Songs like Dhokha dei Deto Ho Balmu by Santosh Kumar
Based on a tempo of (+/- 10%) and a similar genre
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Alok Kumar
Maula Tere Sahar Mein
75 bpm • G# Maj • 04:52 • -4.45db
8% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Prakash Gandhi
Parnya Nachan De
75 bpm • A Maj • 05:15 • -5.93db
9% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Kali Charan Gurjar
Baba Mere Janved Giri Tapdhari
75 bpm • F# min • 07:21 • -4.97db
13% Popularity • 66% Danceability • 89% Energy • 38% Liveness
1% Instrumentalness • 55% Positiveness
13% Popularity • 66% Danceability • 89% Energy • 38% Liveness
1% Instrumentalness • 55% Positiveness
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Rumod Rajdhani
Barati Sange Ka Ka Ka Kylu - Maithili
75 bpm • C min • 03:13 • -0.66db
0% Popularity • 65% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 65% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Sonu Kanwar
Piya Thasu Nain Jad Miliya
75 bpm • D Maj • 05:53 • -3.61db
19% Popularity • 49% Danceability • 78% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 49% Danceability • 78% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Santosh Kumar
Pahada Bhanga Hey Chhamu
76 bpm • C# min • 05:43 • -5.48db
0% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 57% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Vatsala
Mere Bholenath
74 bpm • F# Maj • 04:03 • -6.39db
10% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Hakim Ji
Dil Kaile Pagal Ba
74 bpm • G Maj • 06:50 • -3.91db
11% Popularity • 59% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 59% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 90% Positiveness
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Jasobanta Sagar
Teri Meri Kahani
76 bpm • G# min • 06:44 • -3.33db
10% Popularity • 60% Danceability • 86% Energy • 48% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 60% Danceability • 86% Energy • 48% Liveness
0% Instrumentalness • 73% Positiveness
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Vijendra Choudhary
Bhabaj Bhato Moda Kikar Laya
77 bpm • E Maj • 06:46 • -4.55db
12% Popularity • 63% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 63% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Dilip Ray
Sun To Re Mor Jawara
77 bpm • C# Maj • 04:51 • -5.1db
16% Popularity • 31% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 31% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Santosh Kumar
Mahanga Bhail Baa
73 bpm • C# Maj • 04:26 • -8.37db
0% Popularity • 52% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 52% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Robin Rangeela
Fashion Sajay Ke
78 bpm • A# min • 02:36 • -1.19db
12% Popularity • 63% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 63% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
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Sneh Upadhya
Khojwa De Re Nanadiya
73 bpm • C# min • 03:10 • -1.3db
9% Popularity • 63% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 63% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Jasobanta Sagar
Love Heba
78 bpm • C# min • 05:48 • -1.32db
11% Popularity • 46% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 46% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Alka Jha
Laaj Lagata
78 bpm • G min • 04:07 • -7.33db
8% Popularity • 58% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 58% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Gokul Sharma
Sanwariya Dathi Me Hiro Chamak Rayo
78 bpm • B min • 05:31 • -3.75db
12% Popularity • 33% Danceability • 90% Energy • 93% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 33% Danceability • 90% Energy • 93% Liveness
0% Instrumentalness • 77% Positiveness
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Priyanka Singh
Dil Tera Chura Lega
79 bpm • G min • 03:15 • -3.83db
11% Popularity • 38% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 38% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Sanjay Tirkey
Tor Saheli Se Setting Karai De
79 bpm • F min • 03:42 • -7.12db
15% Popularity • 59% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 59% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Kavita Yadav
Chudiya Lela Goriya
80 bpm • G Maj • 03:27 • -2.24db
5% Popularity • 46% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 46% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 94% Positiveness
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BHUBAN
Paschim Odishar Kathani
80 bpm • G# min • 07:21 • -1.46db
10% Popularity • 37% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 37% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Anil Nagori
Aansu Na lyao Lilan Aankh me
80 bpm • F min • 05:36 • -3.06db
15% Popularity • 67% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 67% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Gokul Sharma
Amal Lahsun Su Hogiya Nihal Ab Chala San...
80 bpm • A# Maj • 05:51 • -4.22db
20% Popularity • 66% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Ahtsham Aslam
Mein Tarpa Door Madine Tu
80 bpm • C min • 03:52 • -9.37db
9% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 66% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Bhakti Band
यीशु के दरबार म�...
80 bpm • G# Maj • 03:12 • -4.75db
11% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 52% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Samay Singh Peelwal
Najarn Ki Chot Thari Gahari Ch Sidhi Dil...
80 bpm • B Maj • 10:08 • -7.51db
21% Popularity • 67% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 67% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Sunita Swami
Radha Rani Lage Mane Karo Karo Jamuna Ji...
80 bpm • B Maj • 07:20 • -6.33db
10% Popularity • 73% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 73% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 96% Positiveness
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Anil Nagori
Kya Tan Manjta Re
80 bpm • B Maj • 06:36 • -2.72db
14% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Sunil Sharma
Mari Binani Ne Khatu Walo Pyaro Lage
80 bpm • G Maj • 06:09 • -4.74db
13% Popularity • 69% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 69% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Bahadur Bhardwaj
Chhunko
80 bpm • F Maj • 05:58 • -2.77db
10% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 65% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bhakti Band
आया हूं तेरे दर�...
80 bpm • F# min • 04:42 • -5.22db
13% Popularity • 66% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 86% Energy • 56% Liveness
0% Instrumentalness • 96% Positiveness
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Sayar Khan Dangri
Pyari Pyari Mumal
80 bpm • C Maj • 05:32 • -13.1db
11% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Roshan Ravte
Mala Lover Tujha Karun Ghena
80 bpm • D# min • 04:37 • -7.36db
12% Popularity • 71% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 71% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Anil Nagori
Tan Dhari Jag Me Avdhu Koi Nhi Sukhiya
80 bpm • D Maj • 08:02 • -4.36db
14% Popularity • 54% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Sunita Swami
Duniya Dari Ogan Gari Heli
80 bpm • C# Maj • 08:12 • -5.24db
11% Popularity • 58% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 58% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Sagar Sangam
Duj Ke Chanda
80 bpm • G Maj • 04:23 • -3.02db
7% Popularity • 53% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 53% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Santosh Kumar
Thoda Thoda Pyaar Me
80 bpm • B min • 03:54 • -6.64db
0% Popularity • 62% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 62% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Rhythm Baby
Khatu Mein Jayenge Baap Beti
80 bpm • G min • 05:18 • -2db
0% Popularity • 53% Danceability • 85% Energy • 32% Liveness
45% Instrumentalness • 89% Positiveness
0% Popularity • 53% Danceability • 85% Energy • 32% Liveness
45% Instrumentalness • 89% Positiveness
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Roshan Ravte
Pori I Love You Bol
80 bpm • F min • 04:54 • -6.12db
11% Popularity • 58% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 58% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Roop Kanwal
Paani Waang Pavitar
80 bpm • B min • 05:56 • -5.79db
11% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 66% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Anil Nagori
Budhapa beri Kin Vidh Hosi tharo Chhutvo
80 bpm • F min • 09:18 • -2.25db
17% Popularity • 65% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 65% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Malkoo
Majboori
80 bpm • C min • 04:42 • -4.86db
12% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Ahmed Jahanzeb
Bol Mahiya Ve
80 bpm • C# Maj • 04:48 • -2.9db
14% Popularity • 51% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 51% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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B L CHAANDA
Thar Naam Jindgi Kar Diyu Ri Tu Has Kar ...
80 bpm • F# min • 04:57 • -4.62db
17% Popularity • 57% Danceability • 88% Energy • 50% Liveness
2% Instrumentalness • 93% Positiveness
17% Popularity • 57% Danceability • 88% Energy • 50% Liveness
2% Instrumentalness • 93% Positiveness
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MANRAJ CHANDA PACHWARA
Mari To Hod Tosu Ko Hav
80 bpm • B Maj • 10:01 • -6.88db
16% Popularity • 70% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 70% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Diwan Siwan
Dikuli Sodke Daylo
80 bpm • F# min • 02:47 • -4.61db
13% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Pawan Singh
Ram Naam Ke Jhanda
70 bpm • B min • 04:39 • -5.89db
14% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Nil Sagar
Nazar
81 bpm • F# min • 05:10 • -6.14db
22% Popularity • 29% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 29% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Sneh Upadhya
Na Laut Kar Aana
82 bpm • C Maj • 03:33 • -6.01db
14% Popularity • 73% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 73% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Alka Jha
Rakshabandhan Ke Tyohar
82 bpm • F Maj • 03:22 • -2.24db
9% Popularity • 53% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 53% Danceability • 94% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
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Champa Nisad
Tor Maya Ma - cg song
82 bpm • F Maj • 06:05 • -8.01db
13% Popularity • 49% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 49% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Raj Singh
Sujhe Na Koi Upay Saiyaan
82 bpm • G# min • 04:32 • -6.8db
13% Popularity • 41% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 41% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Santosh Kumar
Sunn Mori Maiya Tero Kanhaiya
83 bpm • G# Maj • 06:39 • -6.35db
0% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Jasobanta Sagar
Jindegi Bhar Yaad Rakhbu
83 bpm • F# min • 06:26 • -3.1db
8% Popularity • 55% Danceability • 100% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 55% Danceability • 100% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Roshan Ravte
Aala Jagatik Aadivasi Din
83 bpm • G# min • 03:55 • -8.77db
8% Popularity • 61% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 61% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Omesh Project
Bilaspur Ke King
83 bpm • C Maj • 05:49 • -4.52db
11% Popularity • 44% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 44% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Rohan Ravte
Amhi Adiwasi Janglach Rahivasi
83 bpm • D min • 04:38 • -6.19db
14% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ishant Bhardwaj
Ram Rasayan
84 bpm • E Maj • 06:58 • -5.5db
17% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 60% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Santosh Kumar
Hamra Nahi Chahi Sona Chandi
83 bpm • A# min • 05:47 • -7.55db
0% Popularity • 64% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 64% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Jigar Valvi
Pintya Mama Poyri
67 bpm • F# Maj • 04:34 • -9.36db
13% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Roshan Ravte
Pori Disas Kamal
84 bpm • E Maj • 03:31 • -5.88db
13% Popularity • 65% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 65% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Sunita Swami
Pehchaan Sake To Pehchan Kan Kan Me Chup...
85 bpm • B Maj • 07:09 • -5.19db
12% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 46% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Kajal Bharti
Botal Me Botal Botal Me Biyar - Bhojpuri
85 bpm • A# min • 03:04 • -3.57db
14% Popularity • 58% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 58% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Vikram Pandey
Miltav Nay Bhatar Ge - KHORTHA
85 bpm • F Maj • 03:28 • -8.03db
8% Popularity • 60% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 60% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Santosh Kumar
Dekh Re E Gorki Ke
83 bpm • E min • 06:13 • -8.74db
0% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Pintu Singh
Bhul Jaibhi Namwa Tu Yaar Ke
85 bpm • G Maj • 03:36 • -4.22db
16% Popularity • 68% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 68% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Sintu Thakur
Kaise Debu Kafanma
85 bpm • G# Maj • 04:12 • -2.42db
10% Popularity • 61% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 61% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Tipu Samar Singh
Na Bhula Payim Ge
85 bpm • C Maj • 03:38 • -5.2db
8% Popularity • 61% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 61% Danceability • 90% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
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Khushbu Tiwari
Mast Raho Masti Mai Aag Lage Basti Main
66 bpm • C# min • 03:08 • -13.3db
10% Popularity • 71% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 71% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Alok Kumar
Goriya Chan Ke Anjoriya Jaisan Gor Badu ...
86 bpm • A# min • 04:45 • -4.8db
13% Popularity • 50% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 50% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Santosh Kumar
Suni A Saiya Paiya Dabae
83 bpm • F# min • 05:56 • -6.68db
0% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Raushan Rohi
Chhaudi Chadh Jo Fortuner Ge
86 bpm • B Maj • 03:38 • -3.38db
23% Popularity • 55% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 55% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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Brother Satnam Bhatti
The Hand Of Goodness
86 bpm • A Maj • 04:39 • -8.25db
17% Popularity • 59% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 59% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bablu Rangila
Hote Lalanma Jore Jore - Chhath Geet
86 bpm • A# min • 03:36 • -8.42db
14% Popularity • 67% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 67% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Vandana Vajpai
Data Sabse Bada Hai
86 bpm • D# Maj • 05:17 • -11.05db
0% Popularity • 58% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 58% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Sayar Khan Dangri
Aap Baso Re Pardesh Balam Ji Mhara
87 bpm • F# min • 04:53 • -8.81db
12% Popularity • 58% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 58% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Santosh Kumar
Jai Jai Bhairavi
85 bpm • B Maj • 06:27 • -1.08db
0% Popularity • 39% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 39% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 77% Positiveness
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Raushan Rohi
400 Bisiya
86 bpm • G# Maj • 04:23 • -2.26db
18% Popularity • 56% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 56% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Arun Chhaila Yadav
Sonawa Re Sankha Paniya Dhare Aiha
87 bpm • B Maj • 03:41 • -1.58db
13% Popularity • 38% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 38% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Santosh Akela
Nsiharwa Me Debe Aibau
88 bpm • F# Maj • 04:31 • -3.66db
10% Popularity • 36% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 36% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Pankaj Thakur
Saiya Chhathi Karbo Tohare Liye
88 bpm • F# min • 03:33 • -3.1db
7% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Anil Nagori
Aa Re Babu
88 bpm • D Maj • 02:41 • -3db
15% Popularity • 38% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 38% Danceability • 69% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Santosh Kumar
Aadhi Aadhi Ratiya
85 bpm • A min • 04:16 • -7.04db
0% Popularity • 69% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 69% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Raushan Rohi
Arthi
87 bpm • G# Maj • 04:21 • -2.72db
19% Popularity • 58% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 58% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Bahadur Bhardwaj
Kelang Manana
88 bpm • F# Maj • 04:53 • -2.24db
11% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Shailendra Kushwaha
Mahto Ji Ko Bolenge Happy New Year
89 bpm • A# Maj • 03:29 • -1.52db
12% Popularity • 61% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 61% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Shiva Raj Bedardi
Rajbhar Ke Pichkari Se Rangaitau Saya Sa...
89 bpm • A# Maj • 03:25 • -5.29db
14% Popularity • 57% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 57% Danceability • 94% Energy • 67% Liveness
0% Instrumentalness • 73% Positiveness
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Yuvi Singh
Nawada Se Chhauda Hamar Aitau Baratiya
89 bpm • C min • 03:34 • -0.74db
13% Popularity • 60% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 60% Danceability • 99% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Santosh Kumar
Balaji Nu Laad Ladawe Mata Anjani
85 bpm • G# Maj • 03:48 • -1.19db
0% Popularity • 63% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 63% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Raushan Rohi
Belna Dharawo Hai
88 bpm • D# min • 03:32 • -5.52db
22% Popularity • 59% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 59% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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Shrikant Bedardi
Kaile Hani Fiks Dhori Me Rang Lagabe Ke
89 bpm • C min • 03:24 • -2.12db
19% Popularity • 64% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 64% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
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Ajeet Bedardi
Baratiya Leke Aitau Dulhe Raja - Bhojpur...
89 bpm • G# Maj • 03:23 • -0.14db
15% Popularity • 64% Danceability • 96% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 64% Danceability • 96% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Sunil Sajanwa
Piya Ho Nachabay Jarur
89 bpm • C min • 03:39 • -2.02db
17% Popularity • 67% Danceability • 96% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 67% Danceability • 96% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
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Vikash Bawal Yadav
Mandiriya Me Lejake
89 bpm • A min • 03:44 • -2.81db
19% Popularity • 62% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 62% Danceability • 97% Energy • 52% Liveness
0% Instrumentalness • 75% Positiveness
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Santosh Kumar
Raja Janak Ji Ke Baag Mein
87 bpm • C# Maj • 03:37 • -4.08db
0% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 47% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Raushan Rohi
Yarwa Ke Aparadhi Bana Denhi
88 bpm • D# min • 03:27 • -1.07db
20% Popularity • 62% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 62% Danceability • 98% Energy • 59% Liveness
0% Instrumentalness • 72% Positiveness
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Banti Bihari
Hamar Loverwa Hakai Ahir Jatti - Maghi
89 bpm • C min • 03:31 • -2.23db
12% Popularity • 58% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 58% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Kallu Bihari Yadav
Yadav Ji Ke Betwa Sala Man Bhar Lagaya
89 bpm • A# Maj • 03:25 • -2.55db
16% Popularity • 57% Danceability • 96% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 57% Danceability • 96% Energy • 94% Liveness
0% Instrumentalness • 77% Positiveness
