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Songs like
Dig
by
Fanny Lumsden
Based on a tempo of (+/- 10%) and a similar genre
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Matt Scullion
Slanguage
172 bpm • C Maj • 03:25 • -6.35db
30% Popularity • 79% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Fanny Lumsden
Dig
172 bpm • D Maj • 03:24 • -5.57db
18% Popularity • 59% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Pigs
Gold Digger
172 bpm • G Maj • 04:21 • -6.65db
13% Popularity • 41% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Felicity Urquhart
Seasons
172 bpm • F Maj • 03:47 • -8.9db
10% Popularity • 56% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Pigram Brothers
Saltwater Cowboy
172 bpm • E Maj • 03:30 • -7.93db
28% Popularity • 38% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ben Ransom
Let's Go Driving
171 bpm • C Maj • 03:04 • -6.97db
18% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Christie Lamb
Flamethrower
174 bpm • G Maj • 02:57 • -4.34db
18% Popularity • 48% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Fanny Lumsden
Dig - Variation
172 bpm • D Maj • 03:30 • -5.93db
3% Popularity • 52% Danceability • 83% Energy • 32% Liveness
3% Instrumentalness • 75% Positiveness
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Adam Eckersley Band
Tomorrow Night, Same Again
174 bpm • D Maj • 04:04 • -3.39db
15% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Imogen Clark
Collide
170 bpm • C# min • 03:23 • -6.29db
12% Popularity • 45% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Tom Curtain
Livin' in the Bush
170 bpm • G Maj • 03:16 • -6.78db
28% Popularity • 63% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Kaylee Bell
Next Somebody
174 bpm • B min • 03:29 • -3.56db
27% Popularity • 55% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Brand
Our Church
170 bpm • G Maj • 03:39 • -5.22db
26% Popularity • 30% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Fanny Lumsden
Peed in the Pool - Variation
171 bpm • C# Maj • 03:40 • -5.31db
2% Popularity • 59% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Hinterland
Loud
174 bpm • G Maj • 03:36 • -4.52db
22% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Blake O'Connor
Worth A Little More
174 bpm • F# Maj • 04:24 • -5.01db
19% Popularity • 27% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Bobkatz
The Old Hr
170 bpm • D Maj • 03:33 • -6.45db
14% Popularity • 51% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The McClymonts
Backfired
170 bpm • C min • 03:14 • -4db
8% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Luke O'Shea
Midnight Train
169 bpm • G Maj • 03:52 • -7.12db
22% Popularity • 49% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Fanny Lumsden
Peed in the Pool
171 bpm • C# Maj • 03:41 • -5.65db
11% Popularity • 52% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Pigram Brothers
Nowhere Else But Here
170 bpm • C Maj • 03:48 • -8.49db
27% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Denvah
Should Have Known
169 bpm • A Maj • 03:10 • -5.97db
32% Popularity • 38% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Brooke McClymont & Adam Eckersley
Memory Lane
176 bpm • F Maj • 03:33 • -4.41db
22% Popularity • 38% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The McClymonts
Favourite Boyfriend Of The Year
169 bpm • D Maj • 03:17 • -3.97db
23% Popularity • 54% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Graeme Connors
The Ringer And The Princess
175 bpm • E Maj • 06:14 • -17.56db
28% Popularity • 46% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine Britt
Hillbilly Pickin' Ramlin' Girl
176 bpm • C Maj • 02:46 • -9.39db
26% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jessie Buckley
Born To Run
176 bpm • A Maj • 03:14 • -5.31db
25% Popularity • 52% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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The Chicks
Wide Open Spaces
176 bpm • E Maj • 04:02 • -3.79db
19% Popularity • 37% Danceability • 78% Energy • 96% Liveness
0% Instrumentalness • 39% Positiveness
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Michael Waugh
Heyfield Girl
168 bpm • F Maj • 04:13 • -9.24db
12% Popularity • 51% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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The McClymonts
Baby's Gone Home
175 bpm • D Maj • 03:04 • -2.88db
23% Popularity • 44% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Luke O'Shea
South East Queensland
176 bpm • B Maj • 04:21 • -4.83db
17% Popularity • 41% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Don Schlitz
The Gambler
168 bpm • C Maj • 04:42 • -8.79db
28% Popularity • 65% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Cass Hopetoun
Shots
168 bpm • C Maj • 03:10 • -4.54db
9% Popularity • 54% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Graeme Connors
One Life
168 bpm • E Maj • 03:39 • -7.87db
21% Popularity • 51% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Pigram Brothers
Liar Cry
167 bpm • G Maj • 04:19 • -8.16db
18% Popularity • 42% Danceability • 76% Energy • 19% Liveness
19% Instrumentalness • 73% Positiveness
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Harleymoon Kemp
He Ain't You
177 bpm • G Maj • 03:33 • -7.16db
11% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Andrew Swift
Ball & Chain
177 bpm • G Maj • 03:10 • -6.15db
9% Popularity • 37% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Darlinghurst
Where Do We Go
177 bpm • G Maj • 03:35 • -6.7db
16% Popularity • 56% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Christie Lamb
Old Country Soul
178 bpm • C Maj • 03:07 • -8.51db
26% Popularity • 55% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Graeme Connors
Big Jimmy And Felicidad
177 bpm • A# Maj • 03:14 • -6.57db
24% Popularity • 61% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Kirsty Lee Akers
Ain't That Kinda Girl
167 bpm • C# Maj • 04:02 • -4.35db
17% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jetty Road
Shakedown
178 bpm • F min • 03:30 • -3.93db
11% Popularity • 51% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Alan Doyle
Anywhere You Wanna Go
178 bpm • G Maj • 03:22 • -4.6db
26% Popularity • 45% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Amy Sheppard
Blue Guitar
166 bpm • D Maj • 03:30 • -3.75db
18% Popularity • 52% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie McDell
Tori
166 bpm • A Maj • 03:10 • -6.07db
18% Popularity • 51% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Taylor Moss
Get It Girl
166 bpm • G Maj • 03:19 • -3.98db
27% Popularity • 50% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Hinterland
Treating Me Good
166 bpm • F# min • 02:54 • -2.41db
34% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Kezia Gill
Mr Cash
165 bpm • D Maj • 03:04 • -4.61db
17% Popularity • 59% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Sunny Cowgirls
Rev It Up
164 bpm • G Maj • 03:52 • -5.09db
30% Popularity • 67% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Tom Curtain
Rasied Up Right
180 bpm • G Maj • 03:02 • -6.4db
15% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Bobkatz
The Man In The Picture
164 bpm • A Maj • 04:20 • -5.28db
24% Popularity • 42% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Fanny Lumsden
Lucky
164 bpm • C# min • 03:15 • -6.03db
14% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jenny Mitchell
Troubadour
162 bpm • A# Maj • 04:34 • -22.48db
14% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Taylor Moss
What Am I Gonna Do?
182 bpm • D Maj • 02:46 • -3.26db
30% Popularity • 50% Danceability • 89% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Andrew Swift
Right on Down
162 bpm • G Maj • 02:43 • -7.02db
18% Popularity • 52% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Shane Howard
Talk Of The Town
182 bpm • C Maj • 05:03 • -9.35db
14% Popularity • 48% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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The Chicks
Cowboy Take Me Away
162 bpm • G Maj • 05:11 • -4.25db
30% Popularity • 34% Danceability • 62% Energy • 79% Liveness
0% Instrumentalness • 34% Positiveness
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Kev Carmody
Droving Women
161 bpm • C Maj • 09:14 • -17.3db
21% Popularity • 30% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Luke O'Shea
Happy Australia Day
185 bpm • C# Maj • 04:09 • -4.56db
20% Popularity • 27% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
23% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Cam
Classic
186 bpm • D Maj • 02:55 • -7.73db
38% Popularity • 66% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Chicks
Lubbock or Leave It
184 bpm • G Maj • 04:03 • -2.58db
18% Popularity • 36% Danceability • 97% Energy • 94% Liveness
0% Instrumentalness • 52% Positiveness
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Darlinghurst
Gotta Go Rodeo
185 bpm • E Maj • 03:05 • -4.27db
28% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Shane Nicholson
Whistling Cannonballs
159 bpm • C# Maj • 02:55 • -12.19db
26% Popularity • 58% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Scullion
1868
158 bpm • G min • 04:55 • -5.84db
18% Popularity • 66% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
27% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Gina Jeffreys
Josephine
157 bpm • C Maj • 03:53 • -5.75db
15% Popularity • 47% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Brad Butcher
From The Bottom Of A Well
158 bpm • E Maj • 04:04 • -9db
7% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Swift
Jezebel
189 bpm • A Maj • 03:54 • -8.17db
8% Popularity • 30% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sammy White
Love On The Line
156 bpm • C Maj • 03:21 • -6.03db
27% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Pleasures
The Beginning Of The End
156 bpm • B min • 03:06 • -5.95db
20% Popularity • 52% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Brooke McClymont & Adam Eckersley
Highway Sky
190 bpm • C Maj • 05:20 • -3.52db
23% Popularity • 28% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Pigram Brothers
Barefoot Kid
155 bpm • E Maj • 04:29 • -9db
21% Popularity • 54% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Luke Dickens
Bad Seed
155 bpm • C# Maj • 03:36 • -6.33db
9% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Andrew Swift
Courting Calamity
156 bpm • C Maj • 03:28 • -4.93db
12% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Scullion
Dead Roo
155 bpm • C Maj • 02:49 • -6.78db
27% Popularity • 69% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Fanny Lumsden
Weatherman
192 bpm • F# Maj • 03:26 • -9.97db
5% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Shane Nicholson
Famous Last Words
154 bpm • F Maj • 02:08 • -4.35db
28% Popularity • 61% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The McClymonts
Love You Like That
193 bpm • D Maj • 01:57 • -2.4db
28% Popularity • 38% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Bailey Tomkinson
I Wish - It Didn't End Like This
153 bpm • A Maj • 03:16 • -7.23db
17% Popularity • 53% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Gretta Ziller
Slaughterhouse Blues
153 bpm • F Maj • 03:13 • -8db
9% Popularity • 58% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Graeme Connors
The Road Less Travelled
153 bpm • C Maj • 04:30 • -9db
36% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Denvah
Typical
194 bpm • F# Maj • 03:30 • -4.08db
33% Popularity • 42% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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The Buckleys
Money
153 bpm • A Maj • 03:02 • -6db
20% Popularity • 50% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Shane Nicholson
The High Price Of Surviving
153 bpm • E Maj • 02:37 • -10db
10% Popularity • 42% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Hayley Jensen
Karma
152 bpm • E min • 03:14 • -4db
18% Popularity • 50% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Melinda Schneider
Be Yourself
152 bpm • D Maj • 03:40 • -8.98db
16% Popularity • 57% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Pigram Brothers
Dry River Bed
152 bpm • F Maj • 04:55 • -8db
24% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Fanny Lumsden
Millionaire
151 bpm • F Maj • 03:49 • -3.5db
22% Popularity • 50% Danceability • 89% Energy • 22% Liveness
1% Instrumentalness • 86% Positiveness
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Felicity Urquhart
Spare Parts
150 bpm • E Maj • 03:15 • -10.36db
9% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Brooke McClymont & Adam Eckersley
Roll On Baby
150 bpm • B Maj • 03:21 • -4.53db
21% Popularity • 58% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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ThornBird
All The Things
150 bpm • F Maj • 04:05 • -8.24db
17% Popularity • 61% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Melinda Schneider
Still Here
150 bpm • B Maj • 03:20 • -12.7db
22% Popularity • 56% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The McClymonts
Shotgun
150 bpm • A# Maj • 03:42 • -6.9db
24% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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TANIA KERNAGHAN
Boys in Boots
150 bpm • E Maj • 02:59 • -7.69db
23% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Luke O'Shea
Pride Of Erin
149 bpm • D Maj • 04:18 • -7.15db
18% Popularity • 50% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Melanie Dyer
Dumb Decisions
198 bpm • E Maj • 03:22 • -4.11db
23% Popularity • 51% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Felicity Urquhart
Frozen Rabbit
149 bpm • A# Maj • 03:02 • -11.63db
9% Popularity • 68% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Bo'Ness
We Don't Need This Town
149 bpm • D# Maj • 03:47 • -6.24db
10% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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