Songs like Dedicatory Piece to the Crew and Passangers of the First Experimental Rocket Express to the Moon by West Point Band's Quintette 7
Based on a tempo of (+/- 10%) and a similar genre
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Sishu Enache
Casparoe
90 bpm • D# Maj • 01:01 • -14.62db
11% Popularity • 41% Danceability • 54% Energy • 25% Liveness
84% Instrumentalness • 82% Positiveness
11% Popularity • 41% Danceability • 54% Energy • 25% Liveness
84% Instrumentalness • 82% Positiveness
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Earth.Boy
Return to Route 66
90 bpm • F min • 02:47 • -12.18db
10% Popularity • 63% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
10% Popularity • 63% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 57% Positiveness
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Lacy Haith
The Void
90 bpm • G# min • 03:01 • -6.9db
23% Popularity • 56% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 56% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Steve Rucker
Peculiar Ways
90 bpm • F# Maj • 01:04 • -10.86db
10% Popularity • 84% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
10% Popularity • 84% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 52% Positiveness
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West Point Band's Quintette 7
Dedicatory Piece to the Crew and Passang...
90 bpm • A# Maj • 03:01 • -8.45db
0% Popularity • 38% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 35% Positiveness
0% Popularity • 38% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 35% Positiveness
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Engelbert Wrobel
Promenade Aux Champs Elysees
90 bpm • F min • 05:24 • -11.5db
9% Popularity • 68% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 7% Liveness
87% Instrumentalness • 96% Positiveness
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Storyville Jazz Band
Sweet Louisiana
90 bpm • G Maj • 02:57 • -15.28db
9% Popularity • 49% Danceability • 14% Energy • 23% Liveness
87% Instrumentalness • 48% Positiveness
9% Popularity • 49% Danceability • 14% Energy • 23% Liveness
87% Instrumentalness • 48% Positiveness
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Julian Butler
Workmen
90 bpm • C min • 01:30 • -14.39db
12% Popularity • 54% Danceability • 36% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
12% Popularity • 54% Danceability • 36% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Kaori Sawada
お父さんとお嬢さんの日常
90 bpm • A# Maj • 02:37 • -9.61db
18% Popularity • 90% Danceability • 29% Energy • 7% Liveness
14% Instrumentalness • 63% Positiveness
18% Popularity • 90% Danceability • 29% Energy • 7% Liveness
14% Instrumentalness • 63% Positiveness
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楽しいジャズ
器楽(洋菓子屋)
90 bpm • G Maj • 01:41 • -13.69db
11% Popularity • 73% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 76% Positiveness
11% Popularity • 73% Danceability • 41% Energy • 11% Liveness
53% Instrumentalness • 76% Positiveness
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Joey Murphy
Dominican Lovesong
90 bpm • A# min • 01:19 • -11.01db
19% Popularity • 54% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
19% Popularity • 54% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 96% Positiveness
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Bassline Voyager
My Time Now
91 bpm • E Maj • 03:21 • -7.46db
9% Popularity • 81% Danceability • 75% Energy • 12% Liveness
15% Instrumentalness • 74% Positiveness
9% Popularity • 81% Danceability • 75% Energy • 12% Liveness
15% Instrumentalness • 74% Positiveness
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Michal Odzien
Knap
89 bpm • B Maj • 02:33 • -12.21db
27% Popularity • 82% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 82% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Three Noisy Rabbits
Royal Flush
91 bpm • B min • 02:48 • -11.8db
25% Popularity • 62% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
25% Popularity • 62% Danceability • 51% Energy • 11% Liveness
91% Instrumentalness • 86% Positiveness
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Sishu Enache
Nebuna
89 bpm • D Maj • 00:47 • -11.5db
10% Popularity • 61% Danceability • 55% Energy • 16% Liveness
94% Instrumentalness • 77% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 16% Liveness
94% Instrumentalness • 77% Positiveness
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Calin Yonca
Black and White
91 bpm • G Maj • 01:25 • -12.56db
10% Popularity • 71% Danceability • 28% Energy • 15% Liveness
37% Instrumentalness • 92% Positiveness
10% Popularity • 71% Danceability • 28% Energy • 15% Liveness
37% Instrumentalness • 92% Positiveness
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Gilles Tinayre
Sad Balkanic Fanfare (Alternative Trumpe...
89 bpm • G Maj • 01:14 • -10.09db
11% Popularity • 42% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
11% Popularity • 42% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
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Filip Jers
Jätten Jorms sång
89 bpm • A Maj • 04:09 • -9.46db
8% Popularity • 59% Danceability • 60% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 19% Liveness
97% Instrumentalness • 69% Positiveness
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West Point Band's Quintette 7
Bird Life in the Bronx
89 bpm • G# Maj • 02:35 • -8.99db
0% Popularity • 63% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
0% Popularity • 63% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 88% Positiveness
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Billy Thompson
Demeanour
88 bpm • A Maj • 04:07 • -14.06db
18% Popularity • 33% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 10% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Fabio Vitiello
Neon Lights
89 bpm • F min • 03:30 • -10.35db
7% Popularity • 61% Danceability • 59% Energy • 58% Liveness
88% Instrumentalness • 44% Positiveness
7% Popularity • 61% Danceability • 59% Energy • 58% Liveness
88% Instrumentalness • 44% Positiveness
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Daniel Melasty
Lively
88 bpm • B Maj • 03:01 • -19db
18% Popularity • 90% Danceability • 27% Energy • 15% Liveness
83% Instrumentalness • 74% Positiveness
18% Popularity • 90% Danceability • 27% Energy • 15% Liveness
83% Instrumentalness • 74% Positiveness
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Julio Remersaro
Zona de Konfort
88 bpm • A# Maj • 01:54 • -7.09db
7% Popularity • 76% Danceability • 53% Energy • 24% Liveness
91% Instrumentalness • 87% Positiveness
7% Popularity • 76% Danceability • 53% Energy • 24% Liveness
91% Instrumentalness • 87% Positiveness
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Ben Nicholls
Rolling Hornpipe
92 bpm • C Maj • 02:56 • -11.81db
10% Popularity • 64% Danceability • 49% Energy • 42% Liveness
85% Instrumentalness • 37% Positiveness
10% Popularity • 64% Danceability • 49% Energy • 42% Liveness
85% Instrumentalness • 37% Positiveness
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Latché Swing
Swing 01
88 bpm • C# Maj • 04:05 • -8db
13% Popularity • 78% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
13% Popularity • 78% Danceability • 28% Energy • 10% Liveness
88% Instrumentalness • 85% Positiveness
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Ingo Hassenstein
Trattoria Bella Italia
92 bpm • G# min • 02:12 • -8.16db
12% Popularity • 72% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 51% Energy • 11% Liveness
49% Instrumentalness • 82% Positiveness
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Lemon Bucket Orkestra
Shchedryj Vechor
92 bpm • G Maj • 02:31 • -3.99db
15% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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クラシックジャズ
器楽(淹れたてのコーヒー)
88 bpm • A# min • 01:44 • -13.58db
19% Popularity • 74% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
19% Popularity • 74% Danceability • 32% Energy • 16% Liveness
86% Instrumentalness • 84% Positiveness
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Lacy Haith
Happy Birthday Mom
88 bpm • A# Maj • 01:44 • -7.34db
23% Popularity • 77% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 77% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Schwarz Rot Atemgold 09
Dicke sind auch Menschen
93 bpm • F Maj • 02:03 • -16.75db
13% Popularity • 68% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 26% Positiveness
13% Popularity • 68% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 26% Positiveness
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Latché Swing
Menilmontant
93 bpm • G Maj • 04:45 • -6.73db
12% Popularity • 82% Danceability • 33% Energy • 33% Liveness
80% Instrumentalness • 49% Positiveness
12% Popularity • 82% Danceability • 33% Energy • 33% Liveness
80% Instrumentalness • 49% Positiveness
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福来スズ子
センチメンタル・ダイナ - オ�...
87 bpm • G# min • 03:09 • -7.82db
17% Popularity • 49% Danceability • 37% Energy • 9% Liveness
63% Instrumentalness • 51% Positiveness
17% Popularity • 49% Danceability • 37% Energy • 9% Liveness
63% Instrumentalness • 51% Positiveness
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Barcelona Swing Serenaders
New Orleans
87 bpm • G Maj • 03:47 • -15.79db
13% Popularity • 53% Danceability • 6% Energy • 17% Liveness
78% Instrumentalness • 33% Positiveness
13% Popularity • 53% Danceability • 6% Energy • 17% Liveness
78% Instrumentalness • 33% Positiveness
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Jeff Meegan
Blue Swagger
87 bpm • E min • 03:08 • -9.52db
9% Popularity • 74% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
9% Popularity • 74% Danceability • 38% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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The klezmer festival band
A Journey to Moldavia
93 bpm • C min • 06:49 • -9.52db
9% Popularity • 50% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
9% Popularity • 50% Danceability • 43% Energy • 10% Liveness
28% Instrumentalness • 65% Positiveness
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THE SCHWINGS BAND
Mysha
94 bpm • A min • 02:44 • -12.39db
15% Popularity • 74% Danceability • 49% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
15% Popularity • 74% Danceability • 49% Energy • 10% Liveness
13% Instrumentalness • 80% Positiveness
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Eric Vloeimans
Dans Van Balans
86 bpm • A min • 01:22 • -11.01db
13% Popularity • 84% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 51% Positiveness
13% Popularity • 84% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 51% Positiveness
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Giorgio Cuscito
Strippin'
94 bpm • F Maj • 02:14 • -10db
19% Popularity • 51% Danceability • 43% Energy • 22% Liveness
23% Instrumentalness • 69% Positiveness
19% Popularity • 51% Danceability • 43% Energy • 22% Liveness
23% Instrumentalness • 69% Positiveness
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Eberhard Budziat
Kibudzi, Remstalsinfonie: 4. Satz
86 bpm • F Maj • 07:48 • -11.05db
8% Popularity • 29% Danceability • 40% Energy • 15% Liveness
71% Instrumentalness • 24% Positiveness
8% Popularity • 29% Danceability • 40% Energy • 15% Liveness
71% Instrumentalness • 24% Positiveness
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Davide Falconi
Rejane Boogie
94 bpm • G min • 02:18 • -9.36db
16% Popularity • 62% Danceability • 64% Energy • 11% Liveness
97% Instrumentalness • 88% Positiveness
16% Popularity • 62% Danceability • 64% Energy • 11% Liveness
97% Instrumentalness • 88% Positiveness
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Proyecto Voltaire
Bowa Is Coming
86 bpm • C Maj • 02:05 • -9.59db
12% Popularity • 70% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 68% Positiveness
12% Popularity • 70% Danceability • 27% Energy • 8% Liveness
2% Instrumentalness • 68% Positiveness
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Paris Jazz Club
Jazz Duet I
86 bpm • F Maj • 03:55 • -13.1db
15% Popularity • 60% Danceability • 16% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
15% Popularity • 60% Danceability • 16% Energy • 16% Liveness
10% Instrumentalness • 46% Positiveness
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Paul Reeves
Jazz Cats
95 bpm • D min • 01:48 • -10.18db
19% Popularity • 83% Danceability • 30% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
19% Popularity • 83% Danceability • 30% Energy • 6% Liveness
22% Instrumentalness • 96% Positiveness
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Giorgio Cuscito
Kansas City Stride
94 bpm • D Maj • 02:53 • -9.22db
19% Popularity • 86% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
19% Popularity • 86% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Stanton Moore
Dunkin' In The Deep
95 bpm • G# Maj • 06:40 • -8.33db
18% Popularity • 69% Danceability • 57% Energy • 6% Liveness
78% Instrumentalness • 82% Positiveness
18% Popularity • 69% Danceability • 57% Energy • 6% Liveness
78% Instrumentalness • 82% Positiveness
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Jeremy Sherman
Hudson Street Mission House
95 bpm • A# min • 02:48 • -11.62db
10% Popularity • 76% Danceability • 33% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
10% Popularity • 76% Danceability • 33% Energy • 11% Liveness
59% Instrumentalness • 55% Positiveness
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Vincent Artaud
Meowlloween
85 bpm • F min • 01:56 • -6.53db
8% Popularity • 48% Danceability • 60% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
8% Popularity • 48% Danceability • 60% Energy • 13% Liveness
6% Instrumentalness • 35% Positiveness
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Jaime Ruesga
Boda
95 bpm • C min • 01:00 • -12db
21% Popularity • 91% Danceability • 56% Energy • 28% Liveness
1% Instrumentalness • 98% Positiveness
21% Popularity • 91% Danceability • 56% Energy • 28% Liveness
1% Instrumentalness • 98% Positiveness
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Billy Thompson
Date of Birth
85 bpm • E Maj • 06:36 • -14.98db
23% Popularity • 19% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 14% Positiveness
23% Popularity • 19% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 14% Positiveness
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John Niland
Trevor Rodgers Theme
95 bpm • G min • 04:44 • -8.12db
18% Popularity • 89% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 89% Danceability • 66% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Vasco
Le Beep Beep
95 bpm • F Maj • 02:58 • -10.66db
9% Popularity • 81% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
9% Popularity • 81% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 94% Positiveness
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Jeremy Sherman
Broadway Stroll
95 bpm • A# Maj • 03:55 • -13.06db
9% Popularity • 71% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
9% Popularity • 71% Danceability • 28% Energy • 13% Liveness
90% Instrumentalness • 52% Positiveness
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Mel Young
The Killer
96 bpm • F Maj • 02:28 • -13.18db
10% Popularity • 66% Danceability • 63% Energy • 19% Liveness
76% Instrumentalness • 76% Positiveness
10% Popularity • 66% Danceability • 63% Energy • 19% Liveness
76% Instrumentalness • 76% Positiveness
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Remersaro Trío
Guampudo
84 bpm • A# min • 02:56 • -19.46db
9% Popularity • 72% Danceability • 10% Energy • 18% Liveness
18% Instrumentalness • 74% Positiveness
9% Popularity • 72% Danceability • 10% Energy • 18% Liveness
18% Instrumentalness • 74% Positiveness
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Tuba Skinny
Pyramid Strut
96 bpm • D# Maj • 04:36 • -9.1db
22% Popularity • 69% Danceability • 51% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
22% Popularity • 69% Danceability • 51% Energy • 12% Liveness
95% Instrumentalness • 94% Positiveness
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Gilles Tinayre
Balkanic Chase
96 bpm • F# Maj • 00:56 • -6.88db
9% Popularity • 75% Danceability • 60% Energy • 25% Liveness
63% Instrumentalness • 62% Positiveness
9% Popularity • 75% Danceability • 60% Energy • 25% Liveness
63% Instrumentalness • 62% Positiveness
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Stefan Zeniuk
13 Pieces for Marino Marini: VIII
84 bpm • D# Maj • 02:17 • -5.9db
9% Popularity • 51% Danceability • 21% Energy • 13% Liveness
77% Instrumentalness • 64% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 13% Liveness
77% Instrumentalness • 64% Positiveness
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Brasseroni
Stomp It!
84 bpm • G min • 02:15 • -7.06db
11% Popularity • 70% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 81% Positiveness
11% Popularity • 70% Danceability • 74% Energy • 11% Liveness
84% Instrumentalness • 81% Positiveness
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Paul Reeves
On the Tiles
84 bpm • E min • 01:15 • -10.14db
8% Popularity • 90% Danceability • 28% Energy • 9% Liveness
42% Instrumentalness • 80% Positiveness
8% Popularity • 90% Danceability • 28% Energy • 9% Liveness
42% Instrumentalness • 80% Positiveness
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Renaud Garcia-Fons
The Suspense Is Killing
96 bpm • F min • 02:44 • -10.22db
9% Popularity • 66% Danceability • 52% Energy • 38% Liveness
74% Instrumentalness • 68% Positiveness
9% Popularity • 66% Danceability • 52% Energy • 38% Liveness
74% Instrumentalness • 68% Positiveness
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Tuba Skinny
Kansas City Stomps
97 bpm • D# Maj • 03:36 • -8.45db
22% Popularity • 71% Danceability • 47% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
22% Popularity • 71% Danceability • 47% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
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Budapest Klezmer Band
Nor gelicht, nor gelacht
97 bpm • F Maj • 05:46 • -9.55db
8% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Alondra Becerra
Willow Weeping For Me
84 bpm • A# Maj • 05:45 • -9.57db
22% Popularity • 37% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 37% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Thompson
Roath Lake
84 bpm • E Maj • 04:35 • -10.5db
23% Popularity • 25% Danceability • 21% Energy • 9% Liveness
35% Instrumentalness • 17% Positiveness
23% Popularity • 25% Danceability • 21% Energy • 9% Liveness
35% Instrumentalness • 17% Positiveness
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Loustock Festival de la Canción Infantil
Mary Teve Um Cordeiro Pequeno - Versión...
97 bpm • C Maj • 01:12 • -10.11db
7% Popularity • 84% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 96% Positiveness
7% Popularity • 84% Danceability • 61% Energy • 12% Liveness
90% Instrumentalness • 96% Positiveness
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Schwarz Rot Atemgold 09
Whispering Desert
97 bpm • G Maj • 04:45 • -8.26db
16% Popularity • 37% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 37% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Tuba Skinny
Mighty Anchor
97 bpm • G min • 03:40 • -7.59db
22% Popularity • 67% Danceability • 66% Energy • 17% Liveness
95% Instrumentalness • 91% Positiveness
22% Popularity • 67% Danceability • 66% Energy • 17% Liveness
95% Instrumentalness • 91% Positiveness
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Blubell & Black Tie
Billy (I Always Dream Of Bill)
97 bpm • A Maj • 02:22 • -10.2db
12% Popularity • 84% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 84% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Summer Camargo
80 Tears of Joy
98 bpm • G Maj • 06:33 • -10.73db
14% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Ohashi Trio
事件
98 bpm • C min • 02:00 • -11.31db
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Rodney Longfellow
Lie to You
98 bpm • G min • 05:05 • -9.92db
24% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Branko Galoić
Voyage continues - Brass Version
98 bpm • E min • 05:19 • -8.7db
12% Popularity • 62% Danceability • 49% Energy • 7% Liveness
11% Instrumentalness • 75% Positiveness
12% Popularity • 62% Danceability • 49% Energy • 7% Liveness
11% Instrumentalness • 75% Positiveness
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Moses Macadam
A Journey of Sorrow
98 bpm • F Maj • 04:58 • -9.16db
19% Popularity • 50% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Dennis Kyne
I'm so Happy (Live)
82 bpm • D Maj • 01:59 • -21.04db
15% Popularity • 63% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 63% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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John Rowcroft
Blue Orleans
82 bpm • D Maj • 02:00 • -11.73db
10% Popularity • 32% Danceability • 42% Energy • 18% Liveness
82% Instrumentalness • 31% Positiveness
10% Popularity • 32% Danceability • 42% Energy • 18% Liveness
82% Instrumentalness • 31% Positiveness
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Luca Velotti
Swinging Black
98 bpm • F min • 03:05 • -13.32db
14% Popularity • 62% Danceability • 35% Energy • 13% Liveness
89% Instrumentalness • 69% Positiveness
14% Popularity • 62% Danceability • 35% Energy • 13% Liveness
89% Instrumentalness • 69% Positiveness
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Schwarz Rot Atemgold 09
Podmoskownye Wetchera
82 bpm • F min • 03:33 • -13.29db
12% Popularity • 41% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
12% Popularity • 41% Danceability • 59% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
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West Point Band's Quintette 7
Peter Tambourine
82 bpm • F min • 03:05 • -7.63db
0% Popularity • 37% Danceability • 54% Energy • 24% Liveness
88% Instrumentalness • 74% Positiveness
0% Popularity • 37% Danceability • 54% Energy • 24% Liveness
88% Instrumentalness • 74% Positiveness
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Tino Contreras
Tea for two
82 bpm • G Maj • 02:40 • -13.94db
10% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 65% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Maridalen
Fattern, bruttern og jeg
81 bpm • C# Maj • 02:35 • -8.93db
13% Popularity • 45% Danceability • 23% Energy • 24% Liveness
88% Instrumentalness • 35% Positiveness
13% Popularity • 45% Danceability • 23% Energy • 24% Liveness
88% Instrumentalness • 35% Positiveness
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John Rowcroft
Jazz Sandwich
99 bpm • G Maj • 02:28 • -11.88db
14% Popularity • 81% Danceability • 50% Energy • 19% Liveness
93% Instrumentalness • 80% Positiveness
14% Popularity • 81% Danceability • 50% Energy • 19% Liveness
93% Instrumentalness • 80% Positiveness
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Roderick Paulin
'lil Liza Jane
100 bpm • G# Maj • 07:10 • -13.83db
8% Popularity • 47% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 83% Positiveness
8% Popularity • 47% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 83% Positiveness
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Alondra Becerra
In A Small Garden
100 bpm • F# Maj • 03:37 • -7.88db
22% Popularity • 64% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 64% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Big Band Jazz de México
Influencias y Raíces
100 bpm • C Maj • 02:16 • -10.51db
13% Popularity • 71% Danceability • 32% Energy • 7% Liveness
38% Instrumentalness • 80% Positiveness
13% Popularity • 71% Danceability • 32% Energy • 7% Liveness
38% Instrumentalness • 80% Positiveness
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Yummi Wisler Guitar Combo
Sonido Amazonico
100 bpm • E min • 03:01 • -10.14db
8% Popularity • 56% Danceability • 69% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
8% Popularity • 56% Danceability • 69% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Sultry J
Rich Hipster
100 bpm • D Maj • 03:28 • -11.32db
13% Popularity • 51% Danceability • 38% Energy • 9% Liveness
72% Instrumentalness • 65% Positiveness
13% Popularity • 51% Danceability • 38% Energy • 9% Liveness
72% Instrumentalness • 65% Positiveness
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Marco Bianchi Vibes 4tet
Magic Celebration
100 bpm • A# Maj • 01:58 • -5.53db
20% Popularity • 92% Danceability • 69% Energy • 7% Liveness
94% Instrumentalness • 98% Positiveness
20% Popularity • 92% Danceability • 69% Energy • 7% Liveness
94% Instrumentalness • 98% Positiveness
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Alvaro Antin
Heading for the Neon Lights
100 bpm • B Maj • 01:52 • -8.64db
14% Popularity • 76% Danceability • 67% Energy • 9% Liveness
82% Instrumentalness • 88% Positiveness
14% Popularity • 76% Danceability • 67% Energy • 9% Liveness
82% Instrumentalness • 88% Positiveness
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Proyecto Voltaire
Match
100 bpm • C Maj • 02:28 • -9.97db
12% Popularity • 59% Danceability • 27% Energy • 18% Liveness
74% Instrumentalness • 39% Positiveness
12% Popularity • 59% Danceability • 27% Energy • 18% Liveness
74% Instrumentalness • 39% Positiveness
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Afreiric
Quiero Ser Como Tú (El Libro de la Selv...
100 bpm • F min • 02:45 • -8.16db
13% Popularity • 78% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 78% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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Art Music
Manush Jazz
100 bpm • D# Maj • 01:39 • -11.46db
20% Popularity • 93% Danceability • 44% Energy • 11% Liveness
56% Instrumentalness • 68% Positiveness
20% Popularity • 93% Danceability • 44% Energy • 11% Liveness
56% Instrumentalness • 68% Positiveness
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Giorgio Cuscito
Hawaiian Blues
100 bpm • D min • 02:49 • -11.94db
22% Popularity • 81% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
22% Popularity • 81% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 88% Positiveness
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Schwarz Rot Atemgold 09
Maghreb Soul
100 bpm • D Maj • 03:30 • -8.38db
18% Popularity • 68% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 68% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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David Klezmer Quintet
Sherele
100 bpm • G Maj • 03:11 • -6.95db
9% Popularity • 58% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 64% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 6% Liveness
70% Instrumentalness • 64% Positiveness
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Proyecto Voltaire
Everyday Moment
100 bpm • A# Maj • 02:44 • -9.42db
13% Popularity • 76% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
13% Popularity • 76% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 80% Positiveness
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John Zorn
Abdiel
100 bpm • G min • 03:24 • -8.22db
9% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 59% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 85% Positiveness
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Cavendish Music
Bass Finger Clicks
81 bpm • C# Maj • 01:43 • -8.7db
10% Popularity • 78% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
10% Popularity • 78% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
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Experience Points
Jungle Japes
100 bpm • C Maj • 03:48 • -6.71db
8% Popularity • 80% Danceability • 55% Energy • 16% Liveness
76% Instrumentalness • 62% Positiveness
8% Popularity • 80% Danceability • 55% Energy • 16% Liveness
76% Instrumentalness • 62% Positiveness