Songs like Die Gezeichneten / Act 3: Ich bitt' Euch, Leute, habt ihr nicht gesehen meinen by Franz Schreker
Based on a tempo of (+/- 10%) and a similar genre
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
89 bpm • F# min • 06:11 • -37.72db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
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Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
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Michael Tippett
String Quartet No.1: II. Lento cantabile...
89 bpm • C# Maj • 06:53 • -25db
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
87 bpm • B min • 03:28 • -30.17db
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
47% Popularity • 10% Danceability • 2% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Ernest Bloch
Concerto grosso No. 1: 2. Dirge: Andante...
89 bpm • F# min • 08:01 • -19.11db
8% Popularity • 14% Danceability • 11% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
8% Popularity • 14% Danceability • 11% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
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Franz Schreker
Kammersymphonie: II. Scherzo (Allegro Vi...
89 bpm • B min • 07:02 • -20.9db
4% Popularity • 21% Danceability • 9% Energy • 24% Liveness
81% Instrumentalness • 7% Positiveness
4% Popularity • 21% Danceability • 9% Energy • 24% Liveness
81% Instrumentalness • 7% Positiveness
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Claude Debussy
Première Rapsodie, L. 116
87 bpm • F# Maj • 08:12 • -25.8db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • B Maj • 04:07 • -14.1db
27% Popularity • 38% Danceability • 42% Energy • 37% Liveness
89% Instrumentalness • 18% Positiveness
27% Popularity • 38% Danceability • 42% Energy • 37% Liveness
89% Instrumentalness • 18% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
55% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Gian Carlo Menotti
Concerto for Violin and Orchestra: II. A...
87 bpm • D Maj • 08:27 • -31.25db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Franz Schreker
Irrelohe: Act II - Eva! So erhieltet ihr...
87 bpm • E Maj • 03:43 • -23.82db
0% Popularity • 27% Danceability • 10% Energy • 45% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 10% Energy • 45% Liveness
0% Instrumentalness • 11% Positiveness
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Aram Khachaturian
Gayane Suite No. 1: III. Armen's Solo
87 bpm • G Maj • 03:44 • -19.12db
9% Popularity • 22% Danceability • 4% Energy • 6% Liveness
54% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 6% Liveness
54% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: I. ...
87 bpm • C Maj • 08:01 • -23db
17% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Franz Schreker
Irrelohe: Vorspiel zum Act I
87 bpm • F Maj • 05:07 • -26.7db
0% Popularity • 14% Danceability • 3% Energy • 18% Liveness
59% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 3% Energy • 18% Liveness
59% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Béla Bartók
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Bohemian Stillness
90 bpm • F# min • 01:36 • -36db
14% Popularity • 21% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
14% Popularity • 21% Danceability • 0% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Franz Schreker
Irrelohe: Act III - lch bin gekommen, we...
87 bpm • A# min • 09:36 • -23.01db
0% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
25% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
25% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
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Leonard Bernstein
A Quiet Place - Ed. Sunderland / Act 1: ...
86 bpm • E min • 04:07 • -21.27db
12% Popularity • 19% Danceability • 3% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 3% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Oboe Concerto: II. Minuet and Musette. A...
90 bpm • G min • 02:39 • -30.89db
8% Popularity • 29% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 49% Positiveness
8% Popularity • 29% Danceability • 6% Energy • 9% Liveness
97% Instrumentalness • 49% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Franz Schreker
Irrelohe: Act III - Tausend Freuden des ...
89 bpm • G Maj • 01:01 • -21.48db
0% Popularity • 25% Danceability • 27% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 27% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
19% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Charles Ives
Ives / Orch. Brant: A Concord Symphony: ...
91 bpm • D# Maj • 06:12 • -15db
3% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Franz Schreker
Der Schatzgräber, Vierter Aufzug: Nun, ...
89 bpm • D Maj • 05:42 • -21.04db
0% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
8% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
85 bpm • G min • 03:14 • -45.37db
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Franz Schreker
Der ferne Klang, Act I Scene 4: Das war ...
89 bpm • A Maj • 03:00 • -14db
0% Popularity • 36% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 36% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 3 Auf dem Ta...
91 bpm • C Maj • 01:44 • -22db
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
38% Popularity • 32% Danceability • 20% Energy • 16% Liveness
93% Instrumentalness • 36% Positiveness
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Alan Hovhaness
Symphony No. 2, Op. 132, "Mysterious Mou...
91 bpm • C Maj • 05:25 • -27.37db
9% Popularity • 10% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Takashi Yoshimatsu
Piano Concerto, Op. 67 "Memo Flora": III...
85 bpm • D# Maj • 07:02 • -22.96db
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 16% Energy • 16% Liveness
84% Instrumentalness • 11% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Franz Schreker
Irrelohe: Act I - Peter, Peter, so mach ...
90 bpm • A# min • 04:24 • -19.88db
0% Popularity • 29% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 29% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Maurice Ravel
Introduction and Allegro for Harp, Flute...
85 bpm • D# min • 10:18 • -23db
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
26% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
23% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
23% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
19% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Franz Schreker
Irrelohe: Act II - Laß es, Christl! Es ...
90 bpm • G min • 04:12 • -26.06db
0% Popularity • 21% Danceability • 6% Energy • 48% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 48% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
84 bpm • F min • 04:09 • -26db
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 9% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Franz Schreker
4 Kleine Stücke: IV. Gradèvole
86 bpm • A Maj • 03:34 • -22.15db
3% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
3% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
17% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Franz Schreker
Kammersymphonie: III. Ziemlich bewegt
85 bpm • C# Maj • 01:47 • -16db
3% Popularity • 11% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Benjamin Britten
Peter Grimes: 4 Sea Interludes, Op. 33a:...
84 bpm • D# Maj • 04:26 • -31db
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Franz Schreker
Der ferne Klang, Act III Scene 8: Ein so...
85 bpm • E Maj • 03:46 • -17.69db
0% Popularity • 30% Danceability • 25% Energy • 41% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 25% Energy • 41% Liveness
1% Instrumentalness • 5% Positiveness
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Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Schreker
Der ferne Klang: Act I Scene 3: Was wein...
91 bpm • A min • 01:36 • -27.03db
0% Popularity • 51% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 51% Danceability • 8% Energy • 67% Liveness
0% Instrumentalness • 24% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E Minor, Op. 27: Ia. L...
83 bpm • A min • 05:10 • -26.41db
21% Popularity • 19% Danceability • 3% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 19% Danceability • 3% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Symphony No. 5 in B-Flat Major, Op. 100:...
83 bpm • D Maj • 08:33 • -18.51db
8% Popularity • 42% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
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Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Franz Schreker
Der ferne Klang, Act I Scene 1: Als du t...
85 bpm • A# min • 04:52 • -18.78db
0% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
String Quintet in E-Flat Major, Op. 97 '...
82 bpm • G# Maj • 10:03 • -22.48db
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part I: Les jeunes fil...
94 bpm • C# Maj • 02:54 • -17.19db
16% Popularity • 28% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
16% Popularity • 28% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Franz Schreker
Irrelohe: Act II - O Herr, der Brief
85 bpm • F# min • 03:14 • -18.93db
0% Popularity • 22% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 22% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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Aaron Copland
Copland: Symphony No. 3: I. Molto modera...
82 bpm • A Maj • 10:08 • -18.97db
15% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: Grave (Takt 1)
94 bpm • C min • 06:18 • -24db
11% Popularity • 12% Danceability • 5% Energy • 48% Liveness
55% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 5% Energy • 48% Liveness
55% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness