Songs like Die Frau ohne Schatten: Act III, "Vater, bist du es?" (Empress, Guardian of the Threshold of the Temple, Wife, Barak) by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude to A...
79 bpm • A min • 10:35 • -22.29db
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 2: "Jauchze nicht...
79 bpm • A# Maj • 04:13 • -19db
12% Popularity • 21% Danceability • 19% Energy • 64% Liveness
3% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 64% Liveness
3% Instrumentalness • 7% Positiveness
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Aaron Copland
Rodeo: II. Corral Nocturne
79 bpm • C Maj • 03:46 • -27db
35% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I
79 bpm • F Maj • 01:51 • -17.1db
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 14% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Claude Debussy
Nocturnes, CD 98: II. Fêtes
79 bpm • A Maj • 06:15 • -20.03db
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 14% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Richard Strauss
Elektra: Iv. Ich kann nicht sitzen…
79 bpm • A# min • 04:15 • -20.33db
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
46% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Richard Strauss
Ariadne auf Naxos, Op. 60, TrV 228 / Pro...
79 bpm • C min • 03:07 • -11.03db
0% Popularity • 25% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 25% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
40% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
46% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Richard Strauss
Eine Alpensinfonie: III. Wanderung neben...
80 bpm • D Maj • 02:38 • -27.55db
20% Popularity • 15% Danceability • 6% Energy • 33% Liveness
88% Instrumentalness • 12% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 33% Liveness
88% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Richard Strauss
5 Piano Pieces Op. 3, TrV 105: No. 5, Al...
78 bpm • C# Maj • 05:48 • -21.71db
7% Popularity • 28% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
7% Popularity • 28% Danceability • 14% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Hugo von Hofmannsthal
Elektra: Xiii. Orest! Orest ist tod!
81 bpm • D# Maj • 03:29 • -18.94db
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 4: IV. Sehr behaglich
80 bpm • E min • 09:26 • -22.36db
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
48% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
48% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Richard Strauss
Strauss, R / Arr. Prihoda for Violin and...
80 bpm • A# min • 03:37 • -30db
13% Popularity • 8% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: III. Dance
82 bpm • C Maj • 02:20 • -18.52db
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
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Richard Strauss
Eine Alpensinfonie: II. Der Anstieg - Ei...
80 bpm • D# Maj • 07:46 • -27.03db
19% Popularity • 8% Danceability • 4% Energy • 14% Liveness
83% Instrumentalness • 6% Positiveness
19% Popularity • 8% Danceability • 4% Energy • 14% Liveness
83% Instrumentalness • 6% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
58% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 3: "Wo ist er, de...
78 bpm • D Maj • 04:24 • -16.52db
12% Popularity • 18% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Maurice Ravel
Valses nobles et sentimentales, M. 61: V...
76 bpm • G# min • 01:20 • -33.19db
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125: IVa....
82 bpm • D Maj • 05:32 • -22.23db
23% Popularity • 17% Danceability • 4% Energy • 50% Liveness
91% Instrumentalness • 16% Positiveness
23% Popularity • 17% Danceability • 4% Energy • 50% Liveness
91% Instrumentalness • 16% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
82 bpm • C# min • 04:42 • -39.12db
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
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Richard Strauss
Elektra, Op. 58: "Wo bleibt Elektra?"
78 bpm • D Maj • 06:09 • -27.54db
11% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 4 in F Minor, Op. 36: IV. F...
76 bpm • F Maj • 08:34 • -16db
32% Popularity • 29% Danceability • 35% Energy • 6% Liveness
69% Instrumentalness • 14% Positiveness
32% Popularity • 29% Danceability • 35% Energy • 6% Liveness
69% Instrumentalness • 14% Positiveness
► Preview
Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
► Preview
Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: VI. Auf dem Gipfel
78 bpm • C Maj • 04:51 • -21.41db
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
La mer, CD 111: III. Dialogue du vent et...
83 bpm • C# Maj • 07:55 • -22.7db
9% Popularity • 9% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
► Preview
Richard Strauss
2 Pieces for Piano Quartet, TrV 169: No....
77 bpm • G Maj • 06:06 • -25.15db
12% Popularity • 21% Danceability • 3% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Egmont, Op. 84: Overture
75 bpm • F min • 08:40 • -18.44db
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
► Preview
Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: II. Prélude
75 bpm • F Maj • 02:11 • -32.91db
34% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
34% Popularity • 60% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 5. Moder...
83 bpm • C min • 02:32 • -28.97db
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Richard Strauss
Elektra, Op. 58, TrV 223: "Wo bleibt Ele...
77 bpm • G Maj • 05:51 • -15.56db
13% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Richard Strauss
Arabella, Op. 79, TrV 263: Das war sehr ...
82 bpm • G# min • 08:00 • -15.34db
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Yo...
83 bpm • F Maj • 03:19 • -29.5db
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
27% Popularity • 25% Danceability • 5% Energy • 12% Liveness
70% Instrumentalness • 11% Positiveness
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Hugo von Hofmannsthal
Elektra: Ii. Allein! Weh, ganz allein
83 bpm • A# min • 09:28 • -19.27db
3% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Lieder, Op. 49: No. 1, Wal...
82 bpm • C# Maj • 03:04 • -25.34db
17% Popularity • 21% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Vasily Kalinnikov
Symphony No. 1 in G Minor: II. Andante c...
75 bpm • D# Maj • 07:12 • -23.61db
19% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 4% Energy • 20% Liveness
53% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss: Capriccio, Op. 85: Einleitung
82 bpm • F Maj • 09:37 • -26.14db
14% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Alexander Scriabin
Piano Concerto in F-Sharp Minor, Op. 20:...
84 bpm • D Maj • 07:56 • -24.73db
26% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Strauss
Piano Sonata, Op. 5, TrV 103: III. Scher...
76 bpm • F# min • 02:51 • -26.96db
6% Popularity • 38% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 36% Positiveness
6% Popularity • 38% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 36% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Xvi. Wie stark du bist!
85 bpm • D# Maj • 05:04 • -20.2db
1% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
1% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
33% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness