Songs like Deference for Darkness by Martin O'Donnell
Based on a tempo of (+/- 10%) and a similar genre
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Ramin Djawadi
The Shatterdome
92 bpm • G# Maj • 02:31 • -17.58db
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
34% Popularity • 61% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Stuart Chatwood
Battle in the Warrens
92 bpm • G Maj • 01:20 • -14.3db
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
41% Popularity • 50% Danceability • 62% Energy • 14% Liveness
88% Instrumentalness • 55% Positiveness
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Sean Murray
Flaming Dart
92 bpm • C Maj • 03:04 • -11db
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Petri Alanko
Welcome to Bright Falls
93 bpm • G min • 04:25 • -19db
29% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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SIE Sound Team
Hunter's Dream
91 bpm • G# min • 03:34 • -29.75db
49% Popularity • 11% Danceability • 7% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 7% Energy • 19% Liveness
50% Instrumentalness • 4% Positiveness
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Jeff Rona
Anthem of the Dead
91 bpm • C Maj • 01:17 • -10.87db
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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AmaurisWill
Miami
93 bpm • D min • 02:20 • -9.02db
2% Popularity • 55% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 55% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Hans Zimmer
Deadline
93 bpm • A Maj • 03:55 • -14.36db
34% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
34% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 23% Positiveness
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Sean Murray
Cube One
92 bpm • C Maj • 00:58 • -13db
23% Popularity • 39% Danceability • 38% Energy • 91% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 39% Danceability • 38% Energy • 91% Liveness
1% Instrumentalness • 8% Positiveness
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Martin O'Donnell
Shell Four
93 bpm • C# Maj • 02:06 • -16.41db
2% Popularity • 61% Danceability • 36% Energy • 26% Liveness
84% Instrumentalness • 19% Positiveness
2% Popularity • 61% Danceability • 36% Energy • 26% Liveness
84% Instrumentalness • 19% Positiveness
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Johan Söderqvist
Mud And Blood
90 bpm • A min • 03:04 • -19.2db
30% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
30% Popularity • 10% Danceability • 14% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Gerard Marino
God of War III Overture
91 bpm • D Maj • 03:36 • -9.21db
44% Popularity • 35% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
44% Popularity • 35% Danceability • 61% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Jose Pavli
Selections
90 bpm • C Maj • 01:37 • -23.82db
26% Popularity • 53% Danceability • 38% Energy • 9% Liveness
85% Instrumentalness • 38% Positiveness
26% Popularity • 53% Danceability • 38% Energy • 9% Liveness
85% Instrumentalness • 38% Positiveness
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SIE Sound Team
Terror
90 bpm • F# Maj • 03:51 • -11db
39% Popularity • 36% Danceability • 43% Energy • 7% Liveness
74% Instrumentalness • 16% Positiveness
39% Popularity • 36% Danceability • 43% Energy • 7% Liveness
74% Instrumentalness • 16% Positiveness
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Sean Murray
Mac-V
92 bpm • D Maj • 02:17 • -12db
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
33% Popularity • 60% Danceability • 66% Energy • 9% Liveness
55% Instrumentalness • 8% Positiveness
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Marcin Przybyłowicz
The Beast Of Beauclair
90 bpm • G Maj • 01:37 • -8.28db
39% Popularity • 37% Danceability • 90% Energy • 53% Liveness
86% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 90% Energy • 53% Liveness
86% Instrumentalness • 14% Positiveness
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Tim Wynn
Ambush
90 bpm • D Maj • 04:56 • -17.65db
18% Popularity • 45% Danceability • 62% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
18% Popularity • 45% Danceability • 62% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
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Bill Brown
Zero Hour Main Theme
90 bpm • E min • 03:10 • -14db
28% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
28% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Martin O'Donnell
Dreamer's Lullaby - Orchestra
90 bpm • D# Maj • 03:09 • -14.32db
8% Popularity • 18% Danceability • 20% Energy • 51% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 20% Energy • 51% Liveness
93% Instrumentalness • 4% Positiveness
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Frank Klepacki
Makin' a Sweep
90 bpm • G Maj • 03:15 • -14.25db
25% Popularity • 72% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
25% Popularity • 72% Danceability • 44% Energy • 11% Liveness
79% Instrumentalness • 22% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
32% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Mick Gordon
The Kreisau Circle
90 bpm • G min • 01:23 • -26.44db
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
38% Popularity • 64% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 9% Positiveness
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Johan Söderqvist
Triumph
94 bpm • D min • 02:25 • -14db
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
34% Popularity • 34% Danceability • 56% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Kevin Riepl
Jacinto Prison
95 bpm • D Maj • 02:48 • -23.9db
17% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
17% Popularity • 64% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Nick Arundel
Arkham City Main Theme
95 bpm • C# Maj • 02:47 • -13.86db
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
50% Popularity • 22% Danceability • 54% Energy • 9% Liveness
67% Instrumentalness • 8% Positiveness
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Jack Wall
Spectre Induction
95 bpm • A min • 01:52 • -12.35db
32% Popularity • 44% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
32% Popularity • 44% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Andreas Waldetoft
The Imperial Fleet
95 bpm • E min • 05:27 • -16.65db
29% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
29% Popularity • 46% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Ilan Eshkeri
The Way of the Samurai
95 bpm • G min • 03:19 • -11.75db
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
38% Popularity • 55% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 26% Positiveness
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Tim Wynn
Infiltrator
95 bpm • G Maj • 02:16 • -12.78db
26% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 69% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
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Ludvig Forssell
Bloodstained Anthem
95 bpm • C Maj • 01:23 • -15.68db
29% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
29% Popularity • 39% Danceability • 58% Energy • 58% Liveness
82% Instrumentalness • 26% Positiveness
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Martin O'Donnell
Halo Theme
89 bpm • F# Maj • 03:45 • -17.03db
15% Popularity • 13% Danceability • 22% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 22% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Crouch End Festival Chorus
Batman Arkham City: Main Theme
95 bpm • B Maj • 02:57 • -16.79db
25% Popularity • 48% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
25% Popularity • 48% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Mick Gordon
14 Years
89 bpm • G min • 01:21 • -25db
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
38% Popularity • 57% Danceability • 7% Energy • 11% Liveness
47% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
No Mercy
95 bpm • G# Maj • 04:10 • -13.27db
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 28% Liveness
69% Instrumentalness • 23% Positiveness
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Nick Arundel
You Should Have Listened to My Warning
89 bpm • C# Maj • 02:10 • -13.87db
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 73% Energy • 13% Liveness
84% Instrumentalness • 54% Positiveness
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Daniel Licht
Ambients
89 bpm • E min • 02:10 • -25.31db
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
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Martin O'Donnell
Main Theme
89 bpm • A Maj • 06:18 • -14.74db
20% Popularity • 18% Danceability • 51% Energy • 69% Liveness
87% Instrumentalness • 20% Positiveness
20% Popularity • 18% Danceability • 51% Energy • 69% Liveness
87% Instrumentalness • 20% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
35% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Mikael Karlsson
The Secret Revealed - Edit
89 bpm • C# min • 01:01 • -18.83db
17% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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SIE Sound Team
The Night Unfurls
88 bpm • C Maj • 02:05 • -17.18db
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 9% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
A Reckoning in Blood
88 bpm • G min • 04:35 • -12.76db
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 30% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Stephen Rippy
I, Menevero
88 bpm • G Maj • 02:33 • -12.02db
23% Popularity • 12% Danceability • 24% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 24% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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John Paesano
Behind the Mask
88 bpm • G min • 02:19 • -19.74db
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Hans Zimmer
Onwards
96 bpm • D Maj • 02:27 • -10db
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
37% Popularity • 46% Danceability • 78% Energy • 10% Liveness
73% Instrumentalness • 31% Positiveness
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Martin O'Donnell
Fanfare
96 bpm • A Maj • 01:58 • -8.27db
7% Popularity • 40% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
7% Popularity • 40% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 13% Positiveness
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Tim Wynn
First Flight
96 bpm • G Maj • 01:22 • -13.27db
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
30% Popularity • 43% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Halo
Neon Night
96 bpm • F# Maj • 05:37 • -25.75db
42% Popularity • 33% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 39% Positiveness
42% Popularity • 33% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 39% Positiveness
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Mikael Karlsson
The Storm - Main Theme
88 bpm • A# min • 04:28 • -8.64db
24% Popularity • 17% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
24% Popularity • 17% Danceability • 69% Energy • 14% Liveness
88% Instrumentalness • 15% Positiveness
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SIE Sound Team
The Hunter
97 bpm • C Maj • 03:25 • -11db
46% Popularity • 22% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
46% Popularity • 22% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Hans Zimmer
Code of Conduct
96 bpm • D Maj • 02:09 • -13db
41% Popularity • 47% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
41% Popularity • 47% Danceability • 65% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Sam Hulick
The Fate Of The Galaxy
87 bpm • A# min • 01:21 • -16.77db
33% Popularity • 12% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Justin E. Bell
Hope, Forever
87 bpm • D min • 01:59 • -18.98db
40% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
40% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Halo
Impart
88 bpm • F# min • 02:26 • -13.25db
41% Popularity • 58% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
41% Popularity • 58% Danceability • 38% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Christopher Drake
Deathstroke
87 bpm • C# Maj • 04:06 • -14.13db
25% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
25% Popularity • 19% Danceability • 55% Energy • 22% Liveness
84% Instrumentalness • 17% Positiveness
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Nima Fakhrara
Hostage - Connor
98 bpm • A# min • 02:52 • -15db
44% Popularity • 70% Danceability • 67% Energy • 19% Liveness
91% Instrumentalness • 40% Positiveness
44% Popularity • 70% Danceability • 67% Energy • 19% Liveness
91% Instrumentalness • 40% Positiveness
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Harry Gregson-Williams
Power Changes Everything
98 bpm • G Maj • 01:19 • -18.07db
32% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
32% Popularity • 57% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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Yuka Kitamura
Dancer of the Boreal Valley
86 bpm • C# Maj • 03:25 • -11.82db
34% Popularity • 12% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 12% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Jason Graves
Dead Space Theme
86 bpm • A Maj • 03:33 • -25.75db
24% Popularity • 17% Danceability • 15% Energy • 32% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 15% Energy • 32% Liveness
96% Instrumentalness • 4% Positiveness
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ChillHop Beats
Street Speed
99 bpm • G Maj • 01:35 • -22.77db
7% Popularity • 49% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
7% Popularity • 49% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Mikael Karlsson
The Secret Revealed
85 bpm • G# Maj • 04:04 • -17.08db
13% Popularity • 9% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
13% Popularity • 9% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Marcin Przybyłowicz
Geralt Of Rivia
85 bpm • E min • 02:21 • -12.68db
55% Popularity • 26% Danceability • 57% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
55% Popularity • 26% Danceability • 57% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Sean Murray
Pentagon
85 bpm • D Maj • 03:13 • -15.48db
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
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Borislav Slavov
Battery Park
85 bpm • G# min • 02:45 • -17.14db
21% Popularity • 14% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
21% Popularity • 14% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Stephen Rippy
Get Ye Sum
100 bpm • C Maj • 03:17 • -12.63db
22% Popularity • 41% Danceability • 24% Energy • 29% Liveness
75% Instrumentalness • 7% Positiveness
22% Popularity • 41% Danceability • 24% Energy • 29% Liveness
75% Instrumentalness • 7% Positiveness
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Yuka Kitamura
Pontiff Sulyvahn
85 bpm • D# Maj • 03:56 • -11db
37% Popularity • 14% Danceability • 42% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
37% Popularity • 14% Danceability • 42% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Rich Douglas
Metal Gear Solid Theme
100 bpm • A min • 02:29 • -14.61db
31% Popularity • 37% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 37% Danceability • 32% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Martin O'Donnell
Vision of a Lasting Flame - Piano and Or...
85 bpm • A# min • 04:48 • -17.96db
8% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Ryan Amon
Undone by the Blood [The First Hunter]
100 bpm • G# Maj • 05:09 • -10db
30% Popularity • 37% Danceability • 44% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
30% Popularity • 37% Danceability • 44% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
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Tim Wynn
Squad Loadout
100 bpm • G min • 02:23 • -12.44db
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
32% Popularity • 52% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 56% Positiveness
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Jeremy Soule
Tooth and Claw
100 bpm • G# Maj • 01:48 • -21.2db
49% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
49% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Patrik Jarlestam
Welcome To Valheim - Menu Theme
100 bpm • D min • 03:38 • -13.47db
29% Popularity • 16% Danceability • 43% Energy • 10% Liveness
38% Instrumentalness • 20% Positiveness
29% Popularity • 16% Danceability • 43% Energy • 10% Liveness
38% Instrumentalness • 20% Positiveness
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Marc Canham
The Eyes Move Out
100 bpm • A# min • 01:57 • -17.5db
13% Popularity • 75% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 78% Positiveness
13% Popularity • 75% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 78% Positiveness
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Bill Brown
Raid In Progress
100 bpm • E min • 03:15 • -14.56db
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 11% Liveness
85% Instrumentalness • 36% Positiveness
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Sam Hulick
I Was Lost Without You
100 bpm • D min • 02:34 • -13.26db
42% Popularity • 25% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
42% Popularity • 25% Danceability • 10% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Johan Söderqvist
Knights Of The Sky
100 bpm • E min • 03:24 • -15db
32% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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SIE Sound Team
Darkbeast
100 bpm • F# Maj • 04:56 • -10.79db
37% Popularity • 16% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
37% Popularity • 16% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
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Jack Wall
The Presidium
100 bpm • G min • 01:31 • -13.64db
32% Popularity • 42% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
32% Popularity • 42% Danceability • 38% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Tyler Bates
Madness of the Fury Queen
100 bpm • C# min • 02:33 • -9.7db
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 24% Danceability • 84% Energy • 25% Liveness
94% Instrumentalness • 24% Positiveness
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Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Nima Fakhrara
Now - Connor
84 bpm • D Maj • 02:19 • -8db
40% Popularity • 22% Danceability • 97% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
40% Popularity • 22% Danceability • 97% Energy • 13% Liveness
90% Instrumentalness • 29% Positiveness
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Martin O'Donnell
Silent Tide
84 bpm • A min • 04:54 • -16.79db
8% Popularity • 12% Danceability • 11% Energy • 25% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 11% Energy • 25% Liveness
96% Instrumentalness • 4% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
33% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
33% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Halo
Punishment
84 bpm • A# min • 02:37 • -20db
33% Popularity • 13% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Danger Boy
To Chat
83 bpm • A# min • 02:07 • -9.87db
7% Popularity • 44% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
7% Popularity • 44% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Tim Wynn
Last Hope
83 bpm • D Maj • 01:42 • -13.63db
28% Popularity • 45% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Martin O'Donnell
Kindled Echoes
84 bpm • C Maj • 05:13 • -14.06db
11% Popularity • 19% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 22% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Sam Hulick
A Future That Many Will Never See
83 bpm • F# Maj • 01:33 • -13.56db
24% Popularity • 20% Danceability • 33% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
24% Popularity • 20% Danceability • 33% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Bill Brown
Helix Armada
83 bpm • G min • 03:23 • -14.51db
21% Popularity • 44% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 28% Positiveness
21% Popularity • 44% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 28% Positiveness
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Nick Arundel
Evening the Odds
102 bpm • E min • 03:40 • -21.63db
34% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 49% Danceability • 46% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Lord Shimura
101 bpm • C min • 02:15 • -13db
35% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
35% Popularity • 47% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 9% Positiveness
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Frank Klepacki
Mother of All Weapons
102 bpm • D Maj • 03:20 • -13.81db
24% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
24% Popularity • 21% Danceability • 53% Energy • 12% Liveness
67% Instrumentalness • 16% Positiveness
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Martin O'Donnell
The Chosen Ruins
83 bpm • A Maj • 06:00 • -17.26db
2% Popularity • 11% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
2% Popularity • 11% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Wilbert Roget, II
Birds of Prey
102 bpm • D Maj • 02:56 • -10.31db
27% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
27% Popularity • 40% Danceability • 42% Energy • 27% Liveness
87% Instrumentalness • 23% Positiveness
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Hans Zimmer
Extraction Point
83 bpm • D Maj • 03:35 • -10.66db
46% Popularity • 45% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
46% Popularity • 45% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Halo
This Glittering Band
83 bpm • A# Maj • 02:33 • -11.04db
34% Popularity • 56% Danceability • 58% Energy • 6% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 56% Danceability • 58% Energy • 6% Liveness
96% Instrumentalness • 44% Positiveness
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James Hannigan
Moon Crash
83 bpm • D Maj • 07:03 • -12.71db
10% Popularity • 12% Danceability • 65% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
10% Popularity • 12% Danceability • 65% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
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John Paesano
Spider-Man
82 bpm • G min • 03:26 • -18.83db
48% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 10% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
