Songs like Die schöne Galathée: Overture by Franz von Suppé
Based on a tempo of (+/- 10%) and a similar genre
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
44% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Julius FuÄŤĂk
Fucik : Florentiner-Marsch Op.214
125 bpm • F Maj • 05:03 • -15.27db
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
8% Popularity • 41% Danceability • 41% Energy • 22% Liveness
96% Instrumentalness • 44% Positiveness
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Giacomo Puccini
Le Villi: La Tregenda
123 bpm • C min • 03:52 • -17db
22% Popularity • 46% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 54% Positiveness
22% Popularity • 46% Danceability • 26% Energy • 16% Liveness
91% Instrumentalness • 54% Positiveness
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Franz von Suppé
Overture "Light Cavalry" Ouverture "Die ...
123 bpm • A Maj • 07:05 • -13.79db
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 36% Energy • 5% Liveness
88% Instrumentalness • 16% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
123 bpm • G min • 04:47 • -24.84db
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 54% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: I....
125 bpm • A Maj • 01:13 • -23db
20% Popularity • 46% Danceability • 31% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 31% Energy • 29% Liveness
94% Instrumentalness • 41% Positiveness
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Johann Schrammel
Wien bleibt Wien, Marsch
122 bpm • D Maj • 03:24 • -15.59db
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
20% Popularity • 65% Danceability • 40% Energy • 9% Liveness
96% Instrumentalness • 86% Positiveness
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Franz von Suppé
Die schone Galathee (The Beautiful Galat...
123 bpm • D Maj • 07:46 • -22.26db
0% Popularity • 27% Danceability • 11% Energy • 30% Liveness
79% Instrumentalness • 11% Positiveness
0% Popularity • 27% Danceability • 11% Energy • 30% Liveness
79% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
122 bpm • D min • 07:39 • -21.71db
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
23% Popularity • 28% Danceability • 13% Energy • 8% Liveness
33% Instrumentalness • 8% Positiveness
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Joseph Haydn
Symphony No. 94 in G Major, Hob. I:94 "S...
126 bpm • C Maj • 05:54 • -23db
23% Popularity • 48% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 39% Positiveness
23% Popularity • 48% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 39% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Edward Elgar
Military Marches, Op. 39 "Pomp and Circu...
122 bpm • D Maj • 06:14 • -15.17db
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 28% Danceability • 32% Energy • 17% Liveness
91% Instrumentalness • 27% Positiveness
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Franz von Suppé
Requiem: Sanctus
122 bpm • D Maj • 02:23 • -18.15db
1% Popularity • 23% Danceability • 16% Energy • 19% Liveness
82% Instrumentalness • 5% Positiveness
1% Popularity • 23% Danceability • 16% Energy • 19% Liveness
82% Instrumentalness • 5% Positiveness
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La Sinfónica Clásica
Polka Italienne
126 bpm • D# Maj • 01:39 • -21.78db
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 97% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Julius FuÄŤĂk
Fucik : Entry of the Gladiators Op.68
121 bpm • C Maj • 02:44 • -12.53db
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
19% Popularity • 38% Danceability • 59% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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AntonĂn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
127 bpm • D Maj • 06:11 • -16db
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Emmanuel Chabrier
España
127 bpm • F Maj • 06:20 • -23db
9% Popularity • 32% Danceability • 14% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 6% Liveness
63% Instrumentalness • 26% Positiveness
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Franz von Suppé
Leichte Kavallerie: OuvertĂĽre
126 bpm • A Maj • 07:06 • -14.03db
25% Popularity • 32% Danceability • 31% Energy • 49% Liveness
92% Instrumentalness • 14% Positiveness
25% Popularity • 32% Danceability • 31% Energy • 49% Liveness
92% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Variation XVIII: Andante Cantabile
127 bpm • C# Maj • 02:46 • -14.43db
11% Popularity • 32% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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LĂ©o Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Edward Elgar
Pomp and Circumstance, Op. 39: March No....
121 bpm • D Maj • 06:09 • -18.11db
8% Popularity • 29% Danceability • 34% Energy • 6% Liveness
95% Instrumentalness • 16% Positiveness
8% Popularity • 29% Danceability • 34% Energy • 6% Liveness
95% Instrumentalness • 16% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Emmanuel Chabrier
Joyeuse marche: Marche joyeuse
121 bpm • C Maj • 03:46 • -16.7db
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
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AntonĂn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Franz von Suppé
Requiem aeternam: Recordare
121 bpm • D min • 05:40 • -24.31db
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 7% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Edward Elgar
Coronation Ode, Op. 44: VI. Finale "Land...
121 bpm • D Maj • 02:37 • -9.01db
16% Popularity • 35% Danceability • 44% Energy • 19% Liveness
13% Instrumentalness • 41% Positiveness
16% Popularity • 35% Danceability • 44% Energy • 19% Liveness
13% Instrumentalness • 41% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: VI. Danse Boh...
128 bpm • A min • 04:33 • -22.38db
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 42% Danceability • 5% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Émile Waldteufel
España, Op. 236
128 bpm • F Maj • 06:17 • -18.66db
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
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AntonĂn Dvořák
8 Slavonic Dances, Op. 46: No. 2 in E mi...
127 bpm • G Maj • 05:25 • -23.55db
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Franz von Suppé
Requiem: Offertorio: Hostias
127 bpm • C min • 07:23 • -22.18db
6% Popularity • 28% Danceability • 12% Energy • 8% Liveness
67% Instrumentalness • 10% Positiveness
6% Popularity • 28% Danceability • 12% Energy • 8% Liveness
67% Instrumentalness • 10% Positiveness
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Arthur Fiedler
Turkish March
128 bpm • A# Maj • 01:37 • -18db
17% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 59% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: II. Les Drago...
120 bpm • G Maj • 01:37 • -32.29db
30% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
30% Popularity • 62% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 44% Positiveness
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Julius FuÄŤĂk
Einzug der Gladiatoren, Op. 68 "Triumph ...
120 bpm • C Maj • 02:44 • -12.58db
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 19% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
21% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
21% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Franz von Suppé
Leichte Kavallerie: Overture
128 bpm • E Maj • 06:40 • -17db
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 30% Energy • 4% Liveness
87% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Carl Maria von Weber
Oberon, J. 306: Overture
129 bpm • D Maj • 09:21 • -18db
13% Popularity • 28% Danceability • 16% Energy • 18% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 28% Danceability • 16% Energy • 18% Liveness
88% Instrumentalness • 13% Positiveness
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AntonĂn Dvořák
Slavonic Dances, Series I, Op. 46, B. 83...
129 bpm • C Maj • 04:03 • -19db
7% Popularity • 47% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 44% Positiveness
7% Popularity • 47% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 44% Positiveness
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Edward Elgar
Elgar: Pomp and Circumstance March No. 1...
119 bpm • D Maj • 06:26 • -6db
24% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
24% Popularity • 32% Danceability • 53% Energy • 9% Liveness
63% Instrumentalness • 33% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Franz von Suppé
Light Cavalry
130 bpm • A Maj • 06:59 • -13db
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
14% Popularity • 30% Danceability • 27% Energy • 24% Liveness
85% Instrumentalness • 15% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
34% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
34% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Joseph Hellmesberger, Jr.
Gavotte
130 bpm • A Maj • 05:10 • -25.37db
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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AntonĂn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
Oberon, J.306: OuvertĂĽre
131 bpm • D Maj • 08:58 • -19db
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Emmanuel Chabrier
España: Espana
117 bpm • F Maj • 06:44 • -16db
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 35% Danceability • 26% Energy • 3% Liveness
85% Instrumentalness • 30% Positiveness
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Émile Waldteufel
Espana, Waltz, Op. 236
118 bpm • F Maj • 06:25 • -14.33db
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 41% Danceability • 37% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Richard Wagner
Tannhauser: Festive March
131 bpm • B Maj • 06:36 • -16db
11% Popularity • 32% Danceability • 23% Energy • 4% Liveness
88% Instrumentalness • 29% Positiveness
11% Popularity • 32% Danceability • 23% Energy • 4% Liveness
88% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
131 bpm • D# Maj • 03:36 • -22db
20% Popularity • 41% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
20% Popularity • 41% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
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AntonĂn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
60% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
131 bpm • A# Maj • 02:48 • -13.7db
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
29% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
► Preview
Felix Mendelssohn
Hebrides Overture "Fingal's Cave"
132 bpm • B min • 09:44 • -23.78db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Serenade No. 13 in G Major, K. 5...
117 bpm • G Maj • 03:01 • -18.12db
19% Popularity • 50% Danceability • 21% Energy • 6% Liveness
91% Instrumentalness • 64% Positiveness
19% Popularity • 50% Danceability • 21% Energy • 6% Liveness
91% Instrumentalness • 64% Positiveness
► Preview
Franz Schubert
Military March No. 1 in D Major, D. 733
132 bpm • D Maj • 04:39 • -19db
18% Popularity • 49% Danceability • 35% Energy • 85% Liveness
91% Instrumentalness • 28% Positiveness
18% Popularity • 49% Danceability • 35% Energy • 85% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Academy of St. Martin in the Fields
Music for the Royal Firework, HWV 351, L...
116 bpm • D Maj • 05:14 • -15db
19% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
► Preview
George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
41% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
► Preview
Franz von Suppé
Requiem aeternam: Confutatis
132 bpm • A# Maj • 04:10 • -27.42db
7% Popularity • 21% Danceability • 3% Energy • 18% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 3% Energy • 18% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
► Preview
Joseph Hellmesberger, Jr.
Ball Scene
116 bpm • B Maj • 06:41 • -19.41db
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 21% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Frédéric Chopin
Les Sylphides: 8. Valse
116 bpm • G# Maj • 05:43 • -14db
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
18% Popularity • 35% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 24% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
► Preview
Franz von Suppé
Bellman-Marsch
115 bpm • D Maj • 03:38 • -14.94db
0% Popularity • 73% Danceability • 35% Energy • 3% Liveness
80% Instrumentalness • 85% Positiveness
0% Popularity • 73% Danceability • 35% Energy • 3% Liveness
80% Instrumentalness • 85% Positiveness
► Preview
Peter Warlock
Capriol Suite: 1. Basse-danse
133 bpm • D min • 01:36 • -19db
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
36% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Franz Lehár
Gold und Silber, Op. 79
115 bpm • C Maj • 07:53 • -21db
15% Popularity • 29% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 23% Positiveness
15% Popularity • 29% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 23% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
30% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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LĂ©o Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 1: II. Polka
134 bpm • C Maj • 01:35 • -24db
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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London Philharmonic Orchestra
L'Arlesienne Suite No. 1: Prelude
115 bpm • C min • 06:53 • -16.31db
22% Popularity • 26% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
22% Popularity • 26% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
34% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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AntonĂn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Joseph Haydn
Haydn: Trumpet Concerto In E Flat - I Al...
134 bpm • D# Maj • 07:12 • -18.05db
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
32% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Émile Waldteufel
Dans les bois, Polka-mazurka, Op. 119
115 bpm • D Maj • 03:26 • -20db
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 59% Danceability • 5% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
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Franz von Suppé
Caballeria Ligera - Obertura
115 bpm • G Maj • 01:34 • -12.02db
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
38% Popularity • 47% Danceability • 52% Energy • 5% Liveness
91% Instrumentalness • 24% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1 (version for ...
135 bpm • G min • 03:01 • -17db
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
37% Popularity • 26% Danceability • 22% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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LĂ©o Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Eugene Onegin, Op. 24, Act ...
114 bpm • D Maj • 06:04 • -18db
18% Popularity • 41% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
18% Popularity • 41% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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Manuel de Falla
Ritual Fire Dance
134 bpm • G Maj • 04:15 • -19db
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Joseph Haydn
Trumpet Concerto in E Flat, H.VIIe/1: II...
135 bpm • D# Maj • 04:35 • -16.57db
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 54% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Carl Nielsen
Aladdin, Op. 34, FS 89, CNW 17, Act IV: ...
135 bpm • D min • 02:57 • -25.08db
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 20% Liveness
9% Instrumentalness • 14% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Präludium (Al...
135 bpm • G Maj • 03:00 • -22.57db
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
44% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Franz von Suppé
In der Hinterbruhl, Marsch
114 bpm • A# Maj • 02:52 • -14.56db
0% Popularity • 74% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
0% Popularity • 74% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs: Fantasia ...
136 bpm • A Maj • 02:05 • -22.88db
27% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
27% Popularity • 41% Danceability • 13% Energy • 34% Liveness
27% Instrumentalness • 84% Positiveness
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Arthur Fiedler
Carmen Votre toast, je peux vous le rend...
113 bpm • F Maj • 02:31 • -12.97db
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
15% Popularity • 42% Danceability • 28% Energy • 21% Liveness
36% Instrumentalness • 44% Positiveness
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Hans Christian Lumbye
Columbine Polka-Mazurka (1862)
113 bpm • F Maj • 03:56 • -17.87db
16% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
113 bpm • E Maj • 03:07 • -14.42db
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
50% Popularity • 57% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Leopold Mozart
Kinder-Symphonie ("Berchtoldsgadener") C...
136 bpm • C Maj • 03:04 • -16db
29% Popularity • 51% Danceability • 23% Energy • 10% Liveness
41% Instrumentalness • 54% Positiveness
29% Popularity • 51% Danceability • 23% Energy • 10% Liveness
41% Instrumentalness • 54% Positiveness