Songs like Dein Schweiss by Sven Väth
Based on a tempo of (+/- 10%) and a similar genre
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Terence Fixmer
Body Pressure
135 bpm • A# Maj • 06:20 • -14.4db
10% Popularity • 57% Danceability • 97% Energy • 60% Liveness
84% Instrumentalness • 45% Positiveness
10% Popularity • 57% Danceability • 97% Energy • 60% Liveness
84% Instrumentalness • 45% Positiveness
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Der Dritte Raum
Polarstern
135 bpm • C# Maj • 07:31 • -10.57db
16% Popularity • 79% Danceability • 90% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
16% Popularity • 79% Danceability • 90% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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David Carretta
Shock Treatment
135 bpm • A# min • 07:23 • -7.59db
8% Popularity • 78% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
8% Popularity • 78% Danceability • 88% Energy • 8% Liveness
87% Instrumentalness • 26% Positiveness
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FJAAK
Bassiani
135 bpm • B min • 05:20 • -7db
25% Popularity • 75% Danceability • 85% Energy • 39% Liveness
42% Instrumentalness • 8% Positiveness
25% Popularity • 75% Danceability • 85% Energy • 39% Liveness
42% Instrumentalness • 8% Positiveness
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AIROD
Strange Mind
135 bpm • F# Maj • 06:11 • -7.91db
21% Popularity • 52% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 53% Positiveness
21% Popularity • 52% Danceability • 97% Energy • 8% Liveness
87% Instrumentalness • 53% Positiveness
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Vladimir Dubyshkin
Belissimo
135 bpm • A Maj • 05:59 • -9.93db
25% Popularity • 64% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
25% Popularity • 64% Danceability • 76% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Pan-Pot
Onno
135 bpm • G Maj • 06:53 • -8.74db
21% Popularity • 56% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
21% Popularity • 56% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Der Dritte Raum
Lava
135 bpm • C# Maj • 08:26 • -10.11db
10% Popularity • 74% Danceability • 74% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
10% Popularity • 74% Danceability • 74% Energy • 10% Liveness
91% Instrumentalness • 43% Positiveness
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Kobosil
40000 L
135 bpm • G Maj • 05:25 • -7.42db
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Sven Väth
L'Esperanza - Hardspace Mix
135 bpm • F# min • 05:56 • -6.46db
33% Popularity • 70% Danceability • 80% Energy • 68% Liveness
92% Instrumentalness • 12% Positiveness
33% Popularity • 70% Danceability • 80% Energy • 68% Liveness
92% Instrumentalness • 12% Positiveness
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Lexy & K-Paul
Freak - Original
135 bpm • G Maj • 05:32 • -9.18db
37% Popularity • 79% Danceability • 72% Energy • 4% Liveness
80% Instrumentalness • 65% Positiveness
37% Popularity • 79% Danceability • 72% Energy • 4% Liveness
80% Instrumentalness • 65% Positiveness
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FJAAK
Drugs
135 bpm • B min • 06:10 • -9.56db
20% Popularity • 76% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 76% Danceability • 90% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Tube-Tech
Riders on the Storm - Original Mix
135 bpm • C Maj • 06:49 • -5.77db
17% Popularity • 65% Danceability • 99% Energy • 38% Liveness
77% Instrumentalness • 31% Positiveness
17% Popularity • 65% Danceability • 99% Energy • 38% Liveness
77% Instrumentalness • 31% Positiveness
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Der Dritte Raum
Brenner
135 bpm • G Maj • 07:10 • -9db
8% Popularity • 79% Danceability • 97% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
8% Popularity • 79% Danceability • 97% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Layton Giordani
New Generation - Space 92 Remix
135 bpm • C Maj • 03:55 • -3.44db
10% Popularity • 71% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
10% Popularity • 71% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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DK8
Murder Was The Bass
135 bpm • G Maj • 04:01 • -7db
24% Popularity • 63% Danceability • 91% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
24% Popularity • 63% Danceability • 91% Energy • 10% Liveness
81% Instrumentalness • 11% Positiveness
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Robert Armani
Circus Bells - Sven Väth Remix
135 bpm • B Maj • 07:53 • -11.7db
0% Popularity • 69% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 90% Positiveness
0% Popularity • 69% Danceability • 92% Energy • 8% Liveness
93% Instrumentalness • 90% Positiveness
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John Starlight
Blood Angels
135 bpm • C# Maj • 06:15 • -8.98db
13% Popularity • 74% Danceability • 93% Energy • 6% Liveness
74% Instrumentalness • 36% Positiveness
13% Popularity • 74% Danceability • 93% Energy • 6% Liveness
74% Instrumentalness • 36% Positiveness
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Sven Väth
Dein Schweiss
135 bpm • C Maj • 04:51 • -8.03db
37% Popularity • 66% Danceability • 86% Energy • 13% Liveness
86% Instrumentalness • 81% Positiveness
37% Popularity • 66% Danceability • 86% Energy • 13% Liveness
86% Instrumentalness • 81% Positiveness
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Der Dritte Raum
Überdruck
135 bpm • D Maj • 06:07 • -8.46db
9% Popularity • 78% Danceability • 84% Energy • 4% Liveness
90% Instrumentalness • 37% Positiveness
9% Popularity • 78% Danceability • 84% Energy • 4% Liveness
90% Instrumentalness • 37% Positiveness
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Taksi
Rohrbruch - Stretched Version
135 bpm • G Maj • 06:12 • -10.48db
11% Popularity • 60% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
11% Popularity • 60% Danceability • 71% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Marmion
Schöneberg
135 bpm • F# min • 06:25 • -7.68db
29% Popularity • 79% Danceability • 87% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 79% Danceability • 87% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Emmanuel Top
Acid Phase
135 bpm • A# min • 05:20 • -8.24db
40% Popularity • 66% Danceability • 76% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
40% Popularity • 66% Danceability • 76% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Jens
Psycho Strings 99 - Bervoets & De Goeij ...
135 bpm • C# min • 06:18 • -8db
23% Popularity • 78% Danceability • 90% Energy • 6% Liveness
86% Instrumentalness • 59% Positiveness
23% Popularity • 78% Danceability • 90% Energy • 6% Liveness
86% Instrumentalness • 59% Positiveness
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Sven Väth
Ballet-Fusion - Radio Edit
135 bpm • D min • 03:39 • -10.28db
15% Popularity • 58% Danceability • 89% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
15% Popularity • 58% Danceability • 89% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
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Der Dritte Raum
Trommelmaschine
135 bpm • A Maj • 06:39 • -9.4db
22% Popularity • 78% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
22% Popularity • 78% Danceability • 92% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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UVB
Mixtion - Original Mix
135 bpm • C# Maj • 06:30 • -8.33db
25% Popularity • 63% Danceability • 95% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
25% Popularity • 63% Danceability • 95% Energy • 16% Liveness
92% Instrumentalness • 37% Positiveness
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Terence Fixmer
Electrostatic
134 bpm • F# Maj • 05:20 • -11.22db
8% Popularity • 74% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 33% Positiveness
8% Popularity • 74% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 33% Positiveness
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Emmanuel Top
Acid Phase - Original Remastered
135 bpm • G Maj • 05:19 • -7.41db
36% Popularity • 60% Danceability • 82% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
36% Popularity • 60% Danceability • 82% Energy • 8% Liveness
88% Instrumentalness • 33% Positiveness
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Barbarella
The Future
136 bpm • G Maj • 06:18 • -15.2db
4% Popularity • 77% Danceability • 98% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
4% Popularity • 77% Danceability • 98% Energy • 11% Liveness
72% Instrumentalness • 25% Positiveness
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Sven Väth
Ballet - Fusion
135 bpm • D min • 09:12 • -10.44db
9% Popularity • 67% Danceability • 95% Energy • 18% Liveness
84% Instrumentalness • 29% Positiveness
9% Popularity • 67% Danceability • 95% Energy • 18% Liveness
84% Instrumentalness • 29% Positiveness
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Der Dritte Raum
Schwerelos
135 bpm • F# Maj • 07:29 • -10.26db
12% Popularity • 80% Danceability • 82% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
12% Popularity • 80% Danceability • 82% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
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Laurent Garnier
Wake Up
136 bpm • A min • 07:38 • -6.41db
30% Popularity • 67% Danceability • 95% Energy • 7% Liveness
55% Instrumentalness • 52% Positiveness
30% Popularity • 67% Danceability • 95% Energy • 7% Liveness
55% Instrumentalness • 52% Positiveness
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I Hate Models
Sorrows Of The Moon
134 bpm • G# Maj • 06:37 • -8.42db
39% Popularity • 49% Danceability • 93% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
39% Popularity • 49% Danceability • 93% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
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Emmanuel Top
La pipe à eau
136 bpm • C Maj • 08:09 • -6.86db
9% Popularity • 49% Danceability • 95% Energy • 15% Liveness
92% Instrumentalness • 17% Positiveness
9% Popularity • 49% Danceability • 95% Energy • 15% Liveness
92% Instrumentalness • 17% Positiveness
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Monika Kruse
Route 27 - 2020 Edit
136 bpm • E min • 05:56 • -9.48db
9% Popularity • 55% Danceability • 75% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
9% Popularity • 55% Danceability • 75% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Sven Väth
Contact
135 bpm • C# Maj • 05:28 • -5.81db
9% Popularity • 50% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 45% Positiveness
9% Popularity • 50% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 45% Positiveness
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Der Dritte Raum
Hale Bopp
135 bpm • F# Maj • 07:43 • -10.03db
36% Popularity • 79% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
36% Popularity • 79% Danceability • 99% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Pan-Pot
My Mind - Radar Remix
134 bpm • A# min • 08:14 • -6.94db
12% Popularity • 64% Danceability • 94% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
12% Popularity • 64% Danceability • 94% Energy • 12% Liveness
82% Instrumentalness • 35% Positiveness
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Autotune
Keep It Wrong
134 bpm • F Maj • 05:29 • -5.65db
19% Popularity • 89% Danceability • 80% Energy • 8% Liveness
62% Instrumentalness • 25% Positiveness
19% Popularity • 89% Danceability • 80% Energy • 8% Liveness
62% Instrumentalness • 25% Positiveness
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I Hate Models
Daydream
136 bpm • B min • 07:43 • -8.01db
47% Popularity • 43% Danceability • 92% Energy • 40% Liveness
76% Instrumentalness • 36% Positiveness
47% Popularity • 43% Danceability • 92% Energy • 40% Liveness
76% Instrumentalness • 36% Positiveness
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Monika Kruse
Route 27 - 2021 Remaster
136 bpm • E min • 06:57 • -9.04db
13% Popularity • 57% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
13% Popularity • 57% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Deep Dimension
Coming on Strong - Original Mix
134 bpm • F# min • 05:18 • -8.87db
21% Popularity • 57% Danceability • 68% Energy • 12% Liveness
75% Instrumentalness • 50% Positiveness
21% Popularity • 57% Danceability • 68% Energy • 12% Liveness
75% Instrumentalness • 50% Positiveness
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Sven Väth
Robot - Hardfloor Remix
135 bpm • C# Maj • 08:08 • -15.32db
8% Popularity • 74% Danceability • 64% Energy • 9% Liveness
81% Instrumentalness • 89% Positiveness
8% Popularity • 74% Danceability • 64% Energy • 9% Liveness
81% Instrumentalness • 89% Positiveness
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Robert Armani
Road Tour - Dave Clarke Remix
136 bpm • A# min • 05:13 • -13.47db
11% Popularity • 74% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
11% Popularity • 74% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 9% Positiveness
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Dax J
Offending Public Morality
136 bpm • G Maj • 06:13 • -10.89db
18% Popularity • 50% Danceability • 88% Energy • 61% Liveness
70% Instrumentalness • 11% Positiveness
18% Popularity • 50% Danceability • 88% Energy • 61% Liveness
70% Instrumentalness • 11% Positiveness
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I Hate Models
State Of Control - Original Mix
136 bpm • A# min • 07:18 • -8.59db
27% Popularity • 50% Danceability • 88% Energy • 13% Liveness
80% Instrumentalness • 10% Positiveness
27% Popularity • 50% Danceability • 88% Energy • 13% Liveness
80% Instrumentalness • 10% Positiveness
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Dan Zamani
Ego Acid - Original Mix
136 bpm • B min • 08:16 • -9.65db
19% Popularity • 64% Danceability • 96% Energy • 12% Liveness
58% Instrumentalness • 55% Positiveness
19% Popularity • 64% Danceability • 96% Energy • 12% Liveness
58% Instrumentalness • 55% Positiveness
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Thomas P. Heckmann
Hoelle Auf Erden
136 bpm • A# min • 06:23 • -7.5db
11% Popularity • 78% Danceability • 91% Energy • 64% Liveness
94% Instrumentalness • 49% Positiveness
11% Popularity • 78% Danceability • 91% Energy • 64% Liveness
94% Instrumentalness • 49% Positiveness
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Sven Väth
Mind Games
136 bpm • C# min • 03:47 • -6.38db
14% Popularity • 90% Danceability • 64% Energy • 4% Liveness
36% Instrumentalness • 84% Positiveness
14% Popularity • 90% Danceability • 64% Energy • 4% Liveness
36% Instrumentalness • 84% Positiveness
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David Löhlein
Altai - Original Mix
134 bpm • A# min • 06:35 • -8.07db
11% Popularity • 77% Danceability • 70% Energy • 62% Liveness
87% Instrumentalness • 29% Positiveness
11% Popularity • 77% Danceability • 70% Energy • 62% Liveness
87% Instrumentalness • 29% Positiveness
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Cari Lekebusch
Mind Dive
134 bpm • F# Maj • 06:44 • -9.35db
13% Popularity • 74% Danceability • 84% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
13% Popularity • 74% Danceability • 84% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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I Hate Models
Warehouse Memories
136 bpm • C min • 07:26 • -6.54db
28% Popularity • 64% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
28% Popularity • 64% Danceability • 94% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Ellen Allien
True Romantics
134 bpm • C# Maj • 04:38 • -12.74db
19% Popularity • 62% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 38% Positiveness
19% Popularity • 62% Danceability • 54% Energy • 6% Liveness
68% Instrumentalness • 38% Positiveness
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Klangkuenstler
Hexenmeister
136 bpm • D Maj • 06:38 • -4.87db
32% Popularity • 50% Danceability • 98% Energy • 20% Liveness
75% Instrumentalness • 6% Positiveness
32% Popularity • 50% Danceability • 98% Energy • 20% Liveness
75% Instrumentalness • 6% Positiveness
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Lady Starlight
6 or 7
136 bpm • G Maj • 06:36 • -12.56db
10% Popularity • 66% Danceability • 84% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
10% Popularity • 66% Danceability • 84% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Chris Liebing
Golden Age
136 bpm • G Maj • 05:39 • -8.01db
10% Popularity • 63% Danceability • 96% Energy • 16% Liveness
89% Instrumentalness • 38% Positiveness
10% Popularity • 63% Danceability • 96% Energy • 16% Liveness
89% Instrumentalness • 38% Positiveness
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Thomas P. Heckmann
Tanzmaschine
134 bpm • C# Maj • 06:46 • -5.43db
26% Popularity • 79% Danceability • 93% Energy • 19% Liveness
95% Instrumentalness • 28% Positiveness
26% Popularity • 79% Danceability • 93% Energy • 19% Liveness
95% Instrumentalness • 28% Positiveness
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UMEK
Gatex
136 bpm • C# Maj • 04:27 • -8db
15% Popularity • 57% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
15% Popularity • 57% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Parallx
Lost in Time - Original Mix
134 bpm • C Maj • 07:01 • -8db
12% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
12% Popularity • 90% Danceability • 73% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Jensen Interceptor
Time Echo
134 bpm • F# min • 05:26 • -8.06db
15% Popularity • 60% Danceability • 95% Energy • 5% Liveness
88% Instrumentalness • 20% Positiveness
15% Popularity • 60% Danceability • 95% Energy • 5% Liveness
88% Instrumentalness • 20% Positiveness
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Minimum Syndicat
Acid Trojan Part I
136 bpm • A Maj • 07:07 • -15.33db
9% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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FPU
Crockett's Theme - Mateo Murphy rmx
134 bpm • G# Maj • 07:56 • -12.77db
15% Popularity • 56% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
15% Popularity • 56% Danceability • 60% Energy • 7% Liveness
92% Instrumentalness • 56% Positiveness
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Thomas P. Heckmann
Welt In Scherben II-1
134 bpm • A# min • 08:52 • -8.61db
13% Popularity • 78% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
13% Popularity • 78% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Sven Väth
Shock Ralley - Danilo Vigorito Remix
134 bpm • A# min • 05:45 • -7.14db
12% Popularity • 65% Danceability • 93% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
12% Popularity • 65% Danceability • 93% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Under Black Helmet
Jagged
134 bpm • E Maj • 06:05 • -11.49db
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
24% Popularity • 70% Danceability • 89% Energy • 11% Liveness
88% Instrumentalness • 58% Positiveness
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Pan-Pot
Skin on Skin
134 bpm • G# min • 06:45 • -7.29db
27% Popularity • 67% Danceability • 95% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
27% Popularity • 67% Danceability • 95% Energy • 11% Liveness
64% Instrumentalness • 38% Positiveness
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Amotik
Solah
134 bpm • C# Maj • 07:13 • -7.47db
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
24% Popularity • 61% Danceability • 84% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Ellen Allien
Junge Sein
136 bpm • B min • 07:33 • -11.29db
12% Popularity • 62% Danceability • 83% Energy • 14% Liveness
81% Instrumentalness • 18% Positiveness
12% Popularity • 62% Danceability • 83% Energy • 14% Liveness
81% Instrumentalness • 18% Positiveness
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Chris Liebing
Fires of Hell?
134 bpm • D Maj • 05:04 • -7.4db
8% Popularity • 37% Danceability • 98% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 37% Danceability • 98% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Radio Slave
Command Z
136 bpm • D Maj • 09:38 • -8.43db
25% Popularity • 77% Danceability • 88% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 77% Danceability • 88% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Cadency
Digitally Controlled Emotionless Systems
134 bpm • G Maj • 04:57 • -6.8db
3% Popularity • 57% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
3% Popularity • 57% Danceability • 86% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Barbarella
Barbarella I
134 bpm • F min • 06:08 • -18.74db
3% Popularity • 54% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
3% Popularity • 54% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Acid Junkies
Zurig (Trope Remix)
136 bpm • G Maj • 06:16 • -4.72db
14% Popularity • 71% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
14% Popularity • 71% Danceability • 98% Energy • 9% Liveness
88% Instrumentalness • 28% Positiveness
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Emmanuel Top
So Cold
134 bpm • G# Maj • 07:21 • -9db
20% Popularity • 59% Danceability • 86% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
20% Popularity • 59% Danceability • 86% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Chris Liebing
Acid Trezcore
134 bpm • C# min • 04:48 • -4.61db
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
14% Popularity • 60% Danceability • 99% Energy • 17% Liveness
88% Instrumentalness • 27% Positiveness
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The Hacker
The Brutalist
134 bpm • G# min • 08:41 • -9.47db
10% Popularity • 63% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 63% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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FJAAK
Lehmann
134 bpm • B min • 04:52 • -5.61db
25% Popularity • 66% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
25% Popularity • 66% Danceability • 87% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ellen Allien
Free Society
133 bpm • G Maj • 05:48 • -6.91db
16% Popularity • 70% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 70% Danceability • 88% Energy • 9% Liveness
93% Instrumentalness • 17% Positiveness
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Laurent Garnier
Flashback - Laboratoire Mix
133 bpm • F# Maj • 07:16 • -11db
24% Popularity • 66% Danceability • 61% Energy • 9% Liveness
81% Instrumentalness • 66% Positiveness
24% Popularity • 66% Danceability • 61% Energy • 9% Liveness
81% Instrumentalness • 66% Positiveness
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Richie Hawtin
Minus/Orange 1
133 bpm • A# min • 08:01 • -12.38db
27% Popularity • 72% Danceability • 97% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
27% Popularity • 72% Danceability • 97% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
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Vitalic
You Prefer Cocaine
137 bpm • C min • 05:41 • -7.77db
28% Popularity • 53% Danceability • 95% Energy • 20% Liveness
93% Instrumentalness • 59% Positiveness
28% Popularity • 53% Danceability • 95% Energy • 20% Liveness
93% Instrumentalness • 59% Positiveness
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The Exaltics
Skyway Chase
137 bpm • E min • 04:20 • -7.92db
17% Popularity • 78% Danceability • 94% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
17% Popularity • 78% Danceability • 94% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
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Slam
Visions - Vitalic Mix
133 bpm • D Maj • 04:51 • -10.17db
16% Popularity • 60% Danceability • 82% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
16% Popularity • 60% Danceability • 82% Energy • 13% Liveness
85% Instrumentalness • 39% Positiveness
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Thomas Schumacher
Rhythmatic
137 bpm • F# Maj • 08:18 • -6.94db
14% Popularity • 72% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 30% Positiveness
14% Popularity • 72% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 30% Positiveness
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Torsten Kanzler
Krass Locker Fluffig - A.Paul Remix
137 bpm • G Maj • 07:00 • -10db
16% Popularity • 70% Danceability • 69% Energy • 66% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 70% Danceability • 69% Energy • 66% Liveness
93% Instrumentalness • 3% Positiveness
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Richie Hawtin
Minus/Orange 2
133 bpm • B min • 03:56 • -13.4db
14% Popularity • 80% Danceability • 77% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 80% Danceability • 77% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Ellen Allien
Free Society - Hector Oaks aka Cadency H...
137 bpm • C# Maj • 06:19 • -10.2db
11% Popularity • 70% Danceability • 86% Energy • 41% Liveness
92% Instrumentalness • 19% Positiveness
11% Popularity • 70% Danceability • 86% Energy • 41% Liveness
92% Instrumentalness • 19% Positiveness
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Tube-Tech
Kiss In The Storm (Club Mix)
137 bpm • E min • 07:53 • -7.62db
11% Popularity • 65% Danceability • 99% Energy • 5% Liveness
71% Instrumentalness • 60% Positiveness
11% Popularity • 65% Danceability • 99% Energy • 5% Liveness
71% Instrumentalness • 60% Positiveness
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FJAAK
OHM
137 bpm • A# min • 06:20 • -3.31db
20% Popularity • 62% Danceability • 90% Energy • 25% Liveness
80% Instrumentalness • 59% Positiveness
20% Popularity • 62% Danceability • 90% Energy • 25% Liveness
80% Instrumentalness • 59% Positiveness
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Monika Kruse
Wavez - 2021 Remaster
137 bpm • G Maj • 05:37 • -6.64db
14% Popularity • 65% Danceability • 77% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
14% Popularity • 65% Danceability • 77% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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DJ Rush
Let Me Hear You
133 bpm • C# min • 07:21 • -2.31db
10% Popularity • 82% Danceability • 94% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
10% Popularity • 82% Danceability • 94% Energy • 7% Liveness
89% Instrumentalness • 22% Positiveness
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Richie Hawtin
Orange/Minus 1
133 bpm • C Maj • 06:45 • -11.28db
15% Popularity • 79% Danceability • 78% Energy • 5% Liveness
82% Instrumentalness • 22% Positiveness
15% Popularity • 79% Danceability • 78% Energy • 5% Liveness
82% Instrumentalness • 22% Positiveness
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Ellen Allien
Körpermaschine
133 bpm • E min • 08:31 • -10.36db
8% Popularity • 66% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
8% Popularity • 66% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Miss Djax
Sick of U (Radio Mix 2005)
137 bpm • A# min • 03:12 • -9.2db
14% Popularity • 66% Danceability • 89% Energy • 8% Liveness
43% Instrumentalness • 75% Positiveness
14% Popularity • 66% Danceability • 89% Energy • 8% Liveness
43% Instrumentalness • 75% Positiveness
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Kaiser (K S R)
Wind Of Change - Parallx Remix
133 bpm • B min • 05:20 • -9.06db
15% Popularity • 59% Danceability • 95% Energy • 25% Liveness
93% Instrumentalness • 13% Positiveness
15% Popularity • 59% Danceability • 95% Energy • 25% Liveness
93% Instrumentalness • 13% Positiveness
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Benvol
სამასსამი (303)
133 bpm • G Maj • 05:54 • -9.3db
8% Popularity • 64% Danceability • 87% Energy • 13% Liveness
70% Instrumentalness • 31% Positiveness
8% Popularity • 64% Danceability • 87% Energy • 13% Liveness
70% Instrumentalness • 31% Positiveness
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Parallx
Red Clouds
133 bpm • B min • 07:09 • -7.81db
31% Popularity • 66% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
31% Popularity • 66% Danceability • 88% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
