Songs like Dido and Aeneas, Z. 626, Act III, Scene the Ships: Destruction's Our Delight [Chorus] by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
72 bpm • D min • 03:27 • -16.72db
31% Popularity • 48% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
31% Popularity • 48% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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Girolamo Frescobaldi
Canzona undecima a due canti "detta la p...
72 bpm • A min • 02:14 • -23.01db
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
39% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell: "O Solitude, My Sweetest Choice...
73 bpm • B min • 05:24 • -28.46db
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] cover art](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93)
Dietrich Buxtehude
Sonata in A-Moll, BuxWV 272: Sonata in A...
73 bpm • G# min • 02:45 • -16.74db
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 26% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Alessandro Marcello
Oboe Concerto in D Minor, S. Z799: I. An...
73 bpm • C# min • 03:30 • -16db
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Henry Purcell
The Female Virtuosos, Z. 596: No. 1, Lov...
73 bpm • G Maj • 02:44 • -19.92db
17% Popularity • 36% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 36% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
41% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Tim Hugh
Cello Concerto No. 1 In C Major, G. 477:...
70 bpm • F Maj • 06:29 • -36.54db
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 1% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Henry Purcell
Burial Service: Man that is born of a wo...
73 bpm • C min • 02:35 • -25.04db
20% Popularity • 17% Danceability • 5% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 5% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
53% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Jean-Baptiste Lully
Armide: Overture
70 bpm • A# Maj • 02:16 • -27.15db
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 32% Liveness
92% Instrumentalness • 61% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 2, Ball...
74 bpm • C Maj • 02:05 • -33db
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
28% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Henry Purcell
O solitude, my sweetest choice, Z. 406
73 bpm • B min • 06:01 • -17db
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
22% Popularity • 34% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Louis Couperin
Complete Works for Harpsichord: V. Pavan...
69 bpm • E min • 07:25 • -26db
13% Popularity • 25% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 33% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 6% Liveness
85% Instrumentalness • 33% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
75 bpm • C Maj • 01:38 • -12.7db
20% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
20% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas / Act 2: Ritornelle - "T...
70 bpm • C# min • 03:12 • -21.2db
15% Popularity • 22% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 22% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Jan Dismas Zelenka
Miserere, ZWV 57: I. Miserere I
75 bpm • B min • 02:04 • -10.88db
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 29% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
75 bpm • C min • 03:18 • -21db
27% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
40% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Henry Purcell
Evening Hymn, Z.193 (arr. Silas Wolston)
70 bpm • C# Maj • 04:51 • -25.58db
4% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
4% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 9, "Jesus Ca...
68 bpm • A min • 02:43 • -17.09db
36% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 20% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
52% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
52% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
37% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Overtura
76 bpm • G Maj • 02:46 • -21.6db
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Due...
68 bpm • G# min • 01:34 • -27.07db
8% Popularity • 44% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629 / Act 2: Trio: "...
74 bpm • B Maj • 01:05 • -24.84db
12% Popularity • 42% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Johann Gottlieb Goldberg
Trio Sonata No. 4 in C Major, DürG 13 (...
76 bpm • B Maj • 03:15 • -18.62db
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 15% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Monteverdi: L'incoronazione di Poppea, S...
77 bpm • G Maj • 04:11 • -21db
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version à 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Minor: V. Alle...
77 bpm • C# min • 03:58 • -30.05db
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
24% Popularity • 33% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Henry Purcell
King Arthur: Act V, sc.2: Chaconne
75 bpm • E Maj • 04:01 • -21.19db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:43 • -22db
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
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Alessandro Scarlatti
Il prigioniero fortunato: Sinfonia: III....
77 bpm • C# Maj • 01:12 • -12db
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 36% Energy • 13% Liveness
69% Instrumentalness • 37% Positiveness
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George Frideric Handel
Concerto-Pasticcio in C Major: I. Largo
67 bpm • G Maj • 01:46 • -17.4db
46% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
46% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
35% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: But death...Whe...
75 bpm • G min • 09:06 • -22.37db
4% Popularity • 19% Danceability • 9% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 9% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
53% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
53% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117: No. 2
78 bpm • C min • 01:01 • -24db
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
46% Popularity • 35% Danceability • 20% Energy • 25% Liveness
90% Instrumentalness • 40% Positiveness
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Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
48% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
48% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Johann Bach
Weint nicht um meinen Tod
67 bpm • C min • 06:25 • -25.46db
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
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Giuseppe Tartini
Violin Concerto in E Major, D. 50: I. Al...
78 bpm • E Maj • 06:11 • -15.96db
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
28% Popularity • 49% Danceability • 13% Energy • 17% Liveness
35% Instrumentalness • 53% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I Am Laid ...
75 bpm • G min • 04:10 • -18db
35% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 2, "The Visi...
78 bpm • G# Maj • 01:34 • -20db
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
41% Popularity • 30% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 33% Positiveness
► Preview
Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
78 bpm • B Maj • 01:57 • -21db
42% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
42% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Johann Sebastian Bach
Schweigt stille, plaudert nicht Cantata,...
66 bpm • A# min • 04:12 • -22db
38% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Karoly Botvay
Sinfonia in E major, RV 132: II. Andante
79 bpm • A Maj • 02:03 • -24db
49% Popularity • 15% Danceability • 2% Energy • 13% Liveness
84% Instrumentalness • 11% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 13% Liveness
84% Instrumentalness • 11% Positiveness
► Preview
George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
► Preview
Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act III, C...
75 bpm • F# min • 01:22 • -24.01db
21% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Marc-Antoine Charpentier
Offerte non encore exécutée, H.522
79 bpm • B Maj • 03:17 • -15.78db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
65% Instrumentalness • 35% Positiveness
► Preview
François Couperin
Couperin: Les Baricades mistérieuses
65 bpm • A# Maj • 02:44 • -37db
43% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
43% Popularity • 16% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: Dido: ...
76 bpm • F# min • 03:41 • -24db
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
► Preview
Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
► Preview
George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
80 bpm • C Maj • 06:49 • -20.07db
26% Popularity • 20% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 20% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - The...
80 bpm • F# min • 01:10 • -31.5db
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
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Gabriel Fauré
Requiem, Op. 48: II. Kyrie
65 bpm • A# Maj • 05:00 • -23.65db
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Purcell
Welcome to all the pleasures, "Ode on St...
68 bpm • D# min • 17:20 • -29.39db
15% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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François Couperin
Le Rossignol-en-Amour: 14ème ordre, 3è...
65 bpm • A Maj • 02:36 • -31.92db
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Requiem, Op. 48: IV. Sanctus
64 bpm • D# Maj • 03:09 • -21db
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 10% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
31% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
31% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
48% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
32% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
32% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Henry Purcell
O God, thou art my God, Z. 35
67 bpm • A# Maj • 04:25 • -24.58db
15% Popularity • 12% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 12% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
49% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: No. 3, Cho...
81 bpm • B min • 01:28 • -28db
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
31% Popularity • 10% Danceability • 12% Energy • 18% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: 8. De torrente i...
82 bpm • B min • 03:35 • -23.37db
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Unico Wilhelm van Wassenaer
Concerto Armonico No. 1 in G Major: Grav...
63 bpm • F# Maj • 01:57 • -21db
38% Popularity • 6% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
38% Popularity • 6% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
78 bpm • E Maj • 02:19 • -24db
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
41% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
► Preview
Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
