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Deep Down South
Songs like
Deep Down South
by
Weston Vaughan
Based on a tempo of (+/- 10%) and a similar genre
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Hoagy Carmichael
Casanova Cricket
84 bpm • G Maj • 02:28 • -10.68db
8% Popularity • 50% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Midge Williams
In Any Language (06-10-38)
84 bpm • G# Maj • 02:39 • -16.32db
7% Popularity • 70% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Dick Haymes
As If I Didn't Have Enough On My Mind
84 bpm • C Maj • 02:28 • -15.79db
10% Popularity • 32% Danceability • 25% Energy • 42% Liveness
85% Instrumentalness • 31% Positiveness
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Leif Smoke Rings Anderson
Ain't Cha Comin' Home?
84 bpm • D# Maj • 03:29 • -12.47db
11% Popularity • 54% Danceability • 28% Energy • 30% Liveness
62% Instrumentalness • 56% Positiveness
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Lionel Hampton
Ain't Cha Coming Home
84 bpm • F min • 03:20 • -16.67db
3% Popularity • 59% Danceability • 14% Energy • 13% Liveness
37% Instrumentalness • 28% Positiveness
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Bobby Sherwood And His Orchestra
I Don't Know Why
84 bpm • C min • 02:47 • -13.21db
15% Popularity • 55% Danceability • 24% Energy • 33% Liveness
6% Instrumentalness • 47% Positiveness
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Lee Wiley
I've Got A Crush On You
83 bpm • D Maj • 03:16 • -17.27db
8% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Muscrat Ramblers
The Band Played On
85 bpm • F Maj • 03:19 • -14.7db
16% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Coleman Hawkins
Lamentation
83 bpm • D# Maj • 03:10 • -15.47db
8% Popularity • 38% Danceability • 11% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Die Goldene Sieben
Ein kleines weißes Haus
82 bpm • G# Maj • 02:39 • -4.98db
7% Popularity • 68% Danceability • 50% Energy • 30% Liveness
1% Instrumentalness • 73% Positiveness
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Louisiana Sugar Babes
'Sippi
82 bpm • F min • 03:03 • -19.77db
8% Popularity • 43% Danceability • 14% Energy • 17% Liveness
93% Instrumentalness • 48% Positiveness
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Weston Vaughan
Deep Down South
86 bpm • A# Maj • 02:58 • -15.02db
2% Popularity • 56% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Bea Wain
I've Got My Heart Set On You
82 bpm • A# Maj • 02:37 • -25.45db
10% Popularity • 62% Danceability • 7% Energy • 28% Liveness
47% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Annie Laurie
82 bpm • D# Maj • 03:13 • -4.75db
11% Popularity • 72% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 60% Positiveness
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Raymond Scott
When Cootie Left the Duke - 1941
81 bpm • F Maj • 03:27 • -12.07db
8% Popularity • 36% Danceability • 20% Energy • 16% Liveness
90% Instrumentalness • 21% Positiveness
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The Ink Spots
Do Nothing Til You Hear From Me
81 bpm • A min • 03:17 • -8.81db
8% Popularity • 70% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Helen Humes
Song of the Wanderer
81 bpm • A# Maj • 01:45 • -6.22db
16% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Lionel Hampton
My Wish
81 bpm • D Maj • 02:53 • -12.34db
8% Popularity • 52% Danceability • 12% Energy • 30% Liveness
46% Instrumentalness • 39% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
88 bpm • A# Maj • 03:07 • -16db
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
61% Instrumentalness • 81% Positiveness
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King Carter & His Royal Orchestra
Blue Rhythm
88 bpm • A# Maj • 03:04 • -13.74db
8% Popularity • 45% Danceability • 22% Energy • 37% Liveness
40% Instrumentalness • 63% Positiveness
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Jack Pettis and His Pets
Spanish Dream
80 bpm • D Maj • 03:12 • -11.85db
10% Popularity • 75% Danceability • 33% Energy • 26% Liveness
69% Instrumentalness • 66% Positiveness
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Charlie Kunz
I Never Mention Your Name
88 bpm • C Maj • 02:50 • -20.64db
12% Popularity • 57% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
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Pee Wee Russell
Embraceable You
88 bpm • F Maj • 04:04 • -16db
9% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
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Henry Hall
When I'm with You
89 bpm • F min • 03:13 • -23.77db
7% Popularity • 40% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 11% Positiveness
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Lil Hardin Armstrong
Bluer Than Blue
89 bpm • F min • 03:11 • -10.85db
5% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Hodges and His Orchestra
That's the Blues, Old Man
89 bpm • F min • 02:54 • -10.8db
8% Popularity • 64% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 59% Positiveness
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Lee Wiley
Looking at You
89 bpm • G# Maj • 03:25 • -18.29db
16% Popularity • 51% Danceability • 5% Energy • 22% Liveness
60% Instrumentalness • 37% Positiveness
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Tony Parenti
Praline
89 bpm • D# Maj • 03:04 • -11.39db
8% Popularity • 58% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 81% Positiveness
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Del Courtney
Mississippi Dreamboat
89 bpm • A min • 02:20 • -17.46db
9% Popularity • 68% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Hodges & His Orchestra
A Gentle Breeze
89 bpm • C# Maj • 03:12 • -18.11db
10% Popularity • 41% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 26% Positiveness
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Rex Stewart
Delta Mood
89 bpm • D# min • 02:45 • -15.19db
8% Popularity • 64% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Henry Hall
Little Romany
79 bpm • F Maj • 02:43 • -18.52db
9% Popularity • 30% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Rixner
Lively Lulu
89 bpm • G# Maj • 02:46 • -10.07db
10% Popularity • 70% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 90% Positiveness
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Marion Harris
Look for the Silver Lining
79 bpm • A Maj • 03:00 • -15.96db
8% Popularity • 32% Danceability • 11% Energy • 24% Liveness
78% Instrumentalness • 46% Positiveness
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Don Redman and His Orchestra
Puddin' Head Jones
90 bpm • F min • 02:48 • -11.82db
10% Popularity • 77% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmie Lunceford
The First Time I Saw You
78 bpm • C Maj • 02:48 • -8.02db
17% Popularity • 60% Danceability • 29% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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Glenn Miller & The Army Air Force Band
I'll Be Around - Remastered 2001
90 bpm • C min • 02:05 • -18.04db
8% Popularity • 37% Danceability • 16% Energy • 53% Liveness
0% Instrumentalness • 41% Positiveness
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Dick Haymes
Adieu
78 bpm • G min • 03:03 • -9.31db
9% Popularity • 26% Danceability • 28% Energy • 35% Liveness
5% Instrumentalness • 13% Positiveness
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The Big 18
Okay For Baby
78 bpm • G# Maj • 03:39 • -21.44db
9% Popularity • 58% Danceability • 20% Energy • 9% Liveness
64% Instrumentalness • 59% Positiveness
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The London West End Orchestra
Rain or Shine
90 bpm • C Maj • 03:00 • -11.28db
10% Popularity • 83% Danceability • 44% Energy • 8% Liveness
81% Instrumentalness • 83% Positiveness
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Raymond Scott
Eagle Beak - 1940
78 bpm • G# Maj • 03:26 • -9.73db
9% Popularity • 74% Danceability • 24% Energy • 7% Liveness
85% Instrumentalness • 82% Positiveness
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Original Dixieland Jazz Band
Margie
91 bpm • G Maj • 03:15 • -9db
9% Popularity • 51% Danceability • 37% Energy • 22% Liveness
93% Instrumentalness • 62% Positiveness
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Glenn Miller & The Army Air Force Band
Tail End Charlie - Remastered 2001
91 bpm • G# Maj • 03:24 • -10.87db
9% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
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Sydney Lipton And His Grosvenor House Dance Orchestra
(Why Does My Heart Go) Boom!
78 bpm • G min • 03:20 • -28.2db
9% Popularity • 64% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Victor Sylvester
You're Dancing on My Heart
91 bpm • F min • 02:07 • -21.93db
17% Popularity • 58% Danceability • 12% Energy • 24% Liveness
83% Instrumentalness • 66% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
92 bpm • F min • 02:05 • -15.4db
22% Popularity • 56% Danceability • 14% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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King Oliver's Creole Jazz Band
Workingman Blues
77 bpm • G# Maj • 02:09 • -15.56db
13% Popularity • 53% Danceability • 24% Energy • 29% Liveness
95% Instrumentalness • 77% Positiveness
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Buddy Clark
The Camera Doesn`t Lie
92 bpm • D# Maj • 03:03 • -12.59db
18% Popularity • 66% Danceability • 19% Energy • 11% Liveness
6% Instrumentalness • 86% Positiveness
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Raymond Scott
Dead End Blues - 1939
92 bpm • G# Maj • 03:41 • -12.69db
10% Popularity • 40% Danceability • 24% Energy • 30% Liveness
93% Instrumentalness • 30% Positiveness
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Georgia White
Come Around To My House
77 bpm • C Maj • 02:41 • -12.57db
9% Popularity • 65% Danceability • 16% Energy • 22% Liveness
6% Instrumentalness • 76% Positiveness
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New Orleans Rhythm Kings
Reincarnation
92 bpm • D# Maj • 03:25 • -11.37db
3% Popularity • 56% Danceability • 23% Energy • 13% Liveness
66% Instrumentalness • 48% Positiveness
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Louis Prima
'Long About Midnight
92 bpm • D# Maj • 02:41 • -11.05db
18% Popularity • 78% Danceability • 38% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Jean Goldkette
After I Say I`m Sorry
93 bpm • G Maj • 03:15 • -18.49db
17% Popularity • 59% Danceability • 11% Energy • 26% Liveness
21% Instrumentalness • 77% Positiveness
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Martha Tilton
The Angels Cried
93 bpm • F# Maj • 03:05 • -13.29db
8% Popularity • 57% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Raymond Scott
Peter Tambourine - 1939 Orchestral Versi...
92 bpm • C# Maj • 02:41 • -12.37db
9% Popularity • 48% Danceability • 32% Energy • 13% Liveness
55% Instrumentalness • 30% Positiveness
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Ella Fitzgerald
Macpherson Is Rehearsin' (To Swing) (06-...
93 bpm • D Maj • 03:10 • -8.36db
8% Popularity • 78% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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Louis Jordan
Wham Sam - Live
94 bpm • D# min • 02:34 • -11.19db
8% Popularity • 74% Danceability • 40% Energy • 14% Liveness
94% Instrumentalness • 72% Positiveness
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Edmond Hall
Beale Street Blues
76 bpm • D# Maj • 02:46 • -7.01db
13% Popularity • 66% Danceability • 41% Energy • 13% Liveness
88% Instrumentalness • 79% Positiveness
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Eddie Condon's Feetwarmers
Makin' Frien's
75 bpm • C min • 03:00 • -12.45db
11% Popularity • 66% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 73% Positiveness
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Henry Hall
Every Now and Then
94 bpm • F Maj • 03:09 • -16.85db
3% Popularity • 41% Danceability • 8% Energy • 18% Liveness
4% Instrumentalness • 35% Positiveness
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Woody Herman
Blues Are Brewing
75 bpm • F Maj • 03:11 • -14.65db
8% Popularity • 41% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 46% Positiveness
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Frankie Carle and His Orchestra
All the Cats Join In
94 bpm • A min • 02:50 • -8.81db
10% Popularity • 76% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
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Johnny Hodges
I'm in Another World
94 bpm • C# Maj • 02:53 • -12.4db
10% Popularity • 63% Danceability • 10% Energy • 35% Liveness
87% Instrumentalness • 47% Positiveness
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Kay Kyser & His Orchestra
Let's get lost
94 bpm • D min • 03:11 • -13.23db
1% Popularity • 37% Danceability • 12% Energy • 41% Liveness
16% Instrumentalness • 20% Positiveness
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Henry Lange Baker Hotel Orchestra
Somebody Loves Me
94 bpm • G# min • 03:18 • -17.93db
10% Popularity • 79% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 76% Positiveness
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Erhard Bauschke & sein Orchester
At the Codfish Ball
94 bpm • E Maj • 03:05 • -10db
6% Popularity • 86% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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The London West End Orchestra
Isn't It a Happy Day
95 bpm • G# Maj • 02:50 • -9db
11% Popularity • 83% Danceability • 46% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Raymond Scott
Singing Down the Road (The 37th Secret) ...
95 bpm • F# Maj • 02:26 • -9.93db
17% Popularity • 71% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 88% Positiveness
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Rudy Wiedoeft
Saxophobia
74 bpm • D# Maj • 02:46 • -13.34db
13% Popularity • 49% Danceability • 32% Energy • 15% Liveness
90% Instrumentalness • 94% Positiveness
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Fenno Jazz Band
Muskrat Ramble
95 bpm • F Maj • 02:48 • -12.89db
3% Popularity • 68% Danceability • 29% Energy • 34% Liveness
90% Instrumentalness • 95% Positiveness
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Irving Kaufman & Adrian Schubert & His Salon Orchestra
Rainy Weather Rose
94 bpm • F Maj • 03:00 • -14.38db
11% Popularity • 78% Danceability • 14% Energy • 22% Liveness
36% Instrumentalness • 77% Positiveness
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Members Of The Glenn Miller Orchestra
Under the Double Eagle
95 bpm • G# Maj • 03:06 • -17.68db
13% Popularity • 55% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Terry Waldo
Be Sweet to Me
96 bpm • C min • 03:58 • -10.21db
14% Popularity • 77% Danceability • 32% Energy • 6% Liveness
2% Instrumentalness • 80% Positiveness
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Jazz de Paris
Souvenirs
96 bpm • D# Maj • 02:41 • -10.16db
5% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
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Koichi Sugii
Chinrai-Bushi (チンライ節)
96 bpm • C min • 02:59 • -12.65db
12% Popularity • 70% Danceability • 36% Energy • 8% Liveness
88% Instrumentalness • 58% Positiveness
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Original Dixieland Jazz Band
Palesteena
96 bpm • A min • 02:48 • -22.27db
9% Popularity • 47% Danceability • 14% Energy • 22% Liveness
89% Instrumentalness • 69% Positiveness
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Ipana Troubadours
Do You? That's All I Want to Know
96 bpm • G# Maj • 02:47 • -10.15db
10% Popularity • 80% Danceability • 32% Energy • 5% Liveness
3% Instrumentalness • 94% Positiveness
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Members Of The Glenn Miller Orchestra
Under the Double Eagle
95 bpm • G# Maj • 03:12 • -10.67db
14% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Lew Stone & His Band
Pick Yourself Up
96 bpm • A# Maj • 02:29 • -18.84db
11% Popularity • 86% Danceability • 29% Energy • 19% Liveness
84% Instrumentalness • 61% Positiveness
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Mamie Smith
Lovin' Sam from Alabam
73 bpm • A# Maj • 02:45 • -11db
6% Popularity • 56% Danceability • 24% Energy • 45% Liveness
49% Instrumentalness • 69% Positiveness
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Henry Hall
Never Hitch Your Wagon to a Star
96 bpm • A# Maj • 02:30 • -15.58db
15% Popularity • 55% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Louisiana Rhythm Kings
Ballin' the Jack
96 bpm • C Maj • 03:05 • -9.44db
8% Popularity • 67% Danceability • 57% Energy • 54% Liveness
94% Instrumentalness • 96% Positiveness
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Una Mae Carlisle
Sweet Talk
97 bpm • A min • 03:03 • -16.7db
3% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Aime Barelli
Refrain sauvage
96 bpm • D# Maj • 03:24 • -16.1db
9% Popularity • 68% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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Lee Morse
Love Letters In The Sand
97 bpm • G# Maj • 03:16 • -17.46db
17% Popularity • 45% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Ondřej Havelka
Ghost of the blues
97 bpm • F min • 02:40 • -14.79db
15% Popularity • 62% Danceability • 16% Energy • 23% Liveness
90% Instrumentalness • 81% Positiveness
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Raymond Scott
Careful Conversation at a Diplomatic Fun...
97 bpm • C Maj • 03:09 • -10.23db
11% Popularity • 63% Danceability • 41% Energy • 14% Liveness
93% Instrumentalness • 68% Positiveness
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Ambrose
If I Had a Talking Picture of You
97 bpm • F min • 02:58 • -15.72db
10% Popularity • 86% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 94% Positiveness
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Red Nichols and His Orchestra
Organ Grinder's Song
97 bpm • G Maj • 02:37 • -8.66db
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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Ray McKinley & His Orchestra
I Kiss Your Hand
97 bpm • A# Maj • 03:43 • -13.88db
15% Popularity • 55% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
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Victor Silvester and His Ballroom Orchestra
Mister Sandman
97 bpm • A# min • 02:45 • -16.42db
13% Popularity • 65% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 80% Positiveness
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Raymond Scott
Nice Day in the Country - 1940
97 bpm • C Maj • 02:49 • -14.34db
11% Popularity • 77% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 87% Positiveness
► Preview
Billy Murray
Where Can I Meet You Tonight
97 bpm • A min • 02:23 • -11.89db
4% Popularity • 72% Danceability • 16% Energy • 16% Liveness
5% Instrumentalness • 73% Positiveness
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Henry Hall
You (Just Wonderful You)
97 bpm • C Maj • 02:49 • -15.83db
9% Popularity • 59% Danceability • 18% Energy • 7% Liveness
6% Instrumentalness • 66% Positiveness
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Remersaro Trío
Matisse
97 bpm • A# min • 03:16 • -18.09db
10% Popularity • 61% Danceability • 27% Energy • 66% Liveness
36% Instrumentalness • 75% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Aimé Barelli
Stop !
97 bpm • G min • 02:58 • -12.22db
10% Popularity • 69% Danceability • 46% Energy • 14% Liveness
88% Instrumentalness • 87% Positiveness
► Preview
Una Mae Carlisle
Don't Try Your Jive on Me
97 bpm • G min • 02:52 • -8.93db
10% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Deep Down South