWhaChaWannaDoo
108 bpm • C# min • 03:28 • -11.13db
11% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Anthony White
Never Let You Get Away From Me
108 bpm • A min • 03:02 • -5.61db
18% Popularity • 70% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 70% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Sly Stone
Family Affair
108 bpm • D min • 03:19 • -11.17db
37% Popularity • 75% Danceability • 72% Energy • 11% Liveness
14% Instrumentalness • 74% Positiveness
37% Popularity • 75% Danceability • 72% Energy • 11% Liveness
14% Instrumentalness • 74% Positiveness
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Five Special
You're Something Special
108 bpm • A Maj • 04:27 • -16.51db
12% Popularity • 52% Danceability • 36% Energy • 73% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 73% Liveness
0% Instrumentalness • 35% Positiveness
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The Futures
Stay With Me
108 bpm • C Maj • 03:55 • -10.53db
14% Popularity • 58% Danceability • 73% Energy • 51% Liveness
4% Instrumentalness • 63% Positiveness
14% Popularity • 58% Danceability • 73% Energy • 51% Liveness
4% Instrumentalness • 63% Positiveness
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Jerry Butler
(They Long To Be) Close To You
108 bpm • C Maj • 04:11 • -16.41db
12% Popularity • 44% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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D.J. Rogers
It's Good to Be Alive
106 bpm • F Maj • 03:27 • -11db
9% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 73% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Mike James Kirkland
Give It to Me
106 bpm • A# Maj • 02:50 • -10.95db
9% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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O.V. Wright
I Found Peace
108 bpm • C min • 04:12 • -10.61db
10% Popularity • 64% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 67% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Rose Royce
Do It, Do It
106 bpm • B min • 04:10 • -12.2db
13% Popularity • 78% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 78% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Leon Ware
On the Island
106 bpm • F Maj • 04:20 • -6.93db
13% Popularity • 60% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 60% Danceability • 67% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
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Chocolate Milk
Grand Theft
106 bpm • A min • 05:30 • -12.7db
10% Popularity • 78% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 78% Danceability • 52% Energy • 4% Liveness
1% Instrumentalness • 76% Positiveness
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L.T.D.
Don'tcha Know
109 bpm • A min • 03:49 • -13.45db
13% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Peabo Bryson
Minute By Minute
109 bpm • C Maj • 03:19 • -12.64db
9% Popularity • 53% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 53% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Al Jarreau
You Ought To Be With Me
109 bpm • F Maj • 03:07 • -7.52db
23% Popularity • 54% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 54% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Dees
Come Back Strong - French 2012 Remaster
109 bpm • C Maj • 03:04 • -10.6db
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Rose Royce
Love, More Love
109 bpm • D min • 03:16 • -12.6db
10% Popularity • 73% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
10% Popularity • 73% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Marvin Gaye
After The Dance - Single Version
109 bpm • C# min • 03:31 • -11.87db
34% Popularity • 74% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 74% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Counts
My Dear, My Darling
109 bpm • G min • 03:09 • -11.42db
0% Popularity • 27% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 27% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Leon Haywood
Consider The Source
105 bpm • C# Maj • 03:57 • -7.46db
10% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Fatback Band
Can't Stop the Flame
105 bpm • B Maj • 03:09 • -12.3db
8% Popularity • 50% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 50% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Syreeta
I Love Every Little Thing About You
105 bpm • C# Maj • 03:42 • -11.66db
18% Popularity • 84% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
18% Popularity • 84% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 84% Positiveness
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Ronn Matlock
You Got the Best of Me - Remastered Vers...
109 bpm • B min • 04:13 • -9.54db
8% Popularity • 86% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 86% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
I'm Gonna Give You Respect
109 bpm • C# min • 02:56 • -7.62db
25% Popularity • 66% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 66% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Counts
Bills (2023 Remastered)
105 bpm • B min • 02:59 • -8.45db
3% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 58% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Luther Ingram
Pity For The Lonely
110 bpm • F# Maj • 02:57 • -8.67db
13% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Maze
Time Is On My Side - Remastered
109 bpm • G# Maj • 05:23 • -7.08db
28% Popularity • 78% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 78% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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The Manhattans
I Can't Stand for You to Leave Me
110 bpm • C min • 02:34 • -8.34db
8% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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The Brothers Johnson
Land Of Ladies
104 bpm • B min • 04:31 • -16db
21% Popularity • 70% Danceability • 32% Energy • 12% Liveness
18% Instrumentalness • 41% Positiveness
21% Popularity • 70% Danceability • 32% Energy • 12% Liveness
18% Instrumentalness • 41% Positiveness
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The Modulations
I Can't Fight Your Love
104 bpm • C Maj • 04:08 • -7.22db
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Counts
Waiting Round For You
110 bpm • D# min • 03:01 • -9.53db
0% Popularity • 46% Danceability • 46% Energy • 15% Liveness
20% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 46% Energy • 15% Liveness
20% Instrumentalness • 51% Positiveness
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Brick
Happy
104 bpm • D# Maj • 04:21 • -4.53db
24% Popularity • 83% Danceability • 66% Energy • 21% Liveness
3% Instrumentalness • 95% Positiveness
24% Popularity • 83% Danceability • 66% Energy • 21% Liveness
3% Instrumentalness • 95% Positiveness
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Jimmy "Bo" Horne
If You Want My Love
110 bpm • F min • 02:28 • -9.27db
17% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 54% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Holland-Dozier
I'm So Glad Pt1
110 bpm • G Maj • 03:59 • -9.26db
8% Popularity • 70% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 70% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Cosmo
Things I'd Like to Do
110 bpm • G Maj • 02:40 • -9.64db
0% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 71% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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The Bar-Kays
Mean Mistreater
110 bpm • A min • 05:44 • -18.32db
16% Popularity • 59% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 59% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Peabo Bryson
A Fool Already Knows
104 bpm • B min • 04:01 • -11.61db
17% Popularity • 65% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 65% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Four Tops
Feel Free
111 bpm • E min • 06:02 • -7.73db
10% Popularity • 55% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Little Beaver
Concrete Jungle
111 bpm • F# Maj • 04:50 • -5.89db
23% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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The Manhattans
One Life to Live
103 bpm • D Maj • 04:26 • -13.19db
31% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Sam Dees
We Always Come Back Strong
103 bpm • F Maj • 02:27 • -13.81db
25% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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McFadden & Whitehead
Do You Want To Dance?
111 bpm • C# Maj • 07:05 • -10.03db
11% Popularity • 70% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 70% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Cameo
Two Of Us
103 bpm • A min • 04:32 • -10.21db
18% Popularity • 65% Danceability • 51% Energy • 6% Liveness
6% Instrumentalness • 60% Positiveness
18% Popularity • 65% Danceability • 51% Energy • 6% Liveness
6% Instrumentalness • 60% Positiveness
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Bettye Swann
I Want Sunday Back Again
103 bpm • E Maj • 02:32 • -11.36db
16% Popularity • 56% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 56% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
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Leon Haywood
Keep It In The Family
103 bpm • G# Maj • 02:39 • -5.7db
12% Popularity • 86% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 86% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Michael Henderson
Won't You Be Mine
111 bpm • F# Maj • 06:11 • -9.82db
10% Popularity • 60% Danceability • 55% Energy • 11% Liveness
4% Instrumentalness • 69% Positiveness
10% Popularity • 60% Danceability • 55% Energy • 11% Liveness
4% Instrumentalness • 69% Positiveness
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The Dramatics
You're Foolin' You
103 bpm • C# min • 03:31 • -10.66db
18% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 58% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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The Modulations
I Can't Fight Your Love - 7" Version
103 bpm • C Maj • 04:17 • -9.04db
10% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 71% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Edwin Starr
Running Back And Forth
103 bpm • B min • 02:45 • -12.38db
36% Popularity • 64% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 64% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Timmy Thomas
I've Got to See You Tonight - 2004 Remas...
103 bpm • F min • 03:18 • -11.13db
12% Popularity • 89% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
12% Popularity • 89% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 96% Positiveness
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The Brothers Johnson
Runnin' For Your Lovin'
103 bpm • C# min • 05:07 • -12db
28% Popularity • 78% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 78% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jackie Moore
Time
112 bpm • A# min • 03:28 • -8.76db
8% Popularity • 67% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 67% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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The Dramatics
You're Fooling You - Single Version
103 bpm • B Maj • 03:33 • -14.88db
11% Popularity • 58% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 58% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Darrow Fletcher
No Limit
103 bpm • A min • 03:17 • -11.91db
14% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Enchantment
Thank You Girl For Loving Me
103 bpm • C Maj • 03:54 • -7.18db
14% Popularity • 53% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 53% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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S.O.U.L.
Express Yourself
102 bpm • G# Maj • 03:58 • -13.81db
8% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 78% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Gladys Knight
If You Ever Need Somebody
103 bpm • E min • 04:06 • -9.49db
11% Popularity • 63% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 63% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny "Guitar" Watson
Nothing Left To Be Desired
102 bpm • C Maj • 05:46 • -8.98db
27% Popularity • 73% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 73% Danceability • 54% Energy • 62% Liveness
0% Instrumentalness • 44% Positiveness
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Lenny Williams
Look Up With Your Mind
112 bpm • A# min • 04:42 • -13.09db
10% Popularity • 65% Danceability • 64% Energy • 5% Liveness
3% Instrumentalness • 85% Positiveness
10% Popularity • 65% Danceability • 64% Energy • 5% Liveness
3% Instrumentalness • 85% Positiveness
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The Brothers Johnson
It's You Girl
112 bpm • E Maj • 03:27 • -10.54db
14% Popularity • 53% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 53% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Ty Karim
Lightin' Up
112 bpm • G# Maj • 03:15 • -7db
10% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Major Harris
Sweet Tomorrow
112 bpm • B min • 03:50 • -12.51db
14% Popularity • 68% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 68% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Gap Band
Open Up Your Mind (Wide)
102 bpm • A Maj • 07:05 • -15.22db
23% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Wah Wah Watson
Love Ain't Somethin' (That You Get for F...
102 bpm • F min • 04:21 • -10.7db
10% Popularity • 58% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 58% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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The Jones Girls
Life Goes On
112 bpm • G min • 04:28 • -9db
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
22% Popularity • 61% Danceability • 67% Energy • 20% Liveness
1% Instrumentalness • 81% Positiveness
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The Counts
To Our Love
112 bpm • G# Maj • 03:08 • -9.28db
0% Popularity • 42% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 42% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Leon Haywood
Believe Half Of What You See (And None O...
102 bpm • D# Maj • 02:42 • -9db
14% Popularity • 88% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 88% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Major Harris
Walkin' in the Footsteps
102 bpm • A# Maj • 03:46 • -13.28db
8% Popularity • 63% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 63% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Jean Carn
Free Love
113 bpm • A min • 04:04 • -8db
28% Popularity • 75% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 75% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Delegation
Someone Oughta Write a Song About You Ba...
102 bpm • G Maj • 05:39 • -11.62db
18% Popularity • 70% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 70% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Leroy Hutson
Don't It Make You Feel Good
101 bpm • G# Maj • 03:03 • -12db
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Marvin Gaye
You're The Man - Version 2
101 bpm • A Maj • 04:41 • -8.69db
24% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Rose Royce
Funk Factory
101 bpm • A Maj • 03:06 • -9.75db
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Larry Graham
There's Something About You
113 bpm • A min • 05:28 • -11.4db
9% Popularity • 89% Danceability • 72% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
9% Popularity • 89% Danceability • 72% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
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The Natural Four
You Can't Keep Running Away
113 bpm • A min • 03:29 • -14.7db
8% Popularity • 62% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 97% Positiveness
8% Popularity • 62% Danceability • 56% Energy • 4% Liveness
3% Instrumentalness • 97% Positiveness
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The Whole Darn Family
Fly Away Love Bird
101 bpm • F Maj • 03:10 • -10.17db
21% Popularity • 49% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 49% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Al Johnson
Saved by the Bell
101 bpm • B Maj • 04:40 • -12.21db
11% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Marvin Gaye
You Are That Special One
101 bpm • B min • 03:38 • -8.67db
19% Popularity • 67% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 67% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Jimmy Nelis
Rockin' Rocket
113 bpm • E Maj • 02:59 • -6.1db
0% Popularity • 64% Danceability • 97% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
0% Popularity • 64% Danceability • 97% Energy • 13% Liveness
1% Instrumentalness • 53% Positiveness
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Luther Ingram
I Like the Feeling
101 bpm • A# min • 02:59 • -7.87db
14% Popularity • 75% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 75% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Milton Wright
My Ol' Lady
113 bpm • A Maj • 03:22 • -5.71db
28% Popularity • 70% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 70% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Margie Joseph
He Came into My Life
101 bpm • C Maj • 03:39 • -13.02db
12% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Terry Callier
(I Just Can't Help Myself) I Don't Want ...
101 bpm • E Maj • 03:16 • -12.62db
16% Popularity • 62% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 62% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 90% Positiveness
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Marvin Gaye
Funk Me
113 bpm • F min • 05:28 • -9.42db
27% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 69% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Faze-O
Test - This Is Faze-O
101 bpm • A# min • 04:46 • -9db
9% Popularity • 67% Danceability • 79% Energy • 41% Liveness
3% Instrumentalness • 76% Positiveness
9% Popularity • 67% Danceability • 79% Energy • 41% Liveness
3% Instrumentalness • 76% Positiveness
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The Beginning Of The End
Super Woman
114 bpm • A# min • 04:57 • -9.58db
16% Popularity • 53% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 53% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
