Songs like Der Rosenkavalier, Op. 59, TrV 227 / Act 2: "Herr Baron von Lerchenau!" by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig van Beethoven
Beethoven: Symphony No. 3 in E-Flat Majo...
118 bpm • D# Maj • 05:40 • -23.11db
11% Popularity • 39% Danceability • 18% Energy • 16% Liveness
55% Instrumentalness • 25% Positiveness
11% Popularity • 39% Danceability • 18% Energy • 16% Liveness
55% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Richard Wagner
Parsifal / Act 2: "Komm, holder Knabe!"
118 bpm • G# Maj • 04:50 • -27db
18% Popularity • 27% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 13% Positiveness
18% Popularity • 27% Danceability • 8% Energy • 29% Liveness
2% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: IV. Passacaglia: Ma...
119 bpm • G min • 03:31 • -15.09db
25% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
25% Popularity • 30% Danceability • 23% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: Gib mir den Ko...
119 bpm • G Maj • 01:49 • -16.04db
8% Popularity • 35% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 35% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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Aram Khachaturian
Gayaneh, Ballet Suite: Gayaneh's Adagio
117 bpm • G# Maj • 04:00 • -32.62db
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
41% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
121 bpm • F min • 11:34 • -18.28db
35% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
35% Popularity • 38% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 14. Fina...
115 bpm • G Maj • 06:13 • -16db
29% Popularity • 22% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
29% Popularity • 22% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
38% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra: Ix. Ich habe keine gute Nächte
114 bpm • B min • 06:02 • -22.63db
1% Popularity • 26% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 5% Positiveness
1% Popularity • 26% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 1. Medi...
114 bpm • A# Maj • 09:49 • -24.06db
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
The Tsar's Bride - original version Tsar...
114 bpm • D Maj • 07:07 • -18.63db
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 2. Alleg...
113 bpm • G min • 00:46 • -34db
40% Popularity • 44% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 16% Positiveness
40% Popularity • 44% Danceability • 13% Energy • 18% Liveness
96% Instrumentalness • 16% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: I. Non allegro
113 bpm • A Maj • 11:34 • -26db
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 31% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Claude Debussy
La Mer, L.109: 2. Play of the Waves (Jeu...
113 bpm • E Maj • 06:11 • -22.07db
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 4. Bittendes Kind
113 bpm • D Maj • 00:59 • -38db
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
57% Popularity • 40% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 36% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
123 bpm • D# Maj • 01:18 • -18.76db
37% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
37% Popularity • 48% Danceability • 32% Energy • 65% Liveness
95% Instrumentalness • 54% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
112 bpm • E Maj • 01:18 • -34db
38% Popularity • 16% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade I
112 bpm • F Maj • 01:15 • -20.96db
35% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
35% Popularity • 52% Danceability • 24% Energy • 19% Liveness
72% Instrumentalness • 45% Positiveness
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Franz Schubert
Piano Quintet in A major, D. 667 "The Tr...
111 bpm • A Maj • 03:56 • -20.27db
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: V. Lustig im ...
111 bpm • F Maj • 04:18 • -23.21db
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
110 bpm • D min • 07:41 • -19.03db
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
51% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
Felix Mendelssohn
The Hebrides Overture, Op. 26, MWV P7 "F...
126 bpm • D Maj • 10:22 • -20db
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 13% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Gustav Mahler
Symphony No. 4 in G Major: IV. Sehr beha...
110 bpm • E Maj • 08:44 • -26.74db
13% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 31% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Vii. Was willst du?
110 bpm • G Maj • 03:10 • -21.23db
1% Popularity • 24% Danceability • 10% Energy • 38% Liveness
7% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 10% Energy • 38% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
109 bpm • G# Maj • 09:07 • -21.19db
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 10 in G-Flat Ma...
109 bpm • F# Maj • 03:57 • -33.33db
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Lyric Suite, Op. 54: III. Notturno (Noct...
127 bpm • C Maj • 04:19 • -23.34db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
45% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
128 bpm • C Maj • 06:48 • -13.18db
28% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
28% Popularity • 41% Danceability • 41% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Richard Strauss
Der Bürger als Edelmann Suite, Op. 60, ...
128 bpm • C Maj • 04:04 • -27.4db
7% Popularity • 34% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
7% Popularity • 34% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": I. ...
108 bpm • D Maj • 03:41 • -20db
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Emmanuel Chabrier
Habanera
128 bpm • A Maj • 04:07 • -27db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
34% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 1: "Wie schön is...
109 bpm • F min • 02:42 • -22.77db
18% Popularity • 30% Danceability • 18% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 30% Danceability • 18% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Franz Schubert
String Quintet in C Major, D. 956: III. ...
107 bpm • C Maj • 10:02 • -16.54db
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
23% Popularity • 42% Danceability • 16% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Tanz für Mic...
108 bpm • C Maj • 04:03 • -14.51db
9% Popularity • 38% Danceability • 48% Energy • 46% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 38% Danceability • 48% Energy • 46% Liveness
1% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Richard Strauss
Festliches Präludium, Op. 61, TrV 229
129 bpm • C Maj • 13:49 • -19.4db
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Hugo von Hofmannsthal
Elektra: Xx. Orest!
106 bpm • G# Maj • 06:29 • -18.99db
0% Popularity • 15% Danceability • 16% Energy • 37% Liveness
55% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 16% Energy • 37% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
40% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
132 bpm • F Maj • 04:11 • -16db
20% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
20% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness