Songs like Deus misertus hominis by The Hilliard Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
136 bpm • D# min • 04:52 • -29.48db
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Missa pro defunctis: 1. Responsorium: Me...
136 bpm • C Maj • 01:47 • -29.67db
4% Popularity • 22% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 22% Danceability • 2% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
Deus misertus hominis
136 bpm • D Maj • 04:59 • -21db
5% Popularity • 24% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 24% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Josquin des Prez
Des Prez: Ave Maria, gratia plena ... vi...
136 bpm • D Maj • 06:51 • -19.29db
7% Popularity • 18% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
O viridissima virga, Ave
135 bpm • C Maj • 03:53 • -27db
5% Popularity • 23% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jan Garbarek
We Are The Stars
135 bpm • C# Maj • 04:18 • -24.79db
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
9% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Missa pro defunctis: 3. Kyrie
137 bpm • C Maj • 03:19 • -21.88db
4% Popularity • 16% Danceability • 13% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 13% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
20% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Litany (Arr. Garbarek and The Hilliard E...
135 bpm • A# Maj • 09:00 • -20.2db
8% Popularity • 20% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Jan Garbarek
Hymn To The Sun
137 bpm • C Maj • 07:28 • -20.73db
4% Popularity • 19% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
4% Popularity • 19% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Responsoria: Feria V - In Coena Domini /...
135 bpm • D Maj • 04:23 • -25.74db
4% Popularity • 18% Danceability • 9% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
4% Popularity • 18% Danceability • 9% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jan Garbarek
Sirt im sasani
137 bpm • C Maj • 04:06 • -21.77db
8% Popularity • 21% Danceability • 5% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 5% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
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John Tavener
As one who has slept
134 bpm • B min • 04:58 • -29.2db
9% Popularity • 18% Danceability • 3% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
34% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
138 bpm • E min • 04:29 • -22.33db
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
33% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Jan Garbarek
Surb, surb
138 bpm • D Maj • 06:40 • -19.2db
8% Popularity • 19% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
29% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Jacques Arcadelt
Arcadelt: Il bianco e dolce digno
134 bpm • F Maj • 02:04 • -24.89db
5% Popularity • 21% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 21% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
16% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Guillaume Le Rouge
Se je fayz deuil (Arr. Garbarek and The ...
139 bpm • G min • 06:17 • -23.05db
5% Popularity • 17% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 21% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Thomas Tallis
The Lamentations Of Jeremiah: 1. Incipit...
133 bpm • D min • 08:44 • -23.06db
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 15% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Jan Garbarek
Beata viscera
138 bpm • G Maj • 06:34 • -26db
23% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
Stirps lesse
133 bpm • F Maj • 05:06 • -23.32db
1% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Andriessen
Un beau baiser
139 bpm • D Maj • 04:08 • -31.76db
11% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
27% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
27% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Morten Lauridsen
Lux aeterna: Introitus
133 bpm • D Maj • 07:38 • -26.25db
15% Popularity • 16% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Henryk Górecki
Miserere, Op. 44: 8. Domine Deus noster ...
133 bpm • C Maj • 01:20 • -45.99db
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 16% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Johannes Ockeghem
Requiem (Missa pro defunctis) a 2-4: Gra...
132 bpm • D min • 05:23 • -28.97db
4% Popularity • 17% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 4% Positiveness
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Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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John Dunstable
Credo super 'Da gaudiorum premia' - 1987...
140 bpm • B Maj • 04:48 • -19.9db
3% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
3% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
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John Dowland
Mistresse Nichols Almand
132 bpm • A# Maj • 00:52 • -24.27db
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
33% Popularity • 22% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 55% Positiveness
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Pérotin
Viderunt Omnes
132 bpm • E Maj • 11:36 • -19.2db
22% Popularity • 22% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 22% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Ockeghem
Missa prolationum, Agnus Dei: Agnus Dei ...
140 bpm • D# Maj • 02:05 • -24.29db
2% Popularity • 16% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 16% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
141 bpm • C# Maj • 02:09 • -23.08db
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 8% Positiveness
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Carlo Gesualdo
Responsoria: Feria V - In Coena Domini /...
130 bpm • D Maj • 04:22 • -25.42db
7% Popularity • 17% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
Mundus vergens
130 bpm • E Maj • 02:21 • -18.51db
1% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 26% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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John Dunstable
Agnus Dei - 1987 Remastered Version
142 bpm • F# Maj • 04:24 • -19.17db
3% Popularity • 19% Danceability • 14% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 14% Energy • 10% Liveness
15% Instrumentalness • 4% Positiveness
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Pérotin
Sederunt Principes
130 bpm • F# Maj • 11:54 • -19.46db
13% Popularity • 22% Danceability • 21% Energy • 14% Liveness
26% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 21% Energy • 14% Liveness
26% Instrumentalness • 8% Positiveness
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Trio Mediæval
St Sunniva Hymn - Eterna Christi Munera
142 bpm • D Maj • 03:56 • -28.56db
10% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Juan de Lienas
Lienas: Codex del Convento del Carmen: S...
130 bpm • A min • 08:51 • -23.48db
4% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 11. Miserere nobis - L...
129 bpm • A min • 02:50 • -44db
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Pérotin
Alleluia nativitas (Arr. Garbarek and Th...
129 bpm • D Maj • 05:09 • -14.48db
5% Popularity • 36% Danceability • 38% Energy • 28% Liveness
52% Instrumentalness • 21% Positiveness
5% Popularity • 36% Danceability • 38% Energy • 28% Liveness
52% Instrumentalness • 21% Positiveness
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Jan Garbarek
Parce Mihi Domine
129 bpm • A# Maj • 06:42 • -19.24db
48% Popularity • 19% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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PÄ“teris Vasks
Klusas dziemas (silent songs): I. Nosapi...
129 bpm • F min • 03:38 • -31.84db
15% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 2% Energy • 24% Liveness
34% Instrumentalness • 3% Positiveness
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Guillaume de Machaut
De souspirant cuer M2
129 bpm • G min • 03:37 • -24.3db
3% Popularity • 21% Danceability • 8% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 8% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
I Love Unloved
129 bpm • D# min • 04:51 • -20.55db
0% Popularity • 17% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Garbarek
Parce Mihi Domine - Var. 1
144 bpm • A# Maj • 05:35 • -28.76db
24% Popularity • 14% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
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Antoine Boësset
À la fin cette bergère
128 bpm • C Maj • 03:57 • -20.86db
17% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
17% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
25% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Anonymous
O Maria Virginei
128 bpm • A# Maj • 04:49 • -25.53db
8% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
145 bpm • A Maj • 04:33 • -29.86db
13% Popularity • 16% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Nunc aperuit nobis
127 bpm • A Maj • 01:52 • -26db
14% Popularity • 24% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 24% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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The Hilliard Ensemble
Sederunt principes
127 bpm • E Maj • 11:45 • -21.7db
3% Popularity • 29% Danceability • 22% Energy • 68% Liveness
27% Instrumentalness • 20% Positiveness
3% Popularity • 29% Danceability • 22% Energy • 68% Liveness
27% Instrumentalness • 20% Positiveness
► Preview
Joan Ambrosio Dalza
Intabolatura de lauto, Book 4: Calata al...
126 bpm • A# Maj • 02:06 • -25.91db
39% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
39% Popularity • 47% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 61% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Anonymous
Pulcherrima rosa
126 bpm • A min • 06:55 • -20.71db
23% Popularity • 17% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Walter Frye
Missa Flos Regalis: Gloria
126 bpm • G min • 05:24 • -20.49db
4% Popularity • 22% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
4% Popularity • 22% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
The Hilliard Ensemble
England Be Glad
126 bpm • F Maj • 01:45 • -11.45db
0% Popularity • 38% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 38% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
