Songs like Des Knaben Wunderhorn: No. 6. Des Antonius von Padua Fischpredigt by Gustav Mahler
Based on a tempo of (+/- 10%) and a similar genre
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
79 bpm • C Maj • 09:02 • -16.65db
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Gustav Mahler
Symphony No. 8, Zweiter Teil: XIII. Neig...
79 bpm • A# Maj • 05:02 • -25db
16% Popularity • 15% Danceability • 10% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 10% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude to A...
79 bpm • A min • 10:35 • -22.29db
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 In D, Op. 19: 1. A...
79 bpm • G Maj • 09:24 • -24.58db
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
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Maurice Ravel
Une barque sur l'océan: Très souple de...
79 bpm • A Maj • 07:59 • -29db
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Claude Debussy
Nocturnes, CD 98: II. Fêtes
79 bpm • A Maj • 06:15 • -20.03db
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: II. Tempo di ...
79 bpm • A Maj • 09:46 • -31.5db
0% Popularity • 18% Danceability • 2% Energy • 12% Liveness
18% Instrumentalness • 13% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 12% Liveness
18% Instrumentalness • 13% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor, "Resurrection...
80 bpm • C# Maj • 05:15 • -37.59db
17% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor, "Resurrection...
80 bpm • C Maj • 21:11 • -28db
28% Popularity • 12% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 1% Energy • 9% Liveness
53% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
80 bpm • G Maj • 03:09 • -30.78db
32% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
78 bpm • F# Maj • 06:41 • -29db
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 10% Danceability • 5% Energy • 62% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Claude Debussy
Nocturnes, L. 91: 1. Nuages
77 bpm • C Maj • 07:49 • -37.93db
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: The Lo...
76 bpm • F# Maj • 06:31 • -24.85db
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Gustav Mahler
Das Lied von der Erde: Das Trinklied vom...
78 bpm • G min • 08:30 • -17.71db
19% Popularity • 18% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • A Maj • 03:52 • -19.7db
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 20% Energy • 6% Liveness
85% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
82 bpm • C# min • 04:42 • -39.12db
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4: IV. Sehr behaglich
80 bpm • E min • 09:26 • -22.36db
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
76 bpm • D# Maj • 04:23 • -27.17db
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Mahler: Des Knaben Wunderhorn: No. 9, Wo...
80 bpm • C Maj • 07:43 • -32.47db
2% Popularity • 12% Danceability • 1% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 1% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Serenade in E Minor, Op. 20: II. Larghet...
75 bpm • C Maj • 06:49 • -29.4db
19% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 20% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Richard Wagner
Siegfried, WWV 86C / Act II: Forest Murm...
83 bpm • A Maj • 08:57 • -23.89db
14% Popularity • 8% Danceability • 3% Energy • 46% Liveness
84% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 46% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: II. Prélude
75 bpm • F Maj • 02:11 • -32.91db
33% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
33% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
77 bpm • G# Maj • 11:41 • -22db
21% Popularity • 18% Danceability • 9% Energy • 8% Liveness
70% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 8% Liveness
70% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: II. A...
75 bpm • G# Maj • 10:00 • -19db
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
41% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 3% Energy • 7% Liveness
41% Instrumentalness • 6% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
81 bpm • G# Maj • 03:24 • -27.92db
28% Popularity • 18% Danceability • 5% Energy • 21% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 21% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Yo...
83 bpm • F Maj • 03:19 • -29.5db
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Gustav Mahler
Lieder eines fahrenden Gesellen: Gieng h...
81 bpm • F# Maj • 03:45 • -28db
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
9% Instrumentalness • 19% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 8% Liveness
9% Instrumentalness • 19% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
17% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major "Titan": III. ...
77 bpm • A min • 10:18 • -27.3db
20% Popularity • 17% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
20% Popularity • 17% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Piano Concerto in F-Sharp Minor, Op. 20:...
84 bpm • D Maj • 07:56 • -24.73db
26% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: IV. A...
84 bpm • E Maj • 09:35 • -21db
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
30% Popularity • 29% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Claude Debussy
La mer, L. 109: II. Jeux de vagues
84 bpm • E Maj • 07:05 • -24.21db
32% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 12% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
43% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
43% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 3 in D Minor: IV. Sehr lang...
76 bpm • G Maj • 09:07 • -28.36db
0% Popularity • 9% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 5% Energy • 14% Liveness
19% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 11. Alle...
85 bpm • D Maj • 01:01 • -18.87db
42% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
42% Popularity • 42% Danceability • 28% Energy • 31% Liveness
93% Instrumentalness • 60% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Richard Wagner
Tristan und Isolde / Act 1: Prelude - La...
85 bpm • E Maj • 10:35 • -22.13db
7% Popularity • 8% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 9% Energy • 14% Liveness
77% Instrumentalness • 3% Positiveness
