Songs like Die lustigen Weiber von Windsor · Oper in 3 Akten (1988 Remaster), Dritter Akt: Nr. 10 - Ballade: Vom Jäger Herne die Mär ist alt (Frau Reich) by Otto Nicolai
Based on a tempo of (+/- 10%) and a similar genre
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MartĂŤn Palmeri
Misatango, Misa a Buenos Aires: VII. Et ...
86 bpm • F min • 01:05 • -14.52db
13% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 34% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Ernest Chausson
Chansons de Miarka, Op. 17: No. 1, Les M...
86 bpm • F# min • 03:14 • -17.71db
9% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Arthur Sullivan
The Gondoliers / Act 1: 1. List and Lear...
86 bpm • D Maj • 03:00 • -16.61db
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • G Maj • 04:35 • -22db
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor, Act I: ...
86 bpm • A# Maj • 02:07 • -11.61db
0% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Patricia Cameron
The Pirates of Penzance: How Beautifully...
86 bpm • B Maj • 01:55 • -24.6db
8% Popularity • 45% Danceability • 14% Energy • 29% Liveness
12% Instrumentalness • 67% Positiveness
8% Popularity • 45% Danceability • 14% Energy • 29% Liveness
12% Instrumentalness • 67% Positiveness
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Giuseppe Verdi
La forza del destino, Act II, Scene II: ...
86 bpm • G Maj • 02:53 • -18.33db
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 24% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Louise Bertin
Fausto, Act II: Cavatina. Palpita nel se...
86 bpm • F Maj • 02:35 • -21.63db
12% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
12% Popularity • 34% Danceability • 6% Energy • 57% Liveness
5% Instrumentalness • 4% Positiveness
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Giacomo Puccini
E l'uccellino, SC 71 (Arr. for Voice & O...
86 bpm • D Maj • 01:15 • -20.59db
18% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 41% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
86 bpm • C Maj • 01:57 • -17.09db
23% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
23% Popularity • 23% Danceability • 20% Energy • 46% Liveness
39% Instrumentalness • 34% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
86 bpm • D# Maj • 04:15 • -24db
1% Popularity • 16% Danceability • 6% Energy • 39% Liveness
95% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 6% Energy • 39% Liveness
95% Instrumentalness • 3% Positiveness
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Paul Wranitzky
Jolantha, Königin von Jerusalem, Act II...
86 bpm • D# Maj • 02:55 • -24.71db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Mass in C Major, Op. 86: Gloria: Qui tol...
85 bpm • F min • 03:47 • -29.04db
10% Popularity • 14% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Simon Mayr
Te Deum: Sanctus
85 bpm • D Maj • 01:32 • -26.26db
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 19% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Frank Martin
Golgotha, Première Partie: I. Chœur d'...
85 bpm • F min • 07:45 • -18.82db
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 15% Energy • 32% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 2: L...
85 bpm • D Maj • 07:51 • -30.61db
24% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 3% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
86 bpm • E min • 02:46 • -18.6db
0% Popularity • 32% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 32% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: V. Te per ...
87 bpm • D Maj • 03:40 • -28.53db
7% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 28% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Gustav Mahler
Rückert-Lieder: Liebst du um Schönheit
87 bpm • D# Maj • 02:15 • -30.67db
8% Popularity • 16% Danceability • 2% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A25 / Part 1: Introd...
87 bpm • D Maj • 01:07 • -25db
9% Popularity • 18% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "LĂ , sui mont...
87 bpm • G# Maj • 01:13 • -42db
14% Popularity • 19% Danceability • 1% Energy • 19% Liveness
30% Instrumentalness • 9% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 19% Liveness
30% Instrumentalness • 9% Positiveness
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Otto Nicolai
Nicolai: Die lustigen Weiber von Windsor...
86 bpm • D# Maj • 04:38 • -19db
0% Popularity • 9% Danceability • 18% Energy • 33% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 9% Danceability • 18% Energy • 33% Liveness
92% Instrumentalness • 3% Positiveness
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Anton Bruckner
Te Deum in C Major, WAB 45: II. Te ergo
84 bpm • F min • 02:30 • -29db
4% Popularity • 10% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VI. Libera Me
84 bpm • G min • 04:17 • -25.13db
13% Popularity • 14% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
88 bpm • C Maj • 07:06 • -31db
13% Popularity • 9% Danceability • 2% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 2% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Philip Creasy
The Pirates of Penzance: Oh! False One, ...
88 bpm • G Maj • 03:09 • -23db
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 33% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Luigi Arditi
Recitative & Chorus
84 bpm • D Maj • 01:18 • -13db
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Otto Nicolai
Liturgie Nr. 1: Offertorium in assumptio...
86 bpm • C Maj • 02:03 • -23.41db
0% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
"Lobgesang" in B Flat Major, Op. 52, MWV...
84 bpm • D# Maj • 05:11 • -25db
11% Popularity • 20% Danceability • 5% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 22% Liveness
1% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Te Deum, Op. 103, B. 176: 1. Te Deum lau...
88 bpm • G Maj • 06:19 • -16.45db
8% Popularity • 18% Danceability • 20% Energy • 62% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 20% Energy • 62% Liveness
2% Instrumentalness • 4% Positiveness
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Marko Simsa
Hänsel und Gretel: Der Hexenritt (Aussc...
88 bpm • A# Maj • 01:32 • -9.79db
3% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H. 48: II...
88 bpm • A Maj • 06:42 • -20.7db
28% Popularity • 20% Danceability • 11% Energy • 6% Liveness
83% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 11% Energy • 6% Liveness
83% Instrumentalness • 11% Positiveness
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Antonio Salieri
Requiem in C Minor: Sanctus
84 bpm • C Maj • 02:03 • -16.8db
8% Popularity • 24% Danceability • 21% Energy • 6% Liveness
6% Instrumentalness • 32% Positiveness
8% Popularity • 24% Danceability • 21% Energy • 6% Liveness
6% Instrumentalness • 32% Positiveness
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Otto Nicolai
Psalm 54: Ecce enim deus
86 bpm • A# Maj • 01:26 • -23db
1% Popularity • 17% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
1% Popularity • 17% Danceability • 11% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
88 bpm • A Maj • 04:30 • -20db
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: "Abends will ich sch...
84 bpm • D Maj • 02:33 • -29db
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
84 bpm • D Maj • 05:08 • -24.39db
7% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 25% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: The Dri...
88 bpm • F min • 01:59 • -23db
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 7 in E Major, WAB...
83 bpm • F Maj • 08:53 • -17.76db
16% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
87 bpm • D# Maj • 06:08 • -20.46db
2% Popularity • 25% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
"Lobgesang" in B Flat Major, Op. 52, MWV...
83 bpm • A# Maj • 05:49 • -15.99db
10% Popularity • 23% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 23% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
89 bpm • F# Maj • 02:48 • -14.66db
9% Popularity • 38% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 38% Danceability • 15% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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MartĂŤn Palmeri
Misatango, Misa a Buenos Aires: V. Quoni...
89 bpm • C Maj • 01:26 • -12.96db
11% Popularity • 36% Danceability • 29% Energy • 22% Liveness
18% Instrumentalness • 24% Positiveness
11% Popularity • 36% Danceability • 29% Energy • 22% Liveness
18% Instrumentalness • 24% Positiveness
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Gabriel Fauré
2 MĂ©lodies, Op. 46: No. 2, Clair de lun...
89 bpm • B min • 03:06 • -20.95db
14% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: VI. Domine Deus
83 bpm • F Maj • 00:57 • -28.41db
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor, Act I: ...
85 bpm • G Maj • 03:33 • -12.58db
0% Popularity • 30% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 30% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 1: No. 6, So tanzen die...
89 bpm • D Maj • 02:24 • -23.33db
11% Popularity • 19% Danceability • 12% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 12% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
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Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
89 bpm • A Maj • 04:37 • -25db
9% Popularity • 20% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 25% Liveness
2% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Messa da Requiem for Soloists, Chorus an...
83 bpm • A Maj • 10:42 • -26.86db
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Die erste Walpurgisnacht, Op. 60: Hilf, ...
89 bpm • C# Maj • 01:01 • -13.73db
4% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Anton Bruckner
Te Deum, WAB 45: II. Te ergo quaesumus
83 bpm • F min • 02:42 • -31.5db
16% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
88 bpm • G min • 10:13 • -18.47db
2% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 6e Parole - "Pa...
83 bpm • G# Maj • 04:49 • -29.2db
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Johannes Brahms
Brahms: Ein deutsches Requiem, Op. 45: V...
90 bpm • G Maj • 06:54 • -28.7db
9% Popularity • 13% Danceability • 5% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 5% Energy • 9% Liveness
65% Instrumentalness • 4% Positiveness
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Luigi Cherubini
Requiem in C Minor: I. Introitus & Kyrie
90 bpm • G Maj • 07:02 • -27.22db
9% Popularity • 10% Danceability • 4% Energy • 8% Liveness
58% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 4% Energy • 8% Liveness
58% Instrumentalness • 3% Positiveness
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Felix Mendelssohn
Die erste Walpurgisnacht, Op. 60: So wei...
83 bpm • C Maj • 02:46 • -13.92db
2% Popularity • 20% Danceability • 29% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
2% Popularity • 20% Danceability • 29% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Ă„ktenskapsbryter...
90 bpm • D Maj • 08:21 • -18.93db
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
7% Popularity • 15% Danceability • 15% Energy • 35% Liveness
18% Instrumentalness • 3% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor / Act 3:...
88 bpm • C Maj • 02:48 • -19.5db
3% Popularity • 35% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
3% Popularity • 35% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: Introduction, ďż˝...
82 bpm • G min • 05:33 • -31.98db
14% Popularity • 9% Danceability • 4% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 7% Liveness
41% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Einsam...
82 bpm • G# Maj • 05:15 • -24.53db
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
André-Ernest-Modeste Grétry
La Caravane du Caire, Acte I: XIII. "La ...
90 bpm • C min • 01:19 • -15.35db
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 46% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Act I: Duet: Komm mit mi...
90 bpm • E Maj • 03:33 • -15.02db
7% Popularity • 43% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 43% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Cielo, a...
82 bpm • G Maj • 02:08 • -24.25db
13% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
84 bpm • D# Maj • 05:29 • -20.66db
0% Popularity • 25% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 25% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Albert Guinovart
GaudĂ - Requiem
90 bpm • A min • 05:57 • -22.91db
7% Popularity • 11% Danceability • 24% Energy • 75% Liveness
96% Instrumentalness • 8% Positiveness
7% Popularity • 11% Danceability • 24% Energy • 75% Liveness
96% Instrumentalness • 8% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 3: Nun se...
82 bpm • A Maj • 09:30 • -26db
10% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Théodore Dubois
Les 7 paroles du Christ: 4e Parole - "De...
90 bpm • E Maj • 06:19 • -29db
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 10% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Taubchen, das ent...
82 bpm • C Maj • 03:35 • -26.03db
7% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
13% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
83 bpm • E min • 03:16 • -21.18db
0% Popularity • 32% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 32% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Charles Gounod
Clos ta paupière
91 bpm • D# Maj • 03:27 • -26.42db
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Ohn' A...
91 bpm • A Maj • 04:39 • -18.95db
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 5e Parole - "Si...
82 bpm • G min • 05:28 • -21db
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
11% Popularity • 20% Danceability • 8% Energy • 5% Liveness
9% Instrumentalness • 5% Positiveness
► Preview
Jules Massenet
Massenet: Don Quichotte, Act 1: Introduc...
81 bpm • F Maj • 03:05 • -15.35db
9% Popularity • 20% Danceability • 33% Energy • 7% Liveness
9% Instrumentalness • 33% Positiveness
9% Popularity • 20% Danceability • 33% Energy • 7% Liveness
9% Instrumentalness • 33% Positiveness
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Richard Strauss
Die schweigsame Frau, Op. 80, TrV 265: N...
81 bpm • G Maj • 03:09 • -14.15db
8% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor, Act III...
83 bpm • A# Maj • 06:03 • -14.05db
0% Popularity • 43% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 43% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part II: Welcom...
81 bpm • F Maj • 02:43 • -30.06db
13% Popularity • 25% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Hamburg Symphony Orchestra
Symphony No.1 in C Minor, Op.68: Un poco...
91 bpm • C Maj • 01:24 • -22.19db
13% Popularity • 21% Danceability • 17% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 17% Energy • 17% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Gounod: Faust, Act 2: "Vin ou bière, bi...
92 bpm • F Maj • 05:02 • -17db
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Anne Thursfield
When I Was One And Twenty
92 bpm • F Maj • 01:34 • -21.9db
9% Popularity • 45% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 45% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Christoph Willibald Gluck
Gluck: Iphigénie en Tauride, Wq. 46, Ac...
92 bpm • A Maj • 04:32 • -15.67db
10% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 21% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Otto Nicolai
Mass No. 1 in D Major: III. Credo
83 bpm • D Maj • 07:42 • -17.76db
3% Popularity • 18% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
3% Popularity • 18% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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Anton Bruckner
Messe F-Moll, WAB 28: II. Gloria
80 bpm • D min • 11:18 • -16.88db
8% Popularity • 16% Danceability • 18% Energy • 3% Liveness
12% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 18% Energy • 3% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck : Hänsel und Gretel : Act 3...
92 bpm • D Maj • 01:20 • -22db
10% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 38% Danceability • 7% Energy • 56% Liveness
0% Instrumentalness • 21% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
MartĂŤn Palmeri
Misatango, Misa a Buenos Aires: VIII. Cr...
92 bpm • C min • 01:11 • -15.91db
14% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
14% Popularity • 16% Danceability • 19% Energy • 13% Liveness
82% Instrumentalness • 17% Positiveness
► Preview
George Frideric Handel
Brockes Passion, HWV 48: Chi sprezzando
80 bpm • D min • 02:29 • -18.61db
7% Popularity • 20% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor / Act 1:...
82 bpm • G Maj • 06:47 • -16.61db
3% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Gioachino Rossini
Elisabetta, regina d'inghilterra: Sinfon...
93 bpm • E Maj • 06:51 • -18.07db
8% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
8% Popularity • 37% Danceability • 25% Energy • 86% Liveness
84% Instrumentalness • 29% Positiveness
► Preview
Felix Mendelssohn
Paulus, Op. 36, MWV A14 / Part 1: No. 13...
80 bpm • D Maj • 02:18 • -26.24db
7% Popularity • 25% Danceability • 5% Energy • 30% Liveness
1% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 30% Liveness
1% Instrumentalness • 15% Positiveness
► Preview
Johannes Brahms
Valse pour piano, Op. 39, No. 15
80 bpm • G min • 02:48 • -12.29db
18% Popularity • 20% Danceability • 40% Energy • 21% Liveness
80% Instrumentalness • 44% Positiveness
18% Popularity • 20% Danceability • 40% Energy • 21% Liveness
80% Instrumentalness • 44% Positiveness
► Preview
Richard Wagner
Akt I: Vor allem nun: der Speer kehr uns...
93 bpm • D Maj • 02:36 • -29.11db
15% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
AntonĂn Dvořák
Stabat Mater, Op. 58: IV. Fac, ut ardeat...
79 bpm • A# min • 07:37 • -26db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
90 bpm • G# Maj • 06:36 • -21.62db
0% Popularity • 36% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 36% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Giuseppe Verdi
La Traviata, Act III: Addio, del passato
79 bpm • A min • 06:22 • -23.64db
10% Popularity • 16% Danceability • 4% Energy • 21% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 4% Energy • 21% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Kevin Puts
Puts: The Hours, Act 2: "All Along?" (Cl...
79 bpm • A Maj • 05:58 • -23.2db
13% Popularity • 20% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 20% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Théodore Dubois
Seven Last Words - Introduction - Theodo...
79 bpm • G min • 05:58 • -28.96db
9% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 3% Energy • 17% Liveness
25% Instrumentalness • 3% Positiveness
