Songs like Diana schernita: Act V: Arioso: Gran Padre (Diana, Pane) by Giacinto Cornacchioli
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
Dido and Aeneas, Z. 626, Act I: Grief in...
72 bpm • F# min • 02:29 • -15.36db
8% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Giacinto Cornacchioli
Diana schernita: Act V: Arioso: Gran Pad...
72 bpm • G Maj • 01:23 • -18.47db
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
72 bpm • C# Maj • 01:39 • -24db
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Derek Lee Ragin
Idaspe: Ombra fedela anch'io (Air de Dar...
71 bpm • C# Maj • 09:36 • -23db
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Lully: Persée, LWV 60, Act 5: "Cessons ...
71 bpm • B Maj • 01:26 • -17db
10% Popularity • 27% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 27% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 9 Reci...
73 bpm • G# Maj • 01:34 • -16.39db
7% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 51% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Purcell
The Female Virtuosos, Z. 596: No. 1, Lov...
73 bpm • G Maj • 02:44 • -19.92db
15% Popularity • 36% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 36% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Gennaro Manna
Manna: Laudate pueri: V. Sicut erat in p...
73 bpm • E Maj • 01:54 • -10.37db
8% Popularity • 43% Danceability • 32% Energy • 24% Liveness
6% Instrumentalness • 74% Positiveness
8% Popularity • 43% Danceability • 32% Energy • 24% Liveness
6% Instrumentalness • 74% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
73 bpm • C min • 01:31 • -17.49db
15% Popularity • 30% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 30% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: III. Ahi, caso ac...
73 bpm • G Maj • 03:50 • -22.39db
15% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
71 bpm • A# min • 02:59 • -25.14db
11% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Les fêtes d'Hébé, RCT 41, Act I Scene...
71 bpm • E min • 01:03 • -19.1db
12% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : Dominus regnavit : III
73 bpm • C Maj • 02:45 • -24.73db
8% Popularity • 24% Danceability • 3% Energy • 6% Liveness
29% Instrumentalness • 13% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 6% Liveness
29% Instrumentalness • 13% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Alessandro Scarlatti
Filen, mio caro bene, HanS 263: II. File...
71 bpm • E min • 01:14 • -19.27db
9% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: IV. In un fiorito...
71 bpm • D min • 04:07 • -21db
14% Popularity • 36% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 36% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
73 bpm • E min • 02:04 • -21.71db
12% Popularity • 33% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 33% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Montserrat Figueras
Lamento D'Ariana, 1608 (Monteverdi)
70 bpm • E Maj • 11:35 • -21.13db
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
6% Popularity • 23% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Juravit Dominus: ...
74 bpm • A# min • 01:12 • -20.39db
17% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 32% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas / Act 2: Ritornelle - "T...
70 bpm • C# min • 03:12 • -21.2db
15% Popularity • 22% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 22% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Macliver
L'incoronazione di Poppea, SV 308, Act 3...
74 bpm • F# Maj • 04:36 • -21db
8% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea / Act 3: Pur t...
74 bpm • G Maj • 04:34 • -24.12db
12% Popularity • 29% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 29% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: IV. Ad lat...
74 bpm • C# min • 08:13 • -22.74db
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cavalli
Cavalli: L'Ormindo, Act 2: "Che cittĂ " ...
70 bpm • G Maj • 03:19 • -15.09db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: II. Vanum est vobi...
70 bpm • E Maj • 01:24 • -23.82db
13% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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William Christie
Purcell : King Arthur : Act 4 "Two daugh...
70 bpm • F min • 02:30 • -24.49db
14% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 32% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Henry Purcell
Dido and Aeneas / Act I: "Ah! Belinda, I...
75 bpm • B min • 04:43 • -21.76db
7% Popularity • 22% Danceability • 5% Energy • 46% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 22% Danceability • 5% Energy • 46% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto quarto: I. Signor, quel in...
69 bpm • C Maj • 08:31 • -22.14db
10% Popularity • 20% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 20% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: V. Sanctum quoque Parac...
75 bpm • G min • 02:25 • -15.13db
15% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
15% Popularity • 14% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 21% Positiveness
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George Frideric Handel
Il Trionfo del Tiempo e del Disinganno, ...
75 bpm • E Maj • 06:33 • -22.56db
13% Popularity • 18% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 5% Positiveness
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Giovanni Alberto Ristori
Cleonice: Aria. Con favella de' pianti
69 bpm • G# Maj • 02:09 • -33.05db
17% Popularity • 21% Danceability • 1% Energy • 14% Liveness
58% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 1% Energy • 14% Liveness
58% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: 4 versets du motet: II. Ign...
75 bpm • A# min • 02:26 • -25db
8% Popularity • 36% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 36% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Henry Purcell
Purcell: Now Does the Glorious Day Appea...
75 bpm • C# Maj • 01:26 • -21db
7% Popularity • 41% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 41% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Girolamo Frescobaldi
F7.15: Se l'aura Spira Tutta Vezzosa
75 bpm • F# min • 02:10 • -17.06db
14% Popularity • 41% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 41% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
Gira il nemico - Vuol degl'occhi
69 bpm • C Maj • 01:09 • -20.1db
12% Popularity • 41% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 8% Positiveness
12% Popularity • 41% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 8% Positiveness
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Francesco Mancini
Mancini: Quanto mai saria piĂą bello: "I...
75 bpm • B min • 01:07 • -21.74db
10% Popularity • 37% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 37% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: Quocu...
69 bpm • F Maj • 04:50 • -26.33db
8% Popularity • 18% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Luigi Boccherini
Stabat Mater, G. 532 (1781 Version): I. ...
76 bpm • E min • 04:40 • -33.34db
16% Popularity • 11% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act I:...
76 bpm • B min • 03:38 • -19.82db
8% Popularity • 20% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 11% Positiveness
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Michelangelo Falvetti
Il diluvio universale, Act I "In Cielo":...
76 bpm • C# Maj • 01:01 • -22db
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 10 Ari...
68 bpm • G# Maj • 04:16 • -18.25db
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVb. Ad la...
76 bpm • C# min • 01:05 • -24.71db
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Due...
68 bpm • G# min • 01:34 • -27.07db
8% Popularity • 44% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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François Couperin
Couperin, F: 4 versets du motet: IV. Jus...
76 bpm • C min • 02:02 • -25db
8% Popularity • 39% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 2: "Pos...
68 bpm • C# min • 08:42 • -18db
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Scarlatti, A: Griselda, Act 2: "Mi rived...
76 bpm • B min • 05:24 • -20db
9% Popularity • 27% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 28% Liveness
1% Instrumentalness • 15% Positiveness
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Bernardo Pasquini
Sant'Agnese: Vaga rosa (Aria)
77 bpm • C# min • 03:34 • -26.56db
13% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ic. Ad ped...
68 bpm • B min • 01:23 • -24.01db
13% Popularity • 41% Danceability • 4% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido & Aeneas: Dido's Lament
77 bpm • F# min • 05:08 • -26.63db
11% Popularity • 11% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Michel Richard Delalande
Cantique Quatrième "sur le bonheur des ...
67 bpm • C# min • 02:26 • -26.37db
10% Popularity • 29% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 29% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Scarlatti,A: La Giuditta: "Dormi, o fulm...
67 bpm • C# Maj • 05:53 • -24.35db
20% Popularity • 22% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
77 bpm • C# min • 02:37 • -23.34db
11% Popularity • 22% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIIb. Ad m...
68 bpm • F# min • 01:24 • -27.27db
13% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: II. ...
67 bpm • A# min • 08:27 • -19.14db
7% Popularity • 15% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 15% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Giacinto Cornacchioli
Diana schernita: Act IV: Entriamo o Deli...
78 bpm • G Maj • 01:28 • -20.82db
0% Popularity • 28% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
23% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
23% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Nicola Porpora
Porpora: Polifemo, HelN 31, Act 3: "Alto...
78 bpm • D# min • 10:29 • -23.53db
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Gottfried Heinrich Stölzel
Bist du bei mir, BWV 508
66 bpm • D Maj • 02:33 • -22.2db
8% Popularity • 36% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 36% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
78 bpm • F# min • 02:30 • -23.95db
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
The Sixteen
Cantata I: Ad pedes (To the Feet): Clavo...
66 bpm • B min • 01:23 • -23db
14% Popularity • 30% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 30% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Leonardo Vinci
Oratorio a 4 voci: “Chi mi priega”
78 bpm • F# Maj • 08:14 • -22.47db
16% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 13% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
30% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
► Preview
Leonardo Leo
Beatus vir qui timet in F Major: II. Exo...
66 bpm • E Maj • 01:00 • -24.44db
19% Popularity • 33% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 33% Danceability • 3% Energy • 24% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Luca Antonio Predieri
Predieri: Scipione il giovane, Act 3: "D...
79 bpm • D Maj • 04:37 • -15.91db
16% Popularity • 27% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 27% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Il Seminario Musicale
Serse: Aria: Ombra mai fu
66 bpm • B Maj • 02:39 • -25.33db
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Couperin, F: Troisième leçon de ténè...
79 bpm • C# Maj • 01:44 • -26db
12% Popularity • 25% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Francesco Cavalli
Cavalli / Arr Pluhar: L'Ormindo: L'Armon...
79 bpm • G min • 07:47 • -15.08db
9% Popularity • 25% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Antonio Vivaldi
Stabat Mater in F Minor, RV 621: III. O ...
79 bpm • E min • 01:50 • -18.53db
10% Popularity • 40% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 40% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Francesco Nicola Fago
Fago: Tam non splendet sol creatus: III....
79 bpm • D Maj • 05:39 • -21db
18% Popularity • 18% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 18% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Giuseppe Maria Orlandini
Orlandini / Mattheson: Nerone, Act 1: "C...
79 bpm • B Maj • 04:32 • -14db
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
6% Instrumentalness • 42% Positiveness
14% Popularity • 36% Danceability • 27% Energy • 10% Liveness
6% Instrumentalness • 42% Positiveness
► Preview
Marc-Antoine Charpentier
Messe de Minuit, H. 9: Agnus Dei
79 bpm • C Maj • 03:35 • -22.58db
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 12% Liveness
37% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV7: Agnus Dei
79 bpm • C# Maj • 02:14 • -23.68db
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 7% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Alessandro Scarlatti
Stabat Mater: No. 13, Juxta crucem. Anda...
79 bpm • E Maj • 01:55 • -26.63db
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 43% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: III. Surgite
66 bpm • A Maj • 01:35 • -20.68db
11% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
"Ich hatte viel BekĂĽmmernis" BWV 21
80 bpm • C# min • 01:34 • -20.54db
17% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 6 Aria...
80 bpm • E Maj • 02:53 • -19db
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
10% Popularity • 40% Danceability • 17% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
80 bpm • C# min • 02:31 • -24db
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Giovanni Legrenzi
Legrenzi / Arr. Pluhar: Con cent’occhi
80 bpm • B min • 03:56 • -21db
9% Popularity • 31% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a: Lascia ch'io pianga
80 bpm • E Maj • 04:11 • -25.44db
15% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 22% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIc. Ad ge...
80 bpm • D Maj • 00:59 • -26.65db
12% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 31% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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The Sixteen
Cantata II: Ad genua (To the Knees): Qui...
64 bpm • D Maj • 01:07 • -29.48db
8% Popularity • 27% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act I:...
64 bpm • B min • 01:03 • -22.02db
14% Popularity • 43% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 43% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : Dominus regnavit : II
81 bpm • C min • 02:38 • -23db
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Gloria. Domine D...
81 bpm • A# min • 02:50 • -24.85db
9% Popularity • 14% Danceability • 5% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Traditional
The Beggar's Opera: Air XVI: Over the hi...
81 bpm • A# Maj • 03:02 • -26.26db
7% Popularity • 36% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 36% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Barbara Strozzi
Strozzi: Cantate, ariette e duetti, Op. ...
64 bpm • D# min • 05:59 • -23.57db
18% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Britten
The tree they grow so high
64 bpm • E min • 04:29 • -22.33db
11% Popularity • 42% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308, Atto ...
64 bpm • G Maj • 05:43 • -27db
11% Popularity • 10% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 10% Danceability • 9% Energy • 70% Liveness
0% Instrumentalness • 11% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
81 bpm • C# Maj • 03:32 • -22db
13% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
81 bpm • B min • 01:33 • -21.37db
11% Popularity • 16% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 16% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
82 bpm • A# min • 03:19 • -23.27db
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ritournelle et Recit de la Fo...
82 bpm • G# min • 03:21 • -29.73db
18% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
64 bpm • D# Maj • 01:11 • -20.18db
18% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Claudio Monteverdi
Monteverdi: Ottavo libro di madrigali "G...
82 bpm • A min • 05:31 • -25.66db
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 18 Ari...
82 bpm • F# min • 06:25 • -18.04db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: VI. "Intel...
82 bpm • F# Maj • 01:33 • -18db
18% Popularity • 38% Danceability • 19% Energy • 45% Liveness
1% Instrumentalness • 69% Positiveness
18% Popularity • 38% Danceability • 19% Energy • 45% Liveness
1% Instrumentalness • 69% Positiveness