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Die Fledermaus: Brüderlein und Schwesterlein
Songs like
Die Fledermaus: Brüderlein und Schwesterlein
by
Johann Strauss II
Based on a tempo of (+/- 10%) and a similar genre
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Johann Strauss II
Die Fledermaus, Act II: No. 6, Introduct...
112 bpm • E Maj • 01:21 • -13.21db
24% Popularity • 46% Danceability • 40% Energy • 86% Liveness
13% Instrumentalness • 57% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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George Frideric Handel
Water Music Suite No. 2 in D Major, HWV ...
112 bpm • C# Maj • 04:12 • -16.22db
32% Popularity • 67% Danceability • 15% Energy • 6% Liveness
63% Instrumentalness • 38% Positiveness
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AntonÃn Dvořák
Dvořák: Symphony No. 9 in E Minor, Op....
112 bpm • E min • 09:17 • -18.03db
14% Popularity • 28% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
31% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
40% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Franz von Suppé
Fatinitza: March
111 bpm • G Maj • 02:32 • -11.89db
34% Popularity • 64% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
111 bpm • A# Maj • 02:49 • -22.12db
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
Music for the Royal Fireworks (Excerpts)...
113 bpm • D Maj • 02:02 • -12.96db
29% Popularity • 58% Danceability • 53% Energy • 14% Liveness
78% Instrumentalness • 80% Positiveness
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Johann Strauss II
Wiener Blut, Walzer, Op. 354 - 2017 Rema...
111 bpm • C Maj • 08:14 • -16.63db
8% Popularity • 34% Danceability • 17% Energy • 13% Liveness
53% Instrumentalness • 28% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: IV. Chanson d...
113 bpm • F Maj • 02:39 • -18db
35% Popularity • 56% Danceability • 11% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
Wedding Day of Troldhaugen op. 65 Tempo ...
113 bpm • D Maj • 05:55 • -23.12db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
64% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
La traviata / Act I: Libiamo ne'lieti ca...
113 bpm • A# Maj • 02:55 • -17.69db
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Johann Strauss II
Die Gottin der Vernunft: Overture
111 bpm • D Maj • 05:58 • -19.87db
17% Popularity • 33% Danceability • 13% Energy • 16% Liveness
24% Instrumentalness • 18% Positiveness
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Arthur Fiedler
Carmen Votre toast, je peux vous le rend...
113 bpm • F Maj • 02:31 • -12.97db
14% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
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Polish State Philharmonic Orchestra, Katowice
Indigo, Op. 349: Marsch
113 bpm • D# Maj • 02:23 • -16.08db
21% Popularity • 48% Danceability • 34% Energy • 10% Liveness
69% Instrumentalness • 82% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Eugene Onegin, Op. 24, Act ...
114 bpm • D Maj • 06:04 • -18db
17% Popularity • 41% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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Giuseppe Verdi
Aida, Act II: Grand March
110 bpm • D# Maj • 01:35 • -23.76db
40% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Johann Strauss II
Die Fledermaus: Act II: Introduction: Ei...
114 bpm • E Maj • 01:31 • -12.64db
22% Popularity • 46% Danceability • 40% Energy • 27% Liveness
88% Instrumentalness • 73% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
48% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
115 bpm • D# Maj • 00:42 • -32.12db
48% Popularity • 49% Danceability • 2% Energy • 57% Liveness
99% Instrumentalness • 11% Positiveness
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Johann Strauss II
Voices of Spring, Op. 410
110 bpm • A# Maj • 05:53 • -14db
26% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
38% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
115 bpm • D# Maj • 05:11 • -22.89db
21% Popularity • 27% Danceability • 9% Energy • 8% Liveness
77% Instrumentalness • 13% Positiveness
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Carl Maria von Weber
Horn Concertino in E Minor, Op. 45, J. 1...
109 bpm • E Maj • 04:40 • -18db
23% Popularity • 57% Danceability • 12% Energy • 10% Liveness
57% Instrumentalness • 51% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
32% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Johann Strauss II
Die Fledermaus, Act II: No. 11a, Finale....
114 bpm • F Maj • 05:21 • -17db
18% Popularity • 31% Danceability • 14% Energy • 62% Liveness
4% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
109 bpm • G min • 05:56 • -27.77db
30% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Frédéric Chopin
Les Sylphides: 8. Valse
116 bpm • G# Maj • 05:43 • -14db
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
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Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
11% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
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CHA Medical Center
Orchestral Suite No.2 in B minor, BWV106...
116 bpm • B min • 01:29 • -18.34db
45% Popularity • 55% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 84% Positiveness
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Johann Strauss II
Vienna Blood Waltz, Op. 354
110 bpm • C Maj • 07:48 • -16db
30% Popularity • 33% Danceability • 18% Energy • 20% Liveness
71% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
108 bpm • F Maj • 12:38 • -22.76db
36% Popularity • 25% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": I. ...
108 bpm • D Maj • 03:41 • -20db
35% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
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George Frideric Handel
Music for the Royal Fireworks, HWV 351: ...
107 bpm • C# Maj • 02:07 • -13.49db
30% Popularity • 38% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 64% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
25% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
108 bpm • G Maj • 02:08 • -26db
29% Popularity • 43% Danceability • 3% Energy • 9% Liveness
40% Instrumentalness • 22% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
107 bpm • F Maj • 05:22 • -24db
38% Popularity • 43% Danceability • 3% Energy • 15% Liveness
30% Instrumentalness • 18% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
19% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Antonio Vivaldi
Concerto for Strings in G Major, RV 151,...
107 bpm • D Maj • 01:19 • -17.56db
63% Popularity • 43% Danceability • 29% Energy • 37% Liveness
91% Instrumentalness • 63% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Johann Strauss II
Der Zigeunerbaron: Ouvertüre
106 bpm • C Maj • 07:35 • -18.77db
19% Popularity • 32% Danceability • 9% Energy • 7% Liveness
69% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Italian Polka
106 bpm • C Maj • 03:09 • -7db
14% Popularity • 60% Danceability • 50% Energy • 19% Liveness
86% Instrumentalness • 81% Positiveness
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Arthur Fiedler
Rákóczy March
106 bpm • A Maj • 04:12 • -18.58db
12% Popularity • 42% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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Polish State Philharmonic Orchestra, Katowice
Habsburg Hoch!, Op. 408: March
119 bpm • D# Maj • 03:12 • -18db
24% Popularity • 58% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
Violin Concerto No. 1 in E Major, RV 269...
105 bpm • E Maj • 03:19 • -16.03db
40% Popularity • 45% Danceability • 19% Energy • 20% Liveness
66% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Prelude
119 bpm • B Maj • 04:07 • -24db
30% Popularity • 23% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
36% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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SWF Symphony Orchestra Baden-Baden
Symphony No. 40 in G Minor, KV. 550: I. ...
105 bpm • G min • 07:53 • -19db
26% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
58% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
105 bpm • E Maj • 03:16 • -14db
53% Popularity • 47% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 43% Positiveness
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Johann Strauss II
Die Fledermaus, Act I: No. 3, Duet. Komm...
120 bpm • G Maj • 03:13 • -16db
20% Popularity • 48% Danceability • 20% Energy • 36% Liveness
7% Instrumentalness • 34% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: Marcia trionfale
120 bpm • G# Maj • 01:26 • -18db
38% Popularity • 43% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 43% Positiveness
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The Slovak Philharmonic Orchestra, Libor Pesek
Symphony No 40: Molto Allegro
104 bpm • G min • 07:51 • -18db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Johann Strauss II
Strauss, J. II: Der Zigeunerbaron, Act 1...
120 bpm • C Maj • 01:22 • -15.34db
6% Popularity • 55% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum, Op. 61, MWV M13: ...
121 bpm • G min • 04:52 • -27.69db
18% Popularity • 52% Danceability • 20% Energy • 12% Liveness
94% Instrumentalness • 65% Positiveness
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Johann Sebastian Bach
Bach, JS: Orchestral Suite No. 2 in B Mi...
121 bpm • B min • 01:26 • -20.76db
38% Popularity • 56% Danceability • 24% Energy • 9% Liveness
98% Instrumentalness • 86% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
33% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Giuseppe Verdi
Aida Highlights (1998 Digital Remaster),...
122 bpm • D# Maj • 04:39 • -17.08db
14% Popularity • 34% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 25% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
36% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Emil Nikolaus von Reznicek
Donna Diana: Overture
102 bpm • A Maj • 05:49 • -12.24db
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Franz von Suppé
Isabella
123 bpm • A Maj • 07:48 • -15db
9% Popularity • 40% Danceability • 37% Energy • 7% Liveness
79% Instrumentalness • 32% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: II. Habanera ...
123 bpm • D Maj • 02:11 • -26.94db
49% Popularity • 61% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Johannes Brahms
Brahms: 16 Waltzes, Op. 39: No. 15 in A-...
102 bpm • G# Maj • 01:39 • -23.63db
38% Popularity • 42% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 14, Couplet...
102 bpm • G Maj • 04:12 • -17db
18% Popularity • 45% Danceability • 12% Energy • 65% Liveness
0% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Act...
102 bpm • A# Maj • 04:39 • -20.06db
46% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
41% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
40% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
101 bpm • F# Maj • 05:32 • -14.77db
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Johann Strauss II
Blumenfest, Op. 111 (arr. L. Rosenthal):...
123 bpm • D# Maj • 02:29 • -28.78db
30% Popularity • 69% Danceability • 9% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
30% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Arthur Fiedler
Aïda Marche triomphale
100 bpm • D Maj • 03:54 • -9.56db
11% Popularity • 40% Danceability • 34% Energy • 31% Liveness
91% Instrumentalness • 40% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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Die Fledermaus: Brüderlein und Schwesterlein