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Der Obersteiger: Sei nicht bös
Songs like
Der Obersteiger: Sei nicht bös
by
Carl Zeller
Based on a tempo of (+/- 10%) and a similar genre
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
91 bpm • C min • 03:41 • -13.05db
10% Popularity • 25% Danceability • 45% Energy • 95% Liveness
0% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1:...
91 bpm • D# Maj • 03:14 • -23db
27% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
91 bpm • F Maj • 02:33 • -19db
7% Popularity • 10% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Jules Massenet
Cendrillon: Ah! Douce enfant
91 bpm • B Maj • 04:38 • -29db
8% Popularity • 22% Danceability • 4% Energy • 17% Liveness
3% Instrumentalness • 4% Positiveness
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Albert Lortzing
Lortzing: Zar und Zimmermann, Act III: '...
91 bpm • D# Maj • 02:22 • -18db
15% Popularity • 44% Danceability • 13% Energy • 10% Liveness
15% Instrumentalness • 38% Positiveness
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Carl Zeller
Der Vogelhandler, Act I: Rhine Waltz: O ...
91 bpm • G Maj • 04:42 • -10.32db
0% Popularity • 32% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
9% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
91 bpm • D# Maj • 03:05 • -22.4db
9% Popularity • 22% Danceability • 5% Energy • 59% Liveness
1% Instrumentalness • 8% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Wie Todesah...
90 bpm • G Maj • 04:23 • -24.19db
8% Popularity • 20% Danceability • 5% Energy • 11% Liveness
26% Instrumentalness • 13% Positiveness
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Chor der Deutschen Oper Berlin
Lohengrin: Treulich geführt
92 bpm • A# Maj • 04:25 • -19db
9% Popularity • 21% Danceability • 16% Energy • 9% Liveness
56% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
92 bpm • E Maj • 04:22 • -26.2db
21% Popularity • 22% Danceability • 10% Energy • 22% Liveness
49% Instrumentalness • 14% Positiveness
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Carl Zeller
Der Vogelhändler: Wie mein Ahnl zwanzig...
90 bpm • A Maj • 03:15 • -15.25db
0% Popularity • 37% Danceability • 9% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
90 bpm • D Maj • 04:22 • -13.15db
10% Popularity • 25% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
92 bpm • D Maj • 01:20 • -22db
9% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Overture
92 bpm • E Maj • 07:04 • -17.74db
8% Popularity • 35% Danceability • 18% Energy • 21% Liveness
69% Instrumentalness • 35% Positiveness
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Johann Strauss I
Wiener Stadt-Garde-Marsch, Op. 246
90 bpm • D# Maj • 03:05 • -16.24db
10% Popularity • 52% Danceability • 22% Energy • 29% Liveness
1% Instrumentalness • 52% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
30% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Zeller
Zeller: Der Obersteiger, Act 2: "Sei nic...
92 bpm • A# Maj • 04:22 • -18.28db
1% Popularity • 24% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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WDR Rundfunkorchester Köln
Abends will ich schlafen gehn - aus der ...
90 bpm • D Maj • 02:31 • -18.07db
14% Popularity • 16% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La traviata / Act III: Parigi, o cara, n...
89 bpm • G# Maj • 04:55 • -20.49db
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 1...
92 bpm • F Maj • 03:53 • -23.52db
14% Popularity • 52% Danceability • 8% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
89 bpm • F# Maj • 02:06 • -21.48db
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
4% Instrumentalness • 12% Positiveness
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Jacques Offenbach
La vie parisienne: Overture
89 bpm • F Maj • 05:18 • -17db
21% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
92 bpm • C Maj • 05:26 • -18.06db
7% Popularity • 53% Danceability • 24% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Vienna Walzer Orchestra
Knall und Fall, Polka-schnell, Op. 132
89 bpm • G Maj • 02:26 • -13db
9% Popularity • 57% Danceability • 55% Energy • 80% Liveness
45% Instrumentalness • 47% Positiveness
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Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
89 bpm • F Maj • 01:43 • -19db
11% Popularity • 39% Danceability • 10% Energy • 16% Liveness
6% Instrumentalness • 30% Positiveness
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Gioachino Rossini
Elisabetta, regina d'inghilterra: Sinfon...
93 bpm • E Maj • 06:51 • -18.07db
9% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
Die erste Walpurgisnacht, Op. 60: Hilf, ...
89 bpm • C# Maj • 01:01 • -13.73db
2% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
93 bpm • G Maj • 05:46 • -17.65db
9% Popularity • 40% Danceability • 22% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness
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Emmerich Kálmán
Die Csárdásfürstin · Operette in 3 A...
93 bpm • D Maj • 03:43 • -13.26db
9% Popularity • 26% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 25% Positiveness
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Giuseppe Verdi
Aida, Act II: Chorus. Gloria all'Egitto
93 bpm • D# Maj • 03:26 • -21db
22% Popularity • 27% Danceability • 12% Energy • 47% Liveness
78% Instrumentalness • 19% Positiveness
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Carl Millöcker
Dunkelrote Rosen
93 bpm • A Maj • 02:39 • -15.81db
17% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
93 bpm • A# Maj • 01:35 • -18db
10% Popularity • 45% Danceability • 20% Energy • 66% Liveness
20% Instrumentalness • 62% Positiveness
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Vienna Walzer Orchestra
Mit Extrapost Polka schnell, Op. 259
93 bpm • D Maj • 01:58 • -14.13db
9% Popularity • 49% Danceability • 53% Energy • 70% Liveness
90% Instrumentalness • 87% Positiveness
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Carl Zeller
Der Obersteiger: Act III: Couplet: Es wa...
93 bpm • G Maj • 02:19 • -21.54db
0% Popularity • 51% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Berliner Philharmoniker
Nein, länger trag ich nicht
89 bpm • D# Maj • 06:52 • -19db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Various Artists
Je Vous En Prie
93 bpm • F Maj • 04:00 • -10.82db
10% Popularity • 54% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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Paul Lincke
Lincke: Frau Luna: "Schlösser, die im M...
93 bpm • D# Maj • 03:31 • -17.24db
10% Popularity • 32% Danceability • 15% Energy • 34% Liveness
29% Instrumentalness • 12% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 1...
93 bpm • F Maj • 04:32 • -26.66db
10% Popularity • 18% Danceability • 7% Energy • 12% Liveness
52% Instrumentalness • 8% Positiveness
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Emmerich Kálmán
Gräfin Mariza, Act I: "Komm Zigány" (T...
89 bpm • E Maj • 01:27 • -11db
19% Popularity • 23% Danceability • 29% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
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Carl Zeller
Der Vogelhändler · Operette in 3 Akten...
93 bpm • A# Maj • 03:00 • -18.89db
7% Popularity • 22% Danceability • 18% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Wiener Operettenorchester
Schenkt man sich Rosen in Tirol
88 bpm • A# Maj • 03:15 • -9db
10% Popularity • 27% Danceability • 52% Energy • 15% Liveness
5% Instrumentalness • 21% Positiveness
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Charles Gounod
Gounod: Faust, Act 5: Trio-finale. "Aler...
94 bpm • C Maj • 05:51 • -15.44db
8% Popularity • 22% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 5% Positiveness
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Mirella Freni
La Bohème: Donde lieta uscì
88 bpm • F# min • 03:22 • -18db
9% Popularity • 28% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Madame Butterfly: Coro a bocca chiusa
94 bpm • A# Maj • 02:22 • -36.58db
33% Popularity • 15% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Nabucco / Act I: D'Egitto là sui lidi
88 bpm • C Maj • 03:59 • -19.65db
25% Popularity • 28% Danceability • 14% Energy • 11% Liveness
40% Instrumentalness • 15% Positiveness
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Carl Zeller
Der Obersteiger: Don't be cross
94 bpm • D# Maj • 04:25 • -21.5db
0% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Josef Strauss
Dorfschwalben aus Österreich, Op. 164
94 bpm • D# Maj • 08:28 • -25db
26% Popularity • 23% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 23% Positiveness
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Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Hail! Men o'war...
87 bpm • C Maj • 04:16 • -22.62db
11% Popularity • 43% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 31% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
87 bpm • F Maj • 06:44 • -22.21db
8% Popularity • 36% Danceability • 4% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi : Il trovatore : Act 3 "Ah! si, be...
87 bpm • F# Maj • 04:13 • -16.83db
2% Popularity • 33% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63, Act II...
87 bpm • G Maj • 02:29 • -15.96db
8% Popularity • 40% Danceability • 39% Energy • 56% Liveness
36% Instrumentalness • 31% Positiveness
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Carl Zeller
Der Vogelhändler: Schenkt man sich Rose...
94 bpm • A# Maj • 03:41 • -11.24db
0% Popularity • 21% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Hans Christian Lumbye
Britta Polka (1864)
87 bpm • A Maj • 02:34 • -19.56db
25% Popularity • 39% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 51% Positiveness
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Vienna State Opera Orchestra
Hoffmanns Erzählungen: Menuett Barcarol...
87 bpm • D Maj • 02:52 • -24db
13% Popularity • 19% Danceability • 8% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Arthur Sullivan
Thespis: No. 3 Valse
87 bpm • G Maj • 01:17 • -24.91db
26% Popularity • 52% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Johann Strauss I
Quadrille ohne Titel, Op. 248
87 bpm • A# Maj • 05:06 • -15.58db
12% Popularity • 45% Danceability • 18% Energy • 18% Liveness
70% Instrumentalness • 32% Positiveness
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Carl Zeller
Lippizaner Kaiserin - After "Der Vogelh�...
94 bpm • G Maj • 05:43 • -12.86db
2% Popularity • 36% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Munchener Rundfunkorchester
Zar und Zimmermann: Holzschutanz
87 bpm • D# Maj • 03:34 • -17.89db
11% Popularity • 33% Danceability • 14% Energy • 12% Liveness
85% Instrumentalness • 29% Positiveness
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Hans Christian Lumbye
(Berlin) Vauxhall Polka (1867)
95 bpm • D Maj • 02:53 • -19db
16% Popularity • 39% Danceability • 17% Energy • 21% Liveness
84% Instrumentalness • 36% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
96 bpm • A Maj • 02:32 • -20.77db
12% Popularity • 19% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
14% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Carl Zeller
Wie mein Ahnl zwanzig Jahr' (Der Vogelh�...
88 bpm • A Maj • 03:21 • -12.49db
2% Popularity • 39% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Helen Donath
Martha: Letzte Rose... Martha laß dir s...
87 bpm • F Maj • 05:25 • -13.42db
10% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Orchestre de Volksoper de Vienne
Morgenblätter
96 bpm • F Maj • 03:07 • -12.93db
9% Popularity • 53% Danceability • 29% Energy • 31% Liveness
92% Instrumentalness • 34% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess),...
86 bpm • D Maj • 02:40 • -12.52db
20% Popularity • 25% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Luigi Arditi
Il Bacio
96 bpm • D Maj • 04:35 • -21.36db
10% Popularity • 32% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nico Dostal
Sikermä Nico Dostalin operettilauluja P...
86 bpm • F Maj • 07:03 • -13.33db
9% Popularity • 24% Danceability • 33% Energy • 72% Liveness
87% Instrumentalness • 12% Positiveness
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Carl Zeller
Der Vogelhändler, 'The Bird Catcher': S...
95 bpm • A# Maj • 03:28 • -21.8db
0% Popularity • 24% Danceability • 8% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
86 bpm • G Maj • 03:56 • -11.13db
8% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 2: Ah! non giunge um...
96 bpm • A# Maj • 03:54 • -13.19db
10% Popularity • 33% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Carl Zeller
Der Vogelhändler: Schenkt man sich Rose...
95 bpm • A# min • 02:33 • -19.08db
0% Popularity • 23% Danceability • 16% Energy • 17% Liveness
55% Instrumentalness • 16% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 2...
86 bpm • G Maj • 03:07 • -35db
17% Popularity • 9% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 12 M...
96 bpm • C Maj • 01:44 • -20db
16% Popularity • 32% Danceability • 6% Energy • 66% Liveness
54% Instrumentalness • 20% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
96 bpm • A# Maj • 02:54 • -14db
11% Popularity • 40% Danceability • 38% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Friedrich Silcher
Annchen von Tharau
96 bpm • B Maj • 02:30 • -27.53db
14% Popularity • 27% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
86 bpm • G# Maj • 08:54 • -15.91db
8% Popularity • 12% Danceability • 37% Energy • 68% Liveness
37% Instrumentalness • 22% Positiveness
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Carl Zeller
Der Obersteiger: Act II: Couplet: Der Fo...
95 bpm • E Maj • 02:06 • -19.1db
0% Popularity • 52% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
96 bpm • D# Maj • 03:47 • -24db
8% Popularity • 39% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 20% Positiveness
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Josef Strauss
Helden-Gedichte, Op. 87: Heldengedichte,...
96 bpm • D# Maj • 10:32 • -18.49db
16% Popularity • 40% Danceability • 12% Energy • 17% Liveness
88% Instrumentalness • 26% Positiveness
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Rudolf Schock
La Paloma (Mich rief es an Bord)
86 bpm • D# Maj • 04:38 • -15db
14% Popularity • 28% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hans Christian Lumbye
Otto Allins Tromme-Polka (1864)
86 bpm • G Maj • 02:15 • -17.55db
22% Popularity • 42% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 58% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Carl Zeller
Der Obersteiger: Act II: Duet: Schone Fr...
96 bpm • A Maj • 04:01 • -19.53db
0% Popularity • 42% Danceability • 18% Energy • 52% Liveness
0% Instrumentalness • 33% Positiveness
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Wolfgang Amadeus Mozart
Ich Liebe Dich WoO 123
86 bpm • G# Maj • 02:45 • -19.81db
9% Popularity • 28% Danceability • 7% Energy • 20% Liveness
4% Instrumentalness • 9% Positiveness
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Martin Frank
Presssacklied
85 bpm • D# Maj • 02:12 • -15.89db
15% Popularity • 35% Danceability • 40% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
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Friedrich Gluck
In einem kuhlen Grunde
97 bpm • A# Maj • 02:07 • -29.96db
16% Popularity • 24% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Jacques Offenbach
Offenbach: La Belle Hélène, Act 2: Ent...
98 bpm • C# min • 02:59 • -24.54db
13% Popularity • 25% Danceability • 3% Energy • 37% Liveness
49% Instrumentalness • 8% Positiveness
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Franz von Suppé
Dichter und Bauer: Overture
85 bpm • D Maj • 09:56 • -19.92db
8% Popularity • 20% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Carl Zeller
Zeller : Der Vogelhändler : Act 1 "Sche...
96 bpm • A# Maj • 03:37 • -20.23db
0% Popularity • 26% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1:...
98 bpm • D# Maj • 03:02 • -19.1db
16% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Emmerich Kálmán
Gräfin Mariza, IEK 4: Komm mit nach Var...
85 bpm • F Maj • 04:02 • -10.59db
10% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
12% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Der Obersteiger: Sei nicht bös