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Defiant
Songs like
Defiant
by
Charles Lloyd
Based on a tempo of (+/- 10%) and a similar genre
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Tord Gustavsen Trio
Being There
84 bpm • G# Maj • 04:11 • -26db
40% Popularity • 55% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Zara McFarlane
Silhouette
84 bpm • A# min • 05:24 • -12.98db
17% Popularity • 40% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 10% Positiveness
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Charles Lloyd
Dust
84 bpm • C Maj • 07:58 • -10db
17% Popularity • 44% Danceability • 48% Energy • 15% Liveness
6% Instrumentalness • 37% Positiveness
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Bob Reynolds
Crush
84 bpm • E min • 06:17 • -14.66db
16% Popularity • 42% Danceability • 39% Energy • 68% Liveness
84% Instrumentalness • 16% Positiveness
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Stéphane Kerecki
All I Need
84 bpm • C Maj • 07:12 • -12.52db
29% Popularity • 52% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Esbjörn Svensson Trio
Ballad for the Unborn
84 bpm • G min • 05:32 • -20.26db
26% Popularity • 38% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 12% Positiveness
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Tord Gustavsen Trio
Kirken, den er et gammelt hus
84 bpm • B min • 05:13 • -19.12db
30% Popularity • 34% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Ron Miles
Queen Of The South
83 bpm • F# Maj • 04:20 • -11.58db
29% Popularity • 63% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Skydive Trio
Bravo
85 bpm • G Maj • 05:31 • -13.63db
13% Popularity • 56% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 51% Positiveness
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Charles Lloyd
Defiant
84 bpm • G# Maj • 08:41 • -14.51db
27% Popularity • 36% Danceability • 22% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Myriam Alter
Come With Me
83 bpm • C# Maj • 07:23 • -18db
27% Popularity • 42% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Dave Brubeck
Autumn in Washington Square
83 bpm • F min • 05:28 • -27.7db
32% Popularity • 40% Danceability • 2% Energy • 7% Liveness
59% Instrumentalness • 14% Positiveness
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Oded Tzur
Here Be Dragons
83 bpm • G min • 08:29 • -25.05db
32% Popularity • 27% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Bobo Stenson Trio
Oleo De Mujer Con Sombrero
83 bpm • D Maj • 08:30 • -23.58db
18% Popularity • 46% Danceability • 12% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Lester Bowie
Rios Negroes
83 bpm • D Maj • 07:15 • -19.12db
25% Popularity • 50% Danceability • 18% Energy • 9% Liveness
11% Instrumentalness • 15% Positiveness
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Aldo Romano
Inner Smile
83 bpm • G Maj • 03:17 • -20.16db
38% Popularity • 32% Danceability • 18% Energy • 12% Liveness
52% Instrumentalness • 6% Positiveness
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Tomasz Stanko Quintet
So Nice
82 bpm • F min • 05:52 • -16.7db
19% Popularity • 32% Danceability • 6% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
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Tord Gustavsen Trio
Edges Of Happiness
82 bpm • A# Maj • 03:03 • -23.73db
44% Popularity • 63% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Philip Catherine
Seven Teas
82 bpm • G Maj • 02:21 • -10.26db
21% Popularity • 38% Danceability • 40% Energy • 21% Liveness
91% Instrumentalness • 39% Positiveness
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Bobo Stenson Trio
Oktoberhavet
83 bpm • G Maj • 05:52 • -22.16db
32% Popularity • 48% Danceability • 17% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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Yaron Herman Trio
Heart Shaped Box
82 bpm • G# min • 04:37 • -13.4db
31% Popularity • 48% Danceability • 40% Energy • 9% Liveness
54% Instrumentalness • 17% Positiveness
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Dave Douglas
Soar Away
86 bpm • D min • 03:58 • -18db
21% Popularity • 53% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Airelle Besson
Time to Say Goodbye
82 bpm • G Maj • 03:20 • -19.34db
36% Popularity • 33% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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Aaron Parks
Lilac
81 bpm • B min • 02:21 • -21.43db
46% Popularity • 26% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Mathias Eick
Children
87 bpm • G# Maj • 05:42 • -15.31db
32% Popularity • 52% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 28% Positiveness
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Enrico Pieranunzi
Sicilyan Dream (D’après Siciliano, BW...
87 bpm • F Maj • 04:37 • -17db
32% Popularity • 32% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Yaron Herman Trio
Just Being
82 bpm • C# Maj • 04:13 • -12.62db
10% Popularity • 49% Danceability • 52% Energy • 9% Liveness
91% Instrumentalness • 78% Positiveness
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Joachim Kühn
Sleep on It
81 bpm • F# Maj • 04:18 • -14.37db
15% Popularity • 71% Danceability • 38% Energy • 7% Liveness
82% Instrumentalness • 48% Positiveness
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Trio X of Sweden
Somaoh
81 bpm • G Maj • 03:48 • -18.2db
29% Popularity • 66% Danceability • 29% Energy • 8% Liveness
79% Instrumentalness • 55% Positiveness
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Aldo Romano
Lontano
87 bpm • E min • 04:26 • -18.04db
35% Popularity • 41% Danceability • 22% Energy • 9% Liveness
46% Instrumentalness • 20% Positiveness
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Tord Gustavsen Quartet
Right There
87 bpm • F Maj • 02:53 • -29.7db
43% Popularity • 48% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Charles Lloyd
Shenandoah
81 bpm • D Maj • 06:21 • -15.07db
17% Popularity • 45% Danceability • 19% Energy • 11% Liveness
55% Instrumentalness • 16% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Monty Alexander
No Woman No Cry
87 bpm • C Maj • 07:06 • -15.18db
29% Popularity • 54% Danceability • 43% Energy • 79% Liveness
93% Instrumentalness • 36% Positiveness
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Walter Smith III
ACE
87 bpm • C# Maj • 05:04 • -9.75db
12% Popularity • 62% Danceability • 37% Energy • 10% Liveness
50% Instrumentalness • 20% Positiveness
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Joe Lovano
Seeds Of Change
87 bpm • G# min • 05:13 • -20.59db
33% Popularity • 34% Danceability • 5% Energy • 16% Liveness
9% Instrumentalness • 22% Positiveness
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Fats Waller
Sweet & Slow
87 bpm • C Maj • 08:03 • -19db
24% Popularity • 66% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 31% Positiveness
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Charles Lloyd
Tone Poem
81 bpm • C# Maj • 09:02 • -16.46db
7% Popularity • 46% Danceability • 29% Energy • 9% Liveness
35% Instrumentalness • 66% Positiveness
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Jamie Saft
Ten Nights
81 bpm • F min • 05:26 • -14.81db
12% Popularity • 33% Danceability • 59% Energy • 29% Liveness
79% Instrumentalness • 54% Positiveness
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Christian McBride
Ballad of Ernie Washington
87 bpm • D# min • 05:34 • -12.87db
10% Popularity • 40% Danceability • 20% Energy • 13% Liveness
78% Instrumentalness • 23% Positiveness
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Kalle Kalima
Strong Wind, Deep Water, Tall Trees, War...
87 bpm • A min • 06:07 • -16.94db
12% Popularity • 44% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Julian & Roman Wasserfuhr
Tutto
88 bpm • F min • 05:11 • -11.85db
16% Popularity • 58% Danceability • 48% Energy • 6% Liveness
89% Instrumentalness • 76% Positiveness
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Andy Sheppard
Indian Summer
88 bpm • G min • 05:16 • -14.05db
12% Popularity • 68% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Charles Lloyd
All About Ronnie
81 bpm • C min • 04:17 • -14.34db
9% Popularity • 42% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 28% Positiveness
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Jamie Saft
You Don't Know the Life
81 bpm • F# min • 06:09 • -14.99db
8% Popularity • 39% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Ry Cooder
La luna en tu mirada
80 bpm • A min • 04:12 • -14.33db
31% Popularity • 49% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Abdullah Ibrahim
Water From An Ancient Well
80 bpm • C# Maj • 05:42 • -16db
30% Popularity • 48% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Ambrose Akinmusire
Marie Christie
88 bpm • A min • 03:15 • -18.3db
28% Popularity • 46% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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John Surman
Whistman's Wood
88 bpm • A min • 06:32 • -15.92db
26% Popularity • 40% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 10% Positiveness
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Charles Lloyd
All My Trials
81 bpm • F Maj • 05:00 • -15.39db
16% Popularity • 53% Danceability • 15% Energy • 15% Liveness
28% Instrumentalness • 26% Positiveness
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New Cool Collective
Villechaize
88 bpm • F Maj • 05:00 • -10.4db
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
17% Instrumentalness • 48% Positiveness
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Carsten Dahl
Sailing with No Wind
88 bpm • D min • 05:33 • -16.72db
8% Popularity • 46% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
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Andy Sheppard Quartet
Forever ...
80 bpm • A min • 06:42 • -26.46db
9% Popularity • 25% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
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Branford Marsalis Quartet
The Lonely Swan
89 bpm • E min • 09:05 • -16.25db
24% Popularity • 54% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Abdullah Ibrahim
Calypso Minor
80 bpm • D min • 04:59 • -21.38db
17% Popularity • 58% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 22% Positiveness
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Charles Lloyd
Lift Every Voice And Sing
80 bpm • F Maj • 03:08 • -14.19db
7% Popularity • 46% Danceability • 17% Energy • 8% Liveness
71% Instrumentalness • 16% Positiveness
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Brad Mehldau Trio
And I Love Her
89 bpm • G Maj • 09:25 • -14.42db
37% Popularity • 37% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 36% Positiveness
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Preservation Hall Jazz Band
Corazón
79 bpm • F Maj • 03:18 • -12.26db
19% Popularity • 39% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Lund Quartet
Tulipan
79 bpm • C# min • 05:31 • -13.22db
35% Popularity • 58% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Tonbruket
Frösön
79 bpm • G Maj • 04:22 • -18db
13% Popularity • 74% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Dominic Miller
Absinthe
89 bpm • C Maj • 05:28 • -16.28db
22% Popularity • 54% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 8% Positiveness
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Charles Lloyd
Abide With Me
80 bpm • D# Maj • 01:22 • -18.62db
18% Popularity • 30% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 50% Positiveness
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Brad Mehldau Trio
Spiral
79 bpm • C Maj • 08:33 • -15db
19% Popularity • 40% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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Rosie Turton
Orange Moon
90 bpm • C# Maj • 07:56 • -17.5db
13% Popularity • 43% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Oded Tzur
Warrior Elephants Flying
79 bpm • G Maj • 02:20 • -30.3db
32% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Trygve Seim
Kyrie
79 bpm • A min • 04:24 • -16.06db
30% Popularity • 21% Danceability • 7% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Jacob Young
Bounce
79 bpm • G Maj • 07:46 • -15.04db
21% Popularity • 55% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Tord Gustavsen Trio
The Tunnel
90 bpm • D# Maj • 06:04 • -22.54db
23% Popularity • 54% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Avishai Cohen
Arvoles
90 bpm • F Maj • 05:35 • -23.34db
11% Popularity • 38% Danceability • 16% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Erik Truffaz
Pacheco
90 bpm • C min • 06:08 • -11.28db
17% Popularity • 67% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Ike Quebec
Heavy Soul - Remastered 2004/Rudy Van Ge...
90 bpm • F min • 06:51 • -12db
31% Popularity • 50% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 36% Positiveness
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Airelle Besson
All I Want
91 bpm • C Maj • 05:42 • -18.67db
18% Popularity • 39% Danceability • 14% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Charles Lloyd
How Can I Tell You - Live
91 bpm • D# Maj • 09:46 • -12.75db
31% Popularity • 38% Danceability • 30% Energy • 77% Liveness
37% Instrumentalness • 25% Positiveness
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Sullivan Fortner
When I’m Sixty-Four
78 bpm • C Maj • 03:22 • -11.75db
18% Popularity • 63% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Niclas Knudsen Trio
Peaceful Paranoia
91 bpm • D Maj • 04:25 • -15.71db
40% Popularity • 55% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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John Surman
At First Sight
77 bpm • G# Maj • 02:33 • -16.19db
37% Popularity • 28% Danceability • 10% Energy • 12% Liveness
83% Instrumentalness • 21% Positiveness
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Søren Bebe Trio
A Simple Song
91 bpm • C Maj • 04:16 • -16.81db
32% Popularity • 51% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 50% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. I
78 bpm • D Maj • 05:35 • -13.66db
23% Popularity • 37% Danceability • 28% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Charles Lloyd
Majorca
91 bpm • F Maj • 06:11 • -18db
12% Popularity • 48% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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L. Shankar
Psychic Elephant
91 bpm • A Maj • 11:52 • -18.11db
17% Popularity • 47% Danceability • 29% Energy • 16% Liveness
90% Instrumentalness • 58% Positiveness
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Joshua Redman
As This Moment Slips Away
91 bpm • F min • 06:52 • -10db
34% Popularity • 53% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Arild Andersen
Alfie
92 bpm • G Maj • 07:03 • -20db
17% Popularity • 43% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 17% Positiveness
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Brad Mehldau Trio
I Concentrate on You
92 bpm • F min • 07:20 • -14db
26% Popularity • 49% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Joel Ross
Calling
92 bpm • G# min • 01:01 • -29db
25% Popularity • 57% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 39% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
29% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Myriam Alter
Still In Love
92 bpm • A min • 06:22 • -16db
15% Popularity • 28% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Melody Gardot
The King Of 52nd Street (Chan's Declarat...
92 bpm • C Maj • 03:40 • -11.34db
17% Popularity • 68% Danceability • 33% Energy • 16% Liveness
10% Instrumentalness • 43% Positiveness
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Jason Moran
Blue Blocks
93 bpm • A# min • 04:35 • -13.44db
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
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Brad Mehldau Trio
My Valentine
76 bpm • G min • 10:12 • -16db
25% Popularity • 37% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
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Charles Lloyd
We've Come Too Far To Turn Around
93 bpm • G Maj • 06:30 • -14.67db
14% Popularity • 37% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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John Phillips
Jazz II
76 bpm • F min • 02:48 • -10db
24% Popularity • 58% Danceability • 30% Energy • 12% Liveness
51% Instrumentalness • 58% Positiveness
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Kenny Barron & Dave Holland
The Oracle
93 bpm • G min • 06:15 • -24db
21% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Christian Sands
Sunday Mornings
93 bpm • A# min • 07:29 • -12db
21% Popularity • 45% Danceability • 33% Energy • 24% Liveness
91% Instrumentalness • 30% Positiveness
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Avishai Cohen
Teardrop
76 bpm • F min • 07:24 • -14db
27% Popularity • 55% Danceability • 41% Energy • 30% Liveness
89% Instrumentalness • 15% Positiveness
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Brad Mehldau Trio
Seymour Reads the Constitution
93 bpm • F# min • 08:03 • -15db
36% Popularity • 59% Danceability • 28% Energy • 10% Liveness
78% Instrumentalness • 39% Positiveness
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Jonathan Kreisberg
Canto De Ossanha
93 bpm • G min • 05:11 • -18.9db
36% Popularity • 48% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Jason Moran
Arizona Landscape
75 bpm • D# Maj • 03:05 • -20.67db
31% Popularity • 34% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Charles Lloyd
Ventura
94 bpm • D# Maj • 06:22 • -15.09db
18% Popularity • 54% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Abdullah Ibrahim
Sotho Blue - Original Mix
94 bpm • G# min • 05:27 • -13.32db
12% Popularity • 54% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Oded Tzur
Can't Help Falling In Love
94 bpm • F Maj • 03:33 • -28db
34% Popularity • 25% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Defiant