Songs like Dimming Light in the Widening Dead Stars - Stephen Kerrison Remix by North Sea Navigator
Based on a tempo of (+/- 10%) and a similar genre
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North Sea Navigator
You're a Sort of Mistake
120 bpm • F Maj • 02:45 • -12.31db
0% Popularity • 61% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
0% Popularity • 61% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Melancolony
And the Hills Rejoice!
120 bpm • C Maj • 01:02 • -11db
14% Popularity • 75% Danceability • 57% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 75% Danceability • 57% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
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James Hawken
Please, Lower the Hubbub
120 bpm • A min • 03:35 • -10.35db
10% Popularity • 63% Danceability • 53% Energy • 10% Liveness
17% Instrumentalness • 36% Positiveness
10% Popularity • 63% Danceability • 53% Energy • 10% Liveness
17% Instrumentalness • 36% Positiveness
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The Robot Ate Me
Circumstance
120 bpm • C# Maj • 03:51 • -8.31db
9% Popularity • 45% Danceability • 44% Energy • 18% Liveness
60% Instrumentalness • 7% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 18% Liveness
60% Instrumentalness • 7% Positiveness
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Prison Escapee
Hunt for the Bluest Sky
120 bpm • D Maj • 01:20 • -12.83db
12% Popularity • 31% Danceability • 35% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 35% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Natural-philosophers With Attitude
A Tangent to two Hypersurfaces
120 bpm • A# Maj • 02:08 • -7.33db
20% Popularity • 55% Danceability • 66% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 66% Energy • 29% Liveness
77% Instrumentalness • 24% Positiveness
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North Sea Navigator
Pure Modulations In Space And Time - Fre...
120 bpm • C# Maj • 05:27 • -7.59db
0% Popularity • 80% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
0% Popularity • 80% Danceability • 73% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Jean Koning
Panem Et Circenses
120 bpm • C Maj • 03:16 • -10.3db
10% Popularity • 83% Danceability • 76% Energy • 11% Liveness
26% Instrumentalness • 53% Positiveness
10% Popularity • 83% Danceability • 76% Energy • 11% Liveness
26% Instrumentalness • 53% Positiveness
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Educatedthug
Boys Don't Cry
120 bpm • E min • 01:29 • -25.39db
15% Popularity • 82% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 82% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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pboc
The C86
120 bpm • F Maj • 03:08 • -15.15db
9% Popularity • 85% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
9% Popularity • 85% Danceability • 39% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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Half Song
In The Rain
120 bpm • A min • 04:01 • -10.53db
18% Popularity • 70% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 28% Positiveness
18% Popularity • 70% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 28% Positiveness
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Brett Sansevero
For Eternity
120 bpm • G Maj • 03:01 • -11.96db
12% Popularity • 50% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 50% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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North Sea Navigator
Pure Modulations In Space And Time
120 bpm • C# Maj • 04:10 • -12.08db
0% Popularity • 56% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 13% Positiveness
0% Popularity • 56% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 13% Positiveness
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Wenlyn
Loose My Mind
120 bpm • F Maj • 01:45 • -12.11db
14% Popularity • 55% Danceability • 52% Energy • 16% Liveness
100% Instrumentalness • 69% Positiveness
14% Popularity • 55% Danceability • 52% Energy • 16% Liveness
100% Instrumentalness • 69% Positiveness
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Mountaineer
Return in Sound
120 bpm • D Maj • 03:02 • -11.94db
21% Popularity • 61% Danceability • 32% Energy • 12% Liveness
61% Instrumentalness • 42% Positiveness
21% Popularity • 61% Danceability • 32% Energy • 12% Liveness
61% Instrumentalness • 42% Positiveness
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Umbra Cieri
My intermission days
120 bpm • A min • 04:35 • -4.29db
13% Popularity • 49% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 49% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
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ØCTØBER
FAMILY ØVER EVERYTHING
120 bpm • D Maj • 03:41 • -11.6db
13% Popularity • 68% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 68% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Outliers
Powercuts
120 bpm • B min • 02:42 • -14.09db
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
8% Popularity • 35% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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North Sea Navigator
Dimming Light in the Widening Dead Stars...
120 bpm • B Maj • 05:29 • -14.61db
0% Popularity • 39% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 2% Positiveness
0% Popularity • 39% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 2% Positiveness
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Dyon Couperus
Goodbye
120 bpm • E Maj • 04:07 • -15.81db
20% Popularity • 50% Danceability • 32% Energy • 35% Liveness
93% Instrumentalness • 46% Positiveness
20% Popularity • 50% Danceability • 32% Energy • 35% Liveness
93% Instrumentalness • 46% Positiveness
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Alpha
Subliminal Bliss
120 bpm • C# Maj • 03:18 • -10.15db
17% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 38% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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James A. Moore
Giving You All My Love
120 bpm • G min • 03:43 • -8.42db
7% Popularity • 58% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
7% Popularity • 58% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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Cathal Francis
Young No More
120 bpm • G Maj • 03:51 • -17.14db
8% Popularity • 62% Danceability • 22% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
8% Popularity • 62% Danceability • 22% Energy • 11% Liveness
34% Instrumentalness • 29% Positiveness
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Zach Madden
Louder Nina - Special Version
120 bpm • C Maj • 03:30 • -10.23db
18% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
18% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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North Sea Navigator
The Memory Clears The Space For What's N...
120 bpm • C Maj • 03:05 • -14.84db
0% Popularity • 26% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
0% Popularity • 26% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Mojo Bros
Emo Void Inside
120 bpm • A Maj • 01:08 • -15.03db
15% Popularity • 65% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
15% Popularity • 65% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Fanny Julian
Madrid
120 bpm • F min • 05:23 • -10.38db
25% Popularity • 65% Danceability • 49% Energy • 10% Liveness
81% Instrumentalness • 41% Positiveness
25% Popularity • 65% Danceability • 49% Energy • 10% Liveness
81% Instrumentalness • 41% Positiveness
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Glass Farmhouse
Valley of the Shadow
120 bpm • A Maj • 05:20 • -12.76db
8% Popularity • 43% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 5% Positiveness
8% Popularity • 43% Danceability • 26% Energy • 12% Liveness
52% Instrumentalness • 5% Positiveness
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Ryland Bouchard
Better This Than Nothing
120 bpm • G min • 02:04 • -6.02db
10% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Elvis Orbison
Child of Nature
120 bpm • E min • 04:31 • -13.87db
8% Popularity • 45% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 45% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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North Sea Navigator
You're a Sort of Mistake - Mute Forest R...
120 bpm • F Maj • 03:46 • -13.61db
0% Popularity • 65% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 10% Positiveness
0% Popularity • 65% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 10% Positiveness
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Amber Lee Donahue
She May Come
120 bpm • G# Maj • 03:16 • -7.35db
9% Popularity • 21% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 21% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Quilter's Sail
Only so Many
121 bpm • C Maj • 04:17 • -13.26db
15% Popularity • 50% Danceability • 9% Energy • 10% Liveness
46% Instrumentalness • 5% Positiveness
15% Popularity • 50% Danceability • 9% Energy • 10% Liveness
46% Instrumentalness • 5% Positiveness
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Hour
Hallmark
119 bpm • A# Maj • 03:30 • -14.25db
10% Popularity • 36% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
10% Popularity • 36% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Ryland Bouchard
No Blood Is New
119 bpm • C min • 02:19 • -9.2db
15% Popularity • 91% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 91% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Timesbold
Holiday
119 bpm • G Maj • 03:16 • -12.07db
7% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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North Sea Navigator
Follow Me, Unfollow You
120 bpm • G min • 02:45 • -14.99db
0% Popularity • 62% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
0% Popularity • 62% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 24% Positiveness
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Nelson Adelaide
In Different Shadows
119 bpm • B Maj • 05:40 • -21.63db
26% Popularity • 79% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
26% Popularity • 79% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Pete Astor
Head over Heels
121 bpm • D Maj • 02:44 • -9.23db
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
16% Popularity • 43% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Christian Craig
Viva La Vida
119 bpm • F min • 03:09 • -10.77db
7% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 39% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Burnt Log
Dormouse
121 bpm • C Maj • 01:52 • -13.03db
20% Popularity • 29% Danceability • 31% Energy • 18% Liveness
3% Instrumentalness • 24% Positiveness
20% Popularity • 29% Danceability • 31% Energy • 18% Liveness
3% Instrumentalness • 24% Positiveness
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Jared Justen
Wake and See
119 bpm • G min • 03:57 • -11.54db
26% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
26% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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The Robot Ate Me
Bridge by Bridge
121 bpm • F# min • 02:53 • -10.82db
9% Popularity • 38% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 38% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 11% Positiveness
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Steve Bolton
Raven's Song
119 bpm • E Maj • 03:14 • -11.18db
5% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
5% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lefty Parker
beauty's edge
121 bpm • G Maj • 04:13 • -20.12db
7% Popularity • 49% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 49% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Lucy Peru
Lo Lite (Dinner Version)
122 bpm • C# Maj • 03:27 • -13.26db
13% Popularity • 60% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
13% Popularity • 60% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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moms talk
alibi
118 bpm • C min • 02:50 • -12.04db
23% Popularity • 72% Danceability • 38% Energy • 9% Liveness
34% Instrumentalness • 13% Positiveness
23% Popularity • 72% Danceability • 38% Energy • 9% Liveness
34% Instrumentalness • 13% Positiveness
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Nemesis Uncle
Judas
118 bpm • G min • 04:10 • -22.6db
0% Popularity • 65% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 15% Positiveness
0% Popularity • 65% Danceability • 18% Energy • 13% Liveness
78% Instrumentalness • 15% Positiveness
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The Robot Ate Me
Everyone Was Still
118 bpm • F Maj • 03:09 • -11.5db
12% Popularity • 52% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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North Sea Navigator
The Rend - Mountain Range Remix
122 bpm • A min • 05:23 • -12.07db
0% Popularity • 68% Danceability • 55% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
0% Popularity • 68% Danceability • 55% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
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Luke Thomas
What Should I Do
122 bpm • F min • 02:49 • -22.79db
12% Popularity • 66% Danceability • 11% Energy • 9% Liveness
36% Instrumentalness • 12% Positiveness
12% Popularity • 66% Danceability • 11% Energy • 9% Liveness
36% Instrumentalness • 12% Positiveness
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Owen Lake and The Tragic Loves
Texas Crapshooter
118 bpm • F Maj • 02:50 • -8.83db
8% Popularity • 67% Danceability • 80% Energy • 27% Liveness
79% Instrumentalness • 30% Positiveness
8% Popularity • 67% Danceability • 80% Energy • 27% Liveness
79% Instrumentalness • 30% Positiveness
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Dark Tea
Giving Up
118 bpm • C Maj • 02:28 • -8.45db
9% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Mr. Soul
These Years
118 bpm • G Maj • 01:14 • -11.69db
11% Popularity • 40% Danceability • 39% Energy • 20% Liveness
84% Instrumentalness • 34% Positiveness
11% Popularity • 40% Danceability • 39% Energy • 20% Liveness
84% Instrumentalness • 34% Positiveness
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Amber Lee Donahue
Friends
118 bpm • G# min • 02:21 • -4.57db
9% Popularity • 41% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 41% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Hush Woods
Leave it Aside
117 bpm • B min • 03:24 • -10.04db
11% Popularity • 66% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
11% Popularity • 66% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Nathaniel Montero
Softly, Elizabeth
123 bpm • C min • 04:49 • -12.85db
26% Popularity • 37% Danceability • 39% Energy • 35% Liveness
41% Instrumentalness • 13% Positiveness
26% Popularity • 37% Danceability • 39% Energy • 35% Liveness
41% Instrumentalness • 13% Positiveness
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Fanny Julian
Start
117 bpm • F Maj • 04:48 • -9.86db
25% Popularity • 52% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
25% Popularity • 52% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
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Bourbon Jockey
Riding 'Round With Jeannie
123 bpm • B min • 02:45 • -12.01db
8% Popularity • 53% Danceability • 55% Energy • 19% Liveness
89% Instrumentalness • 54% Positiveness
8% Popularity • 53% Danceability • 55% Energy • 19% Liveness
89% Instrumentalness • 54% Positiveness
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Cold Ghost
Strange Brew
123 bpm • D Maj • 06:35 • -11.91db
8% Popularity • 52% Danceability • 32% Energy • 14% Liveness
6% Instrumentalness • 30% Positiveness
8% Popularity • 52% Danceability • 32% Energy • 14% Liveness
6% Instrumentalness • 30% Positiveness
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Ryland Bouchard
Statued Forms
123 bpm • A min • 02:11 • -17.88db
12% Popularity • 59% Danceability • 22% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
12% Popularity • 59% Danceability • 22% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
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Christoph Neidhart
Sin Makes Love In Your Heart
117 bpm • A Maj • 02:34 • -12.01db
28% Popularity • 67% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 67% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Ismay
Coyote in the Road
123 bpm • F Maj • 02:57 • -9.47db
9% Popularity • 38% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 57% Positiveness
9% Popularity • 38% Danceability • 57% Energy • 10% Liveness
36% Instrumentalness • 57% Positiveness
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Amber Lee Donahue
Deep Well
117 bpm • D# min • 02:24 • -11.92db
8% Popularity • 35% Danceability • 29% Energy • 12% Liveness
52% Instrumentalness • 20% Positiveness
8% Popularity • 35% Danceability • 29% Energy • 12% Liveness
52% Instrumentalness • 20% Positiveness
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North Sea Navigator
Stasi
123 bpm • G min • 04:38 • -6.29db
0% Popularity • 74% Danceability • 79% Energy • 9% Liveness
42% Instrumentalness • 28% Positiveness
0% Popularity • 74% Danceability • 79% Energy • 9% Liveness
42% Instrumentalness • 28% Positiveness
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String Bean Theory
Walking In Your Shadow
117 bpm • C# Maj • 03:32 • -8.65db
8% Popularity • 64% Danceability • 61% Energy • 14% Liveness
9% Instrumentalness • 40% Positiveness
8% Popularity • 64% Danceability • 61% Energy • 14% Liveness
9% Instrumentalness • 40% Positiveness
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wZrd!
Lost in the Dark
116 bpm • E Maj • 04:12 • -9.42db
8% Popularity • 52% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
8% Popularity • 52% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Akpaka Plus
Hope of the Hopeless
124 bpm • D Maj • 01:43 • -7.96db
15% Popularity • 50% Danceability • 65% Energy • 33% Liveness
2% Instrumentalness • 34% Positiveness
15% Popularity • 50% Danceability • 65% Energy • 33% Liveness
2% Instrumentalness • 34% Positiveness
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Gawshock
Diary
116 bpm • G Maj • 03:02 • -14.62db
8% Popularity • 53% Danceability • 44% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
8% Popularity • 53% Danceability • 44% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
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Owen Lake and The Tragic Loves
Holding on to Nothing
124 bpm • D Maj • 03:01 • -7.45db
8% Popularity • 78% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 78% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Per-Arnt
In The Dark
124 bpm • G Maj • 02:53 • -16.2db
9% Popularity • 70% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 17% Positiveness
9% Popularity • 70% Danceability • 16% Energy • 10% Liveness
21% Instrumentalness • 17% Positiveness
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Group of Divine
I Am Yours
124 bpm • B Maj • 05:02 • -16.19db
15% Popularity • 70% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
15% Popularity • 70% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
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Chester Jonson
19th Street Best
124 bpm • A# min • 04:04 • -13db
26% Popularity • 53% Danceability • 63% Energy • 63% Liveness
82% Instrumentalness • 21% Positiveness
26% Popularity • 53% Danceability • 63% Energy • 63% Liveness
82% Instrumentalness • 21% Positiveness
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Arcane Arrow
Rainy Night
124 bpm • G Maj • 02:13 • -28.82db
8% Popularity • 28% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 16% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 8% Liveness
71% Instrumentalness • 16% Positiveness
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Sea of Daisies
Kangaroo Pouch Blues
125 bpm • G# Maj • 02:28 • -11db
14% Popularity • 69% Danceability • 57% Energy • 11% Liveness
34% Instrumentalness • 46% Positiveness
14% Popularity • 69% Danceability • 57% Energy • 11% Liveness
34% Instrumentalness • 46% Positiveness
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Owen Lake and The Tragic Loves
Wicked Heart
116 bpm • G Maj • 02:52 • -8.44db
8% Popularity • 81% Danceability • 48% Energy • 57% Liveness
3% Instrumentalness • 29% Positiveness
8% Popularity • 81% Danceability • 48% Energy • 57% Liveness
3% Instrumentalness • 29% Positiveness
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Lookout For Foxes
Coffee
125 bpm • A# min • 02:37 • -11.72db
8% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Fanny Julian
Whether Together
125 bpm • G# Maj • 04:04 • -11.79db
25% Popularity • 62% Danceability • 45% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
25% Popularity • 62% Danceability • 45% Energy • 13% Liveness
91% Instrumentalness • 29% Positiveness
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Stefano Lenzi Quintet
What a Wonderful World
115 bpm • G Maj • 04:12 • -20.64db
7% Popularity • 55% Danceability • 19% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
7% Popularity • 55% Danceability • 19% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
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Professor Blue
Sanctuary
125 bpm • D Maj • 05:40 • -17.7db
33% Popularity • 76% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 30% Positiveness
33% Popularity • 76% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 30% Positiveness
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Herself
My Pills
115 bpm • A min • 02:27 • -15.1db
8% Popularity • 54% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 7% Positiveness
8% Popularity • 54% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 7% Positiveness
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Chris McEvoy
Perfect Lie (revisited)
115 bpm • E min • 03:55 • -6.59db
20% Popularity • 67% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 67% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Hermann Wilderman
Own Light
115 bpm • G min • 03:10 • -10.6db
29% Popularity • 48% Danceability • 39% Energy • 8% Liveness
30% Instrumentalness • 12% Positiveness
29% Popularity • 48% Danceability • 39% Energy • 8% Liveness
30% Instrumentalness • 12% Positiveness
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Vincent Burke
Salad Days
115 bpm • F# Maj • 04:19 • -18.61db
12% Popularity • 79% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 34% Positiveness
12% Popularity • 79% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 34% Positiveness
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Girls Play
Fancy Hat
115 bpm • A# Maj • 01:00 • -13.38db
10% Popularity • 70% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 70% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Karl-Joakim Wisløff
You Should Have It All
115 bpm • E min • 04:44 • -12.26db
15% Popularity • 31% Danceability • 42% Energy • 17% Liveness
8% Instrumentalness • 38% Positiveness
15% Popularity • 31% Danceability • 42% Energy • 17% Liveness
8% Instrumentalness • 38% Positiveness
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Frygian
Tempted
115 bpm • E min • 02:51 • -18.05db
17% Popularity • 69% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
17% Popularity • 69% Danceability • 39% Energy • 10% Liveness
4% Instrumentalness • 29% Positiveness
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Theobald Boswell
But Me
126 bpm • G Maj • 03:11 • -11.19db
26% Popularity • 76% Danceability • 34% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
26% Popularity • 76% Danceability • 34% Energy • 9% Liveness
13% Instrumentalness • 46% Positiveness
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Owen Lake and The Tragic Loves
The Best of Your Lies
126 bpm • G Maj • 04:08 • -11db
8% Popularity • 67% Danceability • 49% Energy • 12% Liveness
52% Instrumentalness • 60% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 12% Liveness
52% Instrumentalness • 60% Positiveness
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MindSpark
Restoration
126 bpm • E min • 04:33 • -10.96db
11% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Odrsk
Deep Sea
126 bpm • F# min • 01:57 • -18.14db
13% Popularity • 63% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
13% Popularity • 63% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Padraig O'Connor
Universe of Sand
126 bpm • C# Maj • 02:53 • -8.29db
7% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Chris McEvoy
A Reason To Breathe
114 bpm • D Maj • 04:37 • -12.3db
15% Popularity • 85% Danceability • 48% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
15% Popularity • 85% Danceability • 48% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
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Akpaka Plus
Nsogbu
114 bpm • E min • 02:00 • -7.25db
15% Popularity • 59% Danceability • 81% Energy • 30% Liveness
4% Instrumentalness • 72% Positiveness
15% Popularity • 59% Danceability • 81% Energy • 30% Liveness
4% Instrumentalness • 72% Positiveness
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Owen Lake and The Tragic Loves
Always, Always
114 bpm • C Maj • 04:53 • -9.85db
8% Popularity • 65% Danceability • 43% Energy • 9% Liveness
30% Instrumentalness • 25% Positiveness
8% Popularity • 65% Danceability • 43% Energy • 9% Liveness
30% Instrumentalness • 25% Positiveness
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Bad Galaxy
14th Parallel
114 bpm • D# Maj • 04:58 • -12.3db
11% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nancy Kardash
Around Me
126 bpm • C Maj • 01:41 • -11.8db
35% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 71% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Maci Mattravers
Most Of the Time
114 bpm • D Maj • 02:19 • -13.12db
12% Popularity • 60% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 60% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
