Songs like Die Walkürie, WWV 86b, Act III: Ride of the Valkyries by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Götterdämmerung, WWV 86D / Act 3: Flie...
95 bpm • C# Maj • 08:43 • -13db
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture
95 bpm • E Maj • 06:58 • -14db
39% Popularity • 42% Danceability • 27% Energy • 26% Liveness
84% Instrumentalness • 44% Positiveness
39% Popularity • 42% Danceability • 27% Energy • 26% Liveness
84% Instrumentalness • 44% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
40% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
96 bpm • D min • 01:08 • -17db
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Richard Wagner
Tristan und Isolde, Act I: Frisch weht d...
94 bpm • C Maj • 09:27 • -21.18db
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Wolfgang Amadeus Mozart
Maurerische Trauermusik, K.477
93 bpm • C min • 05:49 • -19.04db
14% Popularity • 15% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
93 bpm • C Maj • 09:28 • -15db
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 1: Hojotoho!...
93 bpm • G Maj • 08:11 • -12.57db
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Idomeneo, K. 366, Atto II Scena 2: No. 1...
91 bpm • D# Maj • 04:53 • -23.33db
30% Popularity • 25% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C Sharp Minor, ...
91 bpm • G# min • 01:52 • -27.76db
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor / Act 2: Dance of the Polovt...
100 bpm • F Maj • 02:10 • -25db
17% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 45% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Richard Wagner
Das Rheingold: Scene 2: Verwandlungsmusi...
93 bpm • D# min • 03:04 • -15.74db
0% Popularity • 30% Danceability • 43% Energy • 46% Liveness
95% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 43% Energy • 46% Liveness
95% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
28% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Sinfon...
100 bpm • E Maj • 06:41 • -18.07db
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg:...
93 bpm • C Maj • 09:38 • -18db
7% Popularity • 20% Danceability • 20% Energy • 63% Liveness
92% Instrumentalness • 24% Positiveness
7% Popularity • 20% Danceability • 20% Energy • 63% Liveness
92% Instrumentalness • 24% Positiveness
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Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
101 bpm • G Maj • 04:12 • -18.93db
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
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Maurice Ravel
Shéhérazade, M. 41: 1. Asie
101 bpm • C# min • 09:15 • -20.2db
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act III: Mi...
92 bpm • E Maj • 06:15 • -13.86db
24% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
101 bpm • E Maj • 04:35 • -16.96db
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Carl Orff
Carmina Burana / Blanziflor et Helena: "...
101 bpm • E min • 02:00 • -12.47db
21% Popularity • 21% Danceability • 30% Energy • 80% Liveness
28% Instrumentalness • 26% Positiveness
21% Popularity • 21% Danceability • 30% Energy • 80% Liveness
28% Instrumentalness • 26% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Bydlo
101 bpm • A Maj • 02:39 • -21.77db
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63, Act II...
92 bpm • F Maj • 03:22 • -18db
6% Popularity • 34% Danceability • 30% Energy • 51% Liveness
12% Instrumentalness • 26% Positiveness
6% Popularity • 34% Danceability • 30% Energy • 51% Liveness
12% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
89 bpm • A# min • 04:05 • -8.21db
35% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 50% Danceability • 62% Energy • 27% Liveness
92% Instrumentalness • 32% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Atto II Scena 15: ...
102 bpm • D min • 05:15 • -13db
12% Popularity • 32% Danceability • 37% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 37% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
31% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Lohengrin: Prelude to Act 3
92 bpm • G Maj • 02:58 • -16db
6% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
6% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol: Variazioni
88 bpm • F Maj • 05:11 • -21.68db
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
32% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Franz von Suppé
Requiem aeternam: Dies irae
88 bpm • D min • 02:47 • -15.22db
16% Popularity • 31% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
16% Popularity • 31% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Richard Wagner
Parsifal / Act 3: "Wie dünkt mich doch ...
92 bpm • B Maj • 02:56 • -25.85db
17% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 28% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
► Preview
AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Gioachino Rossini
Waltz in E-Flat Major
104 bpm • D# Maj • 02:09 • -20.35db
29% Popularity • 50% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 60% Positiveness
29% Popularity • 50% Danceability • 15% Energy • 14% Liveness
86% Instrumentalness • 60% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: In fernem Lan...
92 bpm • A Maj • 06:20 • -19db
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
4% Popularity • 29% Danceability • 15% Energy • 13% Liveness
6% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Tuileries...
105 bpm • D# min • 01:16 • -32.39db
28% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
28% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
39% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
92 bpm • C Maj • 09:43 • -14.82db
23% Popularity • 21% Danceability • 25% Energy • 40% Liveness
93% Instrumentalness • 33% Positiveness
23% Popularity • 21% Danceability • 25% Energy • 40% Liveness
93% Instrumentalness • 33% Positiveness
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Modest Mussorgsky
Boris Godounov - Moussorgsky after Pushk...
105 bpm • G Maj • 04:06 • -15.79db
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 2: 1. Marche des contre...
106 bpm • C min • 04:13 • -27.19db
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Richard Wagner
Die Walkure: Act III Scene 1: Walkurenri...
91 bpm • E min • 08:39 • -18db
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
20% Popularity • 27% Danceability • 30% Energy • 65% Liveness
10% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
32% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31: Moderato in modo...
106 bpm • A# min • 09:49 • -19db
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
21% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "Viktor...
107 bpm • G Maj • 04:51 • -15.94db
20% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
26% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
26% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act I: Greshno...
84 bpm • B Maj • 03:58 • -14.51db
15% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness