Songs like Den Bergtagna, Act 1 Scene I: "Sa dansa vi nu med lusteligt sinn" by Ivar Hallström
Based on a tempo of (+/- 10%) and a similar genre
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Ivar Hallström
Den Bergtagna, Act 1 Scene I: "Sa dansa ...
101 bpm • A Maj • 02:58 • -25.05db
0% Popularity • 32% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 32% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: I...
101 bpm • D# min • 10:13 • -24.07db
8% Popularity • 23% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 5% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
101 bpm • G min • 06:24 • -31.07db
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossienne No. 3 (Orch. Corp)
102 bpm • A min • 02:20 • -41.1db
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 0% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
100 bpm • C Maj • 01:19 • -25.27db
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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Olivier Calmel
Wood Music - Concerto pour quintette à ...
100 bpm • F# Maj • 06:40 • -15.69db
1% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
1% Popularity • 46% Danceability • 29% Energy • 24% Liveness
90% Instrumentalness • 15% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene IV: "Jag hals...
100 bpm • D Maj • 03:02 • -26.32db
0% Popularity • 34% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 34% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
102 bpm • G Maj • 03:36 • -31.22db
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
5% Popularity • 21% Danceability • 5% Energy • 47% Liveness
83% Instrumentalness • 21% Positiveness
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Robert Schumann
Symphonie No. 3 in E-Flat Major, Op. 97:...
100 bpm • G# Maj • 04:53 • -27.53db
28% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 21% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Franz Schubert
Arpeggione Sonata in A Minor, D. 821 (Ar...
103 bpm • B Maj • 04:14 • -20.92db
10% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
99 bpm • D min • 02:10 • -26.47db
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 16% Liveness
86% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
103 bpm • C Maj • 04:39 • -23.27db
10% Popularity • 14% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 6% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Ivar Hallström
Den Bergtagna, Act 2 Scene V: "Du allt s...
103 bpm • C# min • 01:38 • -23.78db
0% Popularity • 34% Danceability • 13% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 34% Danceability • 13% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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Rudolf Moser
Suite, Op. 56: IV. Rondo. Presto
99 bpm • G min • 03:31 • -21.27db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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The Gerst Ensemble
First Year Pieces: No. 3, The Old Windmi...
99 bpm • F Maj • 00:56 • -27.65db
19% Popularity • 18% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
19% Popularity • 18% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 27% Positiveness
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RTÉ National Symphony Orchestra
Dr. Merryheart: IX. The Dance Of Merryhe...
104 bpm • C Maj • 01:46 • -19.35db
16% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
16% Popularity • 27% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
98 bpm • G min • 03:38 • -32.76db
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120 "Clar...
98 bpm • A min • 03:57 • -26.68db
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Ivar Hallström
Den bergtagna (The Bride of the Mountain...
104 bpm • C min • 07:33 • -17.67db
0% Popularity • 31% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Wranitzky
Jolantha, Königin von Jerusalem, Act II...
105 bpm • C min • 04:05 • -18.74db
8% Popularity • 38% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
8% Popularity • 38% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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The Gerst Ensemble
Studies for the Piano, Op. 65: No. 4 All...
98 bpm • G Maj • 01:00 • -27.26db
18% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
18% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
97 bpm • C Maj • 01:44 • -39.14db
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
17% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
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Casualidades Del Destino
A Un Mundo
97 bpm • A min • 02:20 • -22db
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 2...
98 bpm • G Maj • 05:20 • -21.1db
0% Popularity • 31% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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Franz von Suppé
Fantasia symphonica: III. Allegro scherz...
97 bpm • A min • 03:52 • -24.64db
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
13% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
105 bpm • A Maj • 04:13 • -30.36db
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 2% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Frederick Delius
Irmelin Prelude
96 bpm • F# Maj • 05:45 • -28.02db
8% Popularity • 12% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
96 bpm • C Maj • 09:46 • -14.82db
11% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
11% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
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Ivar Hallström
Den Bergtagna, Act 3 Scene II: "Hvad vil...
105 bpm • A min • 01:21 • -26db
0% Popularity • 34% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 34% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Jules Massenet
Thais Ballet Music: III. Presto vivace
107 bpm • A Maj • 01:18 • -23.42db
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
96 bpm • A Maj • 02:32 • -20.77db
14% Popularity • 19% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
107 bpm • C Maj • 01:58 • -18.44db
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 40% Danceability • 17% Energy • 26% Liveness
94% Instrumentalness • 8% Positiveness
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Bohuslav Martinů
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Ferdinand Hérold
La Fille mal gardée, Act I: 1. Introduc...
95 bpm • A Maj • 03:14 • -27.65db
10% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 7...
97 bpm • G min • 04:55 • -16.2db
0% Popularity • 30% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 13% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 13% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
95 bpm • A Maj • 01:47 • -14.84db
5% Popularity • 37% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 25% Positiveness
5% Popularity • 37% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 25% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Daniel Auber
Le maçon, S. 13 (Excerpts): Entr'acte t...
95 bpm • G Maj • 01:19 • -21.46db
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
Edvard Grieg
Grieg: Old Norwegian Romance with Variat...
95 bpm • F Maj • 01:05 • -28.09db
13% Popularity • 26% Danceability • 4% Energy • 60% Liveness
93% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 60% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
95 bpm • F Maj • 04:14 • -16.72db
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
10% Popularity • 20% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
► Preview
Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
97 bpm • G Maj • 04:40 • -21.11db
0% Popularity • 31% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
0% Popularity • 31% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
► Preview
ЧЕПЦОВ Александр
A PLAY ABOUT GHOSTS
95 bpm • A# min • 02:46 • -18.89db
8% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
8% Popularity • 15% Danceability • 20% Energy • 57% Liveness
56% Instrumentalness • 8% Positiveness
► Preview
Johann Strauss II
Pizzicato-Polka
94 bpm • C Maj • 02:48 • -36.59db
13% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
13% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
► Preview
Jules Massenet
Espada Suite: I. Panaderos
108 bpm • G Maj • 01:53 • -22.98db
17% Popularity • 32% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
17% Popularity • 32% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 24% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B, Act III Scene 1: ...
108 bpm • G Maj • 04:41 • -16.35db
8% Popularity • 24% Danceability • 33% Energy • 26% Liveness
78% Instrumentalness • 13% Positiveness
8% Popularity • 24% Danceability • 33% Energy • 26% Liveness
78% Instrumentalness • 13% Positiveness
► Preview
Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
94 bpm • E min • 03:11 • -18.15db
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 24% Energy • 8% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Paul Wranitzky
Achmet und Zenide, Act IV: Marsch
108 bpm • A# Maj • 01:57 • -17.53db
18% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 55% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene III: "Funne d...
97 bpm • G Maj • 02:34 • -23.64db
0% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
94 bpm • A Maj • 04:45 • -15.54db
4% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
4% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
► Preview
Knudåge Riisager
Etudes: V. Port de bras et pas de badin
94 bpm • B Maj • 03:05 • -27.18db
8% Popularity • 30% Danceability • 5% Energy • 7% Liveness
72% Instrumentalness • 31% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 7% Liveness
72% Instrumentalness • 31% Positiveness
► Preview
Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
109 bpm • D Maj • 06:13 • -19.09db
8% Popularity • 42% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 5...
109 bpm • D min • 03:43 • -25.52db
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
► Preview
Ottorino Respighi
Roman Festivals, P. 157: IV. The Epiphan...
94 bpm • D Maj • 05:35 • -14.75db
10% Popularity • 31% Danceability • 49% Energy • 18% Liveness
71% Instrumentalness • 41% Positiveness
10% Popularity • 31% Danceability • 49% Energy • 18% Liveness
71% Instrumentalness • 41% Positiveness
► Preview
Ivar Hallström
Den Bergtagna, Act 1 Scene IV: "Lundar I...
105 bpm • C Maj • 02:40 • -27.05db
0% Popularity • 36% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 36% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Act I - La traditrice
109 bpm • G Maj • 01:32 • -24.45db
9% Popularity • 33% Danceability • 5% Energy • 59% Liveness
5% Instrumentalness • 30% Positiveness
9% Popularity • 33% Danceability • 5% Energy • 59% Liveness
5% Instrumentalness • 30% Positiveness
► Preview
Anton Bruckner
Slow Strings
93 bpm • C# min • 02:31 • -35.11db
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Symphony No. 3: I. 1. Allegro moderato, ...
93 bpm • C Maj • 06:10 • -16db
9% Popularity • 13% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Mantovani Orchestra
I Feel Pretty (Westside Story)
93 bpm • E Maj • 02:08 • -37.64db
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
12% Instrumentalness • 25% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
12% Instrumentalness • 25% Positiveness
► Preview
Gioachino Rossini
Elisabetta, regina d'inghilterra: Sinfon...
93 bpm • E Maj • 06:51 • -18.07db
8% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
8% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
► Preview
Ivar Hallström
Den Bergtagna, Act 3 Scene I: "Sjud utof...
97 bpm • F min • 01:33 • -27.1db
0% Popularity • 39% Danceability • 3% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 39% Danceability • 3% Energy • 48% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Daniel Auber
Zanetta, S. 33 (Excerpts): Act III Entr'...
110 bpm • G# Maj • 01:36 • -17db
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
23% Popularity • 32% Danceability • 18% Energy • 20% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Asklepios
Como en las Grandes Citas
110 bpm • C Maj • 02:26 • -15.99db
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
13% Popularity • 34% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
George Frideric Handel
Beecham & Handel: The Gods Go a'Begging:...
93 bpm • A# Maj • 01:35 • -15.55db
15% Popularity • 15% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Alejandro Llovet Abascal
Sounds of joy
110 bpm • C Maj • 02:15 • -18.48db
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
12% Popularity • 77% Danceability • 13% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
► Preview
Pietro Mascagni
Mascagni: Cavalleria rusticana: Preludio...
93 bpm • F Maj • 02:19 • -23.16db
12% Popularity • 11% Danceability • 9% Energy • 86% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 9% Energy • 86% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
96 bpm • D Maj • 01:25 • -15.45db
0% Popularity • 29% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 29% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
The Gerst Ensemble
5 pièces de clavecin: Le petit rien
110 bpm • D Maj • 01:08 • -35.13db
17% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
17% Popularity • 34% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 74% Positiveness
► Preview
Ernest John Moeran
Serenade in G Major (original version): ...
110 bpm • E min • 02:44 • -35.44db
11% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 1% Energy • 7% Liveness
74% Instrumentalness • 9% Positiveness
► Preview
Moritz Moszkowski
Suite d'orchestre No. 3, Op. 79: II. Mol...
93 bpm • F Maj • 06:04 • -23.47db
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
110 bpm • F Maj • 03:23 • -31.1db
13% Popularity • 19% Danceability • 3% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 9, Danse de la femm...
92 bpm • D# Maj • 01:27 • -34.67db
6% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
6% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
106 bpm • A Maj • 05:06 • -18db
0% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
110 bpm • F# min • 01:29 • -18.06db
22% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
22% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
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Igor Stravinsky
Apollon Musagète, K. 048: VI. Variation...
92 bpm • D Maj • 01:35 • -29.47db
8% Popularity • 28% Danceability • 2% Energy • 22% Liveness
39% Instrumentalness • 10% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 22% Liveness
39% Instrumentalness • 10% Positiveness
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Dick Walter
Mini 5th
92 bpm • D# Maj • 01:02 • -13.73db
12% Popularity • 28% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: IV. Farandole...
92 bpm • D Maj • 03:04 • -17.62db
11% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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William Walton
Henry V, A Shakespeare Scenario: IV. Int...
92 bpm • C Maj • 02:15 • -35.24db
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene III: "Din sor...
96 bpm • F# Maj • 01:53 • -20.16db
0% Popularity • 36% Danceability • 10% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
111 bpm • F Maj • 02:33 • -19.66db
9% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Holy and Celestial Harmony
111 bpm • E Maj • 02:20 • -32db
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Daniel Auber
Zerline, S. 42, Airs de ballet (Excerpts...
112 bpm • F Maj • 02:46 • -17.99db
14% Popularity • 42% Danceability • 30% Energy • 17% Liveness
92% Instrumentalness • 64% Positiveness
14% Popularity • 42% Danceability • 30% Energy • 17% Liveness
92% Instrumentalness • 64% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
112 bpm • A Maj • 01:14 • -16.33db
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
19% Popularity • 38% Danceability • 14% Energy • 26% Liveness
64% Instrumentalness • 17% Positiveness
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Knudåge Riisager
Etudes: IV. Adagio
91 bpm • G# Maj • 05:14 • -28.76db
8% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene III: "Saa sen...
107 bpm • D Maj • 01:22 • -30.54db
0% Popularity • 38% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
91 bpm • A min • 01:54 • -22.86db
8% Popularity • 34% Danceability • 18% Energy • 63% Liveness
91% Instrumentalness • 19% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 63% Liveness
91% Instrumentalness • 19% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
91 bpm • F Maj • 02:33 • -19db
9% Popularity • 10% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 10% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: Variazioni: ...
112 bpm • F Maj • 07:18 • -21db
11% Popularity • 17% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Mäßig s...
91 bpm • A# Maj • 06:40 • -26.69db
9% Popularity • 17% Danceability • 5% Energy • 37% Liveness
88% Instrumentalness • 18% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 37% Liveness
88% Instrumentalness • 18% Positiveness
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Maurice Ravel
Sonatine, M. 40: II. Mouvement de menuet...
91 bpm • C# Maj • 03:20 • -22.21db
18% Popularity • 17% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
95 bpm • C Maj • 03:29 • -22.79db
0% Popularity • 20% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
0% Popularity • 20% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Heitor Villa-Lobos
Cello Concerto No. 1, Op. 50, W095: I. A...
91 bpm • G Maj • 08:02 • -21.22db
12% Popularity • 20% Danceability • 10% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 10% Energy • 14% Liveness
85% Instrumentalness • 14% Positiveness
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Agathe Backer Grøndahl
Fantasy Pieces, Op. 45: Summer Song
91 bpm • G Maj • 02:25 • -30.64db
16% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
91 bpm • C# Maj • 08:49 • -26.45db
1% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
1% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
La Belle au bois dormant, Op. 66 ; TH 13...
113 bpm • A# Maj • 04:29 • -11.97db
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
16% Popularity • 28% Danceability • 30% Energy • 25% Liveness
89% Instrumentalness • 46% Positiveness
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Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
113 bpm • C Maj • 00:59 • -24.34db
15% Popularity • 30% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 31% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 24% Liveness
90% Instrumentalness • 31% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene II: "Hur är ...
108 bpm • F min • 01:02 • -24.01db
0% Popularity • 34% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
