Songs like Didn't I - Florent F Rework by Darondo
Based on a tempo of (+/- 10%) and a similar genre
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Nightmares On Wax
Give Thx
81 bpm • D Maj • 03:33 • -8.31db
34% Popularity • 85% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
34% Popularity • 85% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Ann Peebles
I Feel Like Breaking up Somebody's Home ...
81 bpm • F Maj • 02:30 • -9.15db
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Lady Wray
Come On In
81 bpm • F min • 03:38 • -6db
48% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Ebo Taylor
My Love and Music
81 bpm • D min • 07:50 • -7db
37% Popularity • 54% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 54% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Booker T. Jones
The Bronx
81 bpm • B min • 04:38 • -8.08db
37% Popularity • 65% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 65% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 58% Positiveness
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Darondo
Didn't I - Florent F Rework
81 bpm • F Maj • 03:45 • -7db
49% Popularity • 63% Danceability • 50% Energy • 9% Liveness
24% Instrumentalness • 93% Positiveness
49% Popularity • 63% Danceability • 50% Energy • 9% Liveness
24% Instrumentalness • 93% Positiveness
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Urbs & Cutex
The Thing
81 bpm • D Maj • 03:50 • -6.19db
37% Popularity • 81% Danceability • 75% Energy • 12% Liveness
27% Instrumentalness • 52% Positiveness
37% Popularity • 81% Danceability • 75% Energy • 12% Liveness
27% Instrumentalness • 52% Positiveness
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Kinny
Water for Chocolate
80 bpm • G# min • 03:45 • -8.39db
35% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 74% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Mocky
Birds Of A Feather
82 bpm • A min • 04:34 • -10.6db
32% Popularity • 68% Danceability • 41% Energy • 8% Liveness
10% Instrumentalness • 51% Positiveness
32% Popularity • 68% Danceability • 41% Energy • 8% Liveness
10% Instrumentalness • 51% Positiveness
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Supreme Jubilees
It'll All Be Over
82 bpm • B min • 03:03 • -14.71db
33% Popularity • 66% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Bibio
Before
80 bpm • D min • 03:11 • -8db
38% Popularity • 61% Danceability • 61% Energy • 12% Liveness
17% Instrumentalness • 69% Positiveness
38% Popularity • 61% Danceability • 61% Energy • 12% Liveness
17% Instrumentalness • 69% Positiveness
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Darondo
Silver Cloud Time Machine
81 bpm • D Maj • 03:03 • -21.01db
0% Popularity • 62% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 62% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Nightmares On Wax
Typical
82 bpm • A min • 04:40 • -10db
50% Popularity • 41% Danceability • 34% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
50% Popularity • 41% Danceability • 34% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
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Mop Mop
Supreme
82 bpm • A Maj • 03:52 • -8db
35% Popularity • 62% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Gotts Street Park
Everything
82 bpm • C Maj • 03:35 • -9.3db
60% Popularity • 66% Danceability • 50% Energy • 18% Liveness
19% Instrumentalness • 62% Positiveness
60% Popularity • 66% Danceability • 50% Energy • 18% Liveness
19% Instrumentalness • 62% Positiveness
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Lack Of Afro
Missing Me
82 bpm • D min • 03:42 • -6.98db
43% Popularity • 66% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 66% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Monster Rally
Sister Owls
82 bpm • F min • 01:53 • -9db
65% Popularity • 70% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 83% Positiveness
65% Popularity • 70% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 83% Positiveness
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Darondo
I Don't Want to Leave - Sure Know How to...
82 bpm • C Maj • 05:16 • -7.08db
31% Popularity • 68% Danceability • 84% Energy • 19% Liveness
54% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 84% Energy • 19% Liveness
54% Instrumentalness • 78% Positiveness
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Khruangbin
August 10
82 bpm • E min • 04:25 • -12.59db
57% Popularity • 60% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 74% Positiveness
57% Popularity • 60% Danceability • 40% Energy • 17% Liveness
89% Instrumentalness • 74% Positiveness
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Little Beaver
Momma Forgot To Tell Me
80 bpm • E min • 02:29 • -5.95db
52% Popularity • 57% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 57% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Monophonics
Suffocating
82 bpm • F# min • 04:14 • -6.27db
29% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Kings Go Forth
High on Your Love
80 bpm • C Maj • 04:13 • -3db
30% Popularity • 59% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 59% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Recloose
Deeper Waters
82 bpm • G Maj • 05:46 • -7.86db
36% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Maverick Sabre
Into Nirvana
83 bpm • D# Maj • 04:02 • -11db
47% Popularity • 57% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 27% Positiveness
47% Popularity • 57% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 27% Positiveness
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Khruangbin
Right
82 bpm • C Maj • 05:08 • -6.24db
49% Popularity • 57% Danceability • 63% Energy • 62% Liveness
89% Instrumentalness • 66% Positiveness
49% Popularity • 57% Danceability • 63% Energy • 62% Liveness
89% Instrumentalness • 66% Positiveness
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Little Dragon
Where You Belong
83 bpm • G Maj • 03:27 • -9.15db
57% Popularity • 74% Danceability • 44% Energy • 16% Liveness
11% Instrumentalness • 36% Positiveness
57% Popularity • 74% Danceability • 44% Energy • 16% Liveness
11% Instrumentalness • 36% Positiveness
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Lee Fields & The Expressions
Never Be Another You
79 bpm • C min • 04:25 • -8.32db
55% Popularity • 77% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
55% Popularity • 77% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Boris Garbiner Happening
Breezin
83 bpm • G min • 03:34 • -13db
45% Popularity • 70% Danceability • 43% Energy • 13% Liveness
84% Instrumentalness • 72% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 13% Liveness
84% Instrumentalness • 72% Positiveness
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Boozoo Bajou
Sign - Radio Edit
79 bpm • B min • 03:15 • -6.79db
47% Popularity • 67% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 67% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Holy Hive
If I Could See You Now
84 bpm • G min • 02:56 • -9db
33% Popularity • 63% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
33% Popularity • 63% Danceability • 64% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Khruangbin
Lady and Man
82 bpm • G Maj • 04:18 • -7.95db
47% Popularity • 73% Danceability • 69% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
47% Popularity • 73% Danceability • 69% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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Lady Wray
Under The Sun
84 bpm • C min • 03:21 • -6.7db
39% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 60% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Fields & The Expressions
It Rains Love
84 bpm • F# min • 03:55 • -5db
43% Popularity • 58% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 77% Positiveness
43% Popularity • 58% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 77% Positiveness
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Jason Joshua & The Beholders
Rose Gold
84 bpm • C Maj • 05:10 • -6.06db
47% Popularity • 61% Danceability • 83% Energy • 21% Liveness
42% Instrumentalness • 68% Positiveness
47% Popularity • 61% Danceability • 83% Energy • 21% Liveness
42% Instrumentalness • 68% Positiveness
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Spooky Mansion
I'm the Moon
84 bpm • A# min • 02:40 • -11db
58% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kelly Finnigan
I Don’t Wanna Wait
84 bpm • F Maj • 03:31 • -4db
38% Popularity • 60% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 60% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Khruangbin
Shades of Man
83 bpm • E min • 03:47 • -8.31db
41% Popularity • 66% Danceability • 50% Energy • 78% Liveness
85% Instrumentalness • 80% Positiveness
41% Popularity • 66% Danceability • 50% Energy • 78% Liveness
85% Instrumentalness • 80% Positiveness
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The Budos Band
T.I.B.W.F.
78 bpm • C# Maj • 02:40 • -8db
53% Popularity • 67% Danceability • 61% Energy • 15% Liveness
87% Instrumentalness • 71% Positiveness
53% Popularity • 67% Danceability • 61% Energy • 15% Liveness
87% Instrumentalness • 71% Positiveness
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Aaron Frazer
Can’t Leave It Alone
85 bpm • C# Maj • 02:32 • -5.02db
42% Popularity • 74% Danceability • 66% Energy • 11% Liveness
42% Instrumentalness • 75% Positiveness
42% Popularity • 74% Danceability • 66% Energy • 11% Liveness
42% Instrumentalness • 75% Positiveness
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The Limp Twins
The Limping Song
85 bpm • G# min • 03:04 • -8.96db
40% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Folamour
After Winter Must Come Spring Elbi
85 bpm • B Maj • 04:05 • -9.28db
46% Popularity • 76% Danceability • 71% Energy • 6% Liveness
6% Instrumentalness • 79% Positiveness
46% Popularity • 76% Danceability • 71% Energy • 6% Liveness
6% Instrumentalness • 79% Positiveness
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Bobby Oroza
I Got Love
77 bpm • F# min • 03:53 • -6.22db
44% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Khruangbin
Father Bird, Mother Bird
83 bpm • G min • 03:05 • -12.27db
53% Popularity • 58% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Emma Donovan
My Goodness
85 bpm • G# Maj • 03:56 • -7db
35% Popularity • 66% Danceability • 65% Energy • 15% Liveness
8% Instrumentalness • 80% Positiveness
35% Popularity • 66% Danceability • 65% Energy • 15% Liveness
8% Instrumentalness • 80% Positiveness
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Aretha Franklin
One Step Ahead - Mono Mix
85 bpm • C min • 02:26 • -8.91db
42% Popularity • 59% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 59% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Grip Grand
Remember the Time
77 bpm • G min • 03:26 • -11.88db
6% Popularity • 26% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 26% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Lady Wray
Piece Of Me
85 bpm • D# Maj • 03:44 • -7db
50% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
50% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Olympians
Apollo's Mood
85 bpm • D min • 04:31 • -7db
46% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
46% Popularity • 47% Danceability • 69% Energy • 13% Liveness
85% Instrumentalness • 73% Positiveness
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Khruangbin
Two Fish and an Elephant
85 bpm • D Maj • 03:33 • -11.09db
60% Popularity • 45% Danceability • 58% Energy • 64% Liveness
89% Instrumentalness • 93% Positiveness
60% Popularity • 45% Danceability • 58% Energy • 64% Liveness
89% Instrumentalness • 93% Positiveness
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Brainstory
Peter Pan
77 bpm • C# min • 03:00 • -9.4db
33% Popularity • 51% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 51% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Pale Jay
Dos Uvas
76 bpm • G min • 03:29 • -6db
58% Popularity • 48% Danceability • 70% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
58% Popularity • 48% Danceability • 70% Energy • 13% Liveness
87% Instrumentalness • 32% Positiveness
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Yazmin Lacey
Morning Matters
86 bpm • F min • 04:06 • -9.1db
56% Popularity • 62% Danceability • 56% Energy • 30% Liveness
4% Instrumentalness • 47% Positiveness
56% Popularity • 62% Danceability • 56% Energy • 30% Liveness
4% Instrumentalness • 47% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Darondo
The Wolf
86 bpm • C Maj • 04:58 • -11db
36% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 85% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Lee Fields & The Expressions
Regenerate
86 bpm • C# min • 03:32 • -7db
32% Popularity • 76% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
32% Popularity • 76% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 51% Positiveness
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Monophonics
It's Only Us
86 bpm • C min • 04:58 • -6.5db
49% Popularity • 48% Danceability • 62% Energy • 64% Liveness
3% Instrumentalness • 47% Positiveness
49% Popularity • 48% Danceability • 62% Energy • 64% Liveness
3% Instrumentalness • 47% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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DARGZ
Lou's Tune
75 bpm • A# min • 01:42 • -8.07db
71% Popularity • 53% Danceability • 64% Energy • 17% Liveness
72% Instrumentalness • 84% Positiveness
71% Popularity • 53% Danceability • 64% Energy • 17% Liveness
72% Instrumentalness • 84% Positiveness
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Willie West
I'm Still a Man (Lord Have Mercy)
87 bpm • C Maj • 04:11 • -9.16db
36% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Robb
Saint Barth Song
75 bpm • F# min • 03:50 • -6.76db
0% Popularity • 79% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 79% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Yazmin Lacey
Morning Sunrise
75 bpm • G Maj • 05:10 • -7.44db
36% Popularity • 74% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 74% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 69% Positiveness
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Monophonics
Tunnel Vision
87 bpm • A# min • 05:20 • -7.99db
30% Popularity • 43% Danceability • 64% Energy • 64% Liveness
5% Instrumentalness • 41% Positiveness
30% Popularity • 43% Danceability • 64% Energy • 64% Liveness
5% Instrumentalness • 41% Positiveness
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Bobby Oroza
This Love Pt. 1 & 2 (Bonus Track)
75 bpm • E min • 06:32 • -9.41db
28% Popularity • 47% Danceability • 58% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
28% Popularity • 47% Danceability • 58% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:23 • -14.17db
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
55% Popularity • 59% Danceability • 41% Energy • 12% Liveness
43% Instrumentalness • 36% Positiveness
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The Olympians
Pluto's Lament
75 bpm • C min • 02:45 • -7.11db
62% Popularity • 62% Danceability • 54% Energy • 18% Liveness
79% Instrumentalness • 69% Positiveness
62% Popularity • 62% Danceability • 54% Energy • 18% Liveness
79% Instrumentalness • 69% Positiveness
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The Frightnrs
Gonna Make Time Version
75 bpm • C Maj • 03:57 • -12db
34% Popularity • 77% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
34% Popularity • 77% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Freddie Cruger
Pushing On
88 bpm • B Maj • 04:16 • -9.14db
34% Popularity • 71% Danceability • 46% Energy • 3% Liveness
4% Instrumentalness • 60% Positiveness
34% Popularity • 71% Danceability • 46% Energy • 3% Liveness
4% Instrumentalness • 60% Positiveness
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Michael Nau
No Quit
88 bpm • G min • 03:13 • -9db
53% Popularity • 49% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
53% Popularity • 49% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 48% Positiveness
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Air
Sister Bessie
88 bpm • G min • 02:34 • -11db
37% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Taylor
Easy
88 bpm • G min • 03:20 • -5.86db
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Darondo
Didn't I
75 bpm • F Maj • 03:29 • -11.68db
65% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
65% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Stimulator Jones
Soon Never Comes
88 bpm • A# min • 04:08 • -8db
45% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 73% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Amanaz
Khala My Friend
88 bpm • C# Maj • 03:20 • -13.63db
43% Popularity • 55% Danceability • 52% Energy • 20% Liveness
26% Instrumentalness • 64% Positiveness
43% Popularity • 55% Danceability • 52% Energy • 20% Liveness
26% Instrumentalness • 64% Positiveness
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Monophonics
La La La Love Me
88 bpm • F# min • 03:20 • -6db
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Flamingosis
Believe in Me
88 bpm • G# Maj • 04:05 • -12db
51% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 72% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Scott Hirsch
No No (Video Edit)
88 bpm • E min • 03:58 • -12db
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
55% Instrumentalness • 60% Positiveness
31% Popularity • 80% Danceability • 55% Energy • 11% Liveness
55% Instrumentalness • 60% Positiveness
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Sharon Jones & The Dap-Kings
Pass Me By
74 bpm • B min • 03:20 • -11db
58% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Son Little
Mad About You
74 bpm • G Maj • 03:33 • -9.83db
58% Popularity • 60% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
58% Popularity • 60% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Tommy Guerrero
In My Head
89 bpm • F# min • 03:07 • -6.51db
49% Popularity • 68% Danceability • 88% Energy • 6% Liveness
69% Instrumentalness • 89% Positiveness
49% Popularity • 68% Danceability • 88% Energy • 6% Liveness
69% Instrumentalness • 89% Positiveness
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Adrian Younge
Questions
89 bpm • D Maj • 03:27 • -8.8db
33% Popularity • 54% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
33% Popularity • 54% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 25% Positiveness
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Happy Mayfield
Jesse James
89 bpm • A Maj • 04:05 • -4.75db
0% Popularity • 46% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 46% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Oko Ebombo
Naked Life
74 bpm • C Maj • 04:15 • -9.78db
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Bobby Oroza
This Love
74 bpm • E min • 04:45 • -5.98db
41% Popularity • 55% Danceability • 66% Energy • 22% Liveness
13% Instrumentalness • 83% Positiveness
41% Popularity • 55% Danceability • 66% Energy • 22% Liveness
13% Instrumentalness • 83% Positiveness
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Lee Fields & The Expressions
Precious Love
89 bpm • F Maj • 04:38 • -6.76db
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
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Shawn Lee
Kiss The Sky - Mixed
89 bpm • A Maj • 02:09 • -11.46db
44% Popularity • 58% Danceability • 57% Energy • 18% Liveness
82% Instrumentalness • 35% Positiveness
44% Popularity • 58% Danceability • 57% Energy • 18% Liveness
82% Instrumentalness • 35% Positiveness
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Bastien Keb
Pick Up
90 bpm • E min • 03:37 • -9.86db
36% Popularity • 63% Danceability • 78% Energy • 8% Liveness
16% Instrumentalness • 55% Positiveness
36% Popularity • 63% Danceability • 78% Energy • 8% Liveness
16% Instrumentalness • 55% Positiveness
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Spang Sisters
King Prawn The 1st
90 bpm • E Maj • 02:36 • -9.3db
45% Popularity • 60% Danceability • 54% Energy • 37% Liveness
2% Instrumentalness • 56% Positiveness
45% Popularity • 60% Danceability • 54% Energy • 37% Liveness
2% Instrumentalness • 56% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Eunice Collins
At the Hotel (Mixed)
90 bpm • B min • 03:38 • -11.8db
47% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 79% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Monophonics
Say You Love Me
90 bpm • A min • 04:22 • -8db
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Durand Jones & The Indications
Morning In America
90 bpm • A min • 03:51 • -6db
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
48% Popularity • 81% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Devonté Hynes
Feelin' Lovely
90 bpm • D min • 03:51 • -6db
45% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 72% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Arc De Soleil
The Thief in Marrakesh
90 bpm • D min • 03:00 • -7.94db
67% Popularity • 76% Danceability • 52% Energy • 14% Liveness
85% Instrumentalness • 68% Positiveness
67% Popularity • 76% Danceability • 52% Energy • 14% Liveness
85% Instrumentalness • 68% Positiveness
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B.J. Smith
Hey Ya! - Original Mix
90 bpm • B min • 07:28 • -13.59db
36% Popularity • 70% Danceability • 61% Energy • 10% Liveness
63% Instrumentalness • 68% Positiveness
36% Popularity • 70% Danceability • 61% Energy • 10% Liveness
63% Instrumentalness • 68% Positiveness
