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Dich, teure Halle (Tannhäuser)
Songs like
Dich, teure Halle (Tannhäuser)
by
Helen Traubel
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Lohengrin: Act I Scene 3: Durch Gottes S...
88 bpm • C Maj • 03:21 • -7.91db
0% Popularity • 22% Danceability • 57% Energy • 13% Liveness
58% Instrumentalness • 32% Positiveness
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Helen Traubel
Or sai chi l´onore (Don Giovanni)
88 bpm • C# Maj • 03:20 • -9.91db
0% Popularity • 27% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Groucho Marx
As Some Day It May Happen
88 bpm • F min • 03:23 • -17.07db
0% Popularity • 58% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Richard Kiley
Stranger in Paradise
88 bpm • G# min • 04:07 • -11.84db
15% Popularity • 25% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Máire Flavin
Stay Awake
88 bpm • A# Maj • 01:44 • -27.91db
3% Popularity • 27% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Hera Skyholder
Tides Flowing in the Celestial River
88 bpm • E min • 01:52 • -16.48db
17% Popularity • 76% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Richard Wagner
Tannhäuser: Verzeiht, wenn ich nicht we...
88 bpm • A# Maj • 04:04 • -18.86db
0% Popularity • 29% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Helen Traubel
Suicido! (La Gioconda)
88 bpm • A# min • 03:46 • -10.34db
0% Popularity • 30% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Groucho Marx
There Is Beauty
87 bpm • G# Maj • 03:08 • -13.7db
0% Popularity • 59% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Arthur Sullivan
Patience / Act 1: If you're anxious for ...
87 bpm • D Maj • 02:30 • -23.8db
10% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: The Nightingale
89 bpm • G# Maj • 02:03 • -18.94db
11% Popularity • 26% Danceability • 10% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Cyd Leaves Paris
89 bpm • C Maj • 01:25 • -16.68db
17% Popularity • 21% Danceability • 16% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde: Act I: O blinde Auge...
88 bpm • F Maj • 04:39 • -17.77db
0% Popularity • 29% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
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Helen Traubel
Dich, teure Halle (Tannhäuser)
88 bpm • G Maj • 04:37 • -12.3db
0% Popularity • 24% Danceability • 21% Energy • 5% Liveness
8% Instrumentalness • 7% Positiveness
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Rudolf Sieczynski
Vienna, city of my dreams
89 bpm • F Maj • 03:20 • -8.69db
0% Popularity • 30% Danceability • 42% Energy • 85% Liveness
0% Instrumentalness • 14% Positiveness
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Arthur Sullivan
The Yeomen of the Guard (or, The Merryma...
89 bpm • G# Maj • 03:41 • -25.39db
0% Popularity • 30% Danceability • 9% Energy • 16% Liveness
4% Instrumentalness • 35% Positiveness
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Camille Thomas
She (Arr. for Cello and Orchestra by Mar...
87 bpm • A# Maj • 03:03 • -22.27db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
81% Instrumentalness • 24% Positiveness
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Kim Criswell
Sue Me
89 bpm • A# Maj • 03:16 • -13.02db
8% Popularity • 51% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Richard Wagner
Götterdämmerung: Fliegt heim, ihr Rabe...
88 bpm • C# Maj • 07:07 • -10.68db
0% Popularity • 17% Danceability • 47% Energy • 15% Liveness
8% Instrumentalness • 10% Positiveness
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Helen Traubel
Erfuhrest du meine Schmach (Tristan und ...
87 bpm • C Maj • 09:23 • -12.95db
0% Popularity • 24% Danceability • 29% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Danny Williams
Where Or When - Remastered
89 bpm • F Maj • 02:45 • -13.45db
29% Popularity • 26% Danceability • 27% Energy • 15% Liveness
21% Instrumentalness • 28% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 2: Farewell, my ow...
89 bpm • C Maj • 02:44 • -21.98db
7% Popularity • 35% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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George Melachrino
Kiss Me Again
87 bpm • G min • 03:01 • -21.89db
9% Popularity • 16% Danceability • 16% Energy • 34% Liveness
75% Instrumentalness • 7% Positiveness
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Lawrence Welk
I Love To Tell The Story
87 bpm • F# Maj • 02:24 • -16db
9% Popularity • 18% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Wagner
Tannhäuser: Ihr habt's gehört!
88 bpm • F# Maj • 05:32 • -13.75db
0% Popularity • 28% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Sometimes I Feel Like a Motherless Child...
86 bpm • F min • 02:39 • -16.32db
24% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jeanette MacDonald
Ah Sweet Mystery Of Life
90 bpm • C min • 03:32 • -16.1db
15% Popularity • 27% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Franz Lehár
Lehár: Zigeunerliebe: "Hör ich Cymbalk...
86 bpm • F min • 03:16 • -16.55db
8% Popularity • 33% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Helen Traubel
Too Ra Loo Ra Loo Ral
86 bpm • G# Maj • 02:27 • -17.43db
0% Popularity • 28% Danceability • 16% Energy • 9% Liveness
25% Instrumentalness • 7% Positiveness
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John Harry Cacavas
Wedding Day
86 bpm • F Maj • 01:12 • -11.01db
10% Popularity • 15% Danceability • 34% Energy • 38% Liveness
97% Instrumentalness • 20% Positiveness
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Richard Wagner
Tristan und Isolde, Act 3: Mild und leis...
88 bpm • C Maj • 05:43 • -9.91db
0% Popularity • 24% Danceability • 49% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
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Bonaventura Bottone
The Mikado: The Flowers That Bloom In th...
86 bpm • E Maj • 01:35 • -23.43db
9% Popularity • 66% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Jeanette MacDonald
Indian Love Call
90 bpm • F Maj • 03:34 • -15.77db
12% Popularity • 24% Danceability • 22% Energy • 10% Liveness
4% Instrumentalness • 17% Positiveness
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Théodore Dubois
Seven Last Words - Third Word - Theodore...
91 bpm • A min • 05:35 • -25.6db
8% Popularity • 12% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Helen Traubel
Tragt ihr das Schiff (Der fliegende Holl...
91 bpm • A# Maj • 07:05 • -8.37db
0% Popularity • 24% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Doris Day
Lost In Loveliness
91 bpm • C Maj • 03:01 • -14.27db
10% Popularity • 27% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Tannhäuser: Dich, teure Halle, grüß�...
89 bpm • E min • 02:58 • -13.85db
0% Popularity • 29% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Egmont Op. 84: Freudvoll und leidvoll (S...
85 bpm • G Maj • 02:17 • -7.86db
0% Popularity • 36% Danceability • 50% Energy • 86% Liveness
0% Instrumentalness • 18% Positiveness
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Frederic Curzon
In Sherwood
85 bpm • G Maj • 01:39 • -11.52db
10% Popularity • 46% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Tommy Handley
Put It Out
91 bpm • G# Maj • 02:50 • -14.53db
8% Popularity • 65% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Helen Traubel
September Song
91 bpm • G Maj • 02:37 • -13.21db
0% Popularity • 32% Danceability • 25% Energy • 32% Liveness
3% Instrumentalness • 6% Positiveness
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Alfred Newman
The Beginning
91 bpm • A min • 01:54 • -13.07db
8% Popularity • 16% Danceability • 34% Energy • 32% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Act I Scene 1: Gott gruss' eu...
89 bpm • F min • 01:18 • -9.86db
0% Popularity • 54% Danceability • 36% Energy • 62% Liveness
0% Instrumentalness • 19% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act I: Refrain, Audacio...
84 bpm • C Maj • 03:31 • -16.03db
9% Popularity • 26% Danceability • 20% Energy • 75% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Tauber
Das Land des Lächelns - II
85 bpm • C# Maj • 03:46 • -14.62db
10% Popularity • 20% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Jack Shaindlin
Winning Form
92 bpm • G Maj • 02:01 • -12.33db
9% Popularity • 17% Danceability • 42% Energy • 26% Liveness
94% Instrumentalness • 52% Positiveness
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Helen Traubel
Trees
85 bpm • A# Maj • 02:24 • -12.25db
0% Popularity • 21% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 20% Positiveness
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Aubrey Winter
Mounted Police
92 bpm • C Maj • 01:23 • -9.52db
10% Popularity • 59% Danceability • 52% Energy • 11% Liveness
91% Instrumentalness • 89% Positiveness
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Richard Wagner
Lohengrin, WWV 75 (Excerpts): Einsam in ...
89 bpm • B Maj • 10:17 • -16.11db
0% Popularity • 35% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gillian Bevan
Poppies
84 bpm • D# Maj • 02:02 • -21.48db
15% Popularity • 16% Danceability • 17% Energy • 21% Liveness
92% Instrumentalness • 20% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 5. Buon' giorno,...
84 bpm • G min • 01:56 • -16.86db
9% Popularity • 33% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Jack Shaindlin
Diving Girl
84 bpm • F Maj • 03:10 • -10.87db
12% Popularity • 24% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Helen Traubel
Träume (Wesendonk-Lieder)
84 bpm • G# Maj • 04:21 • -15.9db
0% Popularity • 22% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Rudolf Schock
Erinnerung an Sorrent
84 bpm • C Maj • 02:25 • -10db
11% Popularity • 27% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II Scene 4: Bli...
89 bpm • D# Maj • 10:32 • -14.21db
0% Popularity • 36% Danceability • 17% Energy • 69% Liveness
0% Instrumentalness • 19% Positiveness
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Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: I. Kevä...
84 bpm • F# min • 06:58 • -20.53db
10% Popularity • 8% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schmidt-Hagen
Tea Dance Waltz
84 bpm • F Maj • 03:01 • -11.79db
10% Popularity • 30% Danceability • 31% Energy • 17% Liveness
87% Instrumentalness • 36% Positiveness
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George Beverly Shea
All My Life
93 bpm • C# Maj • 02:35 • -11.54db
11% Popularity • 25% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Helen Traubel
Ich sah das Kind an seiner Mutter Brust ...
85 bpm • B Maj • 07:00 • -17.58db
0% Popularity • 20% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 5% Positiveness
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Jack Shaindlin
Fashionelle
83 bpm • F min • 02:02 • -10.97db
10% Popularity • 31% Danceability • 30% Energy • 6% Liveness
79% Instrumentalness • 39% Positiveness
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Richard Wagner
Tristan und Isolde: Dein Werk? O tör‘...
89 bpm • F Maj • 05:02 • -10.8db
0% Popularity • 19% Danceability • 45% Energy • 82% Liveness
89% Instrumentalness • 8% Positiveness
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Michael Sheen
The Rigs O' Barley (Robert Burns)
83 bpm • C Maj • 02:07 • -31.85db
12% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 1: Now give three ...
93 bpm • F Maj • 01:49 • -20.67db
12% Popularity • 59% Danceability • 18% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Merrill
Finale "Carnival" - 1961 Original Broadw...
83 bpm • G Maj • 01:06 • -16.6db
10% Popularity • 36% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Helen Traubel
September Song
91 bpm • C Maj • 02:36 • -21.18db
0% Popularity • 34% Danceability • 12% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Howard Keel
Make Believe
93 bpm • C Maj • 03:59 • -14.63db
15% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Wagner
Götterdämmerung: Starke Scheite schich...
89 bpm • A# Maj • 04:39 • -15.2db
0% Popularity • 17% Danceability • 24% Energy • 15% Liveness
5% Instrumentalness • 11% Positiveness
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Barbra Streisand
The Moon And I - Demo
83 bpm • C min • 04:30 • -16.78db
10% Popularity • 36% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Angela Morely
Introduction and Waltz
83 bpm • A# Maj • 04:39 • -16.34db
11% Popularity • 8% Danceability • 19% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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National Symphony Orchestra
Ent'racte
83 bpm • F min • 03:09 • -15.8db
7% Popularity • 14% Danceability • 20% Energy • 22% Liveness
94% Instrumentalness • 16% Positiveness
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Helen Traubel
Because
85 bpm • G Maj • 02:22 • -13.04db
0% Popularity • 29% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Groucho Marx
Overture
82 bpm • A# Maj • 02:25 • -16db
0% Popularity • 38% Danceability • 31% Energy • 44% Liveness
73% Instrumentalness • 36% Positiveness
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Richard Wagner
Die Walkure, Act I Scene 2: Act I Scene ...
86 bpm • D min • 02:41 • -18.26db
0% Popularity • 45% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Arthur Sullivan
H.M.S. Pinafore / Act 2: Carefully on ti...
94 bpm • D Maj • 08:34 • -18.6db
10% Popularity • 43% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
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The Melachrino Strings
Evensong
82 bpm • E Maj • 02:25 • -18.14db
10% Popularity • 17% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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Alfred Molina
Lonely Room
82 bpm • G Maj • 02:34 • -19.91db
20% Popularity • 24% Danceability • 27% Energy • 70% Liveness
0% Instrumentalness • 20% Positiveness
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Helen Traubel
Mild und leise (Tristan und Isolde)
84 bpm • B Maj • 08:18 • -15.28db
0% Popularity • 20% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Isabella Lundgren
A Fine Romance
82 bpm • C Maj • 04:16 • -10.37db
22% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Wagner
Lohengrin: Act I Scene 2: Wer hier in Go...
90 bpm • B min • 05:12 • -10.53db
0% Popularity • 25% Danceability • 46% Energy • 17% Liveness
20% Instrumentalness • 11% Positiveness
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Gregg Edelman
My Time of Day / I've Never Been In Love...
82 bpm • G min • 04:06 • -17.68db
8% Popularity • 25% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Gilbert & Sullivan Society of Houston
H.M.S. Pinafore, Act II: Entr’acte
82 bpm • G Maj • 01:07 • -23db
10% Popularity • 15% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 22% Positiveness
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Al Martino
Rondine Al Nido
82 bpm • D Maj • 03:15 • -13.96db
7% Popularity • 16% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Helen Traubel
Schmerzen (Wesendonk-Lieder)
84 bpm • C min • 03:29 • -11.96db
0% Popularity • 15% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Chita Rivera
Don't Ah Ma Me
95 bpm • C# Maj • 02:34 • -11.92db
10% Popularity • 58% Danceability • 45% Energy • 61% Liveness
0% Instrumentalness • 93% Positiveness
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Richard Wagner
Tristan und Isolde: Nun leb wohl, Brang�...
86 bpm • F# Maj • 05:44 • -12.3db
0% Popularity • 18% Danceability • 32% Energy • 46% Liveness
70% Instrumentalness • 4% Positiveness
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Thomas Dunn English
Ben Bolt
82 bpm • D# Maj • 02:12 • -21.93db
7% Popularity • 23% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Allan Sherman
Cradunza
81 bpm • G# Maj • 01:02 • -13.87db
18% Popularity • 36% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Valentino
Pantomime Flirtation
81 bpm • D# Maj • 03:06 • -12.73db
10% Popularity • 22% Danceability • 37% Energy • 10% Liveness
84% Instrumentalness • 53% Positiveness
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Helen Traubel
Brahms' Lullaby
84 bpm • A# Maj • 02:18 • -26.06db
0% Popularity • 16% Danceability • 5% Energy • 13% Liveness
42% Instrumentalness • 30% Positiveness
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Gareth Jones
The Pirates of Penzance: Pour, Oh Pour, ...
81 bpm • D# Maj • 01:29 • -21db
10% Popularity • 50% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Richard Wagner
Die Walkure, Act III Scene 3: Act III Sc...
85 bpm • B Maj • 06:05 • -18.58db
0% Popularity • 16% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Gilbert & Sullivan Society of Houston
Trial by Jury: A Nice Dilemma
81 bpm • D# Maj • 02:43 • -13.98db
7% Popularity • 33% Danceability • 28% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Lloyd Webber
With One Look
81 bpm • A Maj • 03:17 • -14.4db
9% Popularity • 22% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Queen's Hall Light Orchestra
Spring Song
81 bpm • C Maj • 02:29 • -14.44db
7% Popularity • 24% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Helen Traubel
Euch Lüften, die mein Klagen (Lohengrin...
84 bpm • A# Maj • 04:31 • -18.09db
0% Popularity • 26% Danceability • 15% Energy • 12% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
Six Celan Songs: No. 2, Es war Erde in i...
81 bpm • F Maj • 03:40 • -18.8db
8% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde: Isolde! Geliebte!
91 bpm • G Maj • 02:06 • -8.69db
0% Popularity • 24% Danceability • 60% Energy • 70% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Franz Lehár
Lehár: Eva: "Wär es auch nichts als ei...
81 bpm • E Maj • 04:36 • -17.94db
8% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Jack Shaindlin
Dinner at Sardi's
96 bpm • C min • 01:23 • -9.26db
8% Popularity • 33% Danceability • 46% Energy • 37% Liveness
96% Instrumentalness • 66% Positiveness
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Wurlitzer Pipe Organ
Oh' What A Beautiful Morning
96 bpm • E Maj • 01:29 • -17db
10% Popularity • 40% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 19% Positiveness
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Dich, teure Halle (Tannhäuser)