Songs like Der Herr Ist Mit Mir (Bux WV 15): Sinfonia, Allegro, Alleluia by Dietrich Buxtehude
Based on a tempo of (+/- 10%) and a similar genre
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: I. Liber...
142 bpm • B min • 02:02 • -18.23db
11% Popularity • 21% Danceability • 5% Energy • 17% Liveness
10% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 5% Energy • 17% Liveness
10% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
141 bpm • A Maj • 03:01 • -24.58db
18% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIb. Ad ge...
141 bpm • D Maj • 01:00 • -25.92db
13% Popularity • 32% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Alessandro Marcello
Concerto di Flauti, S.D945: III. Presto
143 bpm • G Maj • 01:19 • -21.65db
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
18% Popularity • 48% Danceability • 10% Energy • 8% Liveness
73% Instrumentalness • 69% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
142 bpm • B min • 02:05 • -19db
15% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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![Bist du bei mir (Formerly Attrib. Bach as BWV 508)[Voice & Harpsichord] cover art](https://i.scdn.co/image/ab67616d00001e0299acf539a3fa903fc3223059)
Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. Bach a...
140 bpm • D Maj • 02:46 • -26.2db
8% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Christe elei...
139 bpm • G# Maj • 03:19 • -23.34db
12% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Christoph Graupner
Partita GWV 150: IV. Sarabande
145 bpm • B min • 01:57 • -27db
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
15% Popularity • 27% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 44% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
143 bpm • C min • 02:51 • -16db
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
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Henry Purcell
Fantazia V, Z. 736
139 bpm • E Maj • 04:09 • -17.03db
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 19% Danceability • 18% Energy • 17% Liveness
89% Instrumentalness • 9% Positiveness
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Niccolò Jommelli
Miserere in G Minor, HocJ C1.23: I. Mise...
140 bpm • B min • 01:35 • -23.52db
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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The Royal Wind Music
Galliard
139 bpm • F# Maj • 02:22 • -18.59db
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mensa sonora / PARS I (In D Major): 1. S...
139 bpm • C# Maj • 01:12 • -18.62db
11% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 31% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Dietrich Buxtehude
Der Herr ist mit mir, darum fürchte ich...
140 bpm • C min • 07:08 • -20.98db
15% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VII....
138 bpm • C# min • 01:06 • -23.44db
16% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
16% Popularity • 73% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
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Giovanni Legrenzi
Ingemisco
146 bpm • C# min • 02:50 • -18.9db
10% Popularity • 13% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 10% Energy • 15% Liveness
6% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 3 in C Major, Wq. 1...
148 bpm • B Maj • 02:41 • -15.9db
9% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
9% Popularity • 37% Danceability • 25% Energy • 13% Liveness
83% Instrumentalness • 56% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. Tu de victo mortis a...
149 bpm • C Maj • 01:19 • -14.89db
14% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
14% Popularity • 30% Danceability • 38% Energy • 16% Liveness
56% Instrumentalness • 69% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
138 bpm • C min • 03:20 • -23.54db
16% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 15% Positiveness
16% Popularity • 24% Danceability • 6% Energy • 10% Liveness
14% Instrumentalness • 15% Positiveness
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Matthew Locke
Psyche, Act I Scene 1: Symphony of rusti...
135 bpm • C# min • 01:00 • -18.65db
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
21% Popularity • 58% Danceability • 31% Energy • 26% Liveness
56% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Donec ponam inimi...
135 bpm • A# min • 01:49 • -21.07db
17% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 37% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
135 bpm • G# Maj • 03:22 • -19.07db
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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George Frideric Handel
Organ Concerto No. 14 in A Major, HWV 29...
135 bpm • F min • 01:25 • -37.57db
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Bononcini
Stabat Mater a quatro in C Minor: IX. Vi...
135 bpm • D# Maj • 01:26 • -17.73db
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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![Membra Jesu nostri, BuxWV 75, Ad pedes (Ecce super montes): VI. Ecce super montes [Live] cover art](https://i.scdn.co/image/ab67616d00001e02b3b77e1daa38ff03caac984c)
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75, Ad pedes (...
137 bpm • F min • 01:28 • -20.11db
6% Popularity • 19% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 19% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
22% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Unknown
Balletti di Venezia: VII. Adagio
135 bpm • F# Maj • 02:40 • -33.08db
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
8% Popularity • 26% Danceability • 1% Energy • 18% Liveness
45% Instrumentalness • 15% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
30% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Actéon, H. 481, Scene I: Allons, marcho...
152 bpm • C# Maj • 01:59 • -19.47db
9% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
9% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: V. Vidit suum
132 bpm • E min • 01:05 • -25.23db
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
132 bpm • C# Maj • 03:37 • -21.45db
9% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
9% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
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![Water Music, Suite No. 2 in D Major, HWV 349: IV. [Rigaudon 1] cover art](https://i.scdn.co/image/ab67616d00001e024901a4a7fbdb16c43cfcd61d)
George Frideric Handel
Water Music, Suite No. 2 in D Major, HWV...
131 bpm • F# Maj • 01:08 • -19.76db
14% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
14% Popularity • 56% Danceability • 22% Energy • 7% Liveness
26% Instrumentalness • 97% Positiveness
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Henri Desmarets
Te Deum "de Lyon": IV. Te martyrum candi...
131 bpm • F Maj • 01:09 • -16.55db
16% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
16% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
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Dietrich Buxtehude
Sonata & Suite in B-Dur, BuxWV 273: Sona...
149 bpm • A Maj • 01:23 • -16.43db
6% Popularity • 34% Danceability • 26% Energy • 30% Liveness
4% Instrumentalness • 72% Positiveness
6% Popularity • 34% Danceability • 26% Energy • 30% Liveness
4% Instrumentalness • 72% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: VIII. A...
131 bpm • F# Maj • 01:05 • -16.86db
19% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
19% Popularity • 41% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
29% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
29% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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George Frideric Handel
Concerto grosso No. 2 in B-Flat Major, O...
130 bpm • F# min • 02:34 • -24.77db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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![Membra Jesu Nostri, BuxWV 75: Concerto [Ad manus] cover art](https://i.scdn.co/image/ab67616d00001e0213366b3e28d66deb3edae1c1)
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: Concerto [...
135 bpm • A# Maj • 02:19 • -20db
16% Popularity • 19% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
129 bpm • F# Maj • 01:11 • -21.27db
17% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
17% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
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Heinrich Ignaz Franz von Biber
Violin Sonata No. 1 in A Major, C. 138: ...
129 bpm • D# Maj • 01:05 • -25.63db
22% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
22% Popularity • 18% Danceability • 5% Energy • 20% Liveness
45% Instrumentalness • 24% Positiveness
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François Couperin
Concert No. 8 in G Major "Les goûts ré...
129 bpm • F Maj • 02:18 • -25.41db
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
129 bpm • B min • 01:53 • -22.72db
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
7% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
7% Instrumentalness • 14% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Musici di San Marco
Concerto, D-Major, For Strings And Organ...
128 bpm • C# Maj • 02:15 • -20.69db
10% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
10% Popularity • 38% Danceability • 23% Energy • 23% Liveness
84% Instrumentalness • 43% Positiveness
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Henry Purcell
Fantazia IX, Z. 740
129 bpm • E Maj • 04:23 • -18.1db
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
128 bpm • A Maj • 02:11 • -13.01db
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
16% Popularity • 44% Danceability • 28% Energy • 30% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
131 bpm • B min • 07:38 • -22db
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
António Pereira da Costa
Concerto VIII in C Minor: IV. Adagio
128 bpm • C min • 01:04 • -18.73db
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
10% Popularity • 17% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Johann Bernhard Bach
Overture In G Minor: I. Ouverture
128 bpm • G Maj • 04:36 • -28.52db
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
13% Popularity • 55% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Michael Haydn
Missa Quadragesimalis, MH 552: Benedictu...
128 bpm • G# min • 00:55 • -19.55db
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Nicola Porpora
Il trionfo della divina Giustizia ne' to...
127 bpm • B min • 06:53 • -21.45db
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 9% Energy • 22% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Canzon Francese del Principe
127 bpm • G# min • 04:45 • -27.98db
23% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
23% Popularity • 30% Danceability • 11% Energy • 4% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Dietrich Buxtehude
Sonata III in G-Moll, Op. 2, BuxWV 261: ...
130 bpm • F# min • 05:34 • -17.29db
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 30% Danceability • 17% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
35% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
35% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626, Act II: The Gro...
127 bpm • G# min • 03:44 • -16.73db
8% Popularity • 28% Danceability • 18% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
8% Popularity • 28% Danceability • 18% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
► Preview
Élisabeth Jacquet de La Guerre
Céphale et Procris, Prologue: Chœur. C...
127 bpm • F min • 01:55 • -22.27db
11% Popularity • 41% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Michel Richard Delalande
Dies iræ, S. 31: Tuba mirum spargens so...
127 bpm • B min • 01:15 • -16.99db
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
11% Popularity • 28% Danceability • 22% Energy • 21% Liveness
13% Instrumentalness • 50% Positiveness
► Preview
Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
128 bpm • C min • 00:54 • -15.68db
15% Popularity • 27% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 27% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: IV. Trem...
126 bpm • D Maj • 01:01 • -21.42db
18% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
18% Popularity • 33% Danceability • 14% Energy • 8% Liveness
8% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: VII. Pre...
126 bpm • C# min • 02:07 • -16.39db
10% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 37% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Henry Purcell
Fantazia I, Z. 732
162 bpm • C# min • 02:43 • -18.92db
10% Popularity • 20% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
10% Popularity • 20% Danceability • 12% Energy • 10% Liveness
70% Instrumentalness • 26% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pectus:...
128 bpm • A min • 01:26 • -19.4db
15% Popularity • 30% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 28% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 28% Positiveness
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Robert de Visée
De Visée: Pièces de théorbe et de lut...
125 bpm • C# min • 02:22 • -26.78db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
70% Instrumentalness • 36% Positiveness
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Andreas Oswald
Sonate für 2 Violinen, Viola da gamba u...
124 bpm • F# Maj • 04:21 • -17.65db
15% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
15% Popularity • 31% Danceability • 23% Energy • 17% Liveness
50% Instrumentalness • 23% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Henry Purcell
The Indian Queen, Z. 630 / Act III: Rond...
124 bpm • G# Maj • 01:41 • -18.22db
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
14% Popularity • 41% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
127 bpm • C min • 01:19 • -19.06db
14% Popularity • 28% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 28% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Christe e...
124 bpm • G# Maj • 02:31 • -27.67db
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Avison
Concerto in D Major, Op. 6 No. 6: III. A...
163 bpm • C# min • 01:55 • -22db
15% Popularity • 19% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Jean-Baptiste Quentin
2e Livre de Sonates à violon seul et ba...
123 bpm • D# min • 03:22 • -20.18db
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
123 bpm • B min • 03:02 • -21.54db
18% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 447
164 bpm • A min • 04:32 • -17.82db
15% Popularity • 12% Danceability • 11% Energy • 11% Liveness
52% Instrumentalness • 6% Positiveness
15% Popularity • 12% Danceability • 11% Energy • 11% Liveness
52% Instrumentalness • 6% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Johann Bernhard Bach
Ouverture in G Major: I. Ouverture
123 bpm • F Maj • 03:10 • -14.71db
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
122 bpm • B min • 02:28 • -20.39db
14% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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François Rebel
Les Augustales: Le théâtre s’éclair...
122 bpm • B Maj • 01:46 • -25db
9% Popularity • 26% Danceability • 14% Energy • 40% Liveness
6% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 14% Energy • 40% Liveness
6% Instrumentalness • 18% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
23% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
126 bpm • D min • 00:47 • -24db
16% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 31% Liveness
20% Instrumentalness • 13% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Antonio Caldara
Missa Dolorosa: IV. Sanctus
168 bpm • D# min • 01:06 • -18.49db
31% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
