Songs like Dirt Road Anthem (feat. Brantley Gilbert) by Colt Ford
Based on a tempo of (+/- 10%) and a similar genre
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Redneck Souljers
I Mow, I Till
130 bpm • C# Maj • 04:20 • -9db
41% Popularity • 66% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
41% Popularity • 66% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 7% Positiveness
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![Jacked Up (Remix) [feat. Colt Ford & Bubba Sparxxx] cover art](https://i.scdn.co/image/ab67616d00001e02788e5052a47a46ca4cf17c83)
Charlie Farley
Jacked Up (Remix)
130 bpm • F# min • 04:06 • -5db
35% Popularity • 78% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 78% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Colt Ford
Dirt Road Anthem
130 bpm • D Maj • 03:42 • -6.44db
47% Popularity • 79% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 79% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Jawga Boyz
Chillin in the Backwoods
130 bpm • G Maj • 06:12 • -8.11db
53% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
53% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
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Cap Bailey
Damnit Boy
130 bpm • E min • 04:03 • -4.41db
18% Popularity • 73% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 73% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Blake Shelton
Came Here to Forget
130 bpm • C# min • 03:40 • -6.87db
63% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Ray Holbrook
Southern Land
130 bpm • C# Maj • 03:42 • -6.2db
63% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Mud Digger
Mud Slingers Theme
130 bpm • F# Maj • 03:46 • -10.42db
21% Popularity • 83% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 83% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Seckond Chaynce
My World
130 bpm • G Maj • 03:36 • -5db
48% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 71% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Tracy Lawrence
Paint Me a Birmingham
130 bpm • F# Maj • 03:51 • -4.55db
52% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
54% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
70% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
70% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Gary Allan
Her Man
128 bpm • F# Maj • 02:44 • -11db
57% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jake Owen
Yee Haw
129 bpm • G Maj • 02:52 • -3db
47% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 67% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Brantley Gilbert
Welcome To Hazeville
132 bpm • F# min • 03:01 • -6.7db
55% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Tracy Lawrence
Paint Me A Birmingham
132 bpm • F# Maj • 03:48 • -9db
62% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Matt Mason
Feather in Her Halo
132 bpm • G min • 03:36 • -5.85db
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
54% Popularity • 56% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Kennon
The Call
128 bpm • G Maj • 03:57 • -6db
44% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 57% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Drinkin' Beer And Wastin' Bullets
132 bpm • G min • 04:19 • -5db
51% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 49% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Colt Ford
Cut 'em All
128 bpm • A Maj • 02:40 • -6.24db
37% Popularity • 75% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 75% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Creed Fisher
Life of a Workin' Man
128 bpm • D Maj • 03:58 • -5db
45% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 62% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Rodney Atkins
15 Minutes
132 bpm • C Maj • 02:40 • -4db
37% Popularity • 64% Danceability • 75% Energy • 91% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 64% Danceability • 75% Energy • 91% Liveness
0% Instrumentalness • 70% Positiveness
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Mud Digger
Cricket On A Line
128 bpm • A Maj • 03:35 • -8.96db
35% Popularity • 81% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 81% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Bryan
Muckalee Creek Water
132 bpm • C Maj • 03:56 • -4db
49% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 58% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Colt Ford
Outshine Me
132 bpm • A Maj • 03:52 • -5.54db
38% Popularity • 75% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 75% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
45% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
68% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
68% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Demun Jones
Backyard Lullaby
134 bpm • C Maj • 03:27 • -4.49db
56% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 60% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Easton Corbin
I Can't Love You Back
134 bpm • B Maj • 04:05 • -10.96db
45% Popularity • 56% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 56% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Frankie Ballard
Helluva Life
134 bpm • F# Maj • 03:51 • -6db
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Kip Moore
Beer Money
126 bpm • D Maj • 03:38 • -5.55db
55% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 74% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Granger Smith
Silverado Bench Seat
126 bpm • D# Maj • 02:57 • -4.58db
40% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 66% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Colt Ford
Lucky
126 bpm • F Maj • 03:09 • -6.81db
20% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 72% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Lacs
Willie Nelson
126 bpm • F# Maj • 03:49 • -4.35db
45% Popularity • 72% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 72% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
51% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
40% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Rodney Atkins
It’s America
134 bpm • E Maj • 03:33 • -13.86db
48% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 60% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Rvshvd
Never Change
134 bpm • B Maj • 03:10 • -4.33db
44% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 52% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Mini Thin
City Bitch
135 bpm • G Maj • 03:25 • -12.04db
43% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 79% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Colt Ford
Drivin’ Around Song
135 bpm • G Maj • 03:40 • -7.41db
54% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Mud Digger
Come Here Girl
125 bpm • D Maj • 02:40 • -6.62db
28% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 76% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tyler Farr
Suffer in Peace
136 bpm • C# Maj • 04:00 • -5.58db
35% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Ray Holbrook
Times We Had
136 bpm • G Maj • 03:20 • -8.77db
55% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 75% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Charlie Farley
Backroads Life
136 bpm • C Maj • 04:42 • -5.72db
46% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 73% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Colt Ford
Back to Them Backroads
124 bpm • A min • 03:11 • -5.51db
41% Popularity • 77% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 77% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
52% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Chase Rice
Gonna Wanna Tonight
124 bpm • D Maj • 03:34 • -7db
29% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 58% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
124 bpm • B min • 04:00 • -5.32db
56% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 54% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Cagle
Anywhere But Here
137 bpm • B Maj • 04:03 • -7db
39% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
56% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
58% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Colt Ford
Back
137 bpm • G Maj • 04:02 • -5.91db
41% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 54% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
65% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
65% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
62% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
62% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Redneck Souljers
Firewater
138 bpm • B Maj • 04:34 • -5.25db
35% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 66% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 16% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
67% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
67% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Colt Ford
Titty’s Beer
122 bpm • G Maj • 03:30 • -6.81db
21% Popularity • 63% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 63% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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LOCASH
C.O.U.N.T.R.Y. - Remix
122 bpm • D Maj • 03:45 • -4.09db
24% Popularity • 71% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 71% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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HIXTAPE
Redneck Tendencies (HARDY Trace Adkins, ...
122 bpm • E Maj • 02:52 • -5db
53% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Florida Georgia Line
Dirt
122 bpm • D Maj • 03:50 • -4.22db
62% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Allan
It Ain't The Whiskey
139 bpm • E min • 04:19 • -7.45db
46% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Currington
That's How Country Boys Roll
121 bpm • D Maj • 03:44 • -3.01db
50% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Colt Ford
50/50
122 bpm • C Maj • 02:50 • -6db
19% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 64% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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JJ Lawhorn
Good Ol' Boys Like Us
140 bpm • C Maj • 04:19 • -5.83db
38% Popularity • 42% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 42% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Blake Shelton
Mine Would Be You
140 bpm • C Maj • 03:59 • -7db
59% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Randy Houser
Anything Goes
140 bpm • C Maj • 03:04 • -4.77db
38% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Gary Allan
Songs About Rain
121 bpm • G Maj • 04:25 • -5db
50% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 57% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Tyler Farr
I Should Go to Church Sometime
140 bpm • D Maj • 03:08 • -5.06db
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Cypress Spring
Way of Life
140 bpm • B min • 03:45 • -5.77db
57% Popularity • 69% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 69% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Church
Homeboy
140 bpm • F# Maj • 03:47 • -4.91db
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Farley
Backwoods Boys
140 bpm • D Maj • 04:21 • -3.84db
42% Popularity • 65% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
51% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Austin Tolliver
Little Bit Of Me
140 bpm • E Maj • 02:21 • -4.78db
59% Popularity • 72% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 72% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Sunny Ledfurd
Nickel Sized Hail
140 bpm • G Maj • 04:36 • -4.3db
41% Popularity • 33% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 33% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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HIXTAPE
He Went To Jared (HARDY Morgan Wallen)
140 bpm • A min • 03:33 • -5.11db
69% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Apalachee Falls
Country Roads
140 bpm • A# Maj • 04:21 • -5.59db
42% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
42% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Gary Allan
It Would Be You
141 bpm • G Maj • 02:55 • -8db
48% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eli Young Band
When It Rains
120 bpm • C Maj • 04:14 • -4.18db
41% Popularity • 60% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 60% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 27% Positiveness
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Granger Smith
Holler
120 bpm • F min • 03:02 • -6.19db
50% Popularity • 60% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
50% Popularity • 60% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
62% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Jerrod Niemann
Donkey
120 bpm • F min • 03:17 • -6db
36% Popularity • 70% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
36% Popularity • 70% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
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Parmalee
Already Callin' You Mine
120 bpm • C# Maj • 03:04 • -2.63db
51% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 59% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
58% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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John Anderson
Swingin'
120 bpm • C# min • 03:42 • -7.77db
34% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 74% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
57% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
Bullets in the Gun
120 bpm • A Maj • 04:16 • -6db
50% Popularity • 61% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 61% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
48% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Colt Ford
Keepin' It Real
120 bpm • A Maj • 03:23 • -5.58db
27% Popularity • 61% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
27% Popularity • 61% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 71% Positiveness
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Granger Smith
Chevys, Hemis, Yotas & Fords
120 bpm • C min • 03:09 • -4.3db
39% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
The One That Got Away
120 bpm • C Maj • 03:14 • -3.29db
53% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 58% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Young
The Man I Want to Be
142 bpm • G Maj • 03:27 • -5.06db
55% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Brad Paisley
Alcohol
142 bpm • B Maj • 04:50 • -6db
53% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
