Songs like Dire Gelt by Faye Nepon
Based on a tempo of (+/- 10%) and a similar genre
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Jens-Uwe Popp
Valses Carpates
97 bpm • D min • 03:04 • -13.35db
8% Popularity • 63% Danceability • 22% Energy • 13% Liveness
78% Instrumentalness • 58% Positiveness
8% Popularity • 63% Danceability • 22% Energy • 13% Liveness
78% Instrumentalness • 58% Positiveness
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Alessandro Simonetto
Yoska
97 bpm • G Maj • 03:42 • -13.06db
11% Popularity • 30% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 30% Danceability • 33% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Faye Nepon
Dire Gelt
97 bpm • D min • 02:57 • -15.56db
0% Popularity • 64% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 64% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Josefin Landare
Sara
97 bpm • A min • 02:58 • -10.83db
11% Popularity • 72% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 72% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Ingo Höricht
Avignon
97 bpm • E min • 01:58 • -10.66db
14% Popularity • 35% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
14% Popularity • 35% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Jacqueline Berard
Animasyon
97 bpm • D# Maj • 02:56 • -11.9db
24% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Γιάννη Yang
Chanson a Boire from DonQuichotte a Dulc...
97 bpm • C Maj • 01:46 • -3.62db
13% Popularity • 42% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 42% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Bernardo RamÃrez Ponce
A bird came down the walk
98 bpm • C Maj • 02:06 • -21.62db
21% Popularity • 43% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 43% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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David Bellugi
Chichi Bunichi
97 bpm • C Maj • 03:17 • -12.47db
0% Popularity • 54% Danceability • 61% Energy • 28% Liveness
2% Instrumentalness • 87% Positiveness
0% Popularity • 54% Danceability • 61% Energy • 28% Liveness
2% Instrumentalness • 87% Positiveness
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Jörg Rausch
Brügge
98 bpm • A min • 00:59 • -13.63db
9% Popularity • 47% Danceability • 32% Energy • 35% Liveness
42% Instrumentalness • 17% Positiveness
9% Popularity • 47% Danceability • 32% Energy • 35% Liveness
42% Instrumentalness • 17% Positiveness
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Faye Nepon
Skocne
98 bpm • D Maj • 04:11 • -17.83db
0% Popularity • 52% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 52% Danceability • 4% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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Noa
You-Tu
96 bpm • A min • 03:39 • -11.31db
9% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Elizabeth Maconchy
Ophelia's Song (Arr. for Plucked String ...
96 bpm • C min • 02:31 • -20.9db
9% Popularity • 35% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Marcos Portugal
Aria II – Já, Já me vai, Marilia, br...
96 bpm • G# Maj • 01:37 • -18.86db
12% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tatiana Bookbinder
It Ain't Necessarily So
98 bpm • D min • 03:28 • -14.12db
8% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Chava Alberstein
Di Krenitse - The Well
98 bpm • A# min • 04:11 • -9db
14% Popularity • 40% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 40% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Antongiulio Frulio
Rond de Jambe
98 bpm • A Maj • 02:13 • -14.67db
9% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Noa
×ž×¨×™×•× ×˜×•×ª
98 bpm • C# Maj • 04:00 • -14.64db
7% Popularity • 56% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 56% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Tamara Radjenovic
Historia de un amor
96 bpm • D min • 03:05 • -8.46db
9% Popularity • 24% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 24% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Victoria Wood
Crush
96 bpm • G min • 02:21 • -21.04db
7% Popularity • 62% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 62% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Elias Akselsen
Langt borte i et fremmed land
99 bpm • E min • 05:06 • -11.35db
13% Popularity • 32% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 32% Danceability • 38% Energy • 76% Liveness
0% Instrumentalness • 13% Positiveness
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The Klezmatics
An Undoing World
95 bpm • E min • 03:40 • -13.01db
17% Popularity • 42% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Fred O'Neil
Mary of Dungloe
99 bpm • C Maj • 05:14 • -18.62db
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 34% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Parma Brass Quintet
La traviata: "Addio del passato"
95 bpm • A min • 02:38 • -11.59db
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 28% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Claire Victoria Roberts
Le mal de vivre
95 bpm • F min • 03:16 • -11.48db
16% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Marcia Lewis
A House in Algiers
99 bpm • G Maj • 02:05 • -12.56db
17% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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David Bellugi
Tzur Mishelo
99 bpm • C# Maj • 01:53 • -13.95db
0% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 59% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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PÃa Tedesco
Luz
95 bpm • A min • 03:23 • -10.01db
10% Popularity • 55% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 55% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Akkordeonorchester Maisach
Danse Macabre, op. 40
99 bpm • D Maj • 07:46 • -21.76db
9% Popularity • 48% Danceability • 23% Energy • 8% Liveness
29% Instrumentalness • 8% Positiveness
9% Popularity • 48% Danceability • 23% Energy • 8% Liveness
29% Instrumentalness • 8% Positiveness
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Chava Alberstein
Di Goldene Pave - The Golden Peacock
99 bpm • E min • 04:01 • -13.14db
18% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 46% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Daniela Mastrandrea
Allo spuntar del sol
95 bpm • C Maj • 04:10 • -11.82db
12% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Alessandro Simonetto
Sovika Hora
95 bpm • B min • 03:57 • -13.49db
14% Popularity • 29% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 29% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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LUZABRIL
Caminante de las Sombras Vol.2
95 bpm • D Maj • 03:23 • -8.95db
15% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kurt Weill
Youkali: Tango Habanera
99 bpm • D min • 06:04 • -26.51db
12% Popularity • 39% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 39% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Karsten Troyke
Mamenyu, Oy Mamenyu
99 bpm • G min • 03:17 • -5.87db
13% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Carmelo Trimarchi
Cocciu D'amuri
99 bpm • C Maj • 04:49 • -14.4db
21% Popularity • 40% Danceability • 34% Energy • 14% Liveness
63% Instrumentalness • 27% Positiveness
21% Popularity • 40% Danceability • 34% Energy • 14% Liveness
63% Instrumentalness • 27% Positiveness
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Buatta Musique
Notterina
95 bpm • C Maj • 05:01 • -8.97db
8% Popularity • 27% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 27% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Consuelo Alfieri
Ferma zitella
100 bpm • B min • 02:49 • -10.44db
9% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Maggie-Rose
The Ghost of You
100 bpm • C# Maj • 04:38 • -13.04db
10% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Colalaila
Old Klezmer Band
94 bpm • A min • 01:32 • -9.9db
25% Popularity • 50% Danceability • 46% Energy • 21% Liveness
85% Instrumentalness • 76% Positiveness
25% Popularity • 50% Danceability • 46% Energy • 21% Liveness
85% Instrumentalness • 76% Positiveness
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Isabel Frey
Dona Dona
94 bpm • C min • 05:33 • -13.39db
13% Popularity • 46% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
13% Popularity • 46% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Mariage à trois
Fiori in cancrena
100 bpm • C# min • 03:03 • -7.11db
19% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 84% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Benedetto Ferrari
Voglio di Vita Uscir
94 bpm • E Maj • 04:07 • -16.71db
24% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 52% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Cirque du Soleil
Vai Vedrai
94 bpm • E min • 04:34 • -11.94db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Roberta Giallo
Parole
94 bpm • E min • 02:55 • -9.15db
11% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Yiddish Glory
Afn Hoykhn Barg (On the High Mountain)
94 bpm • E Maj • 04:02 • -8.89db
7% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 45% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Stefanie Schlesinger
The Little Rose, Oh How Should It Be Lis...
100 bpm • G# Maj • 03:56 • -15.02db
17% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Faye Nepon
Ma Omrot Eynayich
100 bpm • F min • 02:55 • -17.96db
0% Popularity • 41% Danceability • 6% Energy • 9% Liveness
37% Instrumentalness • 15% Positiveness
0% Popularity • 41% Danceability • 6% Energy • 9% Liveness
37% Instrumentalness • 15% Positiveness
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Angélique Ionatos
Nada Comparable
94 bpm • C min • 03:05 • -8.83db
14% Popularity • 60% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Vicoli Iosmanu
Wiggle It
94 bpm • C# Maj • 01:29 • -13.22db
11% Popularity • 80% Danceability • 29% Energy • 15% Liveness
88% Instrumentalness • 67% Positiveness
11% Popularity • 80% Danceability • 29% Energy • 15% Liveness
88% Instrumentalness • 67% Positiveness
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Sándor Jà róka Jr.,
Torontoi Emlek
101 bpm • D min • 03:30 • -11.63db
9% Popularity • 38% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 26% Positiveness
9% Popularity • 38% Danceability • 34% Energy • 19% Liveness
89% Instrumentalness • 26% Positiveness
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Dhristian Eigueroa
And I Love
102 bpm • C min • 02:40 • -26.12db
22% Popularity • 40% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
22% Popularity • 40% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 14% Positiveness
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Kiri and Lou
Somebody Loves You
93 bpm • G Maj • 01:26 • -13.57db
13% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Naoko Terai
ジャズ・ワルツ - 2018年リマス...
92 bpm • C min • 05:20 • -12.16db
8% Popularity • 34% Danceability • 28% Energy • 9% Liveness
60% Instrumentalness • 38% Positiveness
8% Popularity • 34% Danceability • 28% Energy • 9% Liveness
60% Instrumentalness • 38% Positiveness
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Nádia Figueiredo
Parla Piu Piano
92 bpm • A min • 03:34 • -11.89db
23% Popularity • 27% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 27% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Fortuna
Dorme Mi Alma Donzeya
92 bpm • F# Maj • 02:15 • -15.49db
6% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
6% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Franz Schubert
Winterreise, D. 911: I. Gute Nacht
102 bpm • F# min • 05:52 • -23.75db
8% Popularity • 39% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
8% Popularity • 39% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Françoise Atlan
Avre tu puerta carrada
92 bpm • B min • 01:21 • -25.43db
20% Popularity • 23% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 23% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Merry Ladies & Olohuoneorkesteri
Oon sua varten
102 bpm • G min • 04:48 • -10.24db
10% Popularity • 49% Danceability • 45% Energy • 19% Liveness
10% Instrumentalness • 47% Positiveness
10% Popularity • 49% Danceability • 45% Energy • 19% Liveness
10% Instrumentalness • 47% Positiveness
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Tamara Volskaya
"The Willow" (Iva)
102 bpm • E min • 04:11 • -24.27db
14% Popularity • 36% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Faye Nepon
Bai Mir Bistu Sheyn
92 bpm • D min • 02:29 • -14.83db
1% Popularity • 44% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
1% Popularity • 44% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Elia Casanova
A la Nanita Nana - Canción de Cuna Trad...
92 bpm • A min • 03:01 • -30.35db
9% Popularity • 56% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 56% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Dilyana Georgieva
Trois mélodies, Op. 23: No. 2, Notre am...
102 bpm • E Maj • 03:12 • -7.78db
19% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 33% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Libiamo (Live)
92 bpm • A# Maj • 03:00 • -14.27db
8% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Romina Moro
Dos Tragos de Amor
102 bpm • G Maj • 03:01 • -9.49db
37% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Galliano
Waldteufel: Amour et printemps - Arr. fo...
102 bpm • F min • 02:54 • -9.93db
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 53% Positiveness
13% Popularity • 40% Danceability • 28% Energy • 9% Liveness
93% Instrumentalness • 53% Positiveness
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Etta Scollo
Moon River
92 bpm • F Maj • 01:34 • -24.93db
11% Popularity • 29% Danceability • 3% Energy • 44% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 29% Danceability • 3% Energy • 44% Liveness
0% Instrumentalness • 24% Positiveness
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Fabrizio Cesare
Il Paradiso
102 bpm • D Maj • 02:30 • -8.82db
9% Popularity • 46% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 46% Danceability • 62% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
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Alberto Iglesias
Otro silencio
92 bpm • C min • 01:15 • -22.34db
17% Popularity • 18% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Giovanni Venosta
Pane E Tulipani 1
103 bpm • G Maj • 02:04 • -13.87db
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 38% Positiveness
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Calmuc Amdrei
Fulgeri
92 bpm • A min • 01:22 • -6.69db
10% Popularity • 53% Danceability • 61% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
10% Popularity • 53% Danceability • 61% Energy • 15% Liveness
92% Instrumentalness • 76% Positiveness
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Amanda Pascali
Ribella
103 bpm • A Maj • 04:32 • -25.91db
11% Popularity • 46% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 46% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Sumi Jo
Mother Dear
91 bpm • G Maj • 03:19 • -8.71db
14% Popularity • 32% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 32% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Polish Section CIOFF®
Oberek
103 bpm • D Maj • 02:13 • -10.34db
7% Popularity • 70% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
7% Popularity • 70% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 55% Positiveness
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Cameron Brookside
Reflections of the Vanishing Eclipse
103 bpm • A# min • 02:00 • -16.82db
5% Popularity • 79% Danceability • 16% Energy • 15% Liveness
58% Instrumentalness • 81% Positiveness
5% Popularity • 79% Danceability • 16% Energy • 15% Liveness
58% Instrumentalness • 81% Positiveness
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Giya Kancheli
Main Theme From The Role For A Beginner
103 bpm • F Maj • 02:26 • -22.48db
10% Popularity • 70% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 70% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alessandro Simonetto
Giada - Long Version
91 bpm • E min • 10:14 • -11.07db
18% Popularity • 14% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 36% Energy • 75% Liveness
0% Instrumentalness • 4% Positiveness
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Heike Brinkmann
Shabes Shabes
104 bpm • C min • 02:03 • -19db
19% Popularity • 50% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 50% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Amel Brahim-Djelloul
Amedyaz
91 bpm • D Maj • 03:47 • -16.73db
9% Popularity • 35% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 35% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Yiddish Glory
Shpatsir in Vald (A Walk in the Forest)
104 bpm • G min • 02:41 • -8db
11% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 43% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Giovanni Venosta
Rosa Y Clavel Avec La Mandoline
104 bpm • D Maj • 00:51 • -10.2db
8% Popularity • 80% Danceability • 26% Energy • 9% Liveness
79% Instrumentalness • 41% Positiveness
8% Popularity • 80% Danceability • 26% Energy • 9% Liveness
79% Instrumentalness • 41% Positiveness
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David Bellugi
Der Rebbe Elimelech
104 bpm • D min • 04:55 • -15.26db
0% Popularity • 42% Danceability • 21% Energy • 33% Liveness
1% Instrumentalness • 42% Positiveness
0% Popularity • 42% Danceability • 21% Energy • 33% Liveness
1% Instrumentalness • 42% Positiveness
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FÄ°BULA
Yelkovan
90 bpm • D min • 02:21 • -8.1db
16% Popularity • 29% Danceability • 46% Energy • 18% Liveness
48% Instrumentalness • 29% Positiveness
16% Popularity • 29% Danceability • 46% Energy • 18% Liveness
48% Instrumentalness • 29% Positiveness
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Heike Brinkmann
Kinder Jorn
90 bpm • G min • 03:09 • -20db
14% Popularity • 43% Danceability • 9% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
14% Popularity • 43% Danceability • 9% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Duke Bojadziev
Dojdi
104 bpm • C min • 03:47 • -13.57db
9% Popularity • 43% Danceability • 27% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 27% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Ofra Haza
Elo Hi
90 bpm • D min • 04:14 • -12db
24% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Faye Nepon
Sheyn VI Di Levon
104 bpm • D min • 02:34 • -16.39db
0% Popularity • 57% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 57% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ä°zmir Barok
Kanun Taksim - Nikriz PeÅŸrev
105 bpm • G# Maj • 05:27 • -14.13db
10% Popularity • 42% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 33% Energy • 7% Liveness
85% Instrumentalness • 14% Positiveness
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Carmelo Trimarchi
Pizzicotta
90 bpm • D min • 02:41 • -9.14db
21% Popularity • 63% Danceability • 88% Energy • 3% Liveness
55% Instrumentalness • 94% Positiveness
21% Popularity • 63% Danceability • 88% Energy • 3% Liveness
55% Instrumentalness • 94% Positiveness
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Nicola Milan
Ti Aspettavo
105 bpm • D Maj • 01:57 • -8.05db
19% Popularity • 24% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
19% Popularity • 24% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 13% Positiveness
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Sarband
Geduld, Geduld! / Patience, Patience!
90 bpm • C Maj • 06:20 • -21.27db
9% Popularity • 32% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 32% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Margherita Vicario
Io ti vedo
90 bpm • A min • 02:15 • -11.01db
27% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Plate
1! 2! 3!
90 bpm • F Maj • 04:33 • -6.64db
19% Popularity • 44% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Jimmy Herrera
Rondó IV/ La Cantora de Yala
90 bpm • G min • 07:50 • -18.39db
17% Popularity • 34% Danceability • 21% Energy • 6% Liveness
9% Instrumentalness • 7% Positiveness
17% Popularity • 34% Danceability • 21% Energy • 6% Liveness
9% Instrumentalness • 7% Positiveness
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Dilyana Georgieva
Voici que le printemps, L. 6
90 bpm • D Maj • 02:42 • -9.46db
19% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 32% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Jah Levi Klezmer Experience
Oyfn Pripitchik
90 bpm • G min • 03:20 • -17db
11% Popularity • 25% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 25% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
La Rondine, Act I: "Chi il bel sogno di ...
89 bpm • F Maj • 03:08 • -15.27db
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 29% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Alessandro Simonetto
Danza rumena
106 bpm • E min • 02:09 • -14.53db
13% Popularity • 32% Danceability • 47% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 32% Danceability • 47% Energy • 2% Liveness
0% Instrumentalness • 80% Positiveness
