Songs like Die lustigen Weiber von Windsor · Oper in 3 Akten (1988 Remaster), Erster Akt: Nr. 4 - Finale I: So hab' ich dich errungen (Falstaff - Frau Fluth - Frau Reich - Fluth - Reich - Cajus - Spärlich - Chor) by Otto Nicolai
Based on a tempo of (+/- 10%) and a similar genre
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
139 bpm • C Maj • 08:38 • -20.25db
2% Popularity • 28% Danceability • 12% Energy • 26% Liveness
92% Instrumentalness • 8% Positiveness
2% Popularity • 28% Danceability • 12% Energy • 26% Liveness
92% Instrumentalness • 8% Positiveness
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Antonín Dvořák
Carnival Overture - 2024 Remastered Vers...
139 bpm • D Maj • 09:06 • -11.51db
12% Popularity • 28% Danceability • 44% Energy • 12% Liveness
68% Instrumentalness • 16% Positiveness
12% Popularity • 28% Danceability • 44% Energy • 12% Liveness
68% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: I. Stabat Mater d...
139 bpm • G min • 09:27 • -20.46db
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Mosè-fantasia, Op. 24, MS 23 (Arr. for ...
138 bpm • F min • 00:50 • -13.62db
9% Popularity • 29% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 16% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Benedictus
138 bpm • D# Maj • 02:18 • -23.11db
19% Popularity • 18% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Richard Strauss
Four Last Songs, TrV 296: II. September
138 bpm • D Maj • 04:04 • -22.24db
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Otto Nicolai
Il templario: Act I Scene 2: Di dannata ...
139 bpm • E Maj • 04:50 • -14.13db
0% Popularity • 32% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 32% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Antonín Dvořák
Stabat mater, op.58: 4. Basso e Coro "Fa...
139 bpm • A# min • 09:45 • -23.08db
8% Popularity • 15% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: Domine Deus
138 bpm • D Maj • 04:53 • -17.99db
14% Popularity • 29% Danceability • 16% Energy • 10% Liveness
11% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 16% Energy • 10% Liveness
11% Instrumentalness • 18% Positiveness
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Alejandro Llovet Abascal
Waltz No 2 Vera Icon
140 bpm • A# Maj • 03:12 • -20.23db
8% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
8% Popularity • 68% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 94% Positiveness
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Giacomo Puccini
Messa di Gloria: Sanctus
140 bpm • G Maj • 01:19 • -19.85db
20% Popularity • 21% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 13% Positiveness
20% Popularity • 21% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 13% Positiveness
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Théodore Dubois
Les 7 paroles du Christ: 1ère Parole - ...
141 bpm • A# min • 05:20 • -19.97db
13% Popularity • 19% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 10% Energy • 9% Liveness
70% Instrumentalness • 5% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor: Akt III...
139 bpm • D Maj • 06:49 • -17.85db
0% Popularity • 29% Danceability • 16% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 16% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58: X. Quando corpus m...
139 bpm • D Maj • 07:39 • -16.45db
19% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 20% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Andre Kostelanetz & His Orchestra
To a Wild Rose
137 bpm • A Maj • 02:25 • -20.68db
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 14% Energy • 15% Liveness
24% Instrumentalness • 4% Positiveness
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Heinrich Marschner
Marschner: Hans Heiling, Op. 80: "Gönne...
137 bpm • D# Maj • 05:34 • -17db
11% Popularity • 27% Danceability • 20% Energy • 14% Liveness
16% Instrumentalness • 13% Positiveness
11% Popularity • 27% Danceability • 20% Energy • 14% Liveness
16% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Turandot: Act I: Gira la cote! Gira!
140 bpm • D Maj • 02:19 • -15.76db
9% Popularity • 35% Danceability • 41% Energy • 59% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 35% Danceability • 41% Energy • 59% Liveness
0% Instrumentalness • 33% Positiveness
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Giuseppe Verdi
Un ballo in maschera: Overture
142 bpm • E Maj • 04:30 • -28.28db
9% Popularity • 16% Danceability • 2% Energy • 32% Liveness
41% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 32% Liveness
41% Instrumentalness • 4% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
139 bpm • D# Maj • 04:08 • -24db
4% Popularity • 14% Danceability • 6% Energy • 33% Liveness
96% Instrumentalness • 3% Positiveness
4% Popularity • 14% Danceability • 6% Energy • 33% Liveness
96% Instrumentalness • 3% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 1: "À l'heure acco...
136 bpm • C# Maj • 06:35 • -24.12db
8% Popularity • 19% Danceability • 6% Energy • 19% Liveness
18% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 19% Liveness
18% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: Introduction "As God the...
142 bpm • C min • 01:05 • -27db
10% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Strauss II
Die Fledermaus: Act I: Trio: Nein, mit s...
142 bpm • G Maj • 04:02 • -14.55db
8% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Gioachino Rossini
Petite messe solennelle: Credo
135 bpm • B Maj • 04:11 • -21.43db
16% Popularity • 27% Danceability • 12% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
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Giuseppe Verdi
La traviata, Act I: Overture: La Traviat...
136 bpm • G# Maj • 04:29 • -26.87db
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor, Act I: ...
135 bpm • F Maj • 02:41 • -14.05db
0% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 60% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Eric Coates
Cinderella: 2. Her Fairy Godmother calls...
143 bpm • G Maj • 01:35 • -31db
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 2: Des Ri...
135 bpm • F# Maj • 02:42 • -23db
9% Popularity • 29% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 29% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 3, Falstaff and t...
134 bpm • F Maj • 04:49 • -21.11db
9% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
9% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
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Camille Saint-Saëns
Mélodies persanes, Op. 26: No. 2, La Sp...
134 bpm • F Maj • 04:07 • -21.63db
9% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Messa di Gloria: XIII. Et resurrexit
134 bpm • C min • 02:22 • -21.17db
8% Popularity • 26% Danceability • 16% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
139 bpm • C Maj • 07:51 • -21.02db
2% Popularity • 39% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 39% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Die erste Walpurgisnacht, Op. 60: Es lac...
134 bpm • A Maj • 03:56 • -17db
3% Popularity • 33% Danceability • 25% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 33% Danceability • 25% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
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Józef Kozłowski
Requiem in E-Flat Minor: II. Dies irae
134 bpm • C min • 03:17 • -15.5db
5% Popularity • 34% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
5% Popularity • 34% Danceability • 26% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
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Antonín Dvořák
Stabat mater, op.58: 10. Quartetto e Cor...
134 bpm • D Maj • 08:45 • -13.96db
9% Popularity • 18% Danceability • 26% Energy • 12% Liveness
35% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 26% Energy • 12% Liveness
35% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 1: Preludio
133 bpm • F Maj • 04:21 • -24.73db
11% Popularity • 17% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part IV: Finale...
134 bpm • C Maj • 07:18 • -18.63db
11% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Otto Nicolai
Mass No. 1 in D Major: VI. Agnus Dei
140 bpm • A Maj • 04:15 • -28.1db
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto: Zitti, zitti (Conspirators' C...
146 bpm • D# Maj • 01:53 • -29.29db
1% Popularity • 48% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 31% Positiveness
1% Popularity • 48% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
146 bpm • E Maj • 04:56 • -31.07db
11% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Anton Bruckner
Mass No. 3 in F Minor, WAB 28: Benedictu...
132 bpm • G# Maj • 08:57 • -25.1db
9% Popularity • 18% Danceability • 5% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 5% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
The Sleeping Emperor
132 bpm • B Maj • 01:55 • -37.51db
14% Popularity • 16% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 16% Liveness
86% Instrumentalness • 4% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
140 bpm • F Maj • 08:44 • -20db
6% Popularity • 34% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
6% Popularity • 34% Danceability • 12% Energy • 14% Liveness
93% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
Ponchielli: La Gioconda, Op. 9, Act 3: "...
147 bpm • B Maj • 01:33 • -26.16db
10% Popularity • 27% Danceability • 4% Energy • 29% Liveness
5% Instrumentalness • 8% Positiveness
10% Popularity • 27% Danceability • 4% Energy • 29% Liveness
5% Instrumentalness • 8% Positiveness
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Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
132 bpm • D Maj • 02:39 • -40.26db
3% Popularity • 25% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
3% Popularity • 25% Danceability • 0% Energy • 10% Liveness
4% Instrumentalness • 12% Positiveness
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Maulbronn Chamber Choir
Nicolai: Pater noster, Op.33
130 bpm • C Maj • 06:33 • -21.45db
0% Popularity • 19% Danceability • 31% Energy • 46% Liveness
47% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 31% Energy • 46% Liveness
47% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Stabat Mater, Op. 58: VIII. Fac, ut port...
130 bpm • D Maj • 04:21 • -27.24db
18% Popularity • 24% Danceability • 4% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 4% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Acte 1 Scène 3: Annonc...
130 bpm • D# Maj • 01:55 • -12.32db
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 48% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 73% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
141 bpm • D min • 03:00 • -12.53db
0% Popularity • 47% Danceability • 56% Energy • 25% Liveness
4% Instrumentalness • 67% Positiveness
0% Popularity • 47% Danceability • 56% Energy • 25% Liveness
4% Instrumentalness • 67% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Carl Orff
Carmina Burana, Pt. 2: No. 14, In tabern...
130 bpm • E Maj • 03:10 • -24.69db
7% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Gioacchino Rossini
Rossini: Petite messe solennelle: III. G...
129 bpm • F Maj • 02:30 • -21db
9% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor, Act I: ...
141 bpm • C Maj • 03:50 • -12.43db
0% Popularity • 36% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 36% Danceability • 25% Energy • 47% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Emiliano Branda
The Haunting Hour
151 bpm • A# Maj • 02:15 • -18.12db
12% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
12% Popularity • 41% Danceability • 20% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
► Preview
Slovak Philharmonic
Scènes pittoresques, Orchestersuite in ...
128 bpm • D Maj • 03:43 • -22.05db
9% Popularity • 47% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
9% Popularity • 47% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: II. We are the...
128 bpm • A# min • 01:59 • -28.79db
11% Popularity • 17% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ba...
128 bpm • G Maj • 01:45 • -19.69db
12% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
12% Popularity • 65% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
► Preview
Carl Orff
Orff: Carmina Burana, Pt. 1, Primo vere:...
153 bpm • F Maj • 02:33 • -18.91db
18% Popularity • 34% Danceability • 17% Energy • 40% Liveness
6% Instrumentalness • 56% Positiveness
18% Popularity • 34% Danceability • 17% Energy • 40% Liveness
6% Instrumentalness • 56% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
141 bpm • D Maj • 02:05 • -26.82db
1% Popularity • 30% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 30% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 8 in E-Flat Major: ...
126 bpm • G# Maj • 06:15 • -18.52db
9% Popularity • 17% Danceability • 15% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 15% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Linda Campanella
Die Zauberflöte, K. 620: Der Hölle Rac...
126 bpm • F Maj • 03:28 • -13.57db
6% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 47% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Ludwig van Beethoven
Christus am Ölberge, Op. 85: 5a. "Hier ...
126 bpm • D Maj • 02:12 • -13.01db
2% Popularity • 48% Danceability • 43% Energy • 21% Liveness
37% Instrumentalness • 26% Positiveness
2% Popularity • 48% Danceability • 43% Energy • 21% Liveness
37% Instrumentalness • 26% Positiveness
► Preview
César Franck
Les Béatitudes, CFF 185: Prologue
126 bpm • E Maj • 04:22 • -29.25db
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 4% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Te Deum, WAB. 45: I. Te Deum laudamus
126 bpm • C min • 05:58 • -16db
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor: Akt I: ...
137 bpm • G Maj • 01:20 • -27.26db
0% Popularity • 68% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 68% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Ferenc Erkel
Bank ban: Prelude
125 bpm • C Maj • 03:01 • -26.85db
12% Popularity • 22% Danceability • 6% Energy • 17% Liveness
77% Instrumentalness • 11% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 17% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Gioachino Rossini
L'italiana in Algeri: Atto I. Duetto. Se...
125 bpm • B min • 04:20 • -18.7db
11% Popularity • 42% Danceability • 34% Energy • 65% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 42% Danceability • 34% Energy • 65% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Benjamin Britten
Spring Symphony, Op. 44, Part III: Sound...
125 bpm • B min • 01:19 • -20.41db
12% Popularity • 38% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
12% Popularity • 38% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Heinrich Marschner
Schön Ella, Op. 27 (Excerpts): Entr'act...
125 bpm • E Maj • 02:32 • -21.03db
14% Popularity • 29% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness
14% Popularity • 29% Danceability • 14% Energy • 12% Liveness
78% Instrumentalness • 15% Positiveness
► Preview
Gioacchino Rossini
Rossini: Petite messe solennelle: V. Dom...
124 bpm • D Maj • 05:30 • -17.21db
8% Popularity • 32% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
8% Popularity • 32% Danceability • 18% Energy • 15% Liveness
6% Instrumentalness • 17% Positiveness
► Preview
Otto Nicolai
Die lustigen Weiber von Windsor · Oper ...
136 bpm • D Maj • 01:31 • -28.04db
0% Popularity • 69% Danceability • 13% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 69% Danceability • 13% Energy • 62% Liveness
0% Instrumentalness • 39% Positiveness
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Giacomo Puccini
Messa di Gloria: X. Credo
124 bpm • C min • 02:46 • -22.13db
9% Popularity • 22% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 8% Positiveness
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Jules Massenet
Le Cid: Plus de tourments et plus de pei...
123 bpm • A# Maj • 01:55 • -17.18db
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 22% Liveness
4% Instrumentalness • 8% Positiveness
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George Lloyd
A Symphonic Mass for Chorus & Orchestra:...
123 bpm • D# min • 07:52 • -20.39db
13% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Aria "Meine S...
123 bpm • D min • 05:48 • -21.44db
11% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Der Freischütz, Op. 77, J. 277: Jägerc...
123 bpm • D Maj • 02:46 • -20.29db
11% Popularity • 45% Danceability • 35% Energy • 75% Liveness
62% Instrumentalness • 31% Positiveness
11% Popularity • 45% Danceability • 35% Energy • 75% Liveness
62% Instrumentalness • 31% Positiveness
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Otto Nicolai
Mass No. 1 in D Major: II. Gloria
135 bpm • A Maj • 07:06 • -18.53db
3% Popularity • 22% Danceability • 12% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 12% Energy • 8% Liveness
69% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
6 Ariette: No. 5, Per pietà, bell'idol ...
122 bpm • C min • 02:35 • -21db
11% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
11% Popularity • 43% Danceability • 10% Energy • 19% Liveness
7% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Messa di Gloria: Agnus Dei
123 bpm • C Maj • 03:23 • -23.81db
19% Popularity • 24% Danceability • 40% Energy • 71% Liveness
2% Instrumentalness • 24% Positiveness
19% Popularity • 24% Danceability • 40% Energy • 71% Liveness
2% Instrumentalness • 24% Positiveness
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Igor Stravinsky
Stravinsky: Pulcinella: II. Serenata. �...
121 bpm • A# Maj • 09:46 • -25.04db
1% Popularity • 35% Danceability • 4% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
1% Popularity • 35% Danceability • 4% Energy • 18% Liveness
74% Instrumentalness • 22% Positiveness
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Franz von Suppé
Requiem aeternam: Recordare
121 bpm • D min • 05:40 • -24.31db
12% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Christus: IV. "Und der ganze Haufe stand...
121 bpm • A# Maj • 06:25 • -19.25db
8% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
8% Popularity • 36% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 9% Positiveness
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Otto Nicolai
Mass No. 1 in D Major: V. Benedictus
135 bpm • E Maj • 04:50 • -22.72db
3% Popularity • 22% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Georg Anton Kreusser
2. Coro: Sein Odem ist schwach
121 bpm • A# min • 03:16 • -19.29db
15% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
15% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Messa di Gloria: IX. Cum Sancto Spiritu
122 bpm • C Maj • 03:49 • -17db
10% Popularity • 28% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 28% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24 - Part 2: ...
121 bpm • D Maj • 03:01 • -37.85db
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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André Rieu
Czardasfürstin - Live
121 bpm • D Maj • 04:59 • -13.74db
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 28% Danceability • 32% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Casse-Noisette suite, Op. 71a ; TH 35: I...
161 bpm • G Maj • 01:07 • -11.21db
16% Popularity • 30% Danceability • 73% Energy • 15% Liveness
94% Instrumentalness • 94% Positiveness
16% Popularity • 30% Danceability • 73% Energy • 15% Liveness
94% Instrumentalness • 94% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
144 bpm • C Maj • 08:35 • -20.24db
0% Popularity • 30% Danceability • 18% Energy • 82% Liveness
93% Instrumentalness • 10% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 82% Liveness
93% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
"Lobgesang" in B Flat Major, Op. 52, MWV...
119 bpm • A# Maj • 04:18 • -15db
13% Popularity • 32% Danceability • 33% Energy • 60% Liveness
96% Instrumentalness • 29% Positiveness
13% Popularity • 32% Danceability • 33% Energy • 60% Liveness
96% Instrumentalness • 29% Positiveness
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Jacques Offenbach
Hoffmanns Erzählungen (Les Contes d'Hof...
163 bpm • F Maj • 01:10 • -24.75db
18% Popularity • 37% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Messa da Requiem: I. Requiem - Kyrie
118 bpm • A Maj • 08:12 • -22.09db
16% Popularity • 18% Danceability • 11% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 11% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Messe F-Moll, WAB 28: I. Kyrie
118 bpm • A# min • 09:48 • -21.3db
10% Popularity • 17% Danceability • 7% Energy • 8% Liveness
36% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 8% Liveness
36% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle: IV. Gloria. Glo...
165 bpm • F Maj • 00:55 • -16.32db
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Otto Nicolai
Die lustigen Weiber von Windsor (The Mer...
144 bpm • A Maj • 09:21 • -16.55db
0% Popularity • 45% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 45% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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George Frideric Handel
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I...
118 bpm • A Maj • 02:32 • -24.72db
9% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
