Songs like Diana and Actaeon: Pas de deux (Arr. March) by Riccardo Drigo
Based on a tempo of (+/- 10%) and a similar genre
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Kim Ji Hyun
Don Quixote/Kitri Variation Ver.1(Act.3)
99 bpm • A# Maj • 01:27 • -17.68db
18% Popularity • 50% Danceability • 14% Energy • 14% Liveness
75% Instrumentalness • 85% Positiveness
18% Popularity • 50% Danceability • 14% Energy • 14% Liveness
75% Instrumentalness • 85% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Finale
99 bpm • C Maj • 01:56 • -16.47db
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 25% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Mariinsky Orchestra
Act II: Variation Of Dulcinea - Kitri (M...
99 bpm • D# Maj • 02:01 • -20db
19% Popularity • 48% Danceability • 11% Energy • 10% Liveness
18% Instrumentalness • 39% Positiveness
19% Popularity • 48% Danceability • 11% Energy • 10% Liveness
18% Instrumentalness • 39% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
99 bpm • C# Maj • 01:29 • -29.27db
26% Popularity • 23% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ludwig Minkus
La Bayadere: Allegretto
99 bpm • G Maj • 01:58 • -23.81db
24% Popularity • 25% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 25% Positiveness
24% Popularity • 25% Danceability • 6% Energy • 11% Liveness
28% Instrumentalness • 25% Positiveness
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David Howard
Greensleves (Port de Bras)
100 bpm • E min • 05:05 • -17.96db
7% Popularity • 37% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
7% Popularity • 37% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Lev Atovmyan
Ballet Suite No. 3 (arr. L. Atovmyan): W...
98 bpm • A Maj • 02:29 • -16db
11% Popularity • 31% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
11% Popularity • 31% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
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Cesare Pugni
Diana and Actaeon: Diana Variation (Gran...
98 bpm • A Maj • 01:51 • -20db
12% Popularity • 56% Danceability • 7% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
12% Popularity • 56% Danceability • 7% Energy • 9% Liveness
71% Instrumentalness • 50% Positiveness
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Serkmusic
Bach March in D
98 bpm • D Maj • 00:57 • -19.27db
21% Popularity • 43% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
21% Popularity • 43% Danceability • 19% Energy • 15% Liveness
87% Instrumentalness • 96% Positiveness
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Frédéric Chopin
Les Sylphides: 7. Valse in C♯ minor, O...
100 bpm • C# min • 04:28 • -23db
15% Popularity • 21% Danceability • 11% Energy • 19% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 11% Energy • 19% Liveness
92% Instrumentalness • 7% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 5 Mo...
98 bpm • D min • 01:55 • -23.4db
7% Popularity • 66% Danceability • 3% Energy • 6% Liveness
45% Instrumentalness • 33% Positiveness
7% Popularity • 66% Danceability • 3% Energy • 6% Liveness
45% Instrumentalness • 33% Positiveness
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Ludwig Minkus
Don Quixote: Act III: Classical Variatio...
98 bpm • F min • 01:03 • -20db
35% Popularity • 27% Danceability • 8% Energy • 22% Liveness
81% Instrumentalness • 30% Positiveness
35% Popularity • 27% Danceability • 8% Energy • 22% Liveness
81% Instrumentalness • 30% Positiveness
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Baron Boris Fitinhof-Schnell
Le Corsaire: Pas de Trois - Medora Varia...
100 bpm • F Maj • 01:31 • -25db
12% Popularity • 45% Danceability • 4% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
12% Popularity • 45% Danceability • 4% Energy • 17% Liveness
82% Instrumentalness • 67% Positiveness
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蔡榮吉
世界名曲:多瑙河之波
98 bpm • A min • 02:38 • -17.75db
9% Popularity • 40% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
9% Popularity • 40% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
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Johann Strauss II
Episode, Op. 296: Polka française
100 bpm • A Maj • 04:20 • -18.55db
8% Popularity • 44% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 52% Positiveness
8% Popularity • 44% Danceability • 14% Energy • 9% Liveness
70% Instrumentalness • 52% Positiveness
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Riccardo Drigo
Diana and Actaeon: Pas de deux (Arr. Mar...
98 bpm • A Maj • 07:18 • -15.83db
11% Popularity • 30% Danceability • 18% Energy • 21% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 18% Energy • 21% Liveness
86% Instrumentalness • 13% Positiveness
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Orquesta "Ciudad de Granada" & Juan de Udaeta
Fantasía Morisca: Serenata (Allegro Mod...
100 bpm • B min • 03:32 • -24db
14% Popularity • 41% Danceability • 11% Energy • 25% Liveness
28% Instrumentalness • 19% Positiveness
14% Popularity • 41% Danceability • 11% Energy • 25% Liveness
28% Instrumentalness • 19% Positiveness
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Piano Classic
Strauss : The Beautiful Blue Danube,Op.3...
97 bpm • A Maj • 01:57 • -18.89db
13% Popularity • 64% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
13% Popularity • 64% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 50% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
97 bpm • C Maj • 01:44 • -39.14db
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
18% Popularity • 19% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 28% Positiveness
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Adolphe Adam
Adam & Drigo: Le Corsaire: Pas-de-deux -...
97 bpm • G# Maj • 00:50 • -15.61db
19% Popularity • 44% Danceability • 38% Energy • 33% Liveness
81% Instrumentalness • 90% Positiveness
19% Popularity • 44% Danceability • 38% Energy • 33% Liveness
81% Instrumentalness • 90% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 7 Ba...
97 bpm • C Maj • 02:14 • -26db
10% Popularity • 55% Danceability • 4% Energy • 9% Liveness
54% Instrumentalness • 32% Positiveness
10% Popularity • 55% Danceability • 4% Energy • 9% Liveness
54% Instrumentalness • 32% Positiveness
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Herman Severin Løvenskiold
La Sylphide: Act I: Pas de deux - Reel
101 bpm • F Maj • 04:20 • -25db
10% Popularity • 30% Danceability • 14% Energy • 14% Liveness
47% Instrumentalness • 17% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 14% Liveness
47% Instrumentalness • 17% Positiveness
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Moscow Symphony Orchestra
Ballroom Waltz
97 bpm • F Maj • 01:05 • -16.07db
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
33% Popularity • 24% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 24% Positiveness
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Ludwig Minkus
Le Corsaire: Pas de deux (arr. J. Lanchb...
101 bpm • G Maj • 01:48 • -17.8db
16% Popularity • 35% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
16% Popularity • 35% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIV. Fi...
101 bpm • D min • 01:53 • -17db
37% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Johann Strauss II
Veilchen, Op. 132: Veilchen-Polka, Op. 1...
97 bpm • F Maj • 02:41 • -17.39db
10% Popularity • 72% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 62% Positiveness
10% Popularity • 72% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 62% Positiveness
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Evergreen Symphony Orchestra
Laurencia, Pas de Six, Act II: 7. Lauren...
101 bpm • G Maj • 01:11 • -28db
22% Popularity • 33% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 33% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Kim Ji Hyun
Le Talisman/Female Variation
97 bpm • A min • 01:27 • -19.03db
15% Popularity • 60% Danceability • 62% Energy • 7% Liveness
96% Instrumentalness • 89% Positiveness
15% Popularity • 60% Danceability • 62% Energy • 7% Liveness
96% Instrumentalness • 89% Positiveness
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Adolphe Adam
Giselle: Act II: Variation 1: Andante
97 bpm • D# Maj • 00:51 • -20.12db
31% Popularity • 62% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 90% Positiveness
31% Popularity • 62% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 90% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 12 M...
96 bpm • C Maj • 01:44 • -20db
15% Popularity • 32% Danceability • 6% Energy • 66% Liveness
54% Instrumentalness • 20% Positiveness
15% Popularity • 32% Danceability • 6% Energy • 66% Liveness
54% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R.125: XIV....
101 bpm • C Maj • 01:54 • -11db
8% Popularity • 49% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 61% Positiveness
8% Popularity • 49% Danceability • 44% Energy • 5% Liveness
91% Instrumentalness • 61% Positiveness
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Sergei Rachmaninoff
Prelude Op. 23 No. 5 in G-Minor: Alla ma...
96 bpm • G min • 04:07 • -18.74db
12% Popularity • 36% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
12% Popularity • 36% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Moscow New Philharmonic Orchestra
Act III: Variation I. Prince Desire
96 bpm • F Maj • 01:10 • -17db
21% Popularity • 40% Danceability • 29% Energy • 19% Liveness
98% Instrumentalness • 72% Positiveness
21% Popularity • 40% Danceability • 29% Energy • 19% Liveness
98% Instrumentalness • 72% Positiveness
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Mariinsky Orchestra
Act II: Variation Of The Chief Dryad (Mi...
102 bpm • G Maj • 01:55 • -18.7db
15% Popularity • 24% Danceability • 14% Energy • 83% Liveness
72% Instrumentalness • 8% Positiveness
15% Popularity • 24% Danceability • 14% Energy • 83% Liveness
72% Instrumentalness • 8% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
96 bpm • D Maj • 01:09 • -13.69db
17% Popularity • 64% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 81% Positiveness
17% Popularity • 64% Danceability • 64% Energy • 8% Liveness
88% Instrumentalness • 81% Positiveness
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Lev Atovmyan
Ballet Suite No. 4 (arr. L. Atovmyan): W...
96 bpm • C Maj • 03:29 • -16db
11% Popularity • 25% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 25% Positiveness
11% Popularity • 25% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 14. Fin...
102 bpm • C Maj • 01:53 • -15db
36% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
36% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
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Adolphe Adam
Giselle (1996 Digital Remaster), Act I, ...
103 bpm • D Maj • 00:47 • -11.74db
9% Popularity • 56% Danceability • 52% Energy • 28% Liveness
1% Instrumentalness • 70% Positiveness
9% Popularity • 56% Danceability • 52% Energy • 28% Liveness
1% Instrumentalness • 70% Positiveness
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Riccardo Drigo
Le Corsaire: Pas de Trois - Adagio
95 bpm • G# Maj • 03:35 • -26.35db
13% Popularity • 14% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Hans Christian Lumbye
(Berlin) Vauxhall Polka (1867)
95 bpm • D Maj • 02:53 • -19db
16% Popularity • 39% Danceability • 17% Energy • 21% Liveness
84% Instrumentalness • 36% Positiveness
16% Popularity • 39% Danceability • 17% Energy • 21% Liveness
84% Instrumentalness • 36% Positiveness
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Karen Khachaturian
Cipollino, Act II Scene 3: Scene with Fl...
103 bpm • A Maj • 01:50 • -18db
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
12% Popularity • 42% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 45% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): L...
103 bpm • D# Maj • 02:06 • -18db
23% Popularity • 46% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
36% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
36% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
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Adolphe Adam
Giselle: Act II: Pas des premieres Wilis...
95 bpm • D# Maj • 07:53 • -27db
19% Popularity • 28% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
19% Popularity • 28% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Bruno Lawrence Raco
Grand Pas Classique Female Variation
103 bpm • F Maj • 01:58 • -17db
20% Popularity • 54% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
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Orchestra of Ekaterinburg State Academic Opera and Ballet Theatre of Russia, Evgeny Brazhnik
Le Corsaire : Act III, No.54 Gulnara&apo...
103 bpm • G# Maj • 01:30 • -39.25db
8% Popularity • 45% Danceability • 1% Energy • 7% Liveness
18% Instrumentalness • 20% Positiveness
8% Popularity • 45% Danceability • 1% Energy • 7% Liveness
18% Instrumentalness • 20% Positiveness
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Ludwig Minkus
Don Quixote: Act II: Quiteria's Variatio...
103 bpm • D# Maj • 01:57 • -27.46db
24% Popularity • 42% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
24% Popularity • 42% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Cinderella, Op. 87: 16. Winter Fairy
95 bpm • C# Maj • 01:26 • -39.07db
4% Popularity • 40% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
4% Popularity • 40% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Daniel Auber
Le maçon, S. 13 (Excerpts): Entr'acte t...
95 bpm • G Maj • 01:19 • -21.46db
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 34% Positiveness
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Pianozone
Csardas - Arr. for Piano by G.Ramella
95 bpm • D Maj • 04:14 • -20.43db
9% Popularity • 42% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
9% Popularity • 42% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Boris Vladimirovich Asafiev
Die Flamme von Paris (Flames of Paris) (...
95 bpm • G# Maj • 01:07 • -13.58db
25% Popularity • 46% Danceability • 11% Energy • 34% Liveness
90% Instrumentalness • 32% Positiveness
25% Popularity • 46% Danceability • 11% Energy • 34% Liveness
90% Instrumentalness • 32% Positiveness
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Kim Ji Hyun
Grand Pas Classique/Female Variation
95 bpm • A# Maj • 02:03 • -13.05db
12% Popularity • 59% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
12% Popularity • 59% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
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Dmitri Shostakovich
Eight Waltzes from Film Music, Suite for...
104 bpm • C Maj • 02:11 • -17.97db
9% Popularity • 26% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
9% Popularity • 26% Danceability • 21% Energy • 18% Liveness
87% Instrumentalness • 35% Positiveness
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Frédéric Chopin
Les Sylphides: 4. Mazurka
95 bpm • D Maj • 02:30 • -16.84db
5% Popularity • 30% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 45% Positiveness
5% Popularity • 30% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 45% Positiveness
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Riccardo Drigo
La Flûte magique: 12a. Variation pour L...
94 bpm • A# Maj • 01:12 • -25.56db
0% Popularity • 30% Danceability • 4% Energy • 9% Liveness
30% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 9% Liveness
30% Instrumentalness • 23% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
104 bpm • G min • 01:24 • -22.08db
8% Popularity • 39% Danceability • 25% Energy • 23% Liveness
82% Instrumentalness • 96% Positiveness
8% Popularity • 39% Danceability • 25% Energy • 23% Liveness
82% Instrumentalness • 96% Positiveness
► Preview
Adolphe Adam
Adam & Drigo: Le Corsaire: Pas-de-deux -...
104 bpm • F Maj • 01:11 • -18.23db
17% Popularity • 44% Danceability • 13% Energy • 16% Liveness
60% Instrumentalness • 57% Positiveness
17% Popularity • 44% Danceability • 13% Energy • 16% Liveness
60% Instrumentalness • 57% Positiveness
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March
La Fille Mal Gardee: Pas de (arr. March)...
94 bpm • G Maj • 04:30 • -29.01db
9% Popularity • 23% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 12% Positiveness
► Preview
Riccardo Eugenio Drigo
Harlequinade: Pas de deux: Female Variat...
105 bpm • A Maj • 01:50 • -19db
21% Popularity • 63% Danceability • 14% Energy • 5% Liveness
71% Instrumentalness • 42% Positiveness
21% Popularity • 63% Danceability • 14% Energy • 5% Liveness
71% Instrumentalness • 42% Positiveness
► Preview
Eduard Strauss
Aus den schlesischen Bergen, Op. 260
105 bpm • D Maj • 04:19 • -20.66db
8% Popularity • 35% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
8% Popularity • 35% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Riccardo Drigo
La Flûte magique: 13. Ballabile finale ...
105 bpm • D Maj • 05:28 • -22.14db
1% Popularity • 31% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
1% Popularity • 31% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Josef Bayer
Die Puppenfee (The Fairy Doll): No. 10 J...
93 bpm • A# Maj • 01:40 • -27.58db
11% Popularity • 44% Danceability • 3% Energy • 14% Liveness
22% Instrumentalness • 18% Positiveness
11% Popularity • 44% Danceability • 3% Energy • 14% Liveness
22% Instrumentalness • 18% Positiveness
► Preview
Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
► Preview
Camille Saint-Saëns
Henry VIII: Idylle ecossaise
93 bpm • F Maj • 04:22 • -29db
8% Popularity • 20% Danceability • 2% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 2% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Grand Batt. 3/4 - Masquerade: I. Waltz (...
93 bpm • E min • 01:08 • -16db
20% Popularity • 67% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
20% Popularity • 67% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Carl Davis
Alice in Wonderland: Act II: Pas de Troi...
93 bpm • D# Maj • 01:27 • -20.85db
8% Popularity • 48% Danceability • 10% Energy • 43% Liveness
44% Instrumentalness • 46% Positiveness
8% Popularity • 48% Danceability • 10% Energy • 43% Liveness
44% Instrumentalness • 46% Positiveness
► Preview
Riccardo Drigo
Valse bluette (Air de ballet No. 2)
104 bpm • D Maj • 01:47 • -13.36db
6% Popularity • 47% Danceability • 32% Energy • 11% Liveness
52% Instrumentalness • 58% Positiveness
6% Popularity • 47% Danceability • 32% Energy • 11% Liveness
52% Instrumentalness • 58% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97a: V. Barrel-Org...
105 bpm • A# Maj • 02:00 • -28db
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act I: La Romanesca (Danse pou...
106 bpm • E min • 01:12 • -22.75db
18% Popularity • 19% Danceability • 13% Energy • 18% Liveness
81% Instrumentalness • 32% Positiveness
18% Popularity • 19% Danceability • 13% Energy • 18% Liveness
81% Instrumentalness • 32% Positiveness
► Preview
Moritz Moszkowski
Aus aller Herren Landern , Op. 23: IV. S...
105 bpm • E min • 02:26 • -16.32db
23% Popularity • 47% Danceability • 18% Energy • 6% Liveness
63% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 6% Liveness
63% Instrumentalness • 44% Positiveness
► Preview
Riccardo Eugenio Drigo
The Fairy Doll: Female Variation
106 bpm • A Maj • 02:16 • -23db
12% Popularity • 65% Danceability • 11% Energy • 7% Liveness
82% Instrumentalness • 45% Positiveness
12% Popularity • 65% Danceability • 11% Energy • 7% Liveness
82% Instrumentalness • 45% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Riccardo Drigo
Grand allegro 2, ballet "Harlequinade", ...
94 bpm • A min • 03:02 • -15.16db
6% Popularity • 47% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
6% Popularity • 47% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 58% Positiveness
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Ludwig Minkus
Don Quixote: Act IV: Quiteria's Variatio...
106 bpm • D# Maj • 01:18 • -28db
33% Popularity • 46% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
33% Popularity • 46% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 51% Positiveness
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Alexander Glazunov
Raymonda, Act II: Variaiton 2
92 bpm • B Maj • 01:52 • -28.51db
12% Popularity • 21% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Josu Gallastegui
Plie No. 2, Itxazoa
92 bpm • A min • 05:27 • -21.3db
8% Popularity • 21% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
8% Popularity • 21% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Johann Strauss II
Graduation Ball - Arranged by A. Dorati ...
106 bpm • F Maj • 01:20 • -21.85db
13% Popularity • 35% Danceability • 14% Energy • 24% Liveness
73% Instrumentalness • 26% Positiveness
13% Popularity • 35% Danceability • 14% Energy • 24% Liveness
73% Instrumentalness • 26% Positiveness
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Kim Ji Hyun
The Fairy Doll/Fairy Doll Variation
106 bpm • A Maj • 02:13 • -18.74db
11% Popularity • 66% Danceability • 16% Energy • 7% Liveness
61% Instrumentalness • 42% Positiveness
11% Popularity • 66% Danceability • 16% Energy • 7% Liveness
61% Instrumentalness • 42% Positiveness
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Riccardo Drigo
The Talisman. Female Variation
93 bpm • A min • 01:29 • -23.55db
20% Popularity • 57% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
20% Popularity • 57% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Fossils
107 bpm • D# Maj • 01:26 • -17.63db
30% Popularity • 62% Danceability • 28% Energy • 29% Liveness
20% Instrumentalness • 57% Positiveness
30% Popularity • 62% Danceability • 28% Energy • 29% Liveness
20% Instrumentalness • 57% Positiveness
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Josef Bayer
Die Puppenfee (The Fairy Doll): No. 8 Ch...
92 bpm • D Maj • 01:19 • -24.47db
20% Popularity • 69% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
20% Popularity • 69% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 28% Positiveness
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Jules Massenet
Thais Ballet Music: III. Presto vivace
107 bpm • A Maj • 01:18 • -23.42db
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
14% Popularity • 31% Danceability • 8% Energy • 35% Liveness
84% Instrumentalness • 48% Positiveness
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Charles Gounod
Faust: Waltz
107 bpm • A Maj • 04:46 • -16db
11% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
11% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
107 bpm • F Maj • 00:39 • -21.78db
15% Popularity • 56% Danceability • 7% Energy • 21% Liveness
48% Instrumentalness • 81% Positiveness
15% Popularity • 56% Danceability • 7% Energy • 21% Liveness
48% Instrumentalness • 81% Positiveness
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Riccardo Drigo
Serenade from "Les millions d'Arlequin"
106 bpm • F min • 02:24 • -22.79db
1% Popularity • 21% Danceability • 12% Energy • 25% Liveness
89% Instrumentalness • 9% Positiveness
1% Popularity • 21% Danceability • 12% Energy • 25% Liveness
89% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Henry VIII: Scherzetto
92 bpm • A# Maj • 01:34 • -28.97db
46% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
46% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Bedřich Smetana
Louisina Polka in E-Flat Major, JB 1:1
107 bpm • D# Maj • 03:11 • -18db
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
24% Popularity • 60% Danceability • 12% Energy • 17% Liveness
86% Instrumentalness • 61% Positiveness
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Zi Chen
The White-Haired Girl Suite: Movement 3 ...
91 bpm • E min • 01:52 • -28.9db
10% Popularity • 31% Danceability • 3% Energy • 10% Liveness
56% Instrumentalness • 68% Positiveness
10% Popularity • 31% Danceability • 3% Energy • 10% Liveness
56% Instrumentalness • 68% Positiveness
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Charles Gounod
Gounod: Faust, CG 4, Act 2 Scene 5: Walt...
92 bpm • D Maj • 03:47 • -16db
20% Popularity • 26% Danceability • 22% Energy • 7% Liveness
22% Instrumentalness • 15% Positiveness
20% Popularity • 26% Danceability • 22% Energy • 7% Liveness
22% Instrumentalness • 15% Positiveness
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Normand Babin
Waltz [Pliés, 3/4: 16 X 8]
107 bpm • B min • 03:57 • -24.76db
11% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Riccardo Drigo
La Flûte magique: 11. Variation pour qu...
91 bpm • D min • 01:21 • -32.83db
0% Popularity • 42% Danceability • 2% Energy • 17% Liveness
76% Instrumentalness • 34% Positiveness
0% Popularity • 42% Danceability • 2% Energy • 17% Liveness
76% Instrumentalness • 34% Positiveness
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Ferdinand Hérold
La Fille Mal Gardée
91 bpm • D Maj • 07:05 • -24.28db
8% Popularity • 26% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 23% Positiveness
8% Popularity • 26% Danceability • 6% Energy • 9% Liveness
62% Instrumentalness • 23% Positiveness
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Johann Strauss I
Exeter Polka, Op. 294
108 bpm • D Maj • 01:55 • -18db
25% Popularity • 60% Danceability • 18% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
25% Popularity • 60% Danceability • 18% Energy • 8% Liveness
36% Instrumentalness • 73% Positiveness
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Evergreen Symphony Orchestra
Le Corsaire: Act I - "10. Pas de Trois d...
108 bpm • D Maj • 00:58 • -30.77db
25% Popularity • 70% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 70% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
► Preview
Edvard Helsted
Paulli: Pas de deux from "Flower Festiva...
109 bpm • A# Maj • 00:43 • -18.73db
17% Popularity • 44% Danceability • 21% Energy • 10% Liveness
43% Instrumentalness • 53% Positiveness
17% Popularity • 44% Danceability • 21% Energy • 10% Liveness
43% Instrumentalness • 53% Positiveness
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Traditional
La Fille Mal Gardée. Lise Female Variat...
109 bpm • A# Maj • 01:28 • -19db
13% Popularity • 59% Danceability • 9% Energy • 16% Liveness
95% Instrumentalness • 92% Positiveness
13% Popularity • 59% Danceability • 9% Energy • 16% Liveness
95% Instrumentalness • 92% Positiveness
