Songs like Diamond Girl by T.O.K
Based on a tempo of (+/- 10%) and a similar genre
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Romain Virgo
My Word
178 bpm • C# Maj • 03:03 • -6.09db
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Christopher Martin
Reggae Road Block
178 bpm • C# Maj • 03:13 • -5db
38% Popularity • 65% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 65% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Voicemail
How It Is to Love
178 bpm • C# Maj • 03:02 • -5db
25% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Spragga Benz
Things A Gwan
178 bpm • C Maj • 03:38 • -11.23db
26% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 76% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Cutty Ranks
Grizzle
180 bpm • G Maj • 02:51 • -5.44db
26% Popularity • 85% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 85% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Degree
Miss Gotti
177 bpm • G min • 02:59 • -11db
19% Popularity • 80% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 80% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Romain Virgo
Who Feels It Knows It
178 bpm • G min • 04:04 • -4.25db
37% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Tanya Stephens
Unapologetic
180 bpm • A Maj • 03:52 • -4.64db
44% Popularity • 71% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 71% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Terror Fabulous
ACTION
180 bpm • F# Maj • 01:36 • -14.36db
31% Popularity • 74% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 74% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Ballaz
One
180 bpm • B min • 03:01 • -4.11db
0% Popularity • 48% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 48% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Ward 21
Blood Stain
176 bpm • C# Maj • 03:54 • -4db
22% Popularity • 61% Danceability • 76% Energy • 86% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 61% Danceability • 76% Energy • 86% Liveness
0% Instrumentalness • 83% Positiveness
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Alkaline
Gyal Bruk Out
181 bpm • G min • 02:42 • -8db
52% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Beenie Man
Reel Out
181 bpm • C# Maj • 03:42 • -14.62db
24% Popularity • 48% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Christopher Martin
Free Me Up
175 bpm • F min • 04:08 • -6.09db
26% Popularity • 53% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 53% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Spragga Benz
THINGS AH GWAAN
180 bpm • C Maj • 01:03 • -13.86db
34% Popularity • 77% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 77% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Ce'Cile
Promise
174 bpm • G min • 03:20 • -5.19db
28% Popularity • 49% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Tarrus Riley
Wildfire
174 bpm • F min • 03:11 • -7db
34% Popularity • 72% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 72% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 90% Positiveness
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Mitch
Give Me a Call
174 bpm • F# min • 03:27 • -7.59db
28% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Bugle
Nuh Compatible
174 bpm • F min • 03:20 • -3.96db
40% Popularity • 61% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 61% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Tanya Stephens
Yuh Nuh Ready Fi Dis Yet
174 bpm • C Maj • 03:30 • -9db
38% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 64% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Voicemail
Bubble Pon Mi
184 bpm • B min • 03:10 • -3db
32% Popularity • 70% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 70% Danceability • 90% Energy • 66% Liveness
0% Instrumentalness • 83% Positiveness
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Serani
Romance Me
184 bpm • B min • 03:42 • -6.87db
28% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 62% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Ce'Cile
Take My Heart
174 bpm • C min • 03:14 • -5.48db
29% Popularity • 54% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 54% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Morgan Heritage
Can't Get We Out
174 bpm • F# min • 03:27 • -6.79db
36% Popularity • 57% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 57% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Buccaneer
Tek It Easy
184 bpm • G# Maj • 03:24 • -7.61db
25% Popularity • 62% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Birchill
We Can Work It Out
172 bpm • E min • 03:17 • -6.71db
8% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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T.O.K
Yardie
184 bpm • E min • 02:23 • -3db
37% Popularity • 71% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 71% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Tarrus Riley
Just the Way You Are
172 bpm • F# Maj • 03:11 • -5.85db
44% Popularity • 69% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 69% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Richie Spice
Got to Make It
172 bpm • G min • 03:46 • -9.48db
33% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Ward 21
Anti-Spy
184 bpm • D# min • 03:35 • -6.06db
21% Popularity • 59% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 77% Positiveness
21% Popularity • 59% Danceability • 86% Energy • 27% Liveness
1% Instrumentalness • 77% Positiveness
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Ce'Cile
Change Z
172 bpm • A# min • 03:43 • -6.9db
22% Popularity • 60% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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General Degree
Forever
172 bpm • C# min • 02:50 • -5.55db
35% Popularity • 49% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 49% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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T.O.K
Diamonds & Gold
171 bpm • A min • 01:06 • -4.01db
46% Popularity • 45% Danceability • 79% Energy • 88% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 45% Danceability • 79% Energy • 88% Liveness
0% Instrumentalness • 78% Positiveness
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Tarrus Riley
Getty Getty No Wantee
174 bpm • F# min • 03:24 • -6db
37% Popularity • 58% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 58% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Matterhorn
Start The Party
185 bpm • D Maj • 02:39 • -5.86db
22% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Ward 21
Judgement Day
184 bpm • F# Maj • 02:52 • -7.19db
26% Popularity • 62% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 62% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Alkaline
123
171 bpm • C# Maj • 03:03 • -1.29db
34% Popularity • 57% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 57% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Serani
Playing Games
185 bpm • C Maj • 03:08 • -5.79db
43% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Chronixx
Most I
171 bpm • A# Maj • 03:32 • -6.88db
42% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 60% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Tanya Stephens
Tek Him Back
170 bpm • D# Maj • 03:38 • -5.88db
26% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 55% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Tanto Metro & Devonte
Longtime
170 bpm • D Maj • 01:54 • -5db
25% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 72% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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T.O.K
Curfew
186 bpm • A# min • 03:18 • -11.16db
23% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 68% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Cocoa Tea
Rikers Island
170 bpm • G Maj • 03:36 • -11db
32% Popularity • 84% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 84% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Serani
No Games
186 bpm • D Maj • 03:08 • -5.06db
64% Popularity • 74% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 74% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Jah Vinci
Nice Again
170 bpm • A# Maj • 03:19 • -5.67db
30% Popularity • 52% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Agent Sasco (Assassin)
Something's Gotta Give
170 bpm • C min • 03:27 • -5.09db
18% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Tony Rebel
Jah Standing By Our Side
169 bpm • G Maj • 01:08 • -3db
36% Popularity • 53% Danceability • 92% Energy • 89% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 53% Danceability • 92% Energy • 89% Liveness
0% Instrumentalness • 81% Positiveness
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DJ Hard2Def
Bubble Up
168 bpm • A# min • 03:20 • -7.42db
20% Popularity • 57% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 57% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Christopher Martin
Baby I Love You
168 bpm • A min • 03:14 • -8db
45% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Beres Hammond
I Feel Good
168 bpm • G Maj • 03:42 • -5.46db
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 63% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Da'ville
Always On My Mind
168 bpm • G min • 03:22 • -6.98db
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Tanya Stephens
Big Ninja Bike
189 bpm • C# Maj • 03:37 • -5.87db
27% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Romain Virgo
Soul Provider
168 bpm • F Maj • 04:14 • -2.98db
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Sanchez
Missing You
167 bpm • C Maj • 03:22 • -13db
52% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 79% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Eshconinco
Ride PON the Bicycle
190 bpm • G# min • 02:28 • -6.11db
35% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Lexxus
Good Hole
190 bpm • F# min • 03:19 • -4db
38% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 65% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Ward 21
Mr. Fassy
190 bpm • A# min • 03:04 • -6.36db
22% Popularity • 78% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 78% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Nardo Ranks
Them A Bleach
190 bpm • D Maj • 04:05 • -14.98db
43% Popularity • 79% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 79% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Cocoa Tea
Young Lover
166 bpm • F# min • 03:37 • -7db
51% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 83% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Jah Mason
My Princess Gone
166 bpm • C Maj • 04:05 • -7db
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Little Lenny
Gun In A Baggy
191 bpm • F# Maj • 03:47 • -12.24db
26% Popularity • 80% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 80% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Red Rat
Hardcore
191 bpm • G# Maj • 02:47 • -16.52db
17% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 69% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Degree
My Girls
192 bpm • G# Maj • 02:51 • -4.58db
18% Popularity • 74% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 74% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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T.O.K
Shake Yuh Bam Bam
192 bpm • G# Maj • 02:41 • -6.33db
40% Popularity • 67% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 67% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Munga
In Your Arms
160 bpm • F min • 03:42 • -7.28db
23% Popularity • 71% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 71% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Erup
Click Mi Finger
195 bpm • F min • 02:38 • -4db
43% Popularity • 55% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 55% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Sanchez
Never Dis Di Man
160 bpm • F# min • 04:00 • -10.76db
43% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 71% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Serani
Too Much
159 bpm • G Maj • 02:16 • -3db
34% Popularity • 71% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 71% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Tony Mattterhorn
Sidung Pon It
200 bpm • C# Maj • 03:26 • -5.25db
15% Popularity • 74% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Shurwayne Winchester
Wine on It
200 bpm • D# Maj • 03:12 • -4.88db
28% Popularity • 70% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 70% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 90% Positiveness
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Everton Blender
Ghetto People Song
158 bpm • A# min • 03:47 • -7.45db
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 81% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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T.O.K
She's Hotter
201 bpm • F Maj • 03:53 • -4.28db
32% Popularity • 69% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 69% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Tony Matterhorn
Dutty Whine
157 bpm • C Maj • 03:13 • -6db
54% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 53% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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G Whizz
Don't Blame Life
155 bpm • F# Maj • 03:16 • -9.64db
30% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 52% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Voicemail
World a Dance
204 bpm • B Maj • 03:04 • -3.01db
25% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Mr. Vegas
Hot Fuk (Album Version)
155 bpm • F Maj • 03:48 • -2.81db
43% Popularity • 48% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 48% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Richie Spice
That Ghetto Girl
154 bpm • G# Maj • 03:25 • -6db
41% Popularity • 78% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 78% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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T.O.K
Haters
156 bpm • F min • 03:51 • -5.97db
18% Popularity • 55% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 55% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
