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Digital Witness
Songs like
Digital Witness
by
St. Vincent
Based on a tempo of (+/- 10%) and a similar genre
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St. Vincent
Every Tear Disappears
105 bpm • C Maj • 03:15 • -8.13db
13% Popularity • 68% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Phèdre
In Decay
105 bpm • C Maj • 03:37 • -5.42db
29% Popularity • 52% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Angel Olsen
All Mirrors
105 bpm • A min • 04:42 • -7db
39% Popularity • 43% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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YACHT
Psychic City (Voodoo City)
105 bpm • B min • 05:07 • -7.2db
28% Popularity • 86% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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David Byrne
Weekend in the Dust
105 bpm • C Maj • 03:07 • -6.59db
29% Popularity • 83% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Hospitality
Friends of Friends
105 bpm • B min • 03:07 • -6.29db
30% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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St. Vincent
Digital Witness
105 bpm • F Maj • 03:22 • -7db
38% Popularity • 78% Danceability • 44% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Arcade Fire
It's Never Over (Hey Orpheus)
105 bpm • G Maj • 06:44 • -10.3db
37% Popularity • 61% Danceability • 74% Energy • 11% Liveness
51% Instrumentalness • 22% Positiveness
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Sleigh Bells
I Can Only Stare
106 bpm • A Maj • 03:33 • -4.12db
29% Popularity • 62% Danceability • 91% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
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Warpaint
Undertow
104 bpm • F# min • 05:53 • -9.34db
40% Popularity • 50% Danceability • 49% Energy • 10% Liveness
40% Instrumentalness • 37% Positiveness
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Grizzly Bear
Sleeping Ute
105 bpm • F# min • 04:35 • -6db
36% Popularity • 33% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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TORRES
Strange Hellos
106 bpm • A# min • 03:55 • -6.58db
20% Popularity • 54% Danceability • 63% Energy • 34% Liveness
6% Instrumentalness • 16% Positiveness
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Metric
Cascades
106 bpm • C min • 05:24 • -7db
29% Popularity • 68% Danceability • 78% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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U.S. Girls
Rosebud
104 bpm • B min • 03:09 • -6db
34% Popularity • 75% Danceability • 87% Energy • 11% Liveness
66% Instrumentalness • 83% Positiveness
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Lianne La Havas
Forget
104 bpm • C# Maj • 03:51 • -5.47db
30% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Broken Bells
The Ghost Inside
104 bpm • D Maj • 03:18 • -4.97db
59% Popularity • 87% Danceability • 70% Energy • 7% Liveness
41% Instrumentalness • 98% Positiveness
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Passion Pit
Sleepyhead
106 bpm • G# Maj • 02:54 • -5.41db
65% Popularity • 57% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Dirty Projectors
Break-Thru
104 bpm • D Maj • 03:47 • -6db
34% Popularity • 80% Danceability • 51% Energy • 23% Liveness
1% Instrumentalness • 82% Positiveness
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David Byrne
The Forest Awakes
106 bpm • E min • 04:52 • -8.31db
25% Popularity • 75% Danceability • 62% Energy • 4% Liveness
12% Instrumentalness • 71% Positiveness
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Chairlift
Evident Utensil
104 bpm • C Maj • 02:52 • -7.08db
26% Popularity • 65% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Little Scream
Love as a Weapon
107 bpm • B min • 04:52 • -8.93db
26% Popularity • 68% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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The Shins
The Rifle's Spiral
107 bpm • F# min • 03:29 • -6db
43% Popularity • 52% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Spoon
Can I Sit Next to You
103 bpm • B min • 03:54 • -6db
41% Popularity • 76% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Arcade Fire
Electric Blue
103 bpm • C Maj • 04:02 • -5.16db
47% Popularity • 66% Danceability • 77% Energy • 46% Liveness
11% Instrumentalness • 68% Positiveness
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Fol Chen
Cable TV
103 bpm • G Maj • 03:04 • -6.29db
14% Popularity • 92% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Devendra Banhart
Lover
108 bpm • G Maj • 03:43 • -8.23db
28% Popularity • 65% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Beck
Cellphone's Dead
108 bpm • F# Maj • 04:45 • -6db
37% Popularity • 76% Danceability • 70% Energy • 21% Liveness
17% Instrumentalness • 71% Positiveness
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The Flaming Lips
The Yeah Yeah Yeah Song
108 bpm • E Maj • 03:52 • -4db
34% Popularity • 64% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Caroline Rose
Jeannie Becomes A Mom
102 bpm • F Maj • 04:21 • -4.79db
53% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
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Boxed In
Mystery
108 bpm • C# min • 03:56 • -8.09db
32% Popularity • 73% Danceability • 69% Energy • 13% Liveness
50% Instrumentalness • 60% Positiveness
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Sylvan Esso
Die Young
102 bpm • G# Maj • 03:30 • -6.42db
56% Popularity • 70% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Mark Ronson
True Blue
102 bpm • F# Maj • 05:48 • -7.58db
39% Popularity • 56% Danceability • 78% Energy • 55% Liveness
2% Instrumentalness • 51% Positiveness
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Lykke Li
Get Some
102 bpm • A# min • 03:22 • -5db
44% Popularity • 57% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 61% Positiveness
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The Knife
A Tooth for an Eye
109 bpm • D Maj • 06:04 • -7.55db
32% Popularity • 69% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Django Django
First Light
109 bpm • C# Maj • 04:50 • -7.03db
37% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Animal Collective
Golden Gal
102 bpm • C Maj • 04:41 • -6.28db
30% Popularity • 70% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Spoon
Hot Thoughts
109 bpm • G# Maj • 03:48 • -5.77db
44% Popularity • 67% Danceability • 86% Energy • 64% Liveness
20% Instrumentalness • 46% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
19% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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GROUPLOVE
Ways to Go
101 bpm • G Maj • 03:35 • -7.54db
59% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Portugal. The Man
Purple Yellow Red and Blue
101 bpm • E min • 04:09 • -6.31db
54% Popularity • 60% Danceability • 86% Energy • 14% Liveness
33% Instrumentalness • 43% Positiveness
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Grimes
Entropy
110 bpm • G# Maj • 03:03 • -6.62db
45% Popularity • 76% Danceability • 62% Energy • 10% Liveness
31% Instrumentalness • 79% Positiveness
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FKA twigs
Two Weeks
110 bpm • C Maj • 04:07 • -6.66db
55% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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St. Vincent
Rattlesnake
110 bpm • A# min • 03:34 • -7.75db
20% Popularity • 70% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Feist
1234
110 bpm • D Maj • 03:03 • -7.42db
62% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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David Byrne
Strange Overtones
110 bpm • C# Maj • 04:16 • -6.94db
52% Popularity • 69% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
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Japanese Breakfast
Be Sweet
110 bpm • D min • 03:15 • -5.82db
63% Popularity • 65% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Destroyer
Kaputt
110 bpm • E Maj • 06:17 • -8.92db
42% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
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Bombay Bicycle Club
Feel
110 bpm • F# Maj • 04:59 • -4.38db
41% Popularity • 64% Danceability • 93% Energy • 49% Liveness
6% Instrumentalness • 81% Positiveness
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St. Vincent
Marrow
110 bpm • A# Maj • 03:24 • -7.78db
27% Popularity • 64% Danceability • 71% Energy • 17% Liveness
82% Instrumentalness • 61% Positiveness
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Spoon
I Turn My Camera On
100 bpm • A# Maj • 03:32 • -6.42db
55% Popularity • 94% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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David Byrne
Dinner for Two
110 bpm • G Maj • 03:42 • -6.03db
28% Popularity • 72% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 68% Positiveness
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Architecture In Helsinki
Heart It Races
100 bpm • C min • 03:14 • -8.23db
39% Popularity • 80% Danceability • 64% Energy • 6% Liveness
3% Instrumentalness • 77% Positiveness
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Thao
The Evening
110 bpm • D Maj • 03:24 • -6.23db
28% Popularity • 77% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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YACHT
Plastic Soul
100 bpm • G Maj • 03:38 • -7db
12% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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St. Vincent
Sparrow
110 bpm • F# min • 03:53 • -11.18db
24% Popularity • 50% Danceability • 43% Energy • 8% Liveness
68% Instrumentalness • 21% Positiveness
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Phantogram
Don't Move
100 bpm • F min • 04:18 • -5.21db
56% Popularity • 56% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 47% Positiveness
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David Byrne
Outside of Space and Time
110 bpm • C Maj • 04:18 • -11.11db
22% Popularity • 29% Danceability • 29% Energy • 9% Liveness
6% Instrumentalness • 11% Positiveness
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RAC
We Belong
100 bpm • C Maj • 06:28 • -8.85db
30% Popularity • 44% Danceability • 33% Energy • 10% Liveness
4% Instrumentalness • 19% Positiveness
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Sylvan Esso
Coffee
100 bpm • C Maj • 04:28 • -8.18db
58% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Arcade Fire
Sprawl II (Mountains Beyond Mountains)
100 bpm • G# Maj • 05:25 • -6.43db
56% Popularity • 52% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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St. Vincent
Del Rio
100 bpm • F Maj • 02:53 • -6.56db
24% Popularity • 58% Danceability • 89% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
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YACHT
Dystopia (The Earth Is On Fire)
100 bpm • C Maj • 04:01 • -6.51db
27% Popularity • 76% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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David Byrne
I Am an Ape
110 bpm • C Maj • 03:05 • -8.87db
28% Popularity • 66% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Tennis
Ladies Don't Play Guitar
100 bpm • G min • 03:44 • -5.51db
36% Popularity • 68% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Thao
Bag of Hammers
99 bpm • D Maj • 02:49 • -7.88db
34% Popularity • 70% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Miike Snow
My Trigger
99 bpm • G Maj • 03:12 • -3.37db
44% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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St. Vincent
Huey Newton
100 bpm • G Maj • 04:37 • -8.36db
16% Popularity • 64% Danceability • 70% Energy • 24% Liveness
59% Instrumentalness • 48% Positiveness
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Arcade Fire
Reflektor
112 bpm • B min • 07:30 • -8.38db
55% Popularity • 58% Danceability • 72% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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HAIM
Falling
112 bpm • D Maj • 04:17 • -5.68db
47% Popularity • 74% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Perfume Genius
Hood
111 bpm • G Maj • 02:00 • -12db
32% Popularity • 33% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Architecture In Helsinki
Do the Whirlwind
112 bpm • C Maj • 04:34 • -8db
30% Popularity • 82% Danceability • 41% Energy • 39% Liveness
6% Instrumentalness • 58% Positiveness
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Deerhunter
Breaker
112 bpm • A min • 03:31 • -7db
34% Popularity • 58% Danceability • 68% Energy • 30% Liveness
58% Instrumentalness • 59% Positiveness
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St. Vincent
Los Ageless
99 bpm • F min • 04:41 • -6.03db
53% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Sleigh Bells
Treats
112 bpm • A# min • 03:28 • -4.94db
29% Popularity • 57% Danceability • 87% Energy • 27% Liveness
76% Instrumentalness • 29% Positiveness
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Arcade Fire
Porno
98 bpm • F# min • 06:01 • -8.07db
41% Popularity • 69% Danceability • 54% Energy • 12% Liveness
10% Instrumentalness • 64% Positiveness
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Jagwar Ma
Uncertainty
98 bpm • G Maj • 04:02 • -7.71db
17% Popularity • 71% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Lowell
The Bells
98 bpm • G Maj • 04:18 • -9.18db
34% Popularity • 62% Danceability • 53% Energy • 13% Liveness
6% Instrumentalness • 40% Positiveness
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Phantogram
You Don’t Get Me High Anymore
98 bpm • G Maj • 03:39 • -4.63db
50% Popularity • 50% Danceability • 94% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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LCD Soundsystem
Someone Great
113 bpm • G Maj • 06:30 • -5.9db
55% Popularity • 72% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sylvan Esso
Could I Be
113 bpm • G Maj • 04:39 • -6db
41% Popularity • 75% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Grizzly Bear
Speak In Rounds
97 bpm • C Maj • 04:24 • -7.72db
31% Popularity • 54% Danceability • 88% Energy • 12% Liveness
3% Instrumentalness • 56% Positiveness
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Warpaint
Disco//very
97 bpm • C# Maj • 04:04 • -8db
44% Popularity • 64% Danceability • 76% Energy • 17% Liveness
5% Instrumentalness • 64% Positiveness
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Tennis
Origins
114 bpm • F min • 03:28 • -5db
54% Popularity • 58% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 95% Positiveness
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HAIM
The Wire
114 bpm • D Maj • 04:05 • -5.57db
58% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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LCD Soundsystem
Dance Yrself Clean
98 bpm • B Maj • 08:56 • -9.83db
62% Popularity • 74% Danceability • 61% Energy • 4% Liveness
72% Instrumentalness • 79% Positiveness
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St. Vincent
Fast Slow Disco
114 bpm • A# min • 03:17 • -7.51db
49% Popularity • 61% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Grizzly Bear
Southern Point
97 bpm • E min • 05:02 • -8.83db
36% Popularity • 49% Danceability • 73% Energy • 9% Liveness
16% Instrumentalness • 36% Positiveness
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of Montreal
it's different for girls
114 bpm • C Maj • 03:59 • -6db
37% Popularity • 60% Danceability • 82% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Beck
Dreams
114 bpm • C# min • 05:14 • -5.73db
54% Popularity • 58% Danceability • 94% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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Sylvan Esso
H.S.K.T.
114 bpm • C# Maj • 04:17 • -6.6db
39% Popularity • 96% Danceability • 62% Energy • 3% Liveness
2% Instrumentalness • 78% Positiveness
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Destroyer
Chinatown
114 bpm • B min • 03:49 • -5.56db
38% Popularity • 72% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 55% Positiveness
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The New Pornographers
Marching Orders
114 bpm • E Maj • 04:19 • -6.25db
18% Popularity • 59% Danceability • 90% Energy • 35% Liveness
13% Instrumentalness • 88% Positiveness
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Arcade Fire
Keep the Car Running
96 bpm • D Maj • 03:29 • -6.26db
56% Popularity • 47% Danceability • 90% Energy • 6% Liveness
2% Instrumentalness • 28% Positiveness
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Unknown Mortal Orchestra
Can’t Keep Checking My Phone
115 bpm • C# Maj • 04:16 • -3db
46% Popularity • 71% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Eels
Fresh Blood
96 bpm • C Maj • 04:24 • -4.27db
43% Popularity • 66% Danceability • 91% Energy • 8% Liveness
68% Instrumentalness • 79% Positiveness
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U.S. Girls
M.A.H.
115 bpm • A Maj • 02:54 • -4.08db
31% Popularity • 45% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Lovers
Boxer
115 bpm • D Maj • 04:19 • -9.04db
16% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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St. Vincent
Masseduction
115 bpm • D Maj • 03:17 • -7.92db
45% Popularity • 70% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Best Coast
Boyfriend
115 bpm • C Maj • 02:29 • -4db
46% Popularity • 26% Danceability • 88% Energy • 14% Liveness
15% Instrumentalness • 60% Positiveness
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Digital Witness