Songs like Der Tod Jesu: Recitativo: Ach, mein Immanuel! (Soprano) by Carl Heinrich Graun
Based on a tempo of (+/- 10%) and a similar genre
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Henri Desmarets
Te Deum "de Lyon": IV. Te martyrum candi...
131 bpm • F Maj • 01:09 • -16.55db
11% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
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Johann Christoph Pepusch
Secondo set di assolo per flauto e basso...
131 bpm • G Maj • 01:00 • -17db
27% Popularity • 56% Danceability • 26% Energy • 9% Liveness
95% Instrumentalness • 98% Positiveness
27% Popularity • 56% Danceability • 26% Energy • 9% Liveness
95% Instrumentalness • 98% Positiveness
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Georg Philipp Telemann
Wie ist dein Name so groß (Donner-Ode T...
131 bpm • F# Maj • 01:42 • -18.76db
7% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
131 bpm • F min • 06:14 • -19.09db
15% Popularity • 31% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
15% Popularity • 31% Danceability • 6% Energy • 11% Liveness
35% Instrumentalness • 18% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
131 bpm • F# Maj • 01:02 • -19db
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
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Carl Heinrich Graun
Britannico: Mi paventi il figlio indegno
131 bpm • F# Maj • 08:00 • -10.08db
4% Popularity • 49% Danceability • 45% Energy • 21% Liveness
17% Instrumentalness • 37% Positiveness
4% Popularity • 49% Danceability • 45% Energy • 21% Liveness
17% Instrumentalness • 37% Positiveness
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Jean-Baptiste Quentin
Sonates à violon ou flûte seule avec b...
130 bpm • G# Maj • 04:43 • -20.34db
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Leonardo Vinci
Sonata No. 8 in D Minor: I. Allegro
132 bpm • A min • 02:19 • -11db
14% Popularity • 48% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
14% Popularity • 48% Danceability • 41% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Georg Philipp Telemann
Dich rühmen die Welten, TVWV 1:329: VI....
131 bpm • C# Maj • 02:15 • -24.37db
9% Popularity • 18% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 14% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
132 bpm • B min • 05:19 • -18.53db
9% Popularity • 24% Danceability • 14% Energy • 15% Liveness
14% Instrumentalness • 8% Positiveness
9% Popularity • 24% Danceability • 14% Energy • 15% Liveness
14% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Symphony in G Major, H. 657, Wq. 182/1: ...
132 bpm • F# Maj • 03:34 • -18.49db
15% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
15% Popularity • 36% Danceability • 15% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Carl Heinrich Graun
Montezuma / Act 1: Non han calma le mie ...
130 bpm • C Maj • 08:05 • -14db
0% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
132 bpm • C# Maj • 03:37 • -21.45db
8% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
133 bpm • B min • 01:05 • -18.47db
14% Popularity • 53% Danceability • 37% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
14% Popularity • 53% Danceability • 37% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
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Georg Philipp Telemann
Brockes-Passion, TWV 5:1, I. Teil: 21. A...
131 bpm • D# min • 04:11 • -20.13db
7% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Jean-Marie Leclair
Scylla et Glaucus, Op. 11: Prologue. Air...
133 bpm • G# min • 01:21 • -33.04db
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
29% Popularity • 31% Danceability • 1% Energy • 31% Liveness
98% Instrumentalness • 47% Positiveness
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Johann Gottlieb Janitsch
Sonata da camera en do majeur Op. 4: II....
128 bpm • F# Maj • 07:14 • -19.78db
8% Popularity • 36% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
8% Popularity • 36% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Recitative: Ach, me...
130 bpm • G# Maj • 02:31 • -27db
2% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
2% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Caldara
Sinfonia No. 1 in re maggiore (Il martir...
128 bpm • F Maj • 01:51 • -12.19db
24% Popularity • 48% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 76% Positiveness
24% Popularity • 48% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 76% Positiveness
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Johann Sebastian Bach
St. Luke Passion, BWV 246 Anh. II 30, Pt...
128 bpm • A Maj • 04:50 • -21.6db
11% Popularity • 46% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
11% Popularity • 46% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Johann Friedrich Fasch
Concerto for 2 Oboes da caccia, 2 Violas...
127 bpm • F# Maj • 02:43 • -27db
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
13% Popularity • 36% Danceability • 2% Energy • 10% Liveness
14% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Ascanio in Alba, K. 111: Act I Scene 1: ...
135 bpm • C# Maj • 02:21 • -19.23db
10% Popularity • 34% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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Carl Heinrich Graun
Osteroratorium (Easter Oratorio): Part I...
130 bpm • C# Maj • 04:30 • -18.86db
3% Popularity • 37% Danceability • 10% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
3% Popularity • 37% Danceability • 10% Energy • 12% Liveness
11% Instrumentalness • 27% Positiveness
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François Francoeur
Symphonie du festin royal de Monseigneur...
127 bpm • C# Maj • 07:45 • -16.47db
7% Popularity • 36% Danceability • 14% Energy • 7% Liveness
20% Instrumentalness • 39% Positiveness
7% Popularity • 36% Danceability • 14% Energy • 7% Liveness
20% Instrumentalness • 39% Positiveness
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Giovanni Bononcini
Stabat Mater a quatro in C Minor: IX. Vi...
135 bpm • D# Maj • 01:26 • -17.73db
17% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 24% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Reinhard Keiser
Markuspassion: III. Will dich die Angst ...
127 bpm • A# min • 02:02 • -17.28db
7% Popularity • 39% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 39% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Jan Dismas Zelenka
Plsalm 130 - "De Profundis" in d moll, Z...
136 bpm • G# min • 03:06 • -29db
11% Popularity • 24% Danceability • 5% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
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Carl Heinrich Graun
Iphigenia in Aulis, GraunWV B:I:2, Act I...
133 bpm • B min • 05:02 • -16.46db
0% Popularity • 24% Danceability • 18% Energy • 22% Liveness
14% Instrumentalness • 11% Positiveness
0% Popularity • 24% Danceability • 18% Energy • 22% Liveness
14% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
St. Luke Passion, BWV 246 Anh. II 30, Pt...
126 bpm • F# min • 05:02 • -18.36db
8% Popularity • 32% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
8% Popularity • 32% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: I. Allegro
136 bpm • C# Maj • 02:08 • -16.98db
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
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Johann Friedrich Fasch
Er heißet Wunderbar, Rat, Kraft, Held, ...
126 bpm • F# min • 01:12 • -17.57db
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 7% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: VI. Dies...
136 bpm • B min • 01:14 • -22.87db
16% Popularity • 22% Danceability • 11% Energy • 13% Liveness
21% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 13% Liveness
21% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Christus am Ölberge, Op. 85: VII. Recit...
136 bpm • G min • 01:08 • -23.66db
12% Popularity • 34% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Heinrich Graun
Der Tod Jesu, Pt. 1: Recitative: Jerusal...
128 bpm • C# Maj • 03:42 • -29.35db
2% Popularity • 38% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 38% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Kyrie: II. Ch...
136 bpm • D Maj • 05:06 • -18.94db
6% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 1, M...
125 bpm • C# Maj • 03:08 • -17db
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
► Preview
Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
17% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
17% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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Leopold Mozart
Der Mensch, ein Gottesmörder: Siehe, al...
137 bpm • D# Maj • 08:37 • -17db
7% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
7% Popularity • 33% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Jean-Baptiste Quentin
3e Livre de Sonates à violon seul et ba...
137 bpm • D# min • 03:20 • -18.77db
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Carl Heinrich Graun
Osteroratorium (Easter Oratorio): Part I...
128 bpm • G# Maj • 05:25 • -20.79db
1% Popularity • 45% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 51% Positiveness
1% Popularity • 45% Danceability • 18% Energy • 8% Liveness
2% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Johannes-Passion, BWV 245 / Part Two: No...
126 bpm • C# Maj • 03:59 • -17.16db
11% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Bassoon Concerto in E Minor, RV 484: II....
125 bpm • B min • 04:25 • -25.21db
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
43% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 3% Energy • 16% Liveness
43% Instrumentalness • 9% Positiveness
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Louis-Antoine Dornel
Trio Sonata in B Minor, Op. 3, No. 3: IV...
138 bpm • A# Maj • 03:14 • -17.76db
8% Popularity • 21% Danceability • 20% Energy • 16% Liveness
53% Instrumentalness • 19% Positiveness
8% Popularity • 21% Danceability • 20% Energy • 16% Liveness
53% Instrumentalness • 19% Positiveness
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Georg Philipp Telemann
Gesegnet ist die Zuversicht, TVWV 1:616:...
138 bpm • A Maj • 02:21 • -24.16db
8% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Carl Heinrich Graun
Montezuma, Act I Scene 9: Act I Scene 9:...
134 bpm • C Maj • 07:28 • -22.68db
0% Popularity • 34% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 19% Positiveness
0% Popularity • 34% Danceability • 9% Energy • 13% Liveness
28% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Kyrie: No. 2, ...
125 bpm • C# Maj • 05:38 • -19db
17% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
19% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Caspar Ferdinand Fischer
Ariadne Musica: No. 2, Prelude & Fugue i...
124 bpm • C min • 01:34 • -24.4db
10% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 28% Liveness
38% Instrumentalness • 32% Positiveness
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Joseph Haydn
Missa in Angustiis "Lord Nelson Mass": I...
123 bpm • D Maj • 02:44 • -19db
11% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Georg Philipp Telemann
Sinfonia melodica in C Major, TWV 50:2: ...
124 bpm • B Maj • 02:07 • -24.39db
14% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
14% Popularity • 44% Danceability • 11% Energy • 41% Liveness
79% Instrumentalness • 50% Positiveness
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Carl Heinrich Graun
Trio in D Major: I. Allegretto
138 bpm • C# Maj • 03:34 • -18.4db
3% Popularity • 32% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 32% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Carl Philipp Emanuel Bach
Symphony in D Major, H. 651, Wq. 176: II...
124 bpm • C# Maj • 03:08 • -14.45db
16% Popularity • 55% Danceability • 27% Energy • 6% Liveness
54% Instrumentalness • 79% Positiveness
16% Popularity • 55% Danceability • 27% Energy • 6% Liveness
54% Instrumentalness • 79% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 35, Zerfl...
125 bpm • E min • 06:25 • -21.21db
9% Popularity • 27% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
9% Popularity • 27% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: XIII. Dignare Domine di...
123 bpm • C# Maj • 02:51 • -21.05db
12% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
13% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
Missa Divi Xaverii, ZWV 12: Christe elei...
139 bpm • G# Maj • 03:19 • -23.34db
11% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Carl Heinrich Graun
Sinfonia in C Major: I. Allegro
128 bpm • B Maj • 02:11 • -11.33db
2% Popularity • 54% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 56% Positiveness
2% Popularity • 54% Danceability • 38% Energy • 9% Liveness
22% Instrumentalness • 56% Positiveness
► Preview
George Frideric Handel
Neun deutsche Arien: No. 7, Die ihr aus ...
123 bpm • F# Maj • 05:20 • -18.08db
8% Popularity • 40% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 40% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
137 bpm • A Maj • 04:12 • -21.25db
11% Popularity • 16% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
František Tůma
Motetto de S. Joanne Baptista: II. Aria....
123 bpm • E Maj • 02:17 • -25.95db
8% Popularity • 28% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Jean-Baptiste Quentin
2e Livre de Sonates à violon seul et ba...
123 bpm • D# min • 03:22 • -20.18db
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Johann Bernhard Bach
Ouverture in G Major: I. Ouverture
123 bpm • F Maj • 03:10 • -14.71db
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
14% Popularity • 27% Danceability • 36% Energy • 21% Liveness
96% Instrumentalness • 44% Positiveness
► Preview
Carl Heinrich Graun
Oboe d'amore Trio in A Major: I. Adagio
128 bpm • D# Maj • 01:32 • -28.53db
4% Popularity • 22% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
4% Popularity • 22% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt 2. "Exodus":...
123 bpm • G# min • 02:26 • -12.05db
8% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Michel Blavet
6 Sonates meleese de pieces, Op. 2: I. S...
122 bpm • G Maj • 02:54 • -15db
18% Popularity • 57% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 85% Positiveness
18% Popularity • 57% Danceability • 36% Energy • 13% Liveness
94% Instrumentalness • 85% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245: No. 27, Die K...
124 bpm • B Maj • 03:32 • -20.88db
10% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Niccolò Jommelli
Miserere in G Minor, HocJ C1.23: I. Mise...
140 bpm • B min • 01:35 • -23.52db
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Carl Philipp Emanuel Bach
Symphony No. 1 in G Major, Wq. 182: III....
140 bpm • F# Maj • 04:00 • -17.12db
12% Popularity • 42% Danceability • 25% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
12% Popularity • 42% Danceability • 25% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
► Preview
Carl Heinrich Graun
Der Tod Jesu: Aria: Du Held, auf den die...
135 bpm • A Maj • 05:08 • -23.05db
0% Popularity • 36% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 21% Positiveness
0% Popularity • 36% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 21% Positiveness
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Pasquale Anfossi
Salve Regina: No. 5., Et Jesu benedictum
140 bpm • B Maj • 01:22 • -25.77db
19% Popularity • 30% Danceability • 7% Energy • 15% Liveness
17% Instrumentalness • 9% Positiveness
19% Popularity • 30% Danceability • 7% Energy • 15% Liveness
17% Instrumentalness • 9% Positiveness
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Joseph Bodin de Boismortier
First Sonata, in D Major: I. Sicilienne
122 bpm • C Maj • 02:29 • -23.66db
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
124 bpm • C# min • 03:12 • -19.39db
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
Magnificat, ZWV 108: Magnificat anima me...
122 bpm • G# Maj • 03:52 • -16.11db
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. I: Chorus. All Pow...
141 bpm • F# min • 02:16 • -13.58db
9% Popularity • 20% Danceability • 32% Energy • 14% Liveness
13% Instrumentalness • 36% Positiveness
9% Popularity • 20% Danceability • 32% Energy • 14% Liveness
13% Instrumentalness • 36% Positiveness
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Carl Heinrich Graun
Montezuma: Sinfonia
126 bpm • A Maj • 07:13 • -19.67db
1% Popularity • 37% Danceability • 14% Energy • 49% Liveness
80% Instrumentalness • 25% Positiveness
1% Popularity • 37% Danceability • 14% Energy • 49% Liveness
80% Instrumentalness • 25% Positiveness
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Carl Philipp Emanuel Bach
Harpsichord Concerto No. 4 in C Minor, W...
121 bpm • D Maj • 03:30 • -18.52db
8% Popularity • 34% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 34% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Evaristo Felice Dall'Abaco
12 Concerti da Chiesa, Op. 2 No.4: III. ...
141 bpm • B Maj • 01:17 • -11.16db
18% Popularity • 44% Danceability • 33% Energy • 25% Liveness
3% Instrumentalness • 78% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 25% Liveness
3% Instrumentalness • 78% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Gloria: VI. L...
123 bpm • A Maj • 04:11 • -23.27db
5% Popularity • 41% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 41% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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François Couperin
Concert Royal No. 2 in D: III. Air tendr...
141 bpm • C# min • 03:40 • -17.28db
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
7% Popularity • 27% Danceability • 22% Energy • 14% Liveness
46% Instrumentalness • 31% Positiveness
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Louis-Antoine Dornel
Suitte en Trio No. 3 in E Minor, Op. 1: ...
142 bpm • D# min • 01:45 • -19.71db
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
18% Popularity • 21% Danceability • 8% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Carl Heinrich Graun
Ifigenia in Aulide / Act 1: "Sforzero d'...
137 bpm • C# Maj • 05:09 • -14.64db
2% Popularity • 50% Danceability • 27% Energy • 19% Liveness
3% Instrumentalness • 66% Positiveness
2% Popularity • 50% Danceability • 27% Energy • 19% Liveness
3% Instrumentalness • 66% Positiveness
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Carl Philipp Emanuel Bach
Symphony in A Major, H. 660, Wq. 182/4: ...
141 bpm • A Maj • 03:01 • -24.58db
12% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
12% Popularity • 24% Danceability • 2% Energy • 14% Liveness
10% Instrumentalness • 12% Positiveness
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Arcangelo Corelli
Violin Sonata in C Major, Op. 5 No. 3: I...
121 bpm • C# Maj • 02:11 • -18.65db
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 7, Von de...
141 bpm • C# min • 06:47 • -24.87db
13% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 20% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Leonardo Vinci
Sonata No. 2 in G Major: V. Gavotta Viva...
121 bpm • D Maj • 01:37 • -13db
18% Popularity • 52% Danceability • 38% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
18% Popularity • 52% Danceability • 38% Energy • 8% Liveness
86% Instrumentalness • 93% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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Carl Heinrich Graun
Te Deum: I. Te Deum laudamus
125 bpm • C# Maj • 07:01 • -21.23db
1% Popularity • 33% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
1% Popularity • 33% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Niccolò Jommelli
Libera me in C Minor, HocJ E.2: I. Liber...
142 bpm • B min • 02:02 • -18.23db
10% Popularity • 21% Danceability • 5% Energy • 17% Liveness
10% Instrumentalness • 5% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 17% Liveness
10% Instrumentalness • 5% Positiveness
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Alessandro Stradella
Sinfonia
120 bpm • C# Maj • 02:01 • -20.19db
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 19% Energy • 19% Liveness
88% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 2 in F Major, B...
121 bpm • C# min • 03:17 • -22.78db
3% Popularity • 22% Danceability • 7% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
3% Popularity • 22% Danceability • 7% Energy • 21% Liveness
1% Instrumentalness • 10% Positiveness
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Georg Caspar Schürmann
Ludovicus Pius: IV. Gigue
143 bpm • C# Maj • 00:53 • -17.73db
8% Popularity • 54% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
8% Popularity • 54% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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George Frideric Handel
Neun deutsche Arien: No. 8, In den angen...
120 bpm • A# min • 03:26 • -18.66db
10% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Carl Heinrich Graun
Cleopatra e Cesare: Act I, scene 8: Cleo...
125 bpm • D# Maj • 07:56 • -19.76db
3% Popularity • 52% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
3% Popularity • 52% Danceability • 20% Energy • 7% Liveness
1% Instrumentalness • 25% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
142 bpm • B min • 02:05 • -19db
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Matthew Locke
Psyche, Act V Scene 3: Rustick musick of...
120 bpm • G# Maj • 01:06 • -17.53db
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
25% Popularity • 43% Danceability • 29% Energy • 28% Liveness
97% Instrumentalness • 90% Positiveness
