Songs like Directions - Live at the Fillmore East, New York, NY - March 1970 by Miles Davis
Based on a tempo of (+/- 10%) and a similar genre
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Gene Ammons
Here's That Rainy Day
96 bpm • F Maj • 06:07 • -15db
41% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
41% Popularity • 39% Danceability • 10% Energy • 11% Liveness
19% Instrumentalness • 16% Positiveness
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Gil Evans
Las Vegas Tango
96 bpm • A min • 06:35 • -14db
29% Popularity • 30% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Charlie Parker Quartet
Chi Chi
96 bpm • G# Maj • 03:02 • -10db
44% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Count Basie
Flight of the Foo Birds
96 bpm • C Maj • 03:24 • -8.82db
39% Popularity • 62% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 81% Positiveness
39% Popularity • 62% Danceability • 54% Energy • 20% Liveness
6% Instrumentalness • 81% Positiveness
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Bobby Timmons Trio
They Didn't Believe Me
96 bpm • G# Maj • 06:47 • -25.93db
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
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Ike Quebec
Nature Boy - Remastered 2004/Rudy Van Ge...
96 bpm • F min • 02:44 • -15.6db
44% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
44% Popularity • 35% Danceability • 2% Energy • 26% Liveness
44% Instrumentalness • 32% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
36% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Miles Davis
The Man I Love - Take 1
96 bpm • F min • 08:05 • -12.88db
10% Popularity • 45% Danceability • 34% Energy • 15% Liveness
7% Instrumentalness • 37% Positiveness
10% Popularity • 45% Danceability • 34% Energy • 15% Liveness
7% Instrumentalness • 37% Positiveness
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Elvin Jones
Anthropology
95 bpm • G# Maj • 04:11 • -20.19db
30% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Bud Powell Trio
Embraceable You - 1990 Remaster
97 bpm • D min • 02:51 • -22db
33% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
33% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Thad Jones
Dedication - Remixed & Remastered 1994
97 bpm • G min • 05:12 • -9.2db
15% Popularity • 38% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Dave Brubeck Trio
Let's Fall In Love
97 bpm • C Maj • 02:41 • -19db
44% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Sonny Clark
Deep In A Dream
96 bpm • F Maj • 06:42 • -18.68db
44% Popularity • 45% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
44% Popularity • 45% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Miles Davis
Out Of The Blue - Album - Remastered
95 bpm • G min • 06:19 • -10.25db
36% Popularity • 49% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
36% Popularity • 49% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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Ike Quebec
Blues For Charlie - Remastered 2007/Rudy...
97 bpm • C Maj • 06:48 • -8.12db
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 34% Positiveness
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Paul Chambers Quintet
Minor Run-Down - Rudy Van Gelder Edition...
94 bpm • A# min • 07:40 • -9db
21% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 44% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wes Montgomery Trio
Ecaroh
98 bpm • C Maj • 02:56 • -19.55db
45% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Hank Mobley
Deep In A Dream
98 bpm • A# Maj • 05:58 • -16.71db
34% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
34% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
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Sonny Clark
Deep Night - Rudy Van Gelder Edition/199...
94 bpm • F min • 09:34 • -7db
23% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 63% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
38% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
38% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Ike Quebec
Just One More Chance - Remastered 2004/R...
98 bpm • D# Maj • 05:50 • -14.09db
21% Popularity • 37% Danceability • 13% Energy • 10% Liveness
31% Instrumentalness • 29% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 10% Liveness
31% Instrumentalness • 29% Positiveness
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Miles Davis Quintet
It Could Happen To You
94 bpm • F min • 06:36 • -11db
46% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Brecker
Midnight Mood
93 bpm • F Maj • 06:23 • -16.88db
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
42% Popularity • 42% Danceability • 6% Energy • 15% Liveness
18% Instrumentalness • 12% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
42% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Johnny Hodges
Warm Valley
93 bpm • F Maj • 03:20 • -12db
44% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
44% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
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Miles Davis
Black Comedy
99 bpm • F min • 07:24 • -9.3db
31% Popularity • 43% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 43% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Timmons Trio
From The Bottom
93 bpm • C# Maj • 04:59 • -13.54db
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
27% Popularity • 56% Danceability • 60% Energy • 35% Liveness
56% Instrumentalness • 79% Positiveness
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Miles Davis Quintet
Four
99 bpm • C min • 07:13 • -7.11db
44% Popularity • 48% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 48% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Gil Evans
Remember
93 bpm • G min • 04:30 • -20db
25% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Johnny Hodges
Azure
93 bpm • D Maj • 02:33 • -17.28db
38% Popularity • 38% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
38% Popularity • 38% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Chick Corea
Tones for Joan's Bones
92 bpm • D Maj • 06:09 • -27db
17% Popularity • 54% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
17% Popularity • 54% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Miles Davis
Hackensack
100 bpm • F min • 08:02 • -15.53db
23% Popularity • 51% Danceability • 35% Energy • 69% Liveness
92% Instrumentalness • 50% Positiveness
23% Popularity • 51% Danceability • 35% Energy • 69% Liveness
92% Instrumentalness • 50% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
44% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
44% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Charlie Parker Quartet
Now's The Time
100 bpm • F Maj • 03:01 • -10db
51% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
51% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Dexter Gordon
I'm A Fool To Want You
91 bpm • F min • 06:42 • -16db
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Johnny Hodges
On The Sunny Side Of The Street
100 bpm • C Maj • 02:56 • -16.07db
45% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
45% Popularity • 63% Danceability • 18% Energy • 16% Liveness
91% Instrumentalness • 66% Positiveness
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Dave Brubeck Trio
I Didn't Know What Time It Was
91 bpm • G min • 02:32 • -14.31db
37% Popularity • 56% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
37% Popularity • 56% Danceability • 35% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
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Miles Davis
But Not For Me - RVG Remaster (Take 2)
100 bpm • D# Maj • 04:36 • -11db
31% Popularity • 59% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
31% Popularity • 59% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 82% Positiveness
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Elvin Jones
Shiny Stockings
101 bpm • F min • 05:10 • -15db
20% Popularity • 57% Danceability • 33% Energy • 23% Liveness
91% Instrumentalness • 50% Positiveness
20% Popularity • 57% Danceability • 33% Energy • 23% Liveness
91% Instrumentalness • 50% Positiveness
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Charlie Parker Quartet
Chi-Chi - Take 6 / Master
101 bpm • G# Maj • 03:04 • -10.03db
39% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 50% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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McCoy Tyner
Groove Waltz
91 bpm • F Maj • 05:31 • -17db
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
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Gerry Mulligan Quartet
Frenesi
91 bpm • C min • 03:11 • -9.47db
31% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 57% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Thad Jones
If Someone Had Told Me - 2007 Digital Re...
101 bpm • D# Maj • 05:51 • -11db
33% Popularity • 45% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
33% Popularity • 45% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Miles Davis
Two Bass Hit
92 bpm • C# Maj • 05:10 • -4.43db
37% Popularity • 46% Danceability • 87% Energy • 42% Liveness
17% Instrumentalness • 84% Positiveness
37% Popularity • 46% Danceability • 87% Energy • 42% Liveness
17% Instrumentalness • 84% Positiveness
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Tommy Flanagan Trio
Delarna
101 bpm • D Maj • 04:43 • -14.83db
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
33% Popularity • 46% Danceability • 29% Energy • 10% Liveness
33% Instrumentalness • 36% Positiveness
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Coleman Hawkins Quartet
Put On Your Old Grey Bonnet
101 bpm • D# Maj • 09:50 • -12.48db
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ike Quebec
Blue And Sentimental - Remastered 2007/R...
101 bpm • D# Maj • 07:28 • -10db
41% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
41% Popularity • 54% Danceability • 18% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Johnny Hartman
I Just Dropped By To Say Hello
101 bpm • F min • 04:05 • -23.07db
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
43% Popularity • 45% Danceability • 5% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Miles Davis
Gal In Calico - RVG Remaster
91 bpm • F min • 05:15 • -10.63db
18% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 62% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sonny Rollins
God Bless the Child
102 bpm • D Maj • 07:27 • -18db
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
47% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
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Bud Powell Trio
You'd Be So Nice to Come Home To - 1990 ...
102 bpm • D min • 02:39 • -19.16db
41% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
41% Popularity • 47% Danceability • 9% Energy • 12% Liveness
75% Instrumentalness • 23% Positiveness
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Sonny Clark
I Can't Give You Anything But Love
102 bpm • F min • 03:49 • -16.18db
38% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
38% Popularity • 75% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 29% Positiveness
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McCoy Tyner
Contemplation
102 bpm • C min • 09:12 • -11.35db
34% Popularity • 40% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 40% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Flanagan Trio
Dalarna
102 bpm • D Maj • 04:39 • -11.08db
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
34% Popularity • 43% Danceability • 44% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Jimmy Giuffre
Gotta Dance
90 bpm • G# min • 02:35 • -21db
38% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
38% Popularity • 68% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Esbjörn Svensson Trio
From Gagarin's Point of View
103 bpm • D min • 04:03 • -21.5db
49% Popularity • 64% Danceability • 3% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
49% Popularity • 64% Danceability • 3% Energy • 21% Liveness
87% Instrumentalness • 12% Positiveness
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Chick Corea
Matrix
89 bpm • F min • 06:28 • -10.58db
34% Popularity • 43% Danceability • 63% Energy • 11% Liveness
76% Instrumentalness • 64% Positiveness
34% Popularity • 43% Danceability • 63% Energy • 11% Liveness
76% Instrumentalness • 64% Positiveness
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Gil Evans
The Barbara Song
89 bpm • F min • 09:59 • -24.23db
18% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 7% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Elvin Jones
Smoke Rings
103 bpm • D# Maj • 03:41 • -19.39db
23% Popularity • 51% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
23% Popularity • 51% Danceability • 19% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Duke Ellington
The Feeling Of Jazz
103 bpm • A# min • 05:29 • -10.63db
47% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 47% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Red Garland Trio
Little Girl Blue - Instrumental
89 bpm • D# Maj • 05:04 • -19.08db
26% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
26% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Miles Davis
The Sorcerer
89 bpm • D min • 05:13 • -13.04db
36% Popularity • 32% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 32% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Charles Mingus
Better Git It in Your Soul
89 bpm • F min • 07:20 • -12db
47% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Oliver Nelson
Butch And Butch
104 bpm • C Maj • 04:34 • -9.84db
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
32% Popularity • 55% Danceability • 48% Energy • 22% Liveness
91% Instrumentalness • 88% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Vince Guaraldi
On Green Dolphin Street
104 bpm • A# Maj • 05:53 • -19db
40% Popularity • 41% Danceability • 13% Energy • 19% Liveness
8% Instrumentalness • 34% Positiveness
40% Popularity • 41% Danceability • 13% Energy • 19% Liveness
8% Instrumentalness • 34% Positiveness
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Horace Silver Quintet
The Outlaw - Remastered
104 bpm • F Maj • 06:07 • -11.66db
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
12% Popularity • 55% Danceability • 49% Energy • 35% Liveness
33% Instrumentalness • 76% Positiveness
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Miles Davis
Old Folks
104 bpm • D min • 05:14 • -14.69db
40% Popularity • 52% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 52% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chick Corea
Windows
104 bpm • F# min • 06:18 • -13.7db
15% Popularity • 34% Danceability • 45% Energy • 13% Liveness
46% Instrumentalness • 56% Positiveness
15% Popularity • 34% Danceability • 45% Energy • 13% Liveness
46% Instrumentalness • 56% Positiveness
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Gil Evans
El Toreador
88 bpm • D min • 03:26 • -20.36db
25% Popularity • 30% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 30% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Bobby Timmons Trio
Softly, As In A Morning Sunrise
88 bpm • C# Maj • 05:30 • -31.43db
28% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 45% Danceability • 3% Energy • 67% Liveness
92% Instrumentalness • 30% Positiveness
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Miles Davis Quartet
Old Devil Moon
88 bpm • F min • 03:22 • -13.6db
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Cannonball Adderley
Love For Sale
88 bpm • F min • 07:04 • -8db
40% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Red Garland
Hey Now
88 bpm • F Maj • 03:40 • -11.64db
41% Popularity • 62% Danceability • 41% Energy • 12% Liveness
39% Instrumentalness • 74% Positiveness
41% Popularity • 62% Danceability • 41% Energy • 12% Liveness
39% Instrumentalness • 74% Positiveness
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Sonny Rollins
St. Thomas
105 bpm • C Maj • 06:46 • -8.44db
45% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
45% Popularity • 54% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 75% Positiveness
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Gene Ammons
Angel Eyes
88 bpm • C min • 08:48 • -15.13db
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
35% Popularity • 38% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
52% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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Thad Jones
Billie-Doo - 2007 Digital Remaster/Rudy ...
105 bpm • D# Maj • 07:30 • -10.17db
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 63% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Kurt Rosenwinkel
Reflections
106 bpm • G# Maj • 09:15 • -20.51db
28% Popularity • 48% Danceability • 14% Energy • 22% Liveness
85% Instrumentalness • 18% Positiveness
28% Popularity • 48% Danceability • 14% Energy • 22% Liveness
85% Instrumentalness • 18% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Charles Mingus
Goodbye Pork Pie Hat
87 bpm • G# min • 05:42 • -16.64db
53% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
53% Popularity • 36% Danceability • 9% Energy • 21% Liveness
10% Instrumentalness • 28% Positiveness
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Miles Davis
Love For Sale
106 bpm • F min • 11:47 • -10.36db
40% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 66% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Thelonious Monk Septet
Epistrophy - Fragment
87 bpm • G# Maj • 01:46 • -12.05db
36% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Bobby Timmons Trio
So Tired
107 bpm • C# Maj • 06:24 • -21.01db
24% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
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Oliver Nelson
Theme From Mr. Broadway
107 bpm • F min • 05:43 • -10.95db
21% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 46% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Red Garland Trio
A Foggy Day
107 bpm • C Maj • 04:47 • -16db
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
38% Popularity • 57% Danceability • 30% Energy • 8% Liveness
57% Instrumentalness • 57% Positiveness
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Red Garland
Estrellita
86 bpm • D# Maj • 06:56 • -19.46db
18% Popularity • 42% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
18% Popularity • 42% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 20% Positiveness
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Chick Corea
Windows
107 bpm • G# min • 03:12 • -12.84db
46% Popularity • 47% Danceability • 45% Energy • 18% Liveness
44% Instrumentalness • 49% Positiveness
46% Popularity • 47% Danceability • 45% Energy • 18% Liveness
44% Instrumentalness • 49% Positiveness
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Junior Mance
Small Fry
107 bpm • G# Maj • 04:06 • -17.01db
43% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
43% Popularity • 82% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
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Miles Davis
Nefertiti
107 bpm • C# Maj • 07:50 • -10.55db
33% Popularity • 40% Danceability • 46% Energy • 31% Liveness
31% Instrumentalness • 13% Positiveness
33% Popularity • 40% Danceability • 46% Energy • 31% Liveness
31% Instrumentalness • 13% Positiveness
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Oliver Nelson
Yearnin'
107 bpm • F Maj • 06:23 • -12db
32% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
32% Popularity • 60% Danceability • 27% Energy • 14% Liveness
90% Instrumentalness • 44% Positiveness
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The Marsalis Family
Swinging At The Haven
107 bpm • G# Maj • 06:56 • -13.27db
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 46% Energy • 71% Liveness
49% Instrumentalness • 68% Positiveness
