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Delightful Journey
Songs like
Delightful Journey
by
Bismillah Khan
Based on a tempo of (+/- 10%) and a similar genre
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Bismillah Khan
The Beloveds Call
147 bpm • D Maj • 09:57 • -12.84db
3% Popularity • 43% Danceability • 61% Energy • 13% Liveness
92% Instrumentalness • 75% Positiveness
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Ram Narayan
Raga Mishra Khamal: Thumri in Teentaal
147 bpm • E Maj • 09:45 • -16.47db
19% Popularity • 33% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Mayapuris
Mridanga 2.0
148 bpm • E min • 05:01 • -8.41db
20% Popularity • 50% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Pradeep Parul Ji
Sita Ram Hanuman Sita Ram Hanuman
146 bpm • A Maj • 05:54 • -15.3db
11% Popularity • 40% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Ahmed Jan Thirakwa
Drut Laya
146 bpm • F# Maj • 11:08 • -10.34db
17% Popularity • 54% Danceability • 72% Energy • 67% Liveness
80% Instrumentalness • 63% Positiveness
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Bismillah Khan
Delightful Journey
147 bpm • D Maj • 09:55 • -11.28db
16% Popularity • 40% Danceability • 71% Energy • 13% Liveness
56% Instrumentalness • 45% Positiveness
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Ram Narayan
Raga Baïragi-Bhaïrav - Drut Tîn-Tal
146 bpm • A# min • 02:32 • -20db
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
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Shujaat Khan
Rangi Saari
145 bpm • F# Maj • 08:55 • -11.1db
15% Popularity • 34% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
11% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
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Ganesha Bhajans
Gayiye Ganpati
145 bpm • C# min • 09:15 • -17.68db
22% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Avra Banerjee
When Kailasha Muses
145 bpm • G# Maj • 08:53 • -9.96db
8% Popularity • 70% Danceability • 78% Energy • 10% Liveness
80% Instrumentalness • 51% Positiveness
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Bismillah Khan
Holi Matrimony
147 bpm • D Maj • 09:55 • -13.72db
11% Popularity • 40% Danceability • 59% Energy • 11% Liveness
42% Instrumentalness • 52% Positiveness
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Ensemble traditionnel de l'Orissa
Mangala Charan
145 bpm • D Maj • 06:07 • -14.61db
8% Popularity • 30% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 19% Positiveness
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Ahmed Jan Thirakwa
Reel Three (Madhya Laya)
145 bpm • G Maj • 06:58 • -8.93db
13% Popularity • 50% Danceability • 82% Energy • 26% Liveness
84% Instrumentalness • 54% Positiveness
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Mayapuris
Mridanga!
145 bpm • G# Maj • 04:42 • -9.62db
25% Popularity • 57% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Shivkumar Sharma
Mountain Love Song
145 bpm • B min • 04:11 • -12db
22% Popularity • 59% Danceability • 46% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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OshO
Bop Du Bop
150 bpm • F# min • 06:53 • -17.49db
10% Popularity • 54% Danceability • 29% Energy • 7% Liveness
42% Instrumentalness • 78% Positiveness
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Bismillah Khan
Mishra Bhairavi
149 bpm • C# Maj • 05:53 • -11.62db
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
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Apoorva Krishna
Charukesi (Violin Solo)
150 bpm • A Maj • 06:24 • -8.06db
18% Popularity • 64% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 65% Positiveness
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Prabha Atre
Kajri - Ghir Ke Aayee Badariya
144 bpm • D# Maj • 12:34 • -11db
11% Popularity • 31% Danceability • 75% Energy • 84% Liveness
0% Instrumentalness • 34% Positiveness
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Shamim Ahmed Khan
Multani
144 bpm • C Maj • 05:36 • -7.6db
9% Popularity • 31% Danceability • 85% Energy • 37% Liveness
5% Instrumentalness • 54% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Iqubal Huein
Raga Kirwani - Alap Gat - Teental
151 bpm • C min • 10:13 • -11db
17% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
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Rishab Rikhiram Sharma
Raga Nat Bhairav: Gat in Ektal
143 bpm • C# Maj • 09:42 • -9.27db
14% Popularity • 31% Danceability • 52% Energy • 5% Liveness
90% Instrumentalness • 30% Positiveness
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Birju Maharaj
Kanha Main Tose Haari
151 bpm • C# min • 05:46 • -11.01db
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Veena Sahasrabuddhe
Om Namah Shivay
143 bpm • B Maj • 07:56 • -17.21db
10% Popularity • 26% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Pandit Chhannulal Mishra
Durga Stuti (Raga Hamsadhwani)
151 bpm • D# Maj • 09:22 • -9db
9% Popularity • 36% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
18% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Bismillah Khan
Raga Purbi: Alap in Rupaktaal
143 bpm • D Maj • 09:40 • -11.1db
11% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Amjad Ali Khan
Himaalaya
143 bpm • B Maj • 07:17 • -6.5db
10% Popularity • 43% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kumar Gandharva
Raag Malkauns (Drut Ektala)
143 bpm • E min • 03:51 • -9.22db
12% Popularity • 44% Danceability • 69% Energy • 19% Liveness
14% Instrumentalness • 54% Positiveness
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Golu Raja
Asali Dehati Holi
143 bpm • F Maj • 03:01 • -5.27db
9% Popularity • 35% Danceability • 82% Energy • 52% Liveness
1% Instrumentalness • 96% Positiveness
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Jayanthi Kumaresh
Kamach Thillana
152 bpm • A Maj • 05:07 • -12db
9% Popularity • 69% Danceability • 40% Energy • 19% Liveness
33% Instrumentalness • 69% Positiveness
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Tapas Relia
Rut Badle
142 bpm • D# Maj • 06:16 • -10.27db
23% Popularity • 62% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bismillah Khan
Meeting of Hearts
152 bpm • A Maj • 09:53 • -13.15db
4% Popularity • 34% Danceability • 62% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
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Anindo Chatterjee
Tal Pravh and Laggi
142 bpm • F# min • 04:28 • -18.19db
9% Popularity • 36% Danceability • 65% Energy • 28% Liveness
94% Instrumentalness • 63% Positiveness
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Kumar Gandharva
Avdhuta Kudarat Ki Gat Nyari - Kabir
152 bpm • F Maj • 10:21 • -12.98db
12% Popularity • 36% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Shahid Parvez
Raga Mand
142 bpm • C# Maj • 14:51 • -17.89db
18% Popularity • 34% Danceability • 30% Energy • 7% Liveness
63% Instrumentalness • 34% Positiveness
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Acyuta Gopi
Radhe Govinda Jai Radhe Radhe
141 bpm • C# Maj • 03:04 • -15.02db
23% Popularity • 39% Danceability • 39% Energy • 60% Liveness
0% Instrumentalness • 80% Positiveness
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Srila Prabhupada
Jagannath Rath Yatra Hari Naam Sankirtan
153 bpm • C min • 05:32 • -6.7db
15% Popularity • 38% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Kishori Amonkar
Sanwariya Sanjh
153 bpm • C# min • 04:44 • -15db
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Sunanda Sharma
Bolan Lagi Koyaliya
153 bpm • C Maj • 12:29 • -8.75db
21% Popularity • 23% Danceability • 55% Energy • 27% Liveness
18% Instrumentalness • 19% Positiveness
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Pandit Chhannulal Mishra
Srirudrashtakam; Goswami Tulsidas (Raga ...
141 bpm • D# Maj • 05:52 • -9.03db
15% Popularity • 50% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
13% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Pamela Jain
Jhuki Aayi Badariya
140 bpm • C# Maj • 05:51 • -7.99db
19% Popularity • 60% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Amjad Ali Khan
Ekla Cholo Re
140 bpm • B Maj • 07:27 • -14.88db
8% Popularity • 63% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Pandit Jasraj & Ashwini Bhide
Tero Chakar Kare Pukar
140 bpm • C Maj • 07:32 • -13.52db
7% Popularity • 46% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Shobha Joshi
Na Aaye Piya - Thumri
154 bpm • C min • 07:07 • -7.52db
13% Popularity • 18% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Ajay Pohankar
Naina More (Urban Mix)
140 bpm • G min • 06:00 • -14.21db
9% Popularity • 54% Danceability • 34% Energy • 11% Liveness
6% Instrumentalness • 19% Positiveness
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Shahid Parvez
Raga Bhairavi Drut
141 bpm • B Maj • 03:52 • -15.04db
20% Popularity • 36% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Ms. Puneet Sikka
Daya Kapah
140 bpm • F# Maj • 05:08 • -9.92db
15% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Bageshree Vaze
Tarana In 15 Beats
140 bpm • E min • 05:12 • -6.28db
7% Popularity • 63% Danceability • 91% Energy • 23% Liveness
1% Instrumentalness • 75% Positiveness
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Lakshmi Shankar
Bhajan de Mira : Raga bhairavi
140 bpm • E Maj • 07:17 • -17.83db
20% Popularity • 36% Danceability • 5% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Krishna Gurung
Sorathi
139 bpm • A Maj • 04:42 • -13.48db
10% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Ajay Pohankar
Naina More
140 bpm • A# Maj • 05:38 • -13.89db
9% Popularity • 52% Danceability • 38% Energy • 12% Liveness
34% Instrumentalness • 23% Positiveness
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Susmirata Dawalkar
Bhavani Ashtakam
139 bpm • F# min • 03:59 • -9db
46% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Tarun Bhattacharya
Mishra Pahadi - Mishra Pahadi - Dhun
140 bpm • E min • 05:06 • -11.71db
7% Popularity • 51% Danceability • 41% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Bageshree Vaze
Lucknow's Jewel
155 bpm • B min • 06:28 • -8db
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Shubha Joshi
Raag Bhairavi - Dadra - Rab Tohe Bhoole ...
139 bpm • A Maj • 06:17 • -14.72db
25% Popularity • 30% Danceability • 45% Energy • 10% Liveness
6% Instrumentalness • 43% Positiveness
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Shruti Sadolikar
Tilak Kamod
156 bpm • G# Maj • 04:06 • -18.8db
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Apoorva Krishna
Hamir Kalyani (Violin Solo)
156 bpm • E Maj • 06:44 • -7.46db
18% Popularity • 70% Danceability • 56% Energy • 9% Liveness
19% Instrumentalness • 69% Positiveness
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Ajoy Chakrabarty
Khelun Piya Sang Hori
156 bpm • F# Maj • 08:01 • -7db
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sandhya Mukherjee
Devi Sureswari Bhagabati Gange
138 bpm • B min • 06:12 • -16.16db
2% Popularity • 36% Danceability • 22% Energy • 14% Liveness
22% Instrumentalness • 33% Positiveness
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Krishna Gurung
Kholi Tarera
138 bpm • D Maj • 03:27 • -17.45db
9% Popularity • 58% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Kishori Amonkar
Raga Yaman
138 bpm • A# Maj • 11:30 • -12.47db
13% Popularity • 29% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Pandit Debashish Bhattacharya
Raag Shankar Dhwani Taal-Teentaal Part 2
156 bpm • G Maj • 04:38 • -12.1db
8% Popularity • 43% Danceability • 71% Energy • 6% Liveness
4% Instrumentalness • 59% Positiveness
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Amjad Ali Khan
Atma
138 bpm • F# Maj • 07:55 • -8.57db
8% Popularity • 44% Danceability • 56% Energy • 9% Liveness
51% Instrumentalness • 51% Positiveness
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Ajay Pohankar
Ab Ke Sawan Ghar Aaja
138 bpm • F Maj • 06:12 • -13.9db
21% Popularity • 60% Danceability • 42% Energy • 8% Liveness
7% Instrumentalness • 18% Positiveness
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Hariprasad Chaurasia
Kirwani
157 bpm • D min • 04:54 • -9.88db
21% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 62% Positiveness
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Karthick Iyer
Seetha Kalyanam
138 bpm • D Maj • 03:19 • -14db
14% Popularity • 31% Danceability • 9% Energy • 32% Liveness
3% Instrumentalness • 31% Positiveness
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Pandit Chhannulal Mishra
Jai Shiv Shankar Aughar Dani; Shiv Stuti...
157 bpm • D# Maj • 07:19 • -9db
14% Popularity • 37% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Veena Sahasrabuddhe
Raga Hamsadhvani: "Brahma Shiva Hari" (M...
138 bpm • F# min • 04:31 • -6.45db
9% Popularity • 32% Danceability • 58% Energy • 57% Liveness
2% Instrumentalness • 24% Positiveness
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Nikhil Banerjee
Bhimpalasri Fast Tintal
137 bpm • A Maj • 06:38 • -22.07db
22% Popularity • 35% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 45% Positiveness
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Lalgudi G. Jayaraman
Krishnanee Begane - Ragam: Yaman / Talam...
157 bpm • C# Maj • 04:55 • -12.05db
24% Popularity • 35% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 42% Positiveness
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Sachin Limaye
Gopala Gopala
138 bpm • C min • 06:17 • -14.26db
16% Popularity • 39% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Kishori Amonkar
Raga Sampurna Malkauns
137 bpm • B min • 05:01 • -6.19db
7% Popularity • 26% Danceability • 82% Energy • 34% Liveness
23% Instrumentalness • 54% Positiveness
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Ronu Majumdar
Raaga Bhairav - Dadra
158 bpm • E Maj • 10:31 • -18db
30% Popularity • 39% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Veena Sahasrabuddhe
Mahadeva Deva
158 bpm • C# Maj • 04:32 • -19db
18% Popularity • 32% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Les Frères Sabri
Saazina (Prélude instrumental)
137 bpm • E min • 02:20 • -24.47db
7% Popularity • 48% Danceability • 56% Energy • 16% Liveness
95% Instrumentalness • 66% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
10% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Roop Kumar Rathod
Khele Biraj Mein Holi - Surdas Bhajan
137 bpm • C# Maj • 07:25 • -11.13db
8% Popularity • 44% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Sachin Llimaye
Govinda Govinda
136 bpm • C Maj • 05:09 • -9db
12% Popularity • 50% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 89% Positiveness
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Rajan & Sajan Mishra & Shruti Sadolikar
Shankara Jeevan Varada
158 bpm • C# Maj • 06:23 • -13db
9% Popularity • 28% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Veena Sahasrabuddhe
Shri Saraswati Stuti
137 bpm • F# Maj • 03:27 • -12.92db
19% Popularity • 18% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 5% Positiveness
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Jayanthi Kumaresh
Mohanakalyani Thillana
136 bpm • E Maj • 06:30 • -11.01db
18% Popularity • 80% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 88% Positiveness
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Shahid Parvez
Raga Bhairavi Alap
136 bpm • G# min • 07:44 • -16.66db
13% Popularity • 37% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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U. Srinivas
Raghupathi Raghava Rajaram
159 bpm • A min • 03:06 • -17db
17% Popularity • 66% Danceability • 29% Energy • 37% Liveness
88% Instrumentalness • 52% Positiveness
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Ashwini Bhide-Deshpande
Radhe
136 bpm • F# Maj • 06:36 • -7.1db
15% Popularity • 52% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Shivkumar Sharma
Silsila Theme, Pt. 2 - Instrumental
136 bpm • B min • 03:40 • -16.82db
21% Popularity • 53% Danceability • 29% Energy • 18% Liveness
60% Instrumentalness • 41% Positiveness
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Shobha Gurtu
Yaad Piya Ki Aaye
136 bpm • A Maj • 06:30 • -9.44db
20% Popularity • 41% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Chhannulal Mishra
Thumri in Raga Bihag - Dekho dekho kaise
135 bpm • D# Maj • 03:55 • -13.02db
16% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Sohan Lal
Raja Bal Ke Darbar
134 bpm • C min • 10:55 • -15.12db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
2% Instrumentalness • 85% Positiveness
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Bhismen Joshi & Shruti Sadolikar
Jai Durge Durgatipariharini
134 bpm • C# Maj • 06:28 • -14.03db
16% Popularity • 56% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Mehtab Ali Niazi
Ekla Chalo Re Rabindra Sangeet - Raag - ...
134 bpm • F# Maj • 06:56 • -13.59db
19% Popularity • 55% Danceability • 38% Energy • 22% Liveness
92% Instrumentalness • 79% Positiveness
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Parvathy Baul
Vrindavana Vilasini Rai Amader (Notre Ra...
134 bpm • C# Maj • 06:18 • -11.82db
8% Popularity • 62% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Lata Mangeshkar
Sanskrit Shlokas
134 bpm • D Maj • 10:32 • -13.09db
1% Popularity • 23% Danceability • 15% Energy • 18% Liveness
35% Instrumentalness • 6% Positiveness
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Parveen Sultana
Raga Kalavati - Khayal
134 bpm • D# Maj • 14:56 • -12.93db
13% Popularity • 26% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
18% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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Rajan & Sajan Mishra & Shruti Sadolikar
Shiva Tandava Stotram
133 bpm • F# Maj • 07:33 • -12.71db
11% Popularity • 57% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Delightful Journey