Songs like Die Walkure: Act II Scene 4: Siegmund! Sieh auf mich! (Brunnhilde) by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Das Rheingold: Scene 1: Vorspiel
69 bpm • G# Maj • 04:45 • -29db
10% Popularity • 8% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Ach, i...
69 bpm • G min • 04:41 • -25.66db
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: III. ...
69 bpm • C min • 09:01 • -30.27db
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
17% Popularity • 6% Danceability • 1% Energy • 33% Liveness
64% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 2, Sept...
70 bpm • D Maj • 05:24 • -23db
17% Popularity • 14% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm - the triumph of Sche...
68 bpm • E min • 02:42 • -31.54db
28% Popularity • 8% Danceability • 4% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 4% Energy • 17% Liveness
56% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Scene 4: Bin ich nun frei...
70 bpm • B min • 04:29 • -18.49db
0% Popularity • 25% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 25% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 8 in E-Flat Major "...
67 bpm • G# Maj • 01:25 • -15.49db
20% Popularity • 26% Danceability • 31% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
20% Popularity • 26% Danceability • 31% Energy • 24% Liveness
1% Instrumentalness • 42% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
66 bpm • D# Maj • 03:58 • -19.8db
19% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie: IX. Ausklang
72 bpm • D# Maj • 05:50 • -31.3db
16% Popularity • 15% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde, Act II: O sink herni...
70 bpm • G# Maj • 05:17 • -24db
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
The Legend of the invisible City of Kite...
70 bpm • B min • 03:06 • -28.18db
5% Popularity • 6% Danceability • 5% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
5% Popularity • 6% Danceability • 5% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Gustav Mahler
Mahler: Symphony No. 8 in E-Flat Major "...
71 bpm • D# Maj • 05:47 • -17.91db
13% Popularity • 6% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, H. 48: V...
72 bpm • C min • 02:14 • -21.07db
11% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Richard Wagner
Symphony In E Major, WWV 35: II. Adagio ...
70 bpm • A Maj • 04:44 • -33.15db
21% Popularity • 14% Danceability • 2% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 07:56 • -25.32db
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Hector Berlioz
Les Troyens, Op. 29, H 133, Act I: No. 1...
74 bpm • G Maj • 03:51 • -16.78db
9% Popularity • 24% Danceability • 37% Energy • 26% Liveness
68% Instrumentalness • 36% Positiveness
9% Popularity • 24% Danceability • 37% Energy • 26% Liveness
68% Instrumentalness • 36% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Richard Wagner
Die Walkure: Act III: Wer meines Speeres...
68 bpm • B Maj • 03:57 • -18db
8% Popularity • 10% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Io sono docile
74 bpm • F Maj • 03:52 • -9.96db
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 32% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
74 bpm • F Maj • 01:15 • -18db
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
19% Popularity • 34% Danceability • 10% Energy • 18% Liveness
93% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Overture
64 bpm • D# Maj • 04:21 • -24db
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Gerard Schwarz
Parsifal Wagner - Good Friday Spell
75 bpm • D Maj • 11:12 • -29.05db
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Wagner
Gotterdammerung (Twilight of the Gods): ...
70 bpm • C# min • 02:03 • -27.53db
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Vb. Songe ...
63 bpm • G min • 01:49 • -21.43db
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
39% Popularity • 47% Danceability • 9% Energy • 66% Liveness
94% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
31% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
31% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • G min • 06:31 • -14db
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
33% Popularity • 22% Danceability • 26% Energy • 29% Liveness
44% Instrumentalness • 9% Positiveness
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Richard Strauss
Don Quixote, Op. 35: Theme - Don Quixote...
63 bpm • F Maj • 01:05 • -26db
38% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
38% Popularity • 19% Danceability • 4% Energy • 19% Liveness
36% Instrumentalness • 9% Positiveness
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Richard Wagner
Das Rheingold: Scene 1: Weia! Waga! Woge...
68 bpm • D# Maj • 01:19 • -15.89db
2% Popularity • 31% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 31% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 21% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 54 - Orch. by Edvard G...
76 bpm • D Maj • 03:22 • -23.93db
5% Popularity • 29% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
5% Popularity • 29% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Requiem, Op. 89 B. 165: Introitus: Requi...
63 bpm • A# min • 10:18 • -19db
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 10% Energy • 7% Liveness
74% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Alexander Nevsky, Op. 78: VI. Field of t...
77 bpm • C min • 06:01 • -33.79db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
6% Instrumentalness • 3% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
31% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, WWV 75: Prelude to Ac...
70 bpm • A Maj • 08:53 • -31db
13% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 2% Energy • 30% Liveness
90% Instrumentalness • 3% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Richard Strauss
Eine Alpensinfonie: VI. Auf dem Gipfel
78 bpm • C Maj • 04:51 • -21.41db
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Suite in A Major "American Suite", Op. 9...
63 bpm • A Maj • 04:48 • -23.86db
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 7% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser - Paris version / Act 2: "O ...
68 bpm • D# Maj • 08:56 • -16db
0% Popularity • 22% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Hector Berlioz
Symphonie Fantastique, Op. 14: V. Songe ...
60 bpm • C min • 09:53 • -25.76db
11% Popularity • 24% Danceability • 9% Energy • 34% Liveness
71% Instrumentalness • 8% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 34% Liveness
71% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
79 bpm • E Maj • 03:59 • -24.32db
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 16% Liveness
18% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Spartacus highlights (1993 Digital Remas...
79 bpm • F# Maj • 08:07 • -15.5db
6% Popularity • 22% Danceability • 30% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
6% Popularity • 22% Danceability • 30% Energy • 8% Liveness
77% Instrumentalness • 8% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:03 • -21.29db
24% Popularity • 31% Danceability • 8% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 31% Danceability • 8% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91 (Arr. Fontanel...
67 bpm • D Maj • 03:51 • -18.65db
11% Popularity • 25% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: V. ...
60 bpm • C min • 10:31 • -26.07db
34% Popularity • 29% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 10% Positiveness
34% Popularity • 29% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: II. Variazio...
80 bpm • F Maj • 05:05 • -24.61db
16% Popularity • 8% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Richard Wagner
Tristan und Isolde / Act 2: "O sink hern...
67 bpm • G# Maj • 05:18 • -24.79db
23% Popularity • 11% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
39% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Benjamin Britten
War Requiem, Op. 66: II. Dies irae: a. D...
81 bpm • G Maj • 03:38 • -19.64db
9% Popularity • 34% Danceability • 7% Energy • 7% Liveness
72% Instrumentalness • 9% Positiveness
9% Popularity • 34% Danceability • 7% Energy • 7% Liveness
72% Instrumentalness • 9% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhäuser - Paris Version / Act III: O...
71 bpm • G Maj • 03:00 • -31.49db
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
82 bpm • G Maj • 08:36 • -12.97db
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
82 bpm • C Maj • 05:12 • -22db
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 11% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "So il tuo nome!"
82 bpm • F# Maj • 02:13 • -11.05db
12% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 37% Energy • 19% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B / Erster Akt: Wint...
82 bpm • C Maj • 14:14 • -15.76db
14% Popularity • 21% Danceability • 24% Energy • 47% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 21% Danceability • 24% Energy • 47% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: Salome's Dance...
82 bpm • F Maj • 09:27 • -21db
15% Popularity • 18% Danceability • 13% Energy • 73% Liveness
75% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 13% Energy • 73% Liveness
75% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Claude Debussy
La mer, CD 111: III. Dialogue du vent et...
83 bpm • C# Maj • 07:55 • -22.7db
8% Popularity • 9% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 12% Energy • 21% Liveness
94% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Festive Overture, Op.96
83 bpm • A Maj • 05:50 • -18.74db
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
26% Popularity • 26% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Richard Wagner
Gotterdammerung (Twilight of the Gods): ...
67 bpm • B Maj • 02:09 • -24.41db
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 5. Sp...
84 bpm • C# Maj • 02:46 • -10.08db
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 24% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 24% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 2: "Euch Lüften...
67 bpm • A# Maj • 03:39 • -24db
3% Popularity • 18% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
3% Popularity • 18% Danceability • 6% Energy • 12% Liveness
30% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act I: Greshno...
84 bpm • B Maj • 03:58 • -14.51db
15% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
84 bpm • G Maj • 08:20 • -15.29db
14% Popularity • 52% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 23% Positiveness
14% Popularity • 52% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 23% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act 3: "Be...
71 bpm • D# Maj • 05:33 • -20db
13% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Richard Wagner
Das Rheingold: Scene 4: Rheingold! Rhein...
67 bpm • C# Maj • 04:02 • -15.98db
0% Popularity • 17% Danceability • 30% Energy • 62% Liveness
22% Instrumentalness • 15% Positiveness
0% Popularity • 17% Danceability • 30% Energy • 62% Liveness
22% Instrumentalness • 15% Positiveness
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AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
