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Deep Down Way Out
Songs like
Deep Down Way Out
by
Orlando Weeks
Based on a tempo of (+/- 10%) and a similar genre
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Nation of Language
A Word & A Wave
170 bpm • E Maj • 03:52 • -10.58db
26% Popularity • 59% Danceability • 75% Energy • 8% Liveness
80% Instrumentalness • 51% Positiveness
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Fyfe
Purpose
170 bpm • A min • 03:15 • -8.44db
23% Popularity • 42% Danceability • 83% Energy • 9% Liveness
25% Instrumentalness • 34% Positiveness
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Ben Zaidi
Ben Zaidi's Blues.
170 bpm • A# min • 04:52 • -12db
22% Popularity • 69% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 88% Positiveness
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Pale Blue Eyes
Tv Flicker
170 bpm • A# Maj • 03:07 • -7.4db
32% Popularity • 42% Danceability • 84% Energy • 24% Liveness
23% Instrumentalness • 59% Positiveness
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Orlando Weeks
Deep Down Way Out
170 bpm • A Maj • 02:43 • -10db
28% Popularity • 58% Danceability • 47% Energy • 23% Liveness
58% Instrumentalness • 43% Positiveness
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Lost Horizons
Every Beat That Passed
170 bpm • A Maj • 03:45 • -6.29db
17% Popularity • 42% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Nation of Language
Across That Fine Line
170 bpm • A Maj • 05:25 • -7.81db
44% Popularity • 62% Danceability • 65% Energy • 65% Liveness
69% Instrumentalness • 96% Positiveness
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Bleach Lab
Real Thing
170 bpm • C Maj • 04:18 • -7.84db
19% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Avalanches
Gold Sky
172 bpm • D Maj • 04:28 • -7.41db
38% Popularity • 34% Danceability • 69% Energy • 70% Liveness
59% Instrumentalness • 36% Positiveness
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Cassandra Jenkins
Pygmalion
168 bpm • E min • 02:30 • -9.2db
20% Popularity • 40% Danceability • 43% Energy • 11% Liveness
33% Instrumentalness • 19% Positiveness
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Sam Evian
Knock Knock
172 bpm • G min • 03:52 • -6.93db
30% Popularity • 59% Danceability • 67% Energy • 23% Liveness
69% Instrumentalness • 88% Positiveness
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Bullion
Strike A Light
172 bpm • A Maj • 03:43 • -9.92db
14% Popularity • 64% Danceability • 64% Energy • 10% Liveness
37% Instrumentalness • 31% Positiveness
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Gregor
The Rock (and the Stars)
172 bpm • G Maj • 04:32 • -7.46db
12% Popularity • 38% Danceability • 49% Energy • 9% Liveness
52% Instrumentalness • 17% Positiveness
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Marlon Williams
River Rival
168 bpm • G Maj • 02:32 • -9.81db
27% Popularity • 48% Danceability • 48% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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This Is The Kit
Bad Feeling
173 bpm • D# Maj • 02:35 • -11.1db
15% Popularity • 61% Danceability • 41% Energy • 7% Liveness
3% Instrumentalness • 74% Positiveness
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John Moods
Anyone
174 bpm • C# min • 04:11 • -11.1db
18% Popularity • 55% Danceability • 50% Energy • 38% Liveness
61% Instrumentalness • 16% Positiveness
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Sam Evian
Freezee Pops
167 bpm • F Maj • 03:43 • -8.73db
28% Popularity • 60% Danceability • 73% Energy • 8% Liveness
89% Instrumentalness • 90% Positiveness
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Bullion
Heartbreak Road
167 bpm • G Maj • 03:00 • -8.77db
28% Popularity • 78% Danceability • 58% Energy • 8% Liveness
42% Instrumentalness • 63% Positiveness
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Rozi Plain
Silent Fan
175 bpm • C Maj • 04:43 • -15.14db
16% Popularity • 54% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Charles Watson
Afghan Hound
175 bpm • F Maj • 03:01 • -11.29db
10% Popularity • 58% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 50% Positiveness
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Kennebec
Leaving The Canyons - Radio Edit
176 bpm • C# min • 03:06 • -9.53db
20% Popularity • 45% Danceability • 54% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Bess Atwell
All You Can Do
163 bpm • C# min • 03:04 • -8.73db
39% Popularity • 36% Danceability • 62% Energy • 7% Liveness
10% Instrumentalness • 44% Positiveness
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Chartreuse
Feed Be Fed
161 bpm • F# Maj • 04:13 • -11.42db
22% Popularity • 60% Danceability • 59% Energy • 7% Liveness
74% Instrumentalness • 58% Positiveness
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Jane Weaver
Flock
180 bpm • D# min • 03:25 • -6.8db
31% Popularity • 18% Danceability • 70% Energy • 10% Liveness
67% Instrumentalness • 27% Positiveness
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Nation of Language
Former Self
180 bpm • G# min • 05:10 • -11.79db
36% Popularity • 55% Danceability • 44% Energy • 13% Liveness
71% Instrumentalness • 52% Positiveness
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Metronomy
Loneliness on the run
180 bpm • G Maj • 03:39 • -10.18db
35% Popularity • 66% Danceability • 54% Energy • 10% Liveness
45% Instrumentalness • 56% Positiveness
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Kennebec
Leaving the Canyons
176 bpm • E Maj • 04:54 • -11.18db
30% Popularity • 36% Danceability • 42% Energy • 7% Liveness
78% Instrumentalness • 5% Positiveness
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NewDad
Ladybird
180 bpm • D# Maj • 04:05 • -8.01db
29% Popularity • 39% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Chartreuse
Deep Fat
181 bpm • G Maj • 02:50 • -9.41db
36% Popularity • 53% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Ishmael Ensemble
Morning Chorus
160 bpm • A# Maj • 05:29 • -16db
29% Popularity • 60% Danceability • 51% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Nation of Language
Stars and Sons
180 bpm • G Maj • 05:36 • -9.27db
15% Popularity • 59% Danceability • 72% Energy • 7% Liveness
80% Instrumentalness • 96% Positiveness
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Hayden Thorpe
Golden Ratio
160 bpm • D Maj • 04:27 • -11.66db
14% Popularity • 51% Danceability • 50% Energy • 11% Liveness
14% Instrumentalness • 33% Positiveness
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Hamish Hawk
The Mauritian Badminton Doubles Champion...
160 bpm • A# Maj • 03:38 • -9.12db
35% Popularity • 41% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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mauv
Change Will Come Anyway
160 bpm • G# Maj • 03:03 • -7.96db
21% Popularity • 57% Danceability • 66% Energy • 6% Liveness
3% Instrumentalness • 17% Positiveness
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Du Blonde
All The Way
160 bpm • A Maj • 03:20 • -8db
28% Popularity • 39% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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My Idea
Cry Mfer
182 bpm • C# Maj • 04:14 • -9db
16% Popularity • 48% Danceability • 71% Energy • 12% Liveness
25% Instrumentalness • 41% Positiveness
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BC Camplight
Shortly After Takeoff
160 bpm • D Maj • 03:31 • -7.92db
20% Popularity • 40% Danceability • 64% Energy • 53% Liveness
5% Instrumentalness • 56% Positiveness
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Rozi Plain
Jogalong
158 bpm • F Maj • 03:57 • -13db
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
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Sofie Royer
Schweden Espresso
158 bpm • F# Maj • 04:28 • -8.17db
21% Popularity • 55% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Ishmael Ensemble
The Gift
184 bpm • B min • 04:20 • -10.7db
20% Popularity • 32% Danceability • 56% Energy • 8% Liveness
5% Instrumentalness • 61% Positiveness
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Orlando Weeks
Silver
158 bpm • C# Maj • 03:22 • -10.26db
10% Popularity • 47% Danceability • 29% Energy • 20% Liveness
1% Instrumentalness • 16% Positiveness
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Cola
Water Table
157 bpm • C# min • 04:03 • -11db
40% Popularity • 77% Danceability • 58% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Nation of Language
This Fractured Mind
156 bpm • F Maj • 05:20 • -7.29db
39% Popularity • 64% Danceability • 58% Energy • 9% Liveness
40% Instrumentalness • 90% Positiveness
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Public Service Broadcasting
Blue Heaven
156 bpm • D Maj • 04:17 • -8.67db
31% Popularity • 33% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Joan As Police Woman
Geometry Of You
156 bpm • D min • 05:40 • -8.97db
21% Popularity • 62% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Matthew E. White
Genuine Hesitation
155 bpm • C Maj • 07:10 • -6db
19% Popularity • 57% Danceability • 94% Energy • 18% Liveness
33% Instrumentalness • 64% Positiveness
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Orlando Weeks
Summer Clothes
156 bpm • C Maj • 03:59 • -16.63db
9% Popularity • 40% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Louis Prince
The Number Thirteen
155 bpm • C# min • 04:14 • -10.67db
39% Popularity • 50% Danceability • 51% Energy • 10% Liveness
81% Instrumentalness • 65% Positiveness
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Nation of Language
Tournament
156 bpm • G Maj • 03:58 • -7.26db
40% Popularity • 55% Danceability • 82% Energy • 21% Liveness
3% Instrumentalness • 56% Positiveness
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Hayden Thorpe
The Universe Is Always Right
155 bpm • F# Maj • 04:04 • -11.07db
20% Popularity • 65% Danceability • 57% Energy • 11% Liveness
25% Instrumentalness • 49% Positiveness
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Joan As Police Woman
Get My Bearings
155 bpm • A min • 04:46 • -9.74db
29% Popularity • 54% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Sofia Bolt
Get out of My Head
155 bpm • C# Maj • 03:49 • -8.57db
33% Popularity • 42% Danceability • 67% Energy • 11% Liveness
25% Instrumentalness • 36% Positiveness
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Kurt Vile
Palace of OKV in Reverse
187 bpm • F# Maj • 02:53 • -10.31db
44% Popularity • 26% Danceability • 58% Energy • 23% Liveness
78% Instrumentalness • 40% Positiveness
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Alexis Taylor
Dying in Heaven
154 bpm • F Maj • 04:42 • -10.96db
12% Popularity • 39% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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Nation of Language
Androgynous
156 bpm • B Maj • 03:32 • -11db
25% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Gretel
Motorbike
154 bpm • B Maj • 03:26 • -6.41db
27% Popularity • 64% Danceability • 82% Energy • 11% Liveness
47% Instrumentalness • 83% Positiveness
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Albertine Sarges
Oh My Love
154 bpm • E min • 04:51 • -7.64db
11% Popularity • 62% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 53% Positiveness
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Laundromat
Combo
153 bpm • G# Maj • 03:20 • -5.7db
21% Popularity • 31% Danceability • 75% Energy • 10% Liveness
2% Instrumentalness • 92% Positiveness
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Coco
Come Along
150 bpm • C Maj • 04:10 • -9.83db
29% Popularity • 63% Danceability • 52% Energy • 24% Liveness
50% Instrumentalness • 65% Positiveness
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Pale Blue Eyes
Dr Pong
154 bpm • C Maj • 07:22 • -7.09db
17% Popularity • 45% Danceability • 89% Energy • 14% Liveness
78% Instrumentalness • 75% Positiveness
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Jack Peñate
Crumbs
149 bpm • D# Maj • 03:45 • -11.43db
9% Popularity • 55% Danceability • 32% Energy • 11% Liveness
22% Instrumentalness • 47% Positiveness
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Becca Mancari
Hunter
150 bpm • C Maj • 02:49 • -6.3db
30% Popularity • 71% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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Chartreuse
Enemy's Belly
194 bpm • F min • 04:08 • -9.94db
25% Popularity • 50% Danceability • 81% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Billy Nomates
blue bones (deathwish)
148 bpm • A Maj • 03:18 • -10db
36% Popularity • 68% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Plants and Animals
The Jungle
148 bpm • G# Maj • 05:43 • -8.66db
16% Popularity • 61% Danceability • 82% Energy • 60% Liveness
90% Instrumentalness • 65% Positiveness
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Laura Groves
Foolish Game
148 bpm • F Maj • 04:11 • -10.79db
10% Popularity • 28% Danceability • 44% Energy • 32% Liveness
14% Instrumentalness • 16% Positiveness
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Jane Weaver
Sunset Dreams
147 bpm • E min • 04:27 • -7.8db
22% Popularity • 61% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Cat Power
Unhate
147 bpm • C# Maj • 02:44 • -8db
25% Popularity • 48% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Pale Blue Eyes
Little Gem
146 bpm • D Maj • 03:05 • -8.28db
26% Popularity • 55% Danceability • 68% Energy • 9% Liveness
25% Instrumentalness • 72% Positiveness
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LUMP
We Cannot Resist
146 bpm • C# Maj • 04:45 • -11db
23% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Nation of Language
Miranda
146 bpm • C Maj • 03:42 • -10.96db
27% Popularity • 57% Danceability • 36% Energy • 10% Liveness
14% Instrumentalness • 9% Positiveness
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Braxe + Falcon
Step By Step - 12" Version
146 bpm • C# Maj • 05:22 • -7.14db
26% Popularity • 47% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Friendly Fires
Before Your Eyes
145 bpm • D Maj • 07:54 • -8.77db
21% Popularity • 48% Danceability • 67% Energy • 10% Liveness
34% Instrumentalness • 30% Positiveness
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Mieke Miami
Cry Baby Cry
145 bpm • C Maj • 02:53 • -8.63db
22% Popularity • 73% Danceability • 65% Energy • 13% Liveness
16% Instrumentalness • 66% Positiveness
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Katy J Pearson
Talk Over Town
145 bpm • G min • 05:52 • -7.09db
28% Popularity • 59% Danceability • 80% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
► Preview
LUMP
We Cannot Resist - Edit
146 bpm • C# Maj • 03:13 • -9.77db
20% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Braxe + Falcon
Step By Step
146 bpm • C# Maj • 04:02 • -7.06db
37% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Orlando Weeks
Big Skies, Silly Faces
200 bpm • C Maj • 03:55 • -10.84db
18% Popularity • 64% Danceability • 34% Energy • 9% Liveness
42% Instrumentalness • 41% Positiveness
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Hamish Hawk
Calls to Tiree
202 bpm • D Maj • 03:12 • -7.13db
26% Popularity • 33% Danceability • 71% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
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Katy J Pearson
Beautiful Soul
145 bpm • G Maj • 03:16 • -5.91db
38% Popularity • 59% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Deep Down Way Out