Songs like Desert Mist by Simon Shaheen
Based on a tempo of (+/- 10%) and a similar genre
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Munir Bashir
The Future
67 bpm • G# Maj • 10:17 • -7.38db
8% Popularity • 30% Danceability • 42% Energy • 10% Liveness
50% Instrumentalness • 24% Positiveness
8% Popularity • 30% Danceability • 42% Energy • 10% Liveness
50% Instrumentalness • 24% Positiveness
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Milo Paulus
I Will Not Be Late
68 bpm • A min • 01:19 • -26.04db
31% Popularity • 64% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
31% Popularity • 64% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Djivan Gasparyan
Бонус: The Shepherd's Song
65 bpm • G min • 02:33 • -25.29db
19% Popularity • 12% Danceability • 3% Energy • 12% Liveness
79% Instrumentalness • 34% Positiveness
19% Popularity • 12% Danceability • 3% Energy • 12% Liveness
79% Instrumentalness • 34% Positiveness
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Haig Yazdjian
Taxim Nihavend
69 bpm • G min • 02:24 • -21.93db
17% Popularity • 47% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
17% Popularity • 47% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Clarissa Bitar
Nada
63 bpm • F Maj • 02:16 • -16.92db
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
0% Popularity • 47% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 52% Positiveness
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Sufi Music Ensemble
Himma
70 bpm • E min • 08:49 • -16.42db
33% Popularity • 7% Danceability • 19% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 19% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Al Turath Ensemble
Taqsim
69 bpm • G Maj • 01:48 • -27.94db
14% Popularity • 48% Danceability • 5% Energy • 6% Liveness
82% Instrumentalness • 41% Positiveness
14% Popularity • 48% Danceability • 5% Energy • 6% Liveness
82% Instrumentalness • 41% Positiveness
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Ali Jihad Racy
The Boat of Millions of Years
70 bpm • G Maj • 04:52 • -20.53db
13% Popularity • 13% Danceability • 17% Energy • 33% Liveness
97% Instrumentalness • 12% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 33% Liveness
97% Instrumentalness • 12% Positiveness
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Nezih Uzel
Taksim Makam Nihavend, Ney
70 bpm • F Maj • 04:57 • -21.92db
27% Popularity • 15% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 41% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 41% Positiveness
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Joseph Tawadros
Exile
62 bpm • D min • 02:46 • -15.67db
31% Popularity • 34% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 34% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Ahura
Daschti for Baba
71 bpm • F min • 05:02 • -16.58db
14% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 24% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Bashir Abdel Aal
Gamil Gamal
73 bpm • D Maj • 01:49 • -16.32db
31% Popularity • 31% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
31% Popularity • 31% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Aarif Jaman
Nuo Ather
74 bpm • C min • 03:14 • -16.42db
28% Popularity • 32% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 32% Danceability • 21% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Ali Jihad Racy
The Lamentations of Isis
72 bpm • G min • 03:07 • -26.42db
18% Popularity • 28% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 22% Positiveness
18% Popularity • 28% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 22% Positiveness
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Ensemble Ibn Arabi
Tasliya d'ibn Arabi
74 bpm • C# Maj • 03:48 • -23.7db
13% Popularity • 31% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 31% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Joseph Tawadros
Little Bird
62 bpm • C min • 01:45 • -15.32db
34% Popularity • 47% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
34% Popularity • 47% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 81% Positiveness
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Alireza Ghorbani
Oud
74 bpm • C min • 03:10 • -11.04db
34% Popularity • 43% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
34% Popularity • 43% Danceability • 27% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Arto Tunçboyacıyan
Camomille
75 bpm • G# min • 02:24 • -25.69db
35% Popularity • 36% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
35% Popularity • 36% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 56% Positiveness
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Charbel Rouhana
It's Over
75 bpm • C# Maj • 02:51 • -11db
23% Popularity • 48% Danceability • 33% Energy • 12% Liveness
60% Instrumentalness • 36% Positiveness
23% Popularity • 48% Danceability • 33% Energy • 12% Liveness
60% Instrumentalness • 36% Positiveness
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Aarif Jaman
Hijaaz Yamani
75 bpm • G Maj • 03:18 • -20db
25% Popularity • 32% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
25% Popularity • 32% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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Ensemble Ibn Arabi
Cet amour n'est pas chose facile
76 bpm • D min • 07:24 • -15db
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 34% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Joseph Tawadros
And The Music Is Free
71 bpm • C Maj • 02:17 • -13.42db
26% Popularity • 56% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
26% Popularity • 56% Danceability • 24% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
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Saber Abdelsattar
Tasabíh
76 bpm • D min • 04:42 • -15db
9% Popularity • 32% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
9% Popularity • 32% Danceability • 48% Energy • 12% Liveness
75% Instrumentalness • 30% Positiveness
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Karim Baggili
Kalimaat - Instrumentale
76 bpm • G# min • 03:13 • -13.09db
12% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Hosam Hayek
Hungarian Dance - Raqsa Hungareya
77 bpm • A min • 03:42 • -12db
9% Popularity • 42% Danceability • 28% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
9% Popularity • 42% Danceability • 28% Energy • 18% Liveness
65% Instrumentalness • 29% Positiveness
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Aarif Jaman
Houzam
75 bpm • D# Maj • 03:08 • -18db
28% Popularity • 46% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
28% Popularity • 46% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Mamdouh Elgebaly
Khawater Masria
77 bpm • C min • 07:23 • -15.96db
18% Popularity • 73% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 74% Positiveness
18% Popularity • 73% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 74% Positiveness
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Joseph Tawadros
Madame Monique
77 bpm • F Maj • 01:07 • -14.9db
30% Popularity • 64% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
30% Popularity • 64% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Haig Yazdjian
Taximi Segiah
77 bpm • C Maj • 03:34 • -25.11db
9% Popularity • 53% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
9% Popularity • 53% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Amir Farhang Eskandari
Improvisation In Shour
77 bpm • G Maj • 02:44 • -13.9db
10% Popularity • 39% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
10% Popularity • 39% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Bashir Abdel Aal
Aridda wal noor
77 bpm • F# min • 03:02 • -18.79db
20% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Ali Jihad Racy
Maqam Kurd
77 bpm • C Maj • 20:25 • -14.2db
12% Popularity • 43% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 39% Positiveness
12% Popularity • 43% Danceability • 28% Energy • 25% Liveness
88% Instrumentalness • 39% Positiveness
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Aarif Jaman
Sabah
78 bpm • A# Maj • 03:28 • -20.46db
26% Popularity • 39% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
26% Popularity • 39% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Morocco Sounds
Atlas Story
78 bpm • A# Maj • 03:27 • -20.46db
15% Popularity • 39% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
15% Popularity • 39% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Charbel Rouhana
Nara
78 bpm • D Maj • 02:15 • -15.21db
34% Popularity • 38% Danceability • 32% Energy • 30% Liveness
84% Instrumentalness • 30% Positiveness
34% Popularity • 38% Danceability • 32% Energy • 30% Liveness
84% Instrumentalness • 30% Positiveness
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Joseph Tawadros
Distant Soulmate
78 bpm • D min • 01:46 • -21.03db
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
40% Popularity • 53% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Bashir Abdel Aal
Khinea la Layla (Song for Layla)
78 bpm • F# min • 04:57 • -15.34db
18% Popularity • 21% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Riad Al Sonbati
Taqaseem nihawand
78 bpm • C min • 05:49 • -14db
10% Popularity • 43% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
10% Popularity • 43% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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Amer Ammouri
Sallamtak (Hijaz)
78 bpm • C Maj • 04:56 • -7.52db
16% Popularity • 42% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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Naseer Shamma
Hammurabi
79 bpm • G min • 04:55 • -12.64db
18% Popularity • 43% Danceability • 31% Energy • 8% Liveness
50% Instrumentalness • 23% Positiveness
18% Popularity • 43% Danceability • 31% Energy • 8% Liveness
50% Instrumentalness • 23% Positiveness
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Morocco Sounds
Kamar
79 bpm • G min • 03:12 • -16.68db
15% Popularity • 44% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
15% Popularity • 44% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
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Ali Bahrami Fard
Solo Ud
79 bpm • G Maj • 04:04 • -17.36db
8% Popularity • 49% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Rabih Abou-Khalil
La Ladra Di Cuori
79 bpm • G min • 02:53 • -19.66db
22% Popularity • 59% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
22% Popularity • 59% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Aarif Jaman
Rast
79 bpm • G min • 03:12 • -16.68db
35% Popularity • 45% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
35% Popularity • 45% Danceability • 24% Energy • 13% Liveness
81% Instrumentalness • 53% Positiveness
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Oriental Lebanese Band
Takassim Kanoun
79 bpm • F Maj • 02:24 • -17.49db
15% Popularity • 55% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
15% Popularity • 55% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Al Firdaus Ensemble
Taqsim of Oud
79 bpm • C Maj • 02:57 • -23.77db
9% Popularity • 46% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
9% Popularity • 46% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Kader Fahem
The Road to Sahara
79 bpm • A Maj • 04:29 • -15.08db
21% Popularity • 56% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 32% Energy • 35% Liveness
89% Instrumentalness • 28% Positiveness
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Joseph Tawadros
Within the Greater
80 bpm • F Maj • 01:44 • -13.29db
33% Popularity • 56% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
33% Popularity • 56% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 41% Positiveness
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Rabih Abou-Khalil
Jardin de Chine
80 bpm • A# Maj • 03:42 • -23.25db
14% Popularity • 46% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
14% Popularity • 46% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 25% Positiveness
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Saíd Chraibi
Souleimane
80 bpm • G min • 06:19 • -12.66db
17% Popularity • 51% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
17% Popularity • 51% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 61% Positiveness
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Adnan Joubran
My Way Home
80 bpm • G Maj • 05:58 • -12.81db
18% Popularity • 61% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
18% Popularity • 61% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 28% Positiveness
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Arsalan Kamkar
Nazanin
80 bpm • F Maj • 03:40 • -15.07db
9% Popularity • 70% Danceability • 35% Energy • 17% Liveness
81% Instrumentalness • 64% Positiveness
9% Popularity • 70% Danceability • 35% Energy • 17% Liveness
81% Instrumentalness • 64% Positiveness
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Naseer Shamma
Min Asgûr ila Ishbîliyya
80 bpm • F min • 05:24 • -16.95db
11% Popularity • 43% Danceability • 26% Energy • 69% Liveness
92% Instrumentalness • 34% Positiveness
11% Popularity • 43% Danceability • 26% Energy • 69% Liveness
92% Instrumentalness • 34% Positiveness
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Naser Omar
Oud Taqasim 3
81 bpm • A# Maj • 05:59 • -17.51db
13% Popularity • 42% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 32% Positiveness
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Djivan Gasparyan
Waiting
81 bpm • C Maj • 03:17 • -23.33db
21% Popularity • 32% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
21% Popularity • 32% Danceability • 11% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
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Aarif Jaman
Iraq
81 bpm • G min • 03:12 • -22.05db
26% Popularity • 40% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Simon Shaheen
Kebyar Maya
81 bpm • A Maj • 13:33 • -26.11db
0% Popularity • 18% Danceability • 10% Energy • 6% Liveness
79% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 10% Energy • 6% Liveness
79% Instrumentalness • 8% Positiveness
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Saif Al-Khayyat
Ahlam Babiliyya
81 bpm • E min • 06:28 • -19.72db
15% Popularity • 47% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 28% Positiveness
15% Popularity • 47% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 28% Positiveness
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Omar Faruk Tekbilek
Ara'ya
81 bpm • G# min • 05:10 • -16.38db
17% Popularity • 25% Danceability • 28% Energy • 48% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 25% Danceability • 28% Energy • 48% Liveness
90% Instrumentalness • 4% Positiveness
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Joseph Tawadros
Miss A
81 bpm • C min • 01:05 • -17.02db
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 48% Positiveness
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Ara Dinkjian
Erangi
82 bpm • A min • 03:29 • -17.02db
8% Popularity • 41% Danceability • 32% Energy • 70% Liveness
91% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 32% Energy • 70% Liveness
91% Instrumentalness • 11% Positiveness
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Al Firdaus Ensemble
Returning To The One
82 bpm • C Maj • 03:37 • -16.08db
11% Popularity • 39% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Sufi Music Ensemble
Anatolia
82 bpm • B min • 08:07 • -12.04db
33% Popularity • 27% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 27% Danceability • 36% Energy • 35% Liveness
0% Instrumentalness • 19% Positiveness
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Naseer Shamma
La Sabiduría de mi Abuelo. My Grandfath...
82 bpm • F Maj • 04:51 • -15.14db
16% Popularity • 41% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 28% Positiveness
16% Popularity • 41% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 28% Positiveness
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Constantinople
Synapses
83 bpm • D Maj • 02:04 • -15.2db
34% Popularity • 48% Danceability • 53% Energy • 13% Liveness
97% Instrumentalness • 66% Positiveness
34% Popularity • 48% Danceability • 53% Energy • 13% Liveness
97% Instrumentalness • 66% Positiveness
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Twais
Semaai Nahawand
83 bpm • D min • 06:07 • -11.34db
10% Popularity • 44% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 73% Positiveness
10% Popularity • 44% Danceability • 39% Energy • 10% Liveness
93% Instrumentalness • 73% Positiveness
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Luis Delgado
Las Noches Del Encuentro
83 bpm • D Maj • 04:03 • -17.05db
11% Popularity • 84% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 46% Positiveness
11% Popularity • 84% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 46% Positiveness
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Oriental Lebanese Band
Takassim 'Banat Iskandariya'
83 bpm • G# Maj • 03:56 • -14.58db
21% Popularity • 38% Danceability • 27% Energy • 9% Liveness
56% Instrumentalness • 16% Positiveness
21% Popularity • 38% Danceability • 27% Energy • 9% Liveness
56% Instrumentalness • 16% Positiveness
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Charbel Rouhana
Om el maradem
83 bpm • D Maj • 04:28 • -17.28db
13% Popularity • 45% Danceability • 11% Energy • 11% Liveness
38% Instrumentalness • 14% Positiveness
13% Popularity • 45% Danceability • 11% Energy • 11% Liveness
38% Instrumentalness • 14% Positiveness
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Ensemble Ibn Arabi
Duo oud - Quanoun
83 bpm • D min • 02:09 • -27.94db
30% Popularity • 44% Danceability • 5% Energy • 18% Liveness
28% Instrumentalness • 12% Positiveness
30% Popularity • 44% Danceability • 5% Energy • 18% Liveness
28% Instrumentalness • 12% Positiveness
► Preview
Shyakh Hamza Shakkûr
Kalimat al-tawhîd, muwashshah-s, afz al...
83 bpm • A# Maj • 05:50 • -18.59db
10% Popularity • 40% Danceability • 16% Energy • 61% Liveness
2% Instrumentalness • 42% Positiveness
10% Popularity • 40% Danceability • 16% Energy • 61% Liveness
2% Instrumentalness • 42% Positiveness
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Classical Arabic Music Ensemble
Taqsim Hijaz
84 bpm • D Maj • 02:25 • -12.81db
8% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 36% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Ahmad Al Khatib
Ghurbeh (Diaspora)
84 bpm • D# min • 07:10 • -19.91db
16% Popularity • 42% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
16% Popularity • 42% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Ara Dinkjian
Tools
84 bpm • D# Maj • 05:23 • -17db
9% Popularity • 55% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
9% Popularity • 55% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Abderraouf Ouertani
Le pardon
84 bpm • A Maj • 04:34 • -16.7db
25% Popularity • 50% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
25% Popularity • 50% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Hosam Hayek
Give Me the Flute - Aatini Ennay
84 bpm • C min • 03:42 • -14.41db
23% Popularity • 55% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
23% Popularity • 55% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Ensemble Ibn Arabi
Taqsîm au ney
84 bpm • D min • 02:45 • -28.56db
21% Popularity • 16% Danceability • 1% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
► Preview
Listen to Music
The Violin's Cry - Instrumental Music
84 bpm • G Maj • 01:20 • -19.87db
8% Popularity • 32% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 8% Energy • 16% Liveness
92% Instrumentalness • 24% Positiveness
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Aarif Jaman
Suzinak
85 bpm • F Maj • 03:16 • -22.09db
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
22% Popularity • 36% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
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Oriental Lebanese Band
Ya Marsal El Marasil
84 bpm • C min • 03:55 • -13.56db
23% Popularity • 57% Danceability • 29% Energy • 16% Liveness
91% Instrumentalness • 84% Positiveness
23% Popularity • 57% Danceability • 29% Energy • 16% Liveness
91% Instrumentalness • 84% Positiveness
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Amer Ammouri
Kawakeb (Ajam)
85 bpm • F Maj • 04:48 • -10db
16% Popularity • 47% Danceability • 49% Energy • 8% Liveness
84% Instrumentalness • 48% Positiveness
16% Popularity • 47% Danceability • 49% Energy • 8% Liveness
84% Instrumentalness • 48% Positiveness
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Azzedine El Maghrabi
Douk Ou Rena
85 bpm • C Maj • 03:13 • -9.21db
15% Popularity • 58% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 78% Positiveness
15% Popularity • 58% Danceability • 45% Energy • 7% Liveness
84% Instrumentalness • 78% Positiveness
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Naser Omar
Oud Taqasim 1
85 bpm • C Maj • 06:24 • -10.88db
8% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
8% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 48% Positiveness
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Arto Tunçboyacıyan
Dancing Hands
85 bpm • D Maj • 04:37 • -18.2db
27% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
27% Popularity • 32% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Ali Jihad Racy
Taqasim Hijaz
86 bpm • D Maj • 01:54 • -23.44db
15% Popularity • 52% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 36% Positiveness
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Ensemble Ibn Arabi
Je crois en la religion de l'amour
86 bpm • E min • 04:30 • -18.77db
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Amer Ammouri
Rohani (Hijaz)
85 bpm • C Maj • 05:03 • -10.78db
21% Popularity • 45% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
21% Popularity • 45% Danceability • 43% Energy • 9% Liveness
85% Instrumentalness • 31% Positiveness
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Khaled Mouzanar
Kanun el Parking
86 bpm • G min • 01:05 • -15.82db
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Simon Shaheen
Desert Mist
86 bpm • D Maj • 05:28 • -34.69db
0% Popularity • 9% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
0% Popularity • 9% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
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Aarif Jaman
Hijaz
86 bpm • C Maj • 03:18 • -17.79db
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Naseer Shamma
Estado de Pasión
87 bpm • F min • 04:36 • -13.8db
12% Popularity • 62% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 40% Positiveness
12% Popularity • 62% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 40% Positiveness
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Yasamin Shahhosseini
Fourth Gāh, Pt. 2
87 bpm • D Maj • 04:40 • -15.2db
9% Popularity • 52% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
9% Popularity • 52% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Ali Hassan
Maqam Tour Reefy Mohammadawiy
87 bpm • D# min • 03:22 • -15.99db
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Rahim AlHaj
Letter 6. Unspoken Word – Laila
87 bpm • D Maj • 06:17 • -12.6db
13% Popularity • 40% Danceability • 32% Energy • 6% Liveness
74% Instrumentalness • 16% Positiveness
13% Popularity • 40% Danceability • 32% Energy • 6% Liveness
74% Instrumentalness • 16% Positiveness
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Dorsaf Hamdani
Yallah tnam Rima - Viens dormir Rima
87 bpm • G Maj • 02:33 • -16db
29% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Negâr Boubân
Pause
87 bpm • G Maj • 04:46 • -15.72db
11% Popularity • 43% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
11% Popularity • 43% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Charbel Rouhana
Retour
88 bpm • F min • 07:12 • -23.58db
23% Popularity • 39% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 36% Positiveness
23% Popularity • 39% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 36% Positiveness
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Oriental Lebanese Band
Takassim Oud
88 bpm • C Maj • 02:18 • -20.33db
23% Popularity • 47% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 69% Positiveness
23% Popularity • 47% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 69% Positiveness
