Songs like Different Me by 5Star Akil
Based on a tempo of (+/- 10%) and a similar genre
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Demarco
Yuh Nuh Dead (Blahdaff Nation Riddim)
127 bpm • C# Maj • 02:46 • -1.91db
15% Popularity • 81% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 81% Danceability • 93% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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KES the Band
Ah Ting
127 bpm • C Maj • 03:34 • -11.12db
26% Popularity • 86% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 86% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Flipo
Doh Tell Meh Dat
127 bpm • C Maj • 03:35 • -6.37db
35% Popularity • 77% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 77% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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5 Star Akil
Different Me
127 bpm • C# min • 03:48 • -2db
15% Popularity • 70% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 70% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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GBM Nutron
Scene
127 bpm • B Maj • 03:10 • -7.65db
33% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Lead Pipe
Feeling
126 bpm • C min • 03:50 • -5db
28% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 55% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Charly Black
Real Tears (Speechless Remix)
126 bpm • C Maj • 02:58 • -5.05db
13% Popularity • 46% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 46% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Shane E
Blessings A Flow
128 bpm • A Maj • 02:47 • -10.07db
35% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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V'ghn
Welcome To Carnival
128 bpm • E min • 03:18 • -6.36db
37% Popularity • 53% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 53% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Claudette Peters
Nat U
128 bpm • G# Maj • 03:19 • -5.15db
23% Popularity • 66% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 66% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Orlando Octave
Ride Out
128 bpm • G Maj • 02:46 • -6db
25% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Voicemail
Pushy Dung
126 bpm • G Maj • 02:35 • -5.17db
7% Popularity • 79% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 79% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Cham
Wine (Raw)
126 bpm • C# min • 03:48 • -6db
28% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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LFS Music
No Weapon
128 bpm • C# min • 03:04 • -1.05db
19% Popularity • 78% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 78% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Hypasounds
Sugar Rush
128 bpm • C Maj • 03:05 • -3.77db
28% Popularity • 76% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 76% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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King Bubba
Calling in Sick
128 bpm • A min • 03:35 • -6db
31% Popularity • 77% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 77% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Rupee
No Name
128 bpm • F# Maj • 03:45 • -3.66db
20% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 72% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Kerwin Du Bois
Circles
126 bpm • E min • 03:27 • -5.24db
30% Popularity • 83% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 83% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Terron Da Artist
Fete, Woman & Alcohol
126 bpm • G Maj • 02:53 • -4.58db
29% Popularity • 71% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 71% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Darnella
Out on de Road
126 bpm • C Maj • 03:04 • -6db
30% Popularity • 93% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 93% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Ricardo Drue
Professional
128 bpm • F Maj • 03:15 • -5.63db
32% Popularity • 87% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 87% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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Voice
Madness
128 bpm • E min • 03:03 • -4.17db
27% Popularity • 75% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 75% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Cloud 5
No Behavior (Whole Place Shell Down)
128 bpm • C Maj • 04:22 • -7.4db
29% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 77% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kerwin Du Bois
No Apology
128 bpm • G# Maj • 02:49 • -4.43db
42% Popularity • 81% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 81% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Freetown Collective
Feel The Love
128 bpm • D min • 03:27 • -6.72db
37% Popularity • 67% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 67% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Flipo
Her Love
126 bpm • C Maj • 03:05 • -6.82db
37% Popularity • 90% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 90% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Ricardo Drue
Professional
128 bpm • A# min • 03:15 • -3.81db
12% Popularity • 84% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 84% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Richard
Berbice Gyal
128 bpm • G# Maj • 04:11 • -4.79db
19% Popularity • 71% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 71% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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5 Star Akil
Partier
128 bpm • G Maj • 03:27 • -5.17db
16% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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LFS Music
No Weapon
128 bpm • C# min • 03:05 • -5.39db
22% Popularity • 81% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 81% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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SHORTPREE
She Want to Come
128 bpm • E min • 03:22 • -4.85db
10% Popularity • 78% Danceability • 89% Energy • 49% Liveness
2% Instrumentalness • 93% Positiveness
10% Popularity • 78% Danceability • 89% Energy • 49% Liveness
2% Instrumentalness • 93% Positiveness
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Slida
Back fi Ya Bend
128 bpm • F Maj • 02:41 • -6.4db
37% Popularity • 81% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 81% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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DJ Private Ryan
DREAM
126 bpm • C Maj • 03:36 • -7.22db
21% Popularity • 59% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 59% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Raytid
Blah Daff
126 bpm • G Maj • 02:41 • -1.94db
20% Popularity • 63% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 63% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Destra Garcia
Lucky
126 bpm • E min • 03:38 • -3.27db
12% Popularity • 90% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 90% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Mr Renzo
Bend Ya Back
128 bpm • C Maj • 03:19 • -4.53db
20% Popularity • 85% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 85% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Hypasounds
Looking for It
128 bpm • A Maj • 02:56 • -3.82db
25% Popularity • 88% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 88% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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D-Major
As Easy as That
126 bpm • F# Maj • 03:04 • -5.48db
33% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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V'ghn
Trouble in the Morning
128 bpm • G# Maj • 03:30 • -4db
34% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 45% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Blaxx
Gyal Owner
129 bpm • C# min • 03:23 • -4.73db
36% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Skinny Banton
Ready to Chip
125 bpm • G# Maj • 02:48 • -6db
23% Popularity • 76% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 76% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Marvay
Know The Face
125 bpm • B Maj • 03:30 • -5db
17% Popularity • 73% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 73% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Razor B
Up in Deh
125 bpm • C# Maj • 03:26 • -6.35db
21% Popularity • 87% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 87% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Hypasounds
Dip
125 bpm • F Maj • 02:59 • -4db
38% Popularity • 78% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 78% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Voicemail
I Need You
125 bpm • C Maj • 03:27 • -5.95db
10% Popularity • 95% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 95% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Teddyson John
Allez
125 bpm • A min • 03:38 • -7.34db
31% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Preedy
Away
125 bpm • C min • 03:22 • -5.26db
19% Popularity • 86% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 86% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Mr. Vegas
Party Tun Up
125 bpm • E min • 02:43 • -2.92db
39% Popularity • 85% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
39% Popularity • 85% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Pumpa
Ring-Tinga-Ling
125 bpm • C# min • 03:45 • -4.74db
17% Popularity • 80% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 80% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Flipo
Oh Gosh
125 bpm • G# Maj • 03:00 • -3.05db
28% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 76% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Shradah
Doh Hold Meh Back
125 bpm • C# Maj • 03:38 • -3.6db
12% Popularity • 78% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 78% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Savage Savo
Jikkle Little
129 bpm • F Maj • 02:56 • -7.06db
17% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Skinny Banton
Soca Addiction
130 bpm • C Maj • 03:06 • -3.94db
16% Popularity • 76% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 76% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Mandella Linkz
Tombstone
130 bpm • F# Maj • 03:50 • -7.29db
30% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 85% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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JW
We Time
130 bpm • C min • 03:19 • -6.36db
12% Popularity • 77% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 77% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Boyzie
Need Ah Fete
130 bpm • D min • 03:32 • -7db
23% Popularity • 78% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 78% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Voice
Woman
130 bpm • F min • 03:15 • -10db
34% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 75% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Orlando Octave
Single
130 bpm • C Maj • 03:00 • -5db
38% Popularity • 87% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 87% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Farmer Nappy
My House
130 bpm • G Maj • 03:49 • -4db
30% Popularity • 72% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 72% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Kerwin Du Bois
Magnetic
130 bpm • D Maj • 02:57 • -3.02db
24% Popularity • 96% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 96% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Hypasounds
One More
130 bpm • C Maj • 02:29 • -3.04db
16% Popularity • 82% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 82% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Pumpa
The A List
130 bpm • B min • 03:37 • -6db
43% Popularity • 90% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 90% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Mole De Chief
Searching Fa Gina
130 bpm • C Maj • 02:51 • -5.38db
11% Popularity • 78% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 78% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Triniboi Joocie
Bottle over Head
130 bpm • F# Maj • 03:28 • -7.83db
40% Popularity • 82% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 82% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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DJ Private Ryan
No Drama
130 bpm • F Maj • 03:03 • -6.52db
23% Popularity • 80% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 80% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Kerwin Du Bois
Like Nike (Side Piece Riddim)
130 bpm • C# Maj • 03:28 • -3db
17% Popularity • 85% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 85% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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Ricardo Drue
I.D. (Stamp Yuh Name)
130 bpm • A# Maj • 03:02 • -6db
24% Popularity • 70% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 70% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Blaxx
Leh Go
130 bpm • G Maj • 03:23 • -4db
34% Popularity • 72% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 72% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 82% Positiveness
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Hypasounds
Mizik
130 bpm • G Maj • 02:53 • -4db
26% Popularity • 74% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 87% Positiveness
26% Popularity • 74% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 87% Positiveness
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Peter Ram
Good Morning
130 bpm • F min • 03:35 • -5.35db
31% Popularity • 79% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 79% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Lil' Bitts
Wuk up n Wine
130 bpm • C# min • 02:21 • -3db
26% Popularity • 96% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 96% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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5Star Akil
To Meh Heart
130 bpm • A Maj • 03:43 • -5.76db
19% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Ricky T
Sweet Saint Lucia
130 bpm • C Maj • 04:03 • -9.19db
22% Popularity • 81% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 81% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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V'ghn
Soca Nice
130 bpm • C Maj • 03:16 • -3.01db
17% Popularity • 75% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 75% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Hypasounds
Wine After Wine
124 bpm • G Maj • 03:01 • -4.41db
28% Popularity • 77% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 77% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Boyzie
Middle Finger
130 bpm • B min • 03:28 • -6.4db
20% Popularity • 67% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 67% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Imani Ray
In d Middle
124 bpm • A Maj • 02:10 • -4.92db
14% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 67% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Voice
Long Live Soca
130 bpm • F min • 03:45 • -3.96db
37% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 68% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Salty
Activate
124 bpm • C Maj • 03:05 • -5.99db
27% Popularity • 91% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 91% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Voice
Shakedown
131 bpm • F min • 02:45 • -3.6db
23% Popularity • 54% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 54% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Charly Black
Too Blessed
131 bpm • F min • 02:40 • -3.47db
20% Popularity • 56% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 56% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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Laa Lee
Neat Wid It
123 bpm • F# min • 02:47 • -7db
18% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Kerwin Du Bois
One Stop Shop
123 bpm • A# Maj • 02:55 • -3.14db
23% Popularity • 89% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 89% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Gage
Kitty Pet Store
123 bpm • F# Maj • 02:34 • -5.84db
25% Popularity • 96% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 96% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kess
Thief A Wine
123 bpm • C Maj • 04:03 • -4.75db
27% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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DJ Private Ryan
Pass It Around
123 bpm • B min • 02:39 • -6.71db
27% Popularity • 89% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 89% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Pumpa
Show Dem
123 bpm • D Maj • 04:13 • -4.23db
16% Popularity • 75% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 75% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Devin Di Dakta
Rrri Bam Bi Deng Deng
123 bpm • C Maj • 02:37 • -6.12db
14% Popularity • 74% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 74% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Kerwin Du Bois
Talk My Mind (Infinity Riddim)
123 bpm • A# min • 02:57 • -4.68db
13% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 72% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Tony Matterhorn
Come Off Yuh Name
131 bpm • F# Maj • 02:51 • -6.55db
34% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Romieikon
Good Body Gal
123 bpm • E min • 01:55 • -7.42db
33% Popularity • 88% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 88% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Voice
Outside
132 bpm • B min • 03:40 • -5.85db
21% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 69% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Swappi
Bike
132 bpm • D Maj • 02:13 • -3.88db
24% Popularity • 87% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 87% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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V'ghn
Finally
132 bpm • C Maj • 03:15 • -4.72db
30% Popularity • 77% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 77% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Kerwin Du Bois
Spoil Mehself
123 bpm • F min • 03:40 • -6.29db
27% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mista Roots
Homesick
132 bpm • A# Maj • 03:46 • -4.41db
17% Popularity • 75% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Denise Belfon
Wining Queen
122 bpm • A Maj • 04:34 • -6db
32% Popularity • 93% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 93% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Voice
Trinidad Sweet
132 bpm • F# Maj • 03:29 • -4.95db
42% Popularity • 73% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 73% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
