Songs like Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Concertino bianco: 2. Con venerazione
77 bpm • C Maj • 06:25 • -20.53db
40% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
40% Popularity • 8% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 5% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
77 bpm • C# Maj • 05:50 • -22db
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
5% Popularity • 9% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
56% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version à 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Marin Marais
Pièces de viole, Livre 2 - Suite No. 3 ...
77 bpm • C# Maj • 06:08 • -31db
35% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Arvo Pärt
Vater Unser (Version for Cello and Piano...
77 bpm • D Maj • 02:35 • -25.76db
22% Popularity • 21% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Antonio Cesti
Tu mancavi a tormentarmi, crudelissima s...
78 bpm • C min • 07:01 • -28.62db
19% Popularity • 7% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
41% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
45% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
76 bpm • A# Maj • 03:50 • -25.79db
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Philip Glass
Tissue No. 6
78 bpm • A min • 03:17 • -32db
18% Popularity • 21% Danceability • 1% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 1% Energy • 19% Liveness
85% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Reynaldo Hahn
Cello Sonata in A Minor: II. Lamento
78 bpm • D min • 02:05 • -34.39db
25% Popularity • 22% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act 3: "When I...
76 bpm • F# min • 03:29 • -17.95db
18% Popularity • 13% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 12 in F Major, K. 332: ...
78 bpm • A# Maj • 04:18 • -31db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
56% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Nino Rota
Rota / Arr. Capelletti & Lenaerts: The G...
76 bpm • C min • 05:32 • -22.08db
14% Popularity • 17% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 17% Danceability • 6% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Franz Schubert
Ständchen, D. 889
76 bpm • D Maj • 03:48 • -26.73db
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Giya Kancheli
Miniature No. 7
78 bpm • F# min • 02:22 • -27.8db
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
33% Popularity • 14% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
49% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Erich Wolfgang Korngold
Romance
79 bpm • G Maj • 04:41 • -17.46db
20% Popularity • 10% Danceability • 15% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 15% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
42% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Adoration
79 bpm • G Maj • 03:38 • -25.57db
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
34% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
34% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
79 bpm • D min • 01:26 • -36.49db
34% Popularity • 26% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
34% Popularity • 26% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I Am Laid ...
75 bpm • G min • 04:10 • -18db
33% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Glass
Tissue No. 7
75 bpm • A# Maj • 03:15 • -37.03db
45% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
45% Popularity • 11% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
62% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
80 bpm • C# min • 06:43 • -37.14db
43% Popularity • 9% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
43% Popularity • 9% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur: Act V, sc.2: Chaconne
75 bpm • E Maj • 04:01 • -21.19db
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 17% Liveness
6% Instrumentalness • 32% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: I. An...
80 bpm • G# Maj • 06:05 • -18.49db
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Franz Liszt
Consolation No. 3 in D-Flat Major, S. 17...
74 bpm • C# Maj • 04:19 • -35.64db
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
52% Popularity • 20% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Reynaldo Hahn
L'heure exquise
80 bpm • D Maj • 02:19 • -31.71db
23% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Henry Purcell
The Indian Queen, Z. 630, Act 4: They Te...
80 bpm • A min • 02:03 • -27.98db
20% Popularity • 19% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
20% Popularity • 19% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Maurice Jarre
Carpe Diem
80 bpm • E Maj • 02:59 • -15.3db
20% Popularity • 13% Danceability • 24% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 24% Energy • 9% Liveness
65% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
43% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act I: "Dalla sua...
80 bpm • G Maj • 03:28 • -21.95db
1% Popularity • 12% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
1% Popularity • 12% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
John Barry
I Had a Farm in Africa
80 bpm • C Maj • 03:35 • -17.14db
25% Popularity • 16% Danceability • 16% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 16% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626 (Arr. for String...
80 bpm • G min • 03:49 • -27.83db
36% Popularity • 8% Danceability • 2% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 2% Energy • 17% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Tamara Konstantin
Cello Sonata: II. —
74 bpm • G min • 02:55 • -24db
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
► Preview
George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
► Preview
Tomaso Antonio Vitali
Chaconne in G Minor
80 bpm • G min • 09:31 • -9.84db
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
Christoph Willibald Gluck
Melody from « Orfeo »
74 bpm • D min • 03:25 • -36db
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 34% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Frédéric Chopin
3 Nocturnes, Op. 9: I. Larghetto
74 bpm • A# min • 05:52 • -29.03db
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
An die Musik, D. 547 (Transc. for Cello ...
81 bpm • D Maj • 02:25 • -21db
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
23% Popularity • 25% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
48% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
38% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 2 in G Maj...
81 bpm • C min • 03:04 • -38.04db
37% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
37% Popularity • 8% Danceability • 0% Energy • 14% Liveness
11% Instrumentalness • 20% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
73 bpm • E Maj • 03:08 • -21db
24% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
63% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
30% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell: "O Solitude, My Sweetest Choice...
73 bpm • B min • 05:24 • -28.46db
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Pablo Casals
Song of the Birds
82 bpm • D Maj • 03:42 • -26.67db
35% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
35% Popularity • 15% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 2% Positiveness
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Lang Lang
6 Pieces for Piano, Vol. 2: No. 4, La va...
73 bpm • C Maj • 02:50 • -20.13db
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
20% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
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Frédéric Chopin
Prelude, Op. 28, No. 4
82 bpm • A min • 02:47 • -26.12db
32% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
None but the lonely heart, Op. 6, No. 6
82 bpm • D# min • 03:19 • -14.97db
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 4% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Mikalojus Konstantinas ÄŒiurlionis
Preliudai (Preludes): Dainele: Grave
82 bpm • E min • 01:16 • -30.4db
39% Popularity • 18% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
Erlkönig, D. 328 (Adapt. for Cello and ...
82 bpm • G min • 03:52 • -16.3db
26% Popularity • 19% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
26% Popularity • 19% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Gustav Mahler
Mahler: Symphony No. 5 in C-Sharp Minor:...
82 bpm • F Maj • 09:43 • -23.25db
58% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
58% Popularity • 8% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Maurice Ravel
Deux mélodies hébraïques, M. A22: I. ...
82 bpm • C min • 04:59 • -20.98db
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
