Songs like Den Bergtagna, Act 3 Scene V: "Valkommen till berget, du kungasalens ara!" by Ivar Hallström
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Un ballo in maschera / Act 2: Preludio
81 bpm • D Maj • 02:13 • -22.09db
7% Popularity • 20% Danceability • 15% Energy • 8% Liveness
67% Instrumentalness • 14% Positiveness
7% Popularity • 20% Danceability • 15% Energy • 8% Liveness
67% Instrumentalness • 14% Positiveness
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Ivar Hallström
Den Bergtagna, Act 3 Scene V: "Valkommen...
81 bpm • G# Maj • 04:04 • -23db
0% Popularity • 18% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Erik Satie
Gymnopédie No. 3 (Orch. Debussy)
81 bpm • A min • 02:50 • -40.05db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Jules Massenet
Herodiade, Act IV: Ballet: Les Gauloises
81 bpm • F Maj • 01:36 • -36.86db
7% Popularity • 30% Danceability • 2% Energy • 31% Liveness
28% Instrumentalness • 23% Positiveness
7% Popularity • 30% Danceability • 2% Energy • 31% Liveness
28% Instrumentalness • 23% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": I. ...
81 bpm • D Maj • 05:57 • -28.27db
14% Popularity • 9% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Hibiki Katō
Dragon Ball Gt (Orchestra Opening)
81 bpm • F Maj • 02:15 • -20.93db
7% Popularity • 19% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
7% Popularity • 19% Danceability • 18% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
81 bpm • A Maj • 04:46 • -23.47db
30% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 33% Liveness
76% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimae Coactae Pavan
81 bpm • A min • 03:36 • -21.27db
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
81 bpm • D# Maj • 04:15 • -19.66db
0% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 40% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
80 bpm • G# min • 03:45 • -38.57db
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 7% Danceability • 0% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 9...
81 bpm • C Maj • 04:42 • -15.33db
12% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
12% Popularity • 35% Danceability • 20% Energy • 4% Liveness
88% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Fauré: Dolly, Op. 56 - 1. Berceuse
82 bpm • B Maj • 01:02 • -22.48db
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 5e Parole - "Si...
82 bpm • G min • 05:28 • -21db
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
82 bpm • E Maj • 04:40 • -25.54db
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 13% Liveness
73% Instrumentalness • 9% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene II: Ballad. "...
80 bpm • G# Maj • 02:36 • -23.66db
0% Popularity • 39% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 39% Danceability • 12% Energy • 70% Liveness
0% Instrumentalness • 23% Positiveness
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Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
82 bpm • A Maj • 04:51 • -37.53db
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 12% Liveness
52% Instrumentalness • 3% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
80 bpm • F Maj • 03:34 • -34db
5% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Jean Sibelius
Karelia Suite Op.11
82 bpm • A Maj • 04:33 • -18.57db
8% Popularity • 48% Danceability • 16% Energy • 23% Liveness
36% Instrumentalness • 8% Positiveness
8% Popularity • 48% Danceability • 16% Energy • 23% Liveness
36% Instrumentalness • 8% Positiveness
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Alberto Lizzio
Symphony Fantastique Op.14: Marche Au Su...
80 bpm • G min • 04:44 • -22.46db
9% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 33% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
80 bpm • E Maj • 04:27 • -23.43db
7% Popularity • 12% Danceability • 7% Energy • 37% Liveness
81% Instrumentalness • 6% Positiveness
7% Popularity • 12% Danceability • 7% Energy • 37% Liveness
81% Instrumentalness • 6% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
82 bpm • F min • 04:53 • -17.17db
0% Popularity • 29% Danceability • 18% Energy • 61% Liveness
1% Instrumentalness • 18% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 61% Liveness
1% Instrumentalness • 18% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
82 bpm • D Maj • 09:53 • -28.55db
10% Popularity • 16% Danceability • 3% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
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Maurice Ravel
Valses Nobles Et Sentimentales: IV. Asse...
82 bpm • E Maj • 01:24 • -18.18db
8% Popularity • 12% Danceability • 20% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
8% Popularity • 12% Danceability • 20% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
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Bernard B. Scherr
Victimae Paschali Laudes (USA)
80 bpm • A min • 07:18 • -28.37db
10% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Suite d'orchestre No. 7 "Scèn...
82 bpm • A# Maj • 04:50 • -34.76db
0% Popularity • 11% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
80 bpm • G# Maj • 05:03 • -20.02db
10% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
10% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene I: "Det är s...
80 bpm • G min • 03:09 • -27db
0% Popularity • 23% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 23% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 2 "Le printemps...
82 bpm • C# min • 05:44 • -26.37db
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
14% Popularity • 15% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: V...
83 bpm • G min • 03:41 • -21.68db
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
80 bpm • D Maj • 02:57 • -28.08db
19% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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George Templeton Strong
Suite No. 3: "Le Livre d’Images": II. ...
79 bpm • A min • 05:03 • -25.74db
12% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
15% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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Ivar Hallström
Liten Karin: Act II: Erik! Erik!
82 bpm • F Maj • 04:15 • -18.17db
0% Popularity • 34% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 34% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
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Franz Schubert
Symphony No. 1 in D, D.82: 2. Andante
83 bpm • G Maj • 06:24 • -25.73db
4% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
4% Popularity • 22% Danceability • 4% Energy • 41% Liveness
87% Instrumentalness • 7% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 3 "L’été": ...
79 bpm • D# Maj • 02:27 • -24.87db
15% Popularity • 8% Danceability • 7% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 7% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Orpheus in the Underworld: Galop inferna...
79 bpm • D Maj • 02:15 • -12.67db
19% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
19% Popularity • 57% Danceability • 48% Energy • 30% Liveness
12% Instrumentalness • 74% Positiveness
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Giacomo Meyerbeer
L'etoile du nord: Act III: Entr'acte
79 bpm • G Maj • 01:32 • -35.9db
13% Popularity • 25% Danceability • 1% Energy • 16% Liveness
66% Instrumentalness • 35% Positiveness
13% Popularity • 25% Danceability • 1% Energy • 16% Liveness
66% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
79 bpm • C min • 06:49 • -17.07db
0% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
0% Popularity • 39% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 34% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
80 bpm • G min • 03:05 • -17db
0% Popularity • 32% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • B min • 06:14 • -22.87db
11% Popularity • 11% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
11% Popularity • 11% Danceability • 4% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
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Ria Mbanefo
My Own Lover
83 bpm • A# Maj • 02:54 • -20.19db
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
15% Popularity • 14% Danceability • 26% Energy • 14% Liveness
87% Instrumentalness • 62% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act II Scene 2: ...
79 bpm • G# Maj • 01:20 • -30.96db
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 0% Energy • 19% Liveness
50% Instrumentalness • 5% Positiveness
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Benjamin Frankel
The Night Of The Iguana: Maxine And Shan...
83 bpm • A Maj • 01:24 • -24.06db
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 4% Energy • 7% Liveness
73% Instrumentalness • 3% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No. 2, Séré...
83 bpm • D min • 02:34 • -24.5db
7% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 33% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
80 bpm • G min • 03:56 • -29.18db
0% Popularity • 17% Danceability • 3% Energy • 28% Liveness
60% Instrumentalness • 8% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 28% Liveness
60% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin: Prelude to Act I
79 bpm • A Maj • 10:42 • -33.74db
1% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Francesco Cilea
Adriana Lecouvreur: Intermezzo
79 bpm • F Maj • 02:29 • -28.75db
11% Popularity • 8% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Sir Adrian Boult
Third Movement Moderate Pesante
79 bpm • G min • 10:53 • -20.85db
8% Popularity • 11% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act I Scene 1: I...
83 bpm • F# Maj • 01:18 • -24.86db
17% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Ernesto Vallini
Strength to My World
79 bpm • D# min • 02:18 • -15.83db
7% Popularity • 9% Danceability • 25% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
7% Popularity • 9% Danceability • 25% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 4
82 bpm • C Maj • 03:09 • -21.41db
0% Popularity • 18% Danceability • 8% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 8% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
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Claude Debussy
Debussy: Prélude à l’après-midi d�...
79 bpm • C# min • 08:42 • -22.58db
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 13% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
83 bpm • F Maj • 01:43 • -19.52db
7% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
7% Popularity • 26% Danceability • 6% Energy • 38% Liveness
93% Instrumentalness • 12% Positiveness
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Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
79 bpm • G Maj • 02:13 • -25.92db
13% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
83 bpm • F# Maj • 06:16 • -25.49db
14% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Introduction to The Queen of Spades, Op....
83 bpm • D Maj • 04:20 • -20.52db
21% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 10% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Ivar Hallström
Den Bergtagna, Act 4 Scene V: "Nåväl s...
79 bpm • F Maj • 02:34 • -18.69db
0% Popularity • 29% Danceability • 14% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
0% Popularity • 29% Danceability • 14% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Concerto for Piano, Trumpe...
83 bpm • C Maj • 06:44 • -17.88db
4% Popularity • 38% Danceability • 29% Energy • 23% Liveness
82% Instrumentalness • 37% Positiveness
4% Popularity • 38% Danceability • 29% Energy • 23% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Pietro Mascagni
Cavalleria Rusticana: Preludio e Sicilia...
79 bpm • F Maj • 07:14 • -25.14db
9% Popularity • 11% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 6% Positiveness
9% Popularity • 11% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 6% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Firebird, Tableau 1: Kas...
79 bpm • G min • 01:48 • -33.86db
3% Popularity • 12% Danceability • 2% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
3% Popularity • 12% Danceability • 2% Energy • 21% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
83 bpm • G min • 02:51 • -22.59db
9% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 56% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Paavo Berglund
Peer Gynt Opp.46 & 55, Excerpts, Suite N...
84 bpm • G min • 04:32 • -20.37db
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 7% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Ivar Hallström
Den Bergtagna, Act 5 Scene II: "Hu, jag ...
83 bpm • F Maj • 04:08 • -23.56db
0% Popularity • 29% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Gerst Ensemble
Piano Music for Big and Small, Op. 53: N...
79 bpm • G Maj • 01:43 • -29.78db
16% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
16% Popularity • 21% Danceability • 4% Energy • 5% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Rodion Shchedrin
Shchedrin: Carmen Suite: XI. Adagio (aft...
84 bpm • A Maj • 05:42 • -19.43db
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 25% Energy • 17% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
78 bpm • C Maj • 01:44 • -40db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
79 bpm • E min • 02:53 • -16.4db
18% Popularity • 15% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
18% Popularity • 15% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Eugène Ysaÿe
Violin Concerto in E Minor: II. Andante
84 bpm • B min • 07:49 • -29.9db
10% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Ivar Hallström
Ett äfventyr I Skottland, Act II Scene ...
83 bpm • D Maj • 02:31 • -21.52db
0% Popularity • 43% Danceability • 11% Energy • 22% Liveness
16% Instrumentalness • 40% Positiveness
0% Popularity • 43% Danceability • 11% Energy • 22% Liveness
16% Instrumentalness • 40% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite, K010, (1945 Version)...
78 bpm • B Maj • 04:42 • -38.56db
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
![弦楽のためのアダージョ (バーバー)[式後の音楽] cover art](https://i.scdn.co/image/ab67616d00001e02c19974b0329a3839c77a7459)
ソフィア交響楽団
弦楽のためのアダージョ (バ�...
78 bpm • A# min • 06:51 • -22.66db
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Erik Satie
Gnossienne No. 1 (Orch. Corp)
84 bpm • F min • 03:40 • -35.19db
6% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: I. Introductio...
78 bpm • D# Maj • 03:30 • -22.53db
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
84 bpm • C# Maj • 10:38 • -29.1db
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 2% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene VI: "Guds mod...
79 bpm • B Maj • 02:24 • -16.82db
0% Popularity • 27% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 27% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Wagner
Akt I: Durch Mitleid wissend
78 bpm • G# Maj • 07:57 • -30.2db
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
15% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 3 "L’été": ...
84 bpm • A# Maj • 02:25 • -22.08db
16% Popularity • 19% Danceability • 13% Energy • 16% Liveness
98% Instrumentalness • 8% Positiveness
16% Popularity • 19% Danceability • 13% Energy • 16% Liveness
98% Instrumentalness • 8% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2, GB 121b: IV. ...
78 bpm • D Maj • 02:51 • -13.98db
18% Popularity • 56% Danceability • 40% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
18% Popularity • 56% Danceability • 40% Energy • 7% Liveness
87% Instrumentalness • 62% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
26% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
78 bpm • C Maj • 06:49 • -21.18db
10% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
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Ivar Hallström
Ett äfventyr I Skottland, Act I Scene 1...
84 bpm • D Maj • 02:05 • -29.89db
0% Popularity • 13% Danceability • 2% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
0% Popularity • 13% Danceability • 2% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
85 bpm • E min • 10:06 • -18.78db
11% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
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José Manuel Ortega Caballo
Allegro Scherzino : Flying - Orchestral ...
85 bpm • A Maj • 01:21 • -17.17db
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Suite No.1, K. 045: I. Andante. Crotchet...
77 bpm • B min • 01:23 • -28.62db
12% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Gioachino Rossini
Otello: Overture
77 bpm • A Maj • 08:23 • -17.85db
7% Popularity • 27% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
7% Popularity • 27% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 23% Positiveness
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Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Ivar Hallström
Den Bergtagna, Act 1 Scene VI: "Herre Ko...
84 bpm • A Maj • 01:51 • -20.53db
0% Popularity • 33% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
9% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Walter Piston
The Incredible Flutist Suite: IX. Spanis...
77 bpm • B Maj • 01:17 • -19.93db
18% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
18% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Quartet for Flute and String Trio No.5 "...
85 bpm • A Maj • 09:22 • -24.92db
14% Popularity • 33% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
14% Popularity • 33% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
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George Enescu
Octet, Op. 7 (Arr. for String Orchestra ...
85 bpm • E Maj • 09:03 • -25.21db
20% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 9% Danceability • 7% Energy • 51% Liveness
80% Instrumentalness • 4% Positiveness
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Ivar Hallström
Hertig Magnus och sjojungfrun (Duke Magn...
84 bpm • F Maj • 02:18 • -27.43db
0% Popularity • 13% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 5% Energy • 11% Liveness
39% Instrumentalness • 5% Positiveness
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Christian Lindberg
Dark Water
85 bpm • G Maj • 01:58 • -28.59db
14% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Erik Satie
Gnossienne No. 2 (Orch. Corp)
77 bpm • D min • 01:51 • -41.19db
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 0% Energy • 8% Liveness
38% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Act I - Introduction -...
76 bpm • C min • 02:08 • -26.74db
9% Popularity • 11% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Strauss
R. Strauss: Sinfonia Domestica, Op. 53, ...
86 bpm • D Maj • 07:31 • -26.88db
7% Popularity • 12% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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The Gerst Ensemble
41 Klavierstücke, Op. 93: No. 22 Andant...
86 bpm • D min • 01:37 • -25.76db
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness