Songs like Der Rosenkavalier, Op. 59, TrV 227 / Act 3: Er ist es! Es ist mein Mann! by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
La traviata / Act I: Prelude
131 bpm • B Maj • 03:33 • -35db
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 1% Energy • 56% Liveness
29% Instrumentalness • 4% Positiveness
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Richard Strauss
Festliches Präludium, Op. 61, TrV 229
129 bpm • C Maj • 13:49 • -19.4db
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
7% Popularity • 17% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Clarinet Concerto in A Major, K....
131 bpm • A Maj • 08:22 • -18.17db
28% Popularity • 36% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 12% Liveness
74% Instrumentalness • 41% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
132 bpm • F Maj • 04:11 • -16db
19% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
19% Popularity • 34% Danceability • 30% Energy • 36% Liveness
86% Instrumentalness • 38% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: III. Alborad...
128 bpm • A# Maj • 01:11 • -15db
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 31% Energy • 21% Liveness
31% Instrumentalness • 67% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 1, ...
129 bpm • D Maj • 06:15 • -20.78db
13% Popularity • 26% Danceability • 16% Energy • 6% Liveness
84% Instrumentalness • 19% Positiveness
13% Popularity • 26% Danceability • 16% Energy • 6% Liveness
84% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
30% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Richard Strauss
Der Bürger als Edelmann Suite, Op. 60, ...
128 bpm • C Maj • 04:04 • -27.4db
7% Popularity • 34% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
7% Popularity • 34% Danceability • 4% Energy • 18% Liveness
89% Instrumentalness • 17% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
34% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
29% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • G min • 04:17 • -28db
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
25% Popularity • 50% Danceability • 13% Energy • 20% Liveness
95% Instrumentalness • 58% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
46% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Richard Strauss
Concerto for Oboe and Small Orchestra in...
133 bpm • D Maj • 08:29 • -17db
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
21% Popularity • 26% Danceability • 18% Energy • 23% Liveness
84% Instrumentalness • 18% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
135 bpm • G# min • 03:47 • -39.15db
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Hugo von Hofmannsthal
Elektra: Xxvi. Agamemnon hört dich!
135 bpm • E Maj • 03:08 • -15.87db
1% Popularity • 21% Danceability • 40% Energy • 54% Liveness
14% Instrumentalness • 13% Positiveness
1% Popularity • 21% Danceability • 40% Energy • 54% Liveness
14% Instrumentalness • 13% Positiveness
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Alexander Borodin
Symphony No. 2 in B minor: 3. Andante
135 bpm • C# Maj • 08:49 • -23.14db
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 6 Lieder, Op. 37: No. 3, Mei...
134 bpm • G Maj • 02:48 • -21.54db
15% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4: II. In gemächlicher Bew...
135 bpm • C Maj • 09:55 • -27.36db
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: V. ...
125 bpm • E min • 04:53 • -23db
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Was willst du...
134 bpm • B Maj • 04:47 • -18.25db
7% Popularity • 32% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 32% Danceability • 16% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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Hugo von Hofmannsthal
Elektra: Xvii. Nun denn allen!
136 bpm • G Maj • 01:39 • -27.52db
2% Popularity • 30% Danceability • 19% Energy • 26% Liveness
91% Instrumentalness • 14% Positiveness
2% Popularity • 30% Danceability • 19% Energy • 26% Liveness
91% Instrumentalness • 14% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
124 bpm • D Maj • 09:48 • -21db
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): VI...
136 bpm • E Maj • 04:48 • -24.41db
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
27% Popularity • 34% Danceability • 5% Energy • 6% Liveness
43% Instrumentalness • 18% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59, TrV 227: Walz...
134 bpm • E Maj • 06:34 • -19.84db
4% Popularity • 31% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
4% Popularity • 31% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56 "Scott...
124 bpm • A min • 09:40 • -16.82db
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 22% Energy • 7% Liveness
88% Instrumentalness • 20% Positiveness
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Hugo von Hofmannsthal
Elektra: Xii. Was sagen sie ihr denn?
136 bpm • B Maj • 02:13 • -18.55db
1% Popularity • 28% Danceability • 33% Energy • 91% Liveness
82% Instrumentalness • 24% Positiveness
1% Popularity • 28% Danceability • 33% Energy • 91% Liveness
82% Instrumentalness • 24% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Richard Strauss
Eine Alpensinfonie: V. Auf dem Gletscher...
136 bpm • G min • 02:42 • -24.32db
18% Popularity • 21% Danceability • 8% Energy • 27% Liveness
51% Instrumentalness • 7% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 27% Liveness
51% Instrumentalness • 7% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
137 bpm • F Maj • 02:21 • -31db
26% Popularity • 15% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
► Preview
Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: III. Laide...
122 bpm • G# min • 03:28 • -27db
24% Popularity • 24% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
24% Popularity • 24% Danceability • 4% Energy • 12% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: VII. Var. ...
136 bpm • D Maj • 01:51 • -23.62db
2% Popularity • 29% Danceability • 12% Energy • 15% Liveness
41% Instrumentalness • 23% Positiveness
2% Popularity • 29% Danceability • 12% Energy • 15% Liveness
41% Instrumentalness • 23% Positiveness
► Preview
Modest Mussorgsky
Boris Godunov: Opera in Four Acts With a...
138 bpm • C# min • 01:49 • -30db
18% Popularity • 22% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 25% Positiveness
18% Popularity • 22% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 25% Positiveness
► Preview
Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
122 bpm • C# min • 12:42 • -18.02db
29% Popularity • 21% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
29% Popularity • 21% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
35% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: IX. Var. 6...
123 bpm • C Maj • 01:21 • -28.33db
2% Popularity • 35% Danceability • 5% Energy • 44% Liveness
70% Instrumentalness • 29% Positiveness
2% Popularity • 35% Danceability • 5% Energy • 44% Liveness
70% Instrumentalness • 29% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
54% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Overture "A Midsummer Night's Dream", Op...
139 bpm • E Maj • 11:55 • -19.29db
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 30% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
122 bpm • F# Maj • 06:30 • -33db
21% Popularity • 17% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring, Part 2: VI. Sacrific...
139 bpm • D min • 04:27 • -14db
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
29% Popularity • 51% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 15% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
► Preview
Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: VII. Vision - Nebel ...
140 bpm • C# min • 06:15 • -24.12db
19% Popularity • 14% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
20% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Richard Wagner
Das Liebesverbot: Overture
120 bpm • G Maj • 08:52 • -13.92db
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: IV. I pi...
120 bpm • B Maj • 05:36 • -16.36db
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Richard Strauss
Intermezzo, Op. 72, TrV 246a, 4 Symphoni...
140 bpm • G# Maj • 07:22 • -24.92db
7% Popularity • 14% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 14% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: IV. F...
141 bpm • E Maj • 11:43 • -18.99db
36% Popularity • 24% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
36% Popularity • 24% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
120 bpm • A# Maj • 02:59 • -19.71db
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
36% Popularity • 49% Danceability • 28% Energy • 64% Liveness
90% Instrumentalness • 52% Positiveness
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Edvard Grieg
4 Norwegian Dances, Op. 35: No. 2 in A-M...
142 bpm • A Maj • 02:23 • -29.17db
13% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 16% Liveness
69% Instrumentalness • 38% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
142 bpm • G Maj • 09:01 • -29db
23% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
143 bpm • C# Maj • 02:10 • -20.62db
13% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
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Maurice Ravel
Alborada del gracioso, M. 43 - Orchestra...
118 bpm • D Maj • 07:45 • -22.63db
5% Popularity • 28% Danceability • 7% Energy • 4% Liveness
75% Instrumentalness • 8% Positiveness
5% Popularity • 28% Danceability • 7% Energy • 4% Liveness
75% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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![Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - cover art](https://i.scdn.co/image/ab67616d00001e02dac7aec44f97ddfc1968d1af)
Ottorino Respighi
Bach - Prelude and Fugue in D Major, P. ...
143 bpm • D Maj • 04:20 • -22.91db
25% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
25% Popularity • 17% Danceability • 9% Energy • 21% Liveness
87% Instrumentalness • 16% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
26% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Georges Bizet
Carmen Suite No. 1: 4. Les dragons d'Alc...
117 bpm • G Maj • 01:38 • -39db
24% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
24% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
