Songs like Dimming Of The Day / Dargai - Edit by Richard & Linda Thompson
Based on a tempo of (+/- 10%) and a similar genre
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Richard & Linda Thompson
The Poor Boy Is Taken Away
83 bpm • A Maj • 03:35 • -17.62db
10% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 66% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cry Cry Cry
Speaking With The Angel
83 bpm • A Maj • 04:01 • -15db
25% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Eric Andersen
Close The Door Lightly When You Go
83 bpm • A Maj • 03:30 • -18.51db
24% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Paul Brady
The Island
82 bpm • F Maj • 05:27 • -15.33db
41% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 57% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ferron
Ain't Life A Brook
82 bpm • D Maj • 03:29 • -19.92db
24% Popularity • 60% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 60% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Waterboys
In Search of a Rose - 2008 Remaster
82 bpm • E Maj • 01:20 • -14.84db
47% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Richard & Linda Thompson
Dimming Of The Day / Dargai - Edit
83 bpm • D# Maj • 03:48 • -21.25db
37% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Tom Paxton
I Can't Help but Wonder Where I'm Bound
84 bpm • D Maj • 03:41 • -9db
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Steve Goodman
The Dutchman
84 bpm • G Maj • 04:19 • -9.33db
26% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Donovan
To Sing for You
84 bpm • F# Maj • 02:42 • -14.56db
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Cheryl Wheeler
Arrow
82 bpm • B Maj • 04:20 • -16.7db
30% Popularity • 48% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 48% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Tim Hardin
Reason To Believe
82 bpm • C Maj • 01:59 • -16.86db
53% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 65% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Bill Morrissey
She's That Kind Of Mystery
84 bpm • B Maj • 03:29 • -23.06db
15% Popularity • 46% Danceability • 10% Energy • 12% Liveness
25% Instrumentalness • 32% Positiveness
15% Popularity • 46% Danceability • 10% Energy • 12% Liveness
25% Instrumentalness • 32% Positiveness
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Tom Paxton
The Last Thing on My Mind
82 bpm • A Maj • 03:06 • -15db
41% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Smither
Cold Trail Blues
82 bpm • F Maj • 04:29 • -13.78db
4% Popularity • 50% Danceability • 22% Energy • 10% Liveness
17% Instrumentalness • 36% Positiveness
4% Popularity • 50% Danceability • 22% Energy • 10% Liveness
17% Instrumentalness • 36% Positiveness
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Bap Kennedy
I Should Have Said
82 bpm • C Maj • 03:17 • -12db
24% Popularity • 68% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 68% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Rodney Crowell
I Know Love Is All I Need
82 bpm • C Maj • 05:20 • -11.66db
17% Popularity • 57% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
17% Popularity • 57% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Joan Armatrading
Whatever's For Us, For Us - 2015 Remaste...
82 bpm • F# Maj • 02:12 • -18.12db
22% Popularity • 70% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 70% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Judee Sill
My Man on Love - Remastered
82 bpm • G# Maj • 03:29 • -14.82db
32% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Paxton
All Night Long
84 bpm • F# min • 02:32 • -19.21db
21% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 28% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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John Stewart
California Bloodlines
82 bpm • A# Maj • 03:08 • -10.38db
19% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Tim Hardin
Shiloh Town
84 bpm • G Maj • 03:09 • -12.1db
28% Popularity • 66% Danceability • 48% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
28% Popularity • 66% Danceability • 48% Energy • 16% Liveness
1% Instrumentalness • 70% Positiveness
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Teddy Thompson
Tonight Will Be Fine
84 bpm • F# Maj • 03:36 • -9db
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 30% Danceability • 35% Energy • 69% Liveness
0% Instrumentalness • 11% Positiveness
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Paul Brady
Helpless Heart
84 bpm • C Maj • 04:33 • -13.44db
16% Popularity • 45% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 45% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bill Morrissey
Handsome Molly
81 bpm • G# Maj • 03:33 • -24.04db
13% Popularity • 42% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
13% Popularity • 42% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Paul Simon
American Tune
85 bpm • C Maj • 03:45 • -16.04db
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Eliza Gilkyson
Down By the Riverside
81 bpm • A Maj • 05:24 • -9.56db
10% Popularity • 37% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 37% Danceability • 26% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Neko Case
Buckets of Rain - Live
81 bpm • D Maj • 02:48 • -12.24db
38% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 56% Danceability • 30% Energy • 70% Liveness
0% Instrumentalness • 48% Positiveness
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Roger McGuinn
Friend
81 bpm • E Maj • 02:08 • -14db
13% Popularity • 46% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Judee Sill
There's a Rugged Road - Remastered
85 bpm • A Maj • 03:44 • -13db
36% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Bill Morrissey
Birches
85 bpm • B Maj • 03:22 • -19.73db
19% Popularity • 68% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Mickey Newbury
Winter Winds Blow
85 bpm • F# min • 05:05 • -13.44db
8% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tift Merritt
Traveling Alone
81 bpm • D Maj • 04:44 • -11db
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Teddy Thompson
She Thinks I Still Care
81 bpm • A# Maj • 03:46 • -11db
24% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 43% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Allan Taylor
Let It Come, Let It Go
80 bpm • D Maj • 04:31 • -19.35db
9% Popularity • 47% Danceability • 24% Energy • 24% Liveness
74% Instrumentalness • 48% Positiveness
9% Popularity • 47% Danceability • 24% Energy • 24% Liveness
74% Instrumentalness • 48% Positiveness
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The Be Good Tanyas
Dogsong aka Sleep Dog Lullaby
80 bpm • D Maj • 04:48 • -11.71db
27% Popularity • 43% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 31% Positiveness
27% Popularity • 43% Danceability • 43% Energy • 13% Liveness
78% Instrumentalness • 31% Positiveness
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Norma Waterson
Black Muddy Water
80 bpm • C Maj • 04:21 • -11.76db
16% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Hardin
Red Balloon
80 bpm • G Maj • 02:33 • -23.2db
37% Popularity • 71% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 71% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Amy Speace
Nothing Good Can Come from This
86 bpm • A Maj • 03:11 • -12.49db
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Richard & Linda Thompson
Dimming Of The Day / Dargai
86 bpm • F Maj • 07:20 • -23db
12% Popularity • 47% Danceability • 3% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
12% Popularity • 47% Danceability • 3% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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Tift Merritt
Bramble Rose
80 bpm • D Maj • 04:30 • -11.08db
26% Popularity • 48% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 48% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Randy Newman
Marie
86 bpm • G Maj • 02:56 • -15.35db
13% Popularity • 52% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
13% Popularity • 52% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Pentangle
Lord Franklin
86 bpm • D# Maj • 03:21 • -20.79db
23% Popularity • 29% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
23% Popularity • 29% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Bruce Springsteen
I Ain't Got No Home
80 bpm • G Maj • 03:40 • -17.9db
20% Popularity • 26% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 26% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tom Paxton
My Lady's a Wild Flying Dove
80 bpm • D Maj • 03:11 • -13.09db
24% Popularity • 47% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Richard & Linda Thompson
Withered And Died
86 bpm • C Maj • 03:26 • -14.13db
29% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 46% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Rosie Thomas
2 Dollar Shoes
80 bpm • A Maj • 03:10 • -14db
33% Popularity • 58% Danceability • 32% Energy • 67% Liveness
5% Instrumentalness • 58% Positiveness
33% Popularity • 58% Danceability • 32% Energy • 67% Liveness
5% Instrumentalness • 58% Positiveness
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Randy Newman
Texas Girl at the Funeral of Her Father
80 bpm • D Maj • 02:43 • -30.23db
21% Popularity • 24% Danceability • 1% Energy • 20% Liveness
2% Instrumentalness • 15% Positiveness
21% Popularity • 24% Danceability • 1% Energy • 20% Liveness
2% Instrumentalness • 15% Positiveness
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Teddy Thompson
Saratoga Summer Song
80 bpm • B Maj • 04:03 • -13.78db
8% Popularity • 42% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 71% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Smither
Killing the Blues
79 bpm • E Maj • 05:49 • -10.71db
32% Popularity • 42% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 12% Positiveness
32% Popularity • 42% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 12% Positiveness
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Billy Bragg
Waiting for a Train
87 bpm • C Maj • 02:46 • -12.1db
12% Popularity • 45% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 45% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Richard & Linda Thompson
Back Street Slide
87 bpm • G Maj • 04:33 • -13.71db
14% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 57% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Roy Harper
How Does It Feel
87 bpm • D Maj • 06:27 • -12.08db
31% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Eliza Gilkyson
Not Lonely
87 bpm • G Maj • 04:13 • -11.99db
15% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 57% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Maria McKee
Precious Time
87 bpm • D Maj • 03:38 • -11.41db
10% Popularity • 59% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 59% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Martin Simpson
Never Any Good
79 bpm • D Maj • 05:26 • -9.31db
18% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Bragg
Early Morning Rain
79 bpm • E Maj • 04:13 • -9.69db
17% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Richard & Linda Thompson
First Light
79 bpm • G Maj • 04:22 • -11.47db
4% Popularity • 48% Danceability • 38% Energy • 13% Liveness
6% Instrumentalness • 38% Positiveness
4% Popularity • 48% Danceability • 38% Energy • 13% Liveness
6% Instrumentalness • 38% Positiveness
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Eric Andersen
Violets Of Dawn
88 bpm • D Maj • 03:50 • -17.8db
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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David Ackles
Love's Enough
78 bpm • D# Maj • 03:19 • -21.41db
23% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Andy Irvine
Arthur McBride
78 bpm • G Maj • 07:05 • -12.21db
34% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Warren Zevon
She's Too Good for Me
88 bpm • G Maj • 03:11 • -10.64db
27% Popularity • 62% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 62% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Ted Hawkins
The Good And The Bad
78 bpm • G Maj • 04:54 • -11.35db
13% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 49% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Richard & Linda Thompson
Just the Motion
79 bpm • A Maj • 06:19 • -21.5db
21% Popularity • 58% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 58% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Amy Speace
The Sea & the Shore
78 bpm • A Maj • 04:14 • -12.04db
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Simon
Take Me to the Mardi Gras (Acoustic Demo...
88 bpm • A Maj • 02:29 • -19.76db
27% Popularity • 76% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 76% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Tim Hardin
Black Sheep Boy
78 bpm • C# Maj • 01:53 • -12db
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 57% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Tom Paxton
Ramblin' Boy
78 bpm • A Maj • 03:58 • -11.68db
28% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Smither
Killin' the Blues
78 bpm • E Maj • 05:25 • -19.25db
9% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Gene Clark
Silver Raven
78 bpm • E min • 04:53 • -17.46db
30% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
30% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Rickie Lee Jones
Remember Me
89 bpm • C Maj • 02:44 • -11.55db
17% Popularity • 54% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 54% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Lowe
True Love Travels on a Gravel Road
78 bpm • C Maj • 03:36 • -10.89db
29% Popularity • 62% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
29% Popularity • 62% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 42% Positiveness
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Linda Thompson
Versatile Heart
89 bpm • A# Maj • 03:25 • -9.4db
16% Popularity • 65% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 65% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Forbert
Tonight I Feel So Far Away
77 bpm • A min • 03:13 • -15.3db
20% Popularity • 58% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
20% Popularity • 58% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Paul Simon
American Tune (Unfinished Demo)
77 bpm • G Maj • 04:01 • -19.93db
25% Popularity • 54% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 54% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Maria McKee
To Miss Someone
89 bpm • C Maj • 03:51 • -16.96db
15% Popularity • 60% Danceability • 29% Energy • 4% Liveness
1% Instrumentalness • 37% Positiveness
15% Popularity • 60% Danceability • 29% Energy • 4% Liveness
1% Instrumentalness • 37% Positiveness
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Maddy Prior
Swimming Song
90 bpm • D Maj • 02:47 • -16.33db
13% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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John Martyn
London Conversation
90 bpm • F# Maj • 02:39 • -9.63db
23% Popularity • 46% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Ron Sexsmith
Secret Heart
77 bpm • C Maj • 03:15 • -12.72db
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 54% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Richard & Linda Thompson
Died For Love
77 bpm • D# Maj • 07:01 • -12.74db
6% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Forbert
Early Morning Rain
90 bpm • F Maj • 03:46 • -9.69db
20% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 55% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Cry Cry Cry
The Ballad Of Mary Magdalen
76 bpm • C Maj • 05:22 • -10.54db
18% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Dick Gaughan
Games People Play
76 bpm • E Maj • 04:49 • -15.43db
12% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 36% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Reeder
A Whiter Shade of Pale
91 bpm • E Maj • 03:36 • -16db
29% Popularity • 64% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 64% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Barbara Keith
Detroit or Buffalo
76 bpm • C Maj • 04:31 • -11db
33% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Richard & Linda Thompson
Dimming of the Day - Live Version
90 bpm • F Maj • 03:52 • -16.18db
8% Popularity • 56% Danceability • 6% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 56% Danceability • 6% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Thea Gilmore
I Dreamed I Saw St. Augustine
76 bpm • A Maj • 04:45 • -7.59db
11% Popularity • 50% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 50% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Lowe
Let's Stay in and Make Love
76 bpm • E Maj • 03:50 • -10.4db
14% Popularity • 55% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
14% Popularity • 55% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Townes Van Zandt
If I Needed You
76 bpm • B Maj • 03:44 • -17db
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
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Rickie Lee Jones
Flying Cowboys
91 bpm • C# Maj • 05:05 • -14.4db
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
26% Popularity • 58% Danceability • 39% Energy • 26% Liveness
1% Instrumentalness • 23% Positiveness
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Judee Sill
Crayon Angels
91 bpm • A Maj • 02:45 • -16.47db
43% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Richard & Linda Thompson
When I Get To The Border
76 bpm • C Maj • 03:27 • -10.19db
31% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 66% Positiveness
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Joan Armatrading
My Family - 2015 Remastered Version
76 bpm • G Maj • 03:09 • -9.99db
21% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 64% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Eilen Jewell
Miles to Go
75 bpm • D Maj • 03:16 • -10.31db
43% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Nick Lowe
Shelley My Love
75 bpm • E Maj • 03:14 • -17.12db
22% Popularity • 51% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 51% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Bragg
In the Pines
92 bpm • A# Maj • 03:31 • -9.23db
16% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 56% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Neil Young
Star of Bethlehem - 2016 Remaster
75 bpm • D Maj • 02:42 • -13.73db
33% Popularity • 65% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
33% Popularity • 65% Danceability • 30% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
