Songs like Detail For Paul by The Durutti Column
Based on a tempo of (+/- 10%) and a similar genre
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The Durutti Column
Self Portrait
106 bpm • D Maj • 04:42 • -11.25db
14% Popularity • 58% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
14% Popularity • 58% Danceability • 44% Energy • 8% Liveness
85% Instrumentalness • 50% Positiveness
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Young Marble Giants
Zebra Trucks - Taken From The Final Day ...
106 bpm • D# Maj • 01:33 • -14.11db
16% Popularity • 96% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
16% Popularity • 96% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 96% Positiveness
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Charlie Megira
Now I Wanna Drown in Your Dark Dreamy Ey...
106 bpm • G min • 01:13 • -22.09db
35% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
35% Popularity • 62% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Broadcast
Test Area
106 bpm • A# min • 05:53 • -13.56db
14% Popularity • 35% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
14% Popularity • 35% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Bill Nelson
Portrait Of Jan With Flowers
106 bpm • C Maj • 02:12 • -16.5db
9% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 3
106 bpm • F min • 01:11 • -19.08db
35% Popularity • 46% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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The Durutti Column
Detail For Paul
106 bpm • F# Maj • 01:55 • -13.61db
22% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
22% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
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R. Stevie Moore
Another No Answer
107 bpm • B Maj • 05:12 • -13.69db
30% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
30% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
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Pure X
Heavy Air
105 bpm • D Maj • 03:45 • -14.17db
34% Popularity • 36% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
34% Popularity • 36% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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The Cleaners From Venus
Wivenhoe Bells (II)
105 bpm • F Maj • 04:23 • -5.84db
33% Popularity • 51% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 51% Danceability • 73% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Antena
Joppo + Eno
107 bpm • C# min • 03:35 • -9db
19% Popularity • 87% Danceability • 48% Energy • 5% Liveness
43% Instrumentalness • 90% Positiveness
19% Popularity • 87% Danceability • 48% Energy • 5% Liveness
43% Instrumentalness • 90% Positiveness
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Arthur Russell
Make 1,2
105 bpm • G Maj • 02:49 • -9db
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
33% Popularity • 81% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 92% Positiveness
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The Durutti Column
Experiment In Fifth
107 bpm • F# Maj • 03:36 • -17.76db
23% Popularity • 74% Danceability • 41% Energy • 8% Liveness
98% Instrumentalness • 61% Positiveness
23% Popularity • 74% Danceability • 41% Energy • 8% Liveness
98% Instrumentalness • 61% Positiveness
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Brian Eno
Energy Fools The Magician - 2004 Digital...
105 bpm • D min • 02:04 • -18.78db
30% Popularity • 34% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 34% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
The Garden Of Poppies
107 bpm • F# min • 05:40 • -16.16db
14% Popularity • 56% Danceability • 58% Energy • 11% Liveness
71% Instrumentalness • 80% Positiveness
14% Popularity • 56% Danceability • 58% Energy • 11% Liveness
71% Instrumentalness • 80% Positiveness
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Ceramic Hello
A Grey Man
107 bpm • A# min • 02:02 • -15db
14% Popularity • 20% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
14% Popularity • 20% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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Harald Grosskopf
Synthesist
105 bpm • C# Maj • 07:39 • -10db
22% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
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Loren Connors
Ships
105 bpm • F# Maj • 01:13 • -23.06db
30% Popularity • 42% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
30% Popularity • 42% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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The Durutti Column
Art and Freight
105 bpm • C# Maj • 03:32 • -13.37db
10% Popularity • 72% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
10% Popularity • 72% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
40% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Felt
Serpent Shade
105 bpm • A min • 02:10 • -10.82db
15% Popularity • 42% Danceability • 48% Energy • 28% Liveness
90% Instrumentalness • 77% Positiveness
15% Popularity • 42% Danceability • 48% Energy • 28% Liveness
90% Instrumentalness • 77% Positiveness
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Chris & Cosey
Cowboys In Cuba
107 bpm • D# Maj • 05:46 • -17.98db
15% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
15% Popularity • 57% Danceability • 33% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
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Brian Eno
Spirits Drifting
105 bpm • A min • 02:39 • -19.82db
11% Popularity • 20% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Martin Dupont
Your Passion
107 bpm • C# min • 03:43 • -10db
17% Popularity • 64% Danceability • 40% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 9% Liveness
18% Instrumentalness • 52% Positiveness
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The Durutti Column
The Sweet Cheat Gone
107 bpm • C min • 02:51 • -18.27db
15% Popularity • 64% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 64% Danceability • 15% Energy • 28% Liveness
94% Instrumentalness • 5% Positiveness
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Stereolab
Free Witch and No Bra Queen
108 bpm • A# min • 04:44 • -6.71db
11% Popularity • 38% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
11% Popularity • 38% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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K. Leimer
From One To Ten
108 bpm • D Maj • 01:58 • -10.94db
26% Popularity • 72% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 78% Positiveness
26% Popularity • 72% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 78% Positiveness
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Harmonia & Eno '76
Weird Dream
104 bpm • G# Maj • 06:41 • -25.32db
10% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Personal Effects
This Is It
104 bpm • G Maj • 03:09 • -14.51db
13% Popularity • 73% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
13% Popularity • 73% Danceability • 31% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
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Loren Connors
Now Who Are These Guys?
104 bpm • B min • 05:20 • -34.13db
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
21% Popularity • 44% Danceability • 0% Energy • 13% Liveness
72% Instrumentalness • 10% Positiveness
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The Durutti Column
Jacqueline
107 bpm • D Maj • 02:15 • -13db
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 49% Positiveness
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Broadcast
Tender Buttons
108 bpm • D# Maj • 02:52 • -11db
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
41% Popularity • 66% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Deux Filles
Silence & Wisdom - Remastered
108 bpm • D Maj • 03:46 • -26.85db
15% Popularity • 24% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
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Marine Girls
Fridays
104 bpm • G min • 02:03 • -20.87db
28% Popularity • 66% Danceability • 23% Energy • 10% Liveness
61% Instrumentalness • 86% Positiveness
28% Popularity • 66% Danceability • 23% Energy • 10% Liveness
61% Instrumentalness • 86% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
26% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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The Fall
Mansion
108 bpm • A Maj • 01:21 • -14.59db
32% Popularity • 41% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 52% Positiveness
32% Popularity • 41% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 52% Positiveness
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The Durutti Column
The Act Committed
104 bpm • D# min • 05:05 • -16.64db
17% Popularity • 61% Danceability • 54% Energy • 7% Liveness
91% Instrumentalness • 89% Positiveness
17% Popularity • 61% Danceability • 54% Energy • 7% Liveness
91% Instrumentalness • 89% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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Deux Filles
She Slides - Remastered
108 bpm • B Maj • 03:05 • -17.28db
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
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Bourbonese Qualk
Outcry
103 bpm • A# min • 02:33 • -14.79db
14% Popularity • 82% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 70% Positiveness
14% Popularity • 82% Danceability • 18% Energy • 16% Liveness
88% Instrumentalness • 70% Positiveness
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Locust
Morning Light
103 bpm • C min • 01:22 • -27.43db
38% Popularity • 39% Danceability • 10% Energy • 31% Liveness
89% Instrumentalness • 19% Positiveness
38% Popularity • 39% Danceability • 10% Energy • 31% Liveness
89% Instrumentalness • 19% Positiveness
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Antena
To Climb the Cliff
109 bpm • G# Maj • 03:43 • -12.93db
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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The Durutti Column
Sketch For Dawn - I
109 bpm • D Maj • 05:14 • -14db
32% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
32% Popularity • 70% Danceability • 42% Energy • 8% Liveness
78% Instrumentalness • 75% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
30% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
30% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Section 25
Visitation
110 bpm • D Maj • 03:21 • -12.98db
11% Popularity • 71% Danceability • 48% Energy • 57% Liveness
85% Instrumentalness • 42% Positiveness
11% Popularity • 71% Danceability • 48% Energy • 57% Liveness
85% Instrumentalness • 42% Positiveness
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John Cale
Dying on the Vine
110 bpm • C min • 05:20 • -13db
31% Popularity • 79% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 64% Energy • 11% Liveness
4% Instrumentalness • 89% Positiveness
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Popol Vuh
Kyrie
110 bpm • A# Maj • 05:23 • -14.74db
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Broadcast
Poem Of Dead Song
110 bpm • F min • 02:31 • -10db
41% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 54% Energy • 36% Liveness
85% Instrumentalness • 46% Positiveness
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The Durutti Column
Piece for an Ideal
109 bpm • D min • 02:08 • -16.33db
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Felt
Indian Scriptures
102 bpm • A# Maj • 01:34 • -13.49db
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
33% Popularity • 52% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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The Cleaners From Venus
Soul Monday
102 bpm • A min • 03:42 • -7.19db
17% Popularity • 58% Danceability • 67% Energy • 15% Liveness
95% Instrumentalness • 39% Positiveness
17% Popularity • 58% Danceability • 67% Energy • 15% Liveness
95% Instrumentalness • 39% Positiveness
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Manuel Göttsching
E2-E4 Ruhige Nervosität 1 - Mixed
110 bpm • C# min • 02:48 • -24db
30% Popularity • 72% Danceability • 33% Energy • 6% Liveness
94% Instrumentalness • 65% Positiveness
30% Popularity • 72% Danceability • 33% Energy • 6% Liveness
94% Instrumentalness • 65% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
38% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
38% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Brian Eno
Spirits Drifting - 2004 Remaster
102 bpm • A min • 02:36 • -22.72db
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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The Durutti Column
Requiem For A Father
110 bpm • G# min • 05:07 • -15.33db
28% Popularity • 71% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
28% Popularity • 71% Danceability • 51% Energy • 11% Liveness
89% Instrumentalness • 37% Positiveness
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Marine Girls
Lazy Ways
111 bpm • G Maj • 02:42 • -22db
20% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 57% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Deux Filles
Los Estrellas - Remastered
101 bpm • C min • 01:07 • -14.13db
34% Popularity • 54% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 54% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Arthur Russell
Soon-To-Be Innocent Fun/Let's See
101 bpm • C Maj • 09:35 • -20.99db
33% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
33% Popularity • 54% Danceability • 14% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Section 25
Inside Out
111 bpm • C min • 02:56 • -14.6db
11% Popularity • 67% Danceability • 69% Energy • 81% Liveness
12% Instrumentalness • 38% Positiveness
11% Popularity • 67% Danceability • 69% Energy • 81% Liveness
12% Instrumentalness • 38% Positiveness
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Brian Eno
The Belldog
111 bpm • B Maj • 06:19 • -12.83db
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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The Durutti Column
Sketch For Dawn - II
103 bpm • E min • 04:37 • -16.62db
18% Popularity • 71% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
18% Popularity • 71% Danceability • 37% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Anna Domino
Review
111 bpm • A Maj • 04:12 • -10.61db
17% Popularity • 81% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 81% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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David Byrne
The Blue Flame
111 bpm • D min • 03:24 • -22.87db
9% Popularity • 17% Danceability • 13% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 13% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Broadcast
Tower Of Our Tuning
111 bpm • A Maj • 04:30 • -14.99db
26% Popularity • 43% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
26% Popularity • 43% Danceability • 43% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
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Solid Space
Radio France
101 bpm • B Maj • 02:15 • -5.27db
18% Popularity • 62% Danceability • 85% Energy • 38% Liveness
8% Instrumentalness • 78% Positiveness
18% Popularity • 62% Danceability • 85% Energy • 38% Liveness
8% Instrumentalness • 78% Positiveness
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This Mortal Coil
Barramundi - Remastered
101 bpm • G Maj • 03:54 • -16db
29% Popularity • 20% Danceability • 42% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
29% Popularity • 20% Danceability • 42% Energy • 14% Liveness
86% Instrumentalness • 15% Positiveness
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The Durutti Column
My Country
102 bpm • A Maj • 03:04 • -13.94db
18% Popularity • 53% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
18% Popularity • 53% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
19% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
19% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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The The
Red Cinders In The Sand
112 bpm • G Maj • 05:42 • -14.65db
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 24% Danceability • 84% Energy • 65% Liveness
90% Instrumentalness • 26% Positiveness
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Movietone
Useless Landscape
101 bpm • D min • 05:01 • -13.07db
14% Popularity • 38% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 38% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Conrad Schnitzler
16 - Bonus Track
112 bpm • C# Maj • 01:32 • -9.66db
21% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
21% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
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Young Marble Giants
The Taxi
112 bpm • E min • 02:07 • -12.31db
29% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
29% Popularity • 63% Danceability • 32% Energy • 5% Liveness
76% Instrumentalness • 87% Positiveness
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The Durutti Column
For A Western
110 bpm • D Maj • 02:50 • -14.82db
15% Popularity • 71% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
15% Popularity • 71% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
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Roy Montgomery
In Another Time
112 bpm • F Maj • 02:25 • -16.76db
23% Popularity • 32% Danceability • 20% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 20% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Felt
Fortune - Remastered Edition
112 bpm • A min • 03:31 • -10.57db
29% Popularity • 51% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
29% Popularity • 51% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 57% Positiveness
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Insides
Walking In Straight Lines
112 bpm • D min • 05:09 • -17.69db
15% Popularity • 66% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 67% Positiveness
15% Popularity • 66% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 67% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 4
112 bpm • A# Maj • 05:43 • -12.72db
16% Popularity • 46% Danceability • 82% Energy • 14% Liveness
29% Instrumentalness • 40% Positiveness
16% Popularity • 46% Danceability • 82% Energy • 14% Liveness
29% Instrumentalness • 40% Positiveness
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Psychic TV
Just Drifting
112 bpm • C Maj • 03:40 • -10.7db
31% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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The Durutti Column
Portrait For Frazer
111 bpm • E Maj • 03:33 • -16.14db
20% Popularity • 71% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
20% Popularity • 71% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Eric Morin
La Visite Au Musée
100 bpm • F# Maj • 03:26 • -14.32db
9% Popularity • 52% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
9% Popularity • 52% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Normil Hawaiians
Other Ways of Knowing
100 bpm • D Maj • 10:06 • -9.84db
8% Popularity • 39% Danceability • 70% Energy • 31% Liveness
62% Instrumentalness • 9% Positiveness
8% Popularity • 39% Danceability • 70% Energy • 31% Liveness
62% Instrumentalness • 9% Positiveness
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Pram
Crystal Tips
113 bpm • F# Maj • 03:47 • -12.19db
9% Popularity • 55% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
9% Popularity • 55% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
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Woo
Don't Delay
100 bpm • D min • 03:59 • -14.12db
12% Popularity • 59% Danceability • 46% Energy • 7% Liveness
68% Instrumentalness • 49% Positiveness
12% Popularity • 59% Danceability • 46% Energy • 7% Liveness
68% Instrumentalness • 49% Positiveness
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Popol Vuh
King Minos II
113 bpm • C Maj • 01:55 • -14.41db
32% Popularity • 68% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
32% Popularity • 68% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 48% Positiveness
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The Durutti Column
Enigma
112 bpm • E min • 03:02 • -16db
13% Popularity • 66% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 59% Energy • 11% Liveness
89% Instrumentalness • 78% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
37% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Cluster
In Ewigkeit
113 bpm • A# Maj • 07:24 • -21db
27% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Section 25
C.P.
113 bpm • E Maj • 02:23 • -18.88db
18% Popularity • 63% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 63% Danceability • 24% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Dif Juz
Soarn
99 bpm • G Maj • 05:47 • -17.71db
9% Popularity • 54% Danceability • 29% Energy • 6% Liveness
42% Instrumentalness • 20% Positiveness
9% Popularity • 54% Danceability • 29% Energy • 6% Liveness
42% Instrumentalness • 20% Positiveness
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Roy Montgomery
Downtown to Vesuvio
99 bpm • E Maj • 01:45 • -19.44db
30% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
30% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
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The Durutti Column
Jazz
112 bpm • E Maj • 01:39 • -13.24db
25% Popularity • 54% Danceability • 50% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
25% Popularity • 54% Danceability • 50% Energy • 28% Liveness
80% Instrumentalness • 41% Positiveness
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23 Skidoo
The Gospel Comes To New Guinea
113 bpm • F Maj • 10:09 • -7.95db
14% Popularity • 44% Danceability • 91% Energy • 63% Liveness
83% Instrumentalness • 50% Positiveness
14% Popularity • 44% Danceability • 91% Energy • 63% Liveness
83% Instrumentalness • 50% Positiveness
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Arthur Russell
"Instrumentals" Volume 1 - Part 1
113 bpm • F min • 05:19 • -12.56db
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Nico
Prelude
114 bpm • D Maj • 00:59 • -36.21db
31% Popularity • 30% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
31% Popularity • 30% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 5% Positiveness
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Belbury Poly
The Willows
113 bpm • C# Maj • 04:43 • -11.11db
20% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
20% Popularity • 45% Danceability • 41% Energy • 10% Liveness
66% Instrumentalness • 59% Positiveness
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The Durutti Column
Danny
112 bpm • B min • 03:38 • -13.69db
13% Popularity • 62% Danceability • 91% Energy • 9% Liveness
71% Instrumentalness • 44% Positiveness
13% Popularity • 62% Danceability • 91% Energy • 9% Liveness
71% Instrumentalness • 44% Positiveness
