Songs like Den Bergtagna, Act 2 Scene I: "Hur fager hon var! Hur skon hennes bild I hjertat flammar" by Ivar Hallström
Based on a tempo of (+/- 10%) and a similar genre
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Ivar Hallström
Den Bergtagna, Act 2 Scene I: "Hur fager...
90 bpm • C Maj • 04:09 • -24.29db
0% Popularity • 21% Danceability • 9% Energy • 61% Liveness
3% Instrumentalness • 10% Positiveness
0% Popularity • 21% Danceability • 9% Energy • 61% Liveness
3% Instrumentalness • 10% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: X. Torero and C...
90 bpm • C min • 04:28 • -34.27db
13% Popularity • 17% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
90 bpm • G Maj • 01:48 • -18.79db
7% Popularity • 10% Danceability • 10% Energy • 70% Liveness
91% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 10% Energy • 70% Liveness
91% Instrumentalness • 3% Positiveness
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True LUFS Project
Carmina
90 bpm • C Maj • 01:51 • -15.95db
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 18% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Cinderella, Op. 87, Act II: The Stepsist...
91 bpm • G# Maj • 01:32 • -17.47db
12% Popularity • 48% Danceability • 31% Energy • 34% Liveness
80% Instrumentalness • 52% Positiveness
12% Popularity • 48% Danceability • 31% Energy • 34% Liveness
80% Instrumentalness • 52% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
89 bpm • E Maj • 07:28 • -21.27db
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
26% Popularity • 41% Danceability • 11% Energy • 32% Liveness
62% Instrumentalness • 29% Positiveness
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Ivar Hallström
Den Bergtagna, Bergandarnas intag
91 bpm • G# Maj • 04:50 • -26.76db
0% Popularity • 35% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 35% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
91 bpm • C# Maj • 08:49 • -26.45db
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 6% Energy • 21% Liveness
92% Instrumentalness • 3% Positiveness
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Béla Bartók
The Wooden Prince, Sz. 60 (Final Version...
91 bpm • F Maj • 04:08 • -22.75db
22% Popularity • 16% Danceability • 4% Energy • 51% Liveness
89% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 51% Liveness
89% Instrumentalness • 3% Positiveness
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Knudåge Riisager
Etudes: IV. Adagio
91 bpm • G# Maj • 05:14 • -28.76db
9% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Carl Nielsen
Symphony No. 3, Op. 27, FS 60 "Sinfonia ...
89 bpm • F Maj • 08:49 • -21.08db
11% Popularity • 18% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Johann Strauss II
Aschenbrödel, Act I (Reconstructed by M...
91 bpm • G# Maj • 05:55 • -18.96db
12% Popularity • 23% Danceability • 7% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 7% Liveness
69% Instrumentalness • 6% Positiveness
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George Enescu
Symphony No. 1, Op. 13: III. Vif et vigo...
89 bpm • F min • 09:11 • -20.9db
25% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Rued Langgaard
Symphony No. 14, "Morgenen" (The Morning...
89 bpm • D Maj • 07:17 • -33.61db
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Bilder einer Ausstellung (Orch. M. Ravel...
88 bpm • F Maj • 01:37 • -18db
12% Popularity • 39% Danceability • 9% Energy • 38% Liveness
96% Instrumentalness • 20% Positiveness
12% Popularity • 39% Danceability • 9% Energy • 38% Liveness
96% Instrumentalness • 20% Positiveness
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Jean Sibelius
Sibelius: Suite from King Christian II, ...
92 bpm • B Maj • 05:10 • -25.98db
8% Popularity • 14% Danceability • 5% Energy • 27% Liveness
84% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 5% Energy • 27% Liveness
84% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
88 bpm • B Maj • 03:32 • -18.03db
8% Popularity • 18% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Ivar Hallström
Den Bergtagna: Spinn, Spinn, gyllne slä...
92 bpm • G min • 04:53 • -34.66db
0% Popularity • 12% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
0% Popularity • 12% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
88 bpm • F Maj • 03:20 • -33.81db
8% Popularity • 9% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Nino Rota
Guerra e pace (Film Music Suite): Andrea...
88 bpm • F Maj • 02:50 • -27.1db
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 25% Liveness
90% Instrumentalness • 4% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 9, Danse de la femm...
92 bpm • D# Maj • 01:27 • -34.67db
7% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
7% Popularity • 18% Danceability • 0% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R.125: 1. I...
93 bpm • C Maj • 01:54 • -17.46db
6% Popularity • 40% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
6% Popularity • 40% Danceability • 28% Energy • 13% Liveness
89% Instrumentalness • 30% Positiveness
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Ernest Guiraud
L'Arlésienne Suite No. 2: IV. Farandole...
92 bpm • D Maj • 03:04 • -17.62db
12% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
12% Popularity • 64% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
92 bpm • C Maj • 01:36 • -20.02db
0% Popularity • 18% Danceability • 8% Energy • 15% Liveness
28% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 8% Energy • 15% Liveness
28% Instrumentalness • 9% Positiveness
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Moritz Moszkowski
Suite d'orchestre No. 3, Op. 79: II. Mol...
93 bpm • F Maj • 06:04 • -23.47db
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Dorothy Howell
Divertissements: II. Three Divertissemen...
87 bpm • A# Maj • 04:47 • -23.97db
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Margaret Bonds
Montgomery Variations: VI. Lament
87 bpm • D min • 02:41 • -36.19db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Elisabetta, regina d'inghilterra: Sinfon...
93 bpm • E Maj • 06:51 • -18.07db
9% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
9% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
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Aram Khachaturian
Symphony No. 3: I. 1. Allegro moderato, ...
93 bpm • C Maj • 06:10 • -16db
9% Popularity • 13% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene III: "Kylande...
88 bpm • D# Maj • 02:21 • -22.36db
0% Popularity • 35% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
0% Popularity • 35% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Anton Bruckner
Slow Strings
93 bpm • C# min • 02:31 • -35.11db
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 15% Liveness
46% Instrumentalness • 4% Positiveness
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Hans Huber
Symphony No. 2 in E Minor, Op. 115 "Böc...
87 bpm • G Maj • 00:59 • -28.83db
13% Popularity • 42% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 44% Positiveness
13% Popularity • 42% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 44% Positiveness
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Aurelio Scotto
Orchestral Set n.1: Counterpoints (Varia...
87 bpm • G Maj • 06:26 • -20.88db
15% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
15% Popularity • 19% Danceability • 10% Energy • 8% Liveness
40% Instrumentalness • 13% Positiveness
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Paul Wranitzky
Jolantha, Königin von Jerusalem, Act II...
86 bpm • D# Maj • 02:55 • -24.71db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
86 bpm • C# Maj • 08:48 • -27.77db
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ivar Hallström
En drom: IV. Marsch
94 bpm • A Maj • 03:10 • -27.5db
0% Popularity • 30% Danceability • 2% Energy • 15% Liveness
44% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 15% Liveness
44% Instrumentalness • 11% Positiveness
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Anton Bruckner
Meditating Orchestra
87 bpm • C# Maj • 02:58 • -32.87db
10% Popularity • 15% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Knudåge Riisager
Etudes: V. Port de bras et pas de badin
94 bpm • B Maj • 03:05 • -27.18db
9% Popularity • 30% Danceability • 5% Energy • 7% Liveness
72% Instrumentalness • 31% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 7% Liveness
72% Instrumentalness • 31% Positiveness
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Robert Schumann
Symphony No. 4 in D Minor, Op. 120: II. ...
86 bpm • A min • 01:43 • -24.47db
20% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
20% Popularity • 11% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
94 bpm • A Maj • 04:45 • -15.54db
3% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
3% Popularity • 42% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 57% Positiveness
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Edvard Grieg
Grieg: Old Norwegian Romance with Variat...
94 bpm • F Maj • 01:35 • -35.13db
12% Popularity • 14% Danceability • 0% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 0% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 5
87 bpm • C Maj • 02:53 • -26.38db
0% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 25% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Theme by Tchaikovsky, Op...
86 bpm • E Maj • 01:33 • -22.3db
19% Popularity • 15% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 13% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 13% Positiveness
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César Franck
Symphony in D Minor, FWV 48: II. Allegre...
94 bpm • F# Maj • 10:09 • -29.75db
8% Popularity • 12% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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The Gerst Ensemble
41 Klavierstücke, Op. 93: No. 22 Andant...
86 bpm • D min • 01:37 • -25.76db
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Mily Balakirev
Symphony No.1 In C Major: IV. Finale. Al...
94 bpm • C Maj • 08:03 • -22.93db
9% Popularity • 26% Danceability • 8% Energy • 14% Liveness
66% Instrumentalness • 9% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 14% Liveness
66% Instrumentalness • 9% Positiveness
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Richard Strauss
R. Strauss: Sinfonia Domestica, Op. 53, ...
86 bpm • D Maj • 07:31 • -26.88db
8% Popularity • 12% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
94 bpm • F Maj • 01:08 • -25.11db
0% Popularity • 57% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
0% Popularity • 57% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Johann Strauss II
Pizzicato-Polka
94 bpm • C Maj • 02:48 • -36.59db
12% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
12% Popularity • 40% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 48% Positiveness
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上海音协室内乐队
纽伦堡的名歌手
86 bpm • C Maj • 09:19 • -20.24db
8% Popularity • 12% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 12% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Adolphe Adam
Giselle, Act.1: VI. Pas De Deux
95 bpm • C# Maj • 02:16 • -22.54db
9% Popularity • 32% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Old Norwegian Romance with Variat...
95 bpm • F Maj • 01:05 • -28.09db
14% Popularity • 26% Danceability • 4% Energy • 60% Liveness
93% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 60% Liveness
93% Instrumentalness • 11% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
95 bpm • A Maj • 01:47 • -14.84db
5% Popularity • 37% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 25% Positiveness
5% Popularity • 37% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
86 bpm • C min • 02:28 • -29.23db
0% Popularity • 17% Danceability • 3% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Daniel Auber
Le maçon, S. 13 (Excerpts): Entr'acte t...
95 bpm • G Maj • 01:19 • -21.46db
26% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
26% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
Ferdinand Hérold
La Fille mal gardée, Act I: 1. Introduc...
95 bpm • A Maj • 03:14 • -27.65db
8% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 23% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part II. Scherzo...
85 bpm • A Maj • 10:14 • -21.05db
7% Popularity • 26% Danceability • 32% Energy • 26% Liveness
86% Instrumentalness • 20% Positiveness
7% Popularity • 26% Danceability • 32% Energy • 26% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Christian Lindberg
Dark Water
85 bpm • G Maj • 01:58 • -28.59db
16% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
16% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
► Preview
George Enescu
Octet, Op. 7 (Arr. for String Orchestra ...
85 bpm • E Maj • 09:03 • -25.21db
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
85 bpm • D Maj • 03:33 • -24.07db
0% Popularity • 27% Danceability • 6% Energy • 65% Liveness
40% Instrumentalness • 12% Positiveness
0% Popularity • 27% Danceability • 6% Energy • 65% Liveness
40% Instrumentalness • 12% Positiveness
► Preview
Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
José Manuel Ortega Caballo
Allegro Scherzino : Flying - Orchestral ...
85 bpm • A Maj • 01:21 • -17.17db
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
85 bpm • E min • 10:06 • -18.78db
12% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
96 bpm • C Maj • 09:46 • -14.82db
11% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
11% Popularity • 22% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Béla Bartók
Bartók: Concerto for Orchestra, Sz. 116...
84 bpm • C# Maj • 07:52 • -17.84db
1% Popularity • 11% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
95 bpm • C Maj • 03:29 • -22.79db
0% Popularity • 20% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
0% Popularity • 20% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 3 "L’été": ...
84 bpm • A# Maj • 02:25 • -22.08db
16% Popularity • 19% Danceability • 13% Energy • 16% Liveness
98% Instrumentalness • 8% Positiveness
16% Popularity • 19% Danceability • 13% Energy • 16% Liveness
98% Instrumentalness • 8% Positiveness
► Preview
Erik Satie
Gnossienne No. 1 (Orch. Corp)
84 bpm • F min • 03:40 • -35.19db
7% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
84 bpm • C# Maj • 10:38 • -29.1db
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Franz von Suppé
Fantasia symphonica: III. Allegro scherz...
97 bpm • A min • 03:52 • -24.64db
12% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 56% Liveness
70% Instrumentalness • 24% Positiveness
► Preview
Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Ivar Hallström
Den Bergtagna, Act 4 Scene V: "Herre kon...
85 bpm • E Maj • 03:12 • -22.02db
0% Popularity • 37% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
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Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
84 bpm • G min • 04:32 • -20.37db
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Series II, Op. 72: Mazu...
84 bpm • C Maj • 06:03 • -15.34db
9% Popularity • 16% Danceability • 18% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 18% Energy • 16% Liveness
51% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
83 bpm • G min • 02:51 • -22.59db
10% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
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Maya Badian
Violin Concerto: I. Prelude
97 bpm • C# Maj • 06:45 • -25.97db
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
5% Popularity • 24% Danceability • 6% Energy • 45% Liveness
5% Instrumentalness • 8% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene III: "Din sor...
96 bpm • F# Maj • 01:53 • -20.16db
0% Popularity • 36% Danceability • 10% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 62% Liveness
0% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
83 bpm • C Maj • 06:44 • -17.88db
5% Popularity • 38% Danceability • 29% Energy • 23% Liveness
82% Instrumentalness • 37% Positiveness
5% Popularity • 38% Danceability • 29% Energy • 23% Liveness
82% Instrumentalness • 37% Positiveness
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Pyotr Ilyich Tchaikovsky
Introduction to The Queen of Spades, Op....
83 bpm • D Maj • 04:20 • -20.52db
24% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
83 bpm • F Maj • 01:43 • -19.52db
8% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
84 bpm • F Maj • 02:18 • -27.43db
0% Popularity • 13% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Casualidades Del Destino
A Un Mundo
97 bpm • A min • 02:20 • -22db
14% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
97 bpm • C Maj • 01:44 • -39.14db
16% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
16% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No. 2, Séré...
83 bpm • D min • 02:34 • -24.5db
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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The Gerst Ensemble
Studies for the Piano, Op. 65: No. 4 All...
98 bpm • G Maj • 01:00 • -27.26db
15% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
15% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene VI: "Herre Ko...
84 bpm • A Maj • 01:51 • -20.53db
0% Popularity • 33% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Antonín Dvořák
Dvořák: Symphonic Variations in C Majo...
83 bpm • C Maj • 01:11 • -14.51db
9% Popularity • 30% Danceability • 33% Energy • 19% Liveness
96% Instrumentalness • 30% Positiveness
9% Popularity • 30% Danceability • 33% Energy • 19% Liveness
96% Instrumentalness • 30% Positiveness
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Erik Satie
Relâche, Pt. 2: No. 3, Rentrée de la f...
83 bpm • F Maj • 02:00 • -34.46db
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
6% Popularity • 15% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: III. Allegro g...
98 bpm • A Maj • 05:24 • -22.21db
12% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
12% Popularity • 32% Danceability • 8% Energy • 22% Liveness
85% Instrumentalness • 21% Positiveness
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Franz Schubert
Symphony No. 1 in D, D.82: 2. Andante
83 bpm • G Maj • 06:24 • -25.73db
4% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
4% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 1...
84 bpm • D Maj • 02:05 • -29.89db
0% Popularity • 13% Danceability • 2% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
0% Popularity • 13% Danceability • 2% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: V...
83 bpm • G min • 03:41 • -21.68db
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Richard Wagner
Die Meistersinger Von Nurnberg: Prelude
98 bpm • C Maj • 09:31 • -16.35db
9% Popularity • 23% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
9% Popularity • 23% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
