Songs like Die On The Dancefloor by L Devine
Based on a tempo of (+/- 10%) and a similar genre
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L Devine
Boring People - Friend Within Remix
123 bpm • G# min • 05:29 • -4.23db
0% Popularity • 70% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 39% Positiveness
0% Popularity • 70% Danceability • 92% Energy • 7% Liveness
55% Instrumentalness • 39% Positiveness
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Tom Aspaul
W.M.
123 bpm • B min • 03:13 • -7.34db
24% Popularity • 73% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 73% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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MakeYouKnowLove
Don't Need Heaven
123 bpm • A# Maj • 03:27 • -5.05db
29% Popularity • 69% Danceability • 84% Energy • 9% Liveness
8% Instrumentalness • 61% Positiveness
29% Popularity • 69% Danceability • 84% Energy • 9% Liveness
8% Instrumentalness • 61% Positiveness
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Lily J Evans
Gameboy
123 bpm • G# min • 03:40 • -5.81db
23% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 77% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Call Me Loop
Year of the Ex
123 bpm • B min • 03:04 • -6.44db
22% Popularity • 81% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 81% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin
123 bpm • F# Maj • 03:41 • -7db
52% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 76% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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L Devine
Die On The Dancefloor
123 bpm • D Maj • 03:21 • -5.08db
31% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Maude Latour
001
122 bpm • C# Maj • 03:06 • -6.46db
29% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Eden Hunter
Twenty.
122 bpm • C# Maj • 02:59 • -7.86db
16% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Julia Michaels
Wrapped Around
124 bpm • B min • 02:43 • -6.3db
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Ralph
Tommy
122 bpm • A Maj • 02:50 • -5.62db
32% Popularity • 88% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 88% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Rina Sawayama
Catch Me In The Air
122 bpm • A Maj • 03:35 • -3.92db
41% Popularity • 52% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 52% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Loviet
Jawbreaker
124 bpm • C# min • 02:53 • -5.36db
13% Popularity • 74% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 74% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Rebecca Black
Girlfriend
124 bpm • C# Maj • 03:23 • -3.9db
34% Popularity • 67% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 67% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Route 94
Sad Songs
124 bpm • G min • 03:11 • -5.44db
38% Popularity • 70% Danceability • 82% Energy • 7% Liveness
12% Instrumentalness • 63% Positiveness
38% Popularity • 70% Danceability • 82% Energy • 7% Liveness
12% Instrumentalness • 63% Positiveness
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Mike Taveira
Faces
122 bpm • A min • 02:21 • -2.53db
28% Popularity • 74% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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L Devine
Laundry Day
122 bpm • B Maj • 03:09 • -6.33db
23% Popularity • 75% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 75% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Ashley O
On A Roll - Basic Tape Remix
122 bpm • C Maj • 03:00 • -3.73db
40% Popularity • 69% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 69% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Montgomery
Close To Being Apart
122 bpm • B min • 03:13 • -8db
9% Popularity • 68% Danceability • 68% Energy • 10% Liveness
7% Instrumentalness • 85% Positiveness
9% Popularity • 68% Danceability • 68% Energy • 10% Liveness
7% Instrumentalness • 85% Positiveness
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Pure Shores
Fantasy
124 bpm • B min • 03:14 • -6.21db
23% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 72% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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King Princess
House Burn Down
124 bpm • G min • 03:10 • -2.76db
35% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 56% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Cyn
Losing Sleep
122 bpm • C Maj • 02:42 • -5.15db
29% Popularity • 87% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 87% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Hayley Kiyoko
well…
124 bpm • C# Maj • 03:24 • -6.33db
31% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 74% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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MUNA
Number One Fan
124 bpm • A Maj • 03:25 • -4.9db
52% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 75% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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L Devine
Boring People - Coldabank Remix
124 bpm • C# min • 02:56 • -8.75db
2% Popularity • 73% Danceability • 75% Energy • 3% Liveness
62% Instrumentalness • 75% Positiveness
2% Popularity • 73% Danceability • 75% Energy • 3% Liveness
62% Instrumentalness • 75% Positiveness
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Carly Rae Jepsen
Talking to Yourself
124 bpm • G min • 02:53 • -5.52db
53% Popularity • 74% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 74% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Josie Man
Stormy Skies (Diamonds)
125 bpm • B Maj • 03:33 • -7.31db
25% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Allie X
Private Life
125 bpm • D min • 04:23 • -6db
37% Popularity • 66% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 66% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Lyrah
Taken
121 bpm • A min • 02:01 • -8.94db
17% Popularity • 83% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
17% Popularity • 83% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Michael Medrano
Personal Heaven
121 bpm • D# Maj • 03:04 • -5.64db
30% Popularity • 82% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 82% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Ralph
Love Potion
121 bpm • G# Maj • 03:08 • -4.63db
18% Popularity • 76% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 76% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Emily Blue
The Afterlove
125 bpm • G Maj • 03:29 • -6.61db
23% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 67% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Surf Mesa
Another Life
125 bpm • C Maj • 02:42 • -5db
57% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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CXLOE
Plans
125 bpm • D# Maj • 03:10 • -7.68db
31% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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HYRA
Sad Lullaby
125 bpm • A Maj • 03:25 • -8.54db
24% Popularity • 91% Danceability • 36% Energy • 21% Liveness
2% Instrumentalness • 40% Positiveness
24% Popularity • 91% Danceability • 36% Energy • 21% Liveness
2% Instrumentalness • 40% Positiveness
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Tove Lo
No One Dies From Love (220 KID Remix)
125 bpm • C Maj • 03:06 • -6.25db
25% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Gia Woods
Enough of You
125 bpm • F# min • 02:30 • -5.03db
21% Popularity • 79% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 79% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Ralph
Crush
121 bpm • B min • 02:58 • -6.5db
29% Popularity • 77% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 77% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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ELIO
9 Lives
125 bpm • C# Maj • 02:47 • -7db
28% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 79% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Leadley
I'm Not That Girl (Anymore)
121 bpm • F# Maj • 02:48 • -7.28db
17% Popularity • 70% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 70% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Madison Rose
Better Off Alone
126 bpm • E Maj • 02:42 • -3.7db
35% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 62% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Gatlin
2000 Miles
125 bpm • C# min • 02:59 • -7db
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
41% Popularity • 71% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Nina Nesbitt
Life's a Bitch
126 bpm • D Maj • 02:59 • -7.6db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Robinson
Teenage Renegade
120 bpm • G Maj • 03:04 • -4.91db
29% Popularity • 75% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 75% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 29% Positiveness
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Number One Popstar
Dance Away The Pain
126 bpm • C min • 02:56 • -6.46db
44% Popularity • 70% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 70% Danceability • 65% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Andrea Di Giovanni
Leave It
120 bpm • C# Maj • 02:39 • -10.99db
19% Popularity • 68% Danceability • 53% Energy • 14% Liveness
9% Instrumentalness • 15% Positiveness
19% Popularity • 68% Danceability • 53% Energy • 14% Liveness
9% Instrumentalness • 15% Positiveness
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Ivy Adara
Pressure
120 bpm • D Maj • 02:44 • -6.14db
32% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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MUNA
What I Want
120 bpm • F min • 04:03 • -5.44db
54% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Madison Rose
Sunshine
126 bpm • C min • 02:29 • -5.54db
35% Popularity • 70% Danceability • 69% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 70% Danceability • 69% Energy • 60% Liveness
0% Instrumentalness • 31% Positiveness
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Leadley
New Shoes
120 bpm • C min • 03:44 • -6.11db
24% Popularity • 78% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 78% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Nasty Cherry
What’s The Deal
120 bpm • C Maj • 02:35 • -3.71db
20% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Litany
Starsign
120 bpm • F Maj • 03:28 • -9db
32% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 79% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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The Rosé
The Devil In The Details
120 bpm • E Maj • 04:34 • -7.96db
23% Popularity • 74% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 74% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Culture Wars
Lose Money
120 bpm • B min • 03:06 • -7.67db
28% Popularity • 70% Danceability • 67% Energy • 16% Liveness
2% Instrumentalness • 81% Positiveness
28% Popularity • 70% Danceability • 67% Energy • 16% Liveness
2% Instrumentalness • 81% Positiveness
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Chlöe Howl
In the Middle (Sad Banger)
120 bpm • A min • 04:33 • -8.09db
24% Popularity • 82% Danceability • 77% Energy • 91% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 82% Danceability • 77% Energy • 91% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Aspaul
Tender
126 bpm • D# Maj • 03:07 • -7.35db
17% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Mike Taveira
Fuck Everyone
120 bpm • G# Maj • 02:46 • -6.17db
20% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Medrano
i don't wanna talk about love
120 bpm • C Maj • 02:42 • -5.23db
34% Popularity • 87% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 87% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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FLETCHER
She Said
120 bpm • A# min • 02:47 • -5.65db
49% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 65% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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babyidontlikeyou
Wanna Go Back
120 bpm • A# Maj • 03:26 • -7.18db
30% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 75% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Gabrielle Aplin
When The Lights Go Out
120 bpm • C Maj • 03:06 • -7.73db
39% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 74% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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No Rome
Spinning
120 bpm • B Maj • 02:52 • -5.64db
52% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Talltale
Tennis Club
120 bpm • C Maj • 03:21 • -6.78db
33% Popularity • 74% Danceability • 62% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
33% Popularity • 74% Danceability • 62% Energy • 40% Liveness
1% Instrumentalness • 76% Positiveness
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Alex Porat
bubblegum
120 bpm • D Maj • 03:08 • -4.01db
24% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 74% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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FLETCHER
Holiday
120 bpm • A min • 03:13 • -6.6db
40% Popularity • 77% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 77% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Call Me Loop
Strike
120 bpm • C Maj • 02:50 • -6db
32% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Mabel
Crying On The Dance Floor
120 bpm • D# Maj • 03:23 • -4.4db
28% Popularity • 66% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 66% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Ally Hills
All I Do
120 bpm • C Maj • 03:08 • -6.4db
33% Popularity • 71% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 71% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Hunter Moreau
Sleepyhead
120 bpm • C Maj • 02:58 • -6.46db
30% Popularity • 81% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 81% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Heartthrob
Nothing For You
120 bpm • C Maj • 03:13 • -6.6db
26% Popularity • 79% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 79% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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CROSSLEY
Want Me Back
120 bpm • F# min • 02:53 • -5.52db
12% Popularity • 69% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 69% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Call Me Loop
Rosé
120 bpm • G# Maj • 02:46 • -4.11db
37% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 74% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jaira Burns
I Like You Better
120 bpm • C Maj • 02:16 • -7.55db
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 95% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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ELIO
Vitamins
120 bpm • A# Maj • 02:28 • -5db
42% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Leadley
Summer Lovin'
120 bpm • F Maj • 03:04 • -4db
21% Popularity • 69% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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ZIDA
Never Cry
120 bpm • B Maj • 03:14 • -9.28db
21% Popularity • 70% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 70% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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morgxn
THE WAY IT WAS
127 bpm • B Maj • 03:17 • -3db
36% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 67% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Nina Nesbitt
Teenage Chemistry
120 bpm • C# Maj • 02:52 • -5.62db
22% Popularity • 52% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Zara Larsson
Need Someone
119 bpm • E Maj • 02:57 • -4.93db
44% Popularity • 64% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 64% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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HYYTS
Singing Your Name
127 bpm • E Maj • 03:25 • -4.3db
21% Popularity • 72% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 72% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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L Devine
Off The Grid
119 bpm • F# Maj • 02:36 • -9.9db
13% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 56% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Vetta Borne
Kissing Strangers
119 bpm • G Maj • 03:07 • -5.38db
23% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 70% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Maisie Peters
Psycho
119 bpm • D# Maj • 03:04 • -2.97db
52% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Kacy Hill
Easy Going
119 bpm • A# Maj • 02:42 • -7.54db
26% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 68% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kito
Sad Girl Music
128 bpm • C Maj • 03:23 • -8db
38% Popularity • 74% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 74% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Genes
Super Single
128 bpm • C Maj • 03:16 • -4.64db
14% Popularity • 84% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 84% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Charli XCX
Sorry if I Hurt You
128 bpm • B min • 02:41 • -4.67db
44% Popularity • 56% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Peach PRC
Forever Drunk
128 bpm • A Maj • 03:10 • -4.97db
50% Popularity • 74% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 74% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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iris
to be mine (is to lose your mind)
128 bpm • E Maj • 03:32 • -7.87db
9% Popularity • 61% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Allie X
GLAM!
128 bpm • D Maj • 03:41 • -4db
33% Popularity • 64% Danceability • 85% Energy • 3% Liveness
9% Instrumentalness • 90% Positiveness
33% Popularity • 64% Danceability • 85% Energy • 3% Liveness
9% Instrumentalness • 90% Positiveness
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Daya
See You In My Dreams
128 bpm • C# min • 02:39 • -4.99db
35% Popularity • 60% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 60% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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Maude Latour
Cyclone
128 bpm • G# Maj • 03:36 • -5.46db
46% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 65% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jules Paymer
I Would Probably Hate You
128 bpm • D Maj • 03:00 • -5.73db
17% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 63% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Gia Woods
Disco Heart
128 bpm • A# min • 03:15 • -6db
24% Popularity • 57% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 57% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Charli XCX
Beg for You
128 bpm • A Maj • 02:48 • -5.09db
59% Popularity • 79% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 79% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kiesza
Slow Motion Fighting
128 bpm • C# min • 03:51 • -4.78db
15% Popularity • 71% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 71% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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GRACEY
Got You Covered
128 bpm • F Maj • 02:56 • -4.65db
27% Popularity • 82% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 82% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Maude Latour
Clean
128 bpm • C# Maj • 03:08 • -6.85db
33% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
