Songs like Die Gezeichneten / Act 3: Interlude: Was fliehst du vor mir by Franz Schreker
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schreker
Der ferne Klang, Act I Scene 1: Als du t...
85 bpm • A# min • 04:52 • -18.78db
0% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): XIX. Dis...
85 bpm • B Maj • 03:25 • -16db
15% Popularity • 14% Danceability • 19% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 19% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
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Helvi Leiviskä
Orchestral Suite No. 2, Op. 11: III. Keh...
85 bpm • A min • 04:03 • -25.73db
16% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 1 In C Minor, Op. 68: 2. An...
85 bpm • E Maj • 08:22 • -21db
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 12% Energy • 20% Liveness
77% Instrumentalness • 4% Positiveness
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Maurice Ravel
Introduction and Allegro for Harp, Flute...
85 bpm • D# min • 10:18 • -23db
25% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Franz Schreker
Der ferne Klang, Act III Scene 8: Ein so...
85 bpm • E Maj • 03:46 • -17.69db
0% Popularity • 30% Danceability • 25% Energy • 41% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 25% Energy • 41% Liveness
1% Instrumentalness • 5% Positiveness
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Leoš Janáček
String Quartet No. 1, JW vii/8 "Kreutzer...
85 bpm • E Maj • 04:03 • -20db
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
85 bpm • G min • 03:14 • -45.37db
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
55% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
55% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Pini di Roma, P. 141: I. I pini di Villa...
85 bpm • F Maj • 02:46 • -22db
22% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
22% Popularity • 22% Danceability • 26% Energy • 81% Liveness
73% Instrumentalness • 51% Positiveness
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Franz Schreker
Der Geburtstag der Infantin: No. 7, Die ...
85 bpm • C# min • 02:49 • -21.76db
0% Popularity • 28% Danceability • 11% Energy • 9% Liveness
38% Instrumentalness • 16% Positiveness
0% Popularity • 28% Danceability • 11% Energy • 9% Liveness
38% Instrumentalness • 16% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
Zwei Dialoge mit Nachwort: 3. Morgensere...
85 bpm • E min • 02:39 • -46.29db
7% Popularity • 16% Danceability • 0% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 0% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4 - Version For St...
85 bpm • C min • 06:24 • -22db
11% Popularity • 11% Danceability • 7% Energy • 61% Liveness
74% Instrumentalness • 3% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 61% Liveness
74% Instrumentalness • 3% Positiveness
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Franz Schreker
Kammersymphonie: III. Ziemlich bewegt
85 bpm • C# Maj • 01:47 • -16db
3% Popularity • 11% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 11% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: X. Nacht
86 bpm • A# min • 02:22 • -45db
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 12% Danceability • 0% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L. 91: I. Nuages (Arr. by Den...
86 bpm • C Maj • 08:03 • -40.37db
18% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 0% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Leonard Bernstein
A Quiet Place - Ed. Sunderland / Act 1: ...
86 bpm • E min • 04:07 • -21.27db
12% Popularity • 19% Danceability • 3% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 3% Energy • 11% Liveness
43% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
BartĂłk: String Quartet No. 1 in A Minor...
86 bpm • G# Maj • 09:05 • -25db
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
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Franz Schreker
Der ferne Klang: Act II: Grete hat zu en...
86 bpm • A# min • 04:15 • -22.06db
0% Popularity • 31% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 31% Danceability • 14% Energy • 59% Liveness
0% Instrumentalness • 13% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
42% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
Symphony No. 5: IV. Passacaglia. Moderat...
84 bpm • G Maj • 10:11 • -18.95db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Henning Kraggerud
Hjertets melodier (Melodies of the Heart...
86 bpm • A min • 01:38 • -29db
48% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Franz Schreker
Romantic Suite, Op. 14: IV. Tanz
86 bpm • A Maj • 06:42 • -23.13db
0% Popularity • 30% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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William Walton
2 Pieces for Strings from Henry V: No. 1...
86 bpm • E min • 03:07 • -30db
23% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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BĂ©la BartĂłk
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
84 bpm • G# min • 10:00 • -30.04db
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
84 bpm • A# Maj • 05:29 • -29.52db
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Franz Schreker
Der ferne Klang, Act II Scene 6: Greta! ...
84 bpm • A Maj • 06:21 • -15.53db
0% Popularity • 18% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 18% Danceability • 35% Energy • 75% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tristan und Isolde, Act I: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Francis Poulenc
Les animaux modèles Suite, FP 111: II. ...
86 bpm • E min • 01:29 • -15.62db
16% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 14% Liveness
90% Instrumentalness • 27% Positiveness
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Benjamin Britten
Peter Grimes: 4 Sea Interludes, Op. 33a:...
84 bpm • D# Maj • 04:26 • -31db
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Franz Schreker
4 Kleine Stücke: IV. Gradèvole
86 bpm • A Maj • 03:34 • -22.15db
3% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
3% Popularity • 37% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Frederick Delius
Romance for Cello & Piano, RT VIII/5
87 bpm • B Maj • 06:16 • -22.97db
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: I. ...
87 bpm • C Maj • 08:01 • -23db
16% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Gian Carlo Menotti
Concerto for Violin and Orchestra: II. A...
87 bpm • D Maj • 08:27 • -31.25db
11% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Franz Schreker
Das Spielwerk: Vorspiel
84 bpm • F Maj • 06:55 • -22.21db
0% Popularity • 8% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
0% Popularity • 8% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
87 bpm • G Maj • 04:33 • -23db
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
29% Popularity • 32% Danceability • 16% Energy • 11% Liveness
49% Instrumentalness • 7% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Franz Schreker
Der ferne Klang: Act 3: Grete: Die Baume...
86 bpm • E Maj • 01:22 • -28.96db
0% Popularity • 24% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 24% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Symphony No. 2 in E Minor, Op. 27: Ia. L...
83 bpm • A min • 05:10 • -26.41db
20% Popularity • 19% Danceability • 3% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 19% Danceability • 3% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: II. We Are the...
83 bpm • A# min • 02:08 • -22.74db
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
83 bpm • G Maj • 01:46 • -30db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
► Preview
Arnold Schoenberg
Gurrelieder, Pt. 1: No. 1, Orchestral Pr...
83 bpm • D# Maj • 06:50 • -30db
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Franz Schreker
Valse lente
84 bpm • C Maj • 06:13 • -22.46db
6% Popularity • 18% Danceability • 4% Energy • 16% Liveness
48% Instrumentalness • 7% Positiveness
6% Popularity • 18% Danceability • 4% Energy • 16% Liveness
48% Instrumentalness • 7% Positiveness
► Preview
AntonĂn Dvořák
String Quintet in E-Flat Major, Op. 97 '...
82 bpm • G# Maj • 10:03 • -22.48db
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Aaron Copland
Copland: Symphony No. 3: I. Molto modera...
82 bpm • A Maj • 10:08 • -18.97db
15% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Franz Schreker
Kammersymphonie: IV. Langsam, schwebend
84 bpm • A Maj • 05:40 • -22db
3% Popularity • 8% Danceability • 6% Energy • 18% Liveness
78% Instrumentalness • 3% Positiveness
3% Popularity • 8% Danceability • 6% Energy • 18% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Alexander Scriabin
Symphony No. 1 in E Major, Op. 26: I. Le...
88 bpm • E Maj • 07:47 • -31.02db
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
LĂ©o Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Franz Schreker
Der Schmied von Gent: Act I: Nun bin ich...
84 bpm • F Maj • 09:03 • -19.39db
0% Popularity • 28% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
88 bpm • A# min • 01:17 • -25db
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
89 bpm • G min • 07:35 • -20.1db
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 25% Energy • 7% Liveness
73% Instrumentalness • 26% Positiveness
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BĂ©la BartĂłk
Music for Strings, Percussion and Celest...
82 bpm • A# min • 06:48 • -30db
16% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 8% Liveness
23% Instrumentalness • 4% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part III: Bacchanale
82 bpm • A# min • 04:44 • -17.44db
22% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
22% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
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Franz Schreker
Fünf Gesänge: IV. Sie sind so schön d...
87 bpm • E Maj • 03:31 • -23.49db
0% Popularity • 18% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Amy Beach
Piano Quintet in F-Sharp Minor, Op. 67: ...
89 bpm • C# Maj • 09:26 • -23db
9% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Respighi: Fontane di Roma, P. 106: IV. L...
89 bpm • F# min • 06:11 • -37.72db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
14% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Ernest Bloch
Concerto grosso No. 1: 2. Dirge: Andante...
89 bpm • F# min • 08:01 • -19.11db
7% Popularity • 14% Danceability • 11% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
7% Popularity • 14% Danceability • 11% Energy • 19% Liveness
76% Instrumentalness • 7% Positiveness
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Claude Debussy
Marche écossaise sur un thème populair...
81 bpm • C Maj • 06:42 • -21.54db
7% Popularity • 19% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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Franz Schreker
Der ferne Klang: Act II Scene 6: Greta! ...
83 bpm • A Maj • 06:19 • -18.33db
0% Popularity • 18% Danceability • 21% Energy • 87% Liveness
1% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 21% Energy • 87% Liveness
1% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Verklärte Nacht, Op. 4: I. Grave (Arr. ...
89 bpm • G min • 06:37 • -20.73db
15% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 14% Energy • 22% Liveness
80% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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David Abramovitz
Reves
89 bpm • G min • 01:25 • -30.1db
29% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Franz Schreker
Der ferne Klang: Act I Scene 4: Nur Here...
83 bpm • C Maj • 07:23 • -19.87db
0% Popularity • 38% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 08:48 • -23.19db
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
23% Popularity • 8% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 2% Positiveness
► Preview
Claude Debussy
Nocturnes, L.91: III. Sirènes
81 bpm • F# Maj • 09:40 • -30db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Maurice Ravel
Le tombeau de Couperin (version for orch...
80 bpm • G Maj • 03:09 • -30.78db
32% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 39% Liveness
89% Instrumentalness • 12% Positiveness
► Preview
Franz Schreker
Das Spielwerk: Prelude
83 bpm • D min • 07:26 • -24.85db
0% Popularity • 8% Danceability • 5% Energy • 14% Liveness
22% Instrumentalness • 3% Positiveness
0% Popularity • 8% Danceability • 5% Energy • 14% Liveness
22% Instrumentalness • 3% Positiveness
