Songs like Dirty Deeds Done Dirt Cheap by Hayseed Dixie
Based on a tempo of (+/- 10%) and a similar genre
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Hayseed Dixie
Dirty Deeds Done Dirt Cheap
172 bpm • A Maj • 02:52 • -7.27db
16% Popularity • 48% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 48% Danceability • 74% Energy • 96% Liveness
0% Instrumentalness • 96% Positiveness
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Jason & The Scorchers
Lost Highway
171 bpm • A Maj • 02:01 • -3.66db
22% Popularity • 33% Danceability • 98% Energy • 34% Liveness
1% Instrumentalness • 46% Positiveness
22% Popularity • 33% Danceability • 98% Energy • 34% Liveness
1% Instrumentalness • 46% Positiveness
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Mojo Nixon
Not as Much as Football
173 bpm • G Maj • 03:45 • -8.34db
15% Popularity • 44% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 44% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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The .357 STring Band
Rollin' Down The Track
170 bpm • G min • 04:17 • -8.75db
15% Popularity • 54% Danceability • 69% Energy • 21% Liveness
50% Instrumentalness • 74% Positiveness
15% Popularity • 54% Danceability • 69% Energy • 21% Liveness
50% Instrumentalness • 74% Positiveness
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Jesse Dayton
Daddy Was a Badass
170 bpm • E Maj • 03:58 • -7.91db
28% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Roger Alan Wade
Deguello Motel
174 bpm • C Maj • 04:00 • -9.35db
18% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 38% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Hayseed Dixie
Rock & Roll All Nite
170 bpm • A Maj • 02:49 • -6db
13% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 60% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Hackensaw Boys
Look Out Dog, Slow Down Train
176 bpm • A Maj • 03:16 • -8.25db
28% Popularity • 31% Danceability • 82% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
28% Popularity • 31% Danceability • 82% Energy • 8% Liveness
6% Instrumentalness • 64% Positiveness
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Mojo Nixon
You Can't Kill Me
169 bpm • G Maj • 06:27 • -10.88db
23% Popularity • 37% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 37% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Todd Snider
Hey Pretty Boy
176 bpm • A Maj • 02:12 • -6.57db
20% Popularity • 40% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 40% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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The Bottle Rockets
Indianapolis
176 bpm • D Maj • 03:32 • -6db
36% Popularity • 35% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 35% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Holy Moly
You May be Right
168 bpm • A Maj • 02:51 • -9.18db
8% Popularity • 50% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 50% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Hayseed Dixie
Rockin' in the Free World
169 bpm • E min • 03:40 • -7db
13% Popularity • 63% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 63% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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The .357 STring Band
Little Black Train Of Death
167 bpm • E min • 03:08 • -10db
20% Popularity • 36% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 36% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Mojo Nixon
Beer Ain't Drinkin'
177 bpm • A Maj • 03:06 • -4.18db
18% Popularity • 44% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 44% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Old Crow Medicine Show
Tell It To Me
166 bpm • E min • 02:47 • -9db
45% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 59% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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The Dead South
Long Gone
165 bpm • G Maj • 02:19 • -6.47db
37% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 45% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Tom Morello: the Nightwatchman
A Wall Against the Wind
179 bpm • F# min • 03:16 • -6.91db
15% Popularity • 45% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 45% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Hayseed Dixie
Summer of 69
167 bpm • D Maj • 02:56 • -7.08db
17% Popularity • 50% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 50% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The .357 STring Band
Down On A Bender
166 bpm • G Maj • 02:44 • -7.47db
33% Popularity • 56% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 56% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Front Country
The Boys of Summer
180 bpm • F Maj • 05:10 • -9.12db
40% Popularity • 57% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 57% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Mojo Nixon
Ufo's Big Rigs & Bbq
178 bpm • D Maj • 03:43 • -6.45db
18% Popularity • 32% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
18% Popularity • 32% Danceability • 92% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Paul Thorn
I Don't Like Half The Folks I Love
180 bpm • G# Maj • 04:24 • -13db
31% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
31% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 95% Positiveness
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Hank Williams III
Dick In Dixie
164 bpm • A Maj • 02:37 • -2.84db
36% Popularity • 54% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 54% Danceability • 99% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Hayseed Dixie
Poison
166 bpm • E min • 04:06 • -7.12db
13% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Tim Timebomb
My Bucket's Got a Hole in It
164 bpm • A Maj • 02:06 • -5.18db
21% Popularity • 65% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
21% Popularity • 65% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Seasick Steve
Thunderbird
180 bpm • G Maj • 04:19 • -5.88db
28% Popularity • 40% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 40% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Mojo Nixon
Tie My Pecker to My Leg
164 bpm • E Maj • 03:20 • -8.57db
30% Popularity • 61% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 61% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Cleverlys
Loser
164 bpm • D Maj • 04:19 • -5.23db
34% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Bottle Rockets
Every Kinda Everything
182 bpm • D Maj • 02:33 • -10.1db
30% Popularity • 44% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 44% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Hayseed Dixie
Ace of Spades
165 bpm • D Maj • 02:21 • -7.16db
27% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 50% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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The Fenians
Galway Girl
163 bpm • D Maj • 03:04 • -7.63db
11% Popularity • 61% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
11% Popularity • 61% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Seasick Steve
You Can't Teach An Old Dog New Tricks
182 bpm • E min • 03:34 • -6.69db
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Miller Band
I Got Another One
162 bpm • C# min • 03:30 • -6.37db
20% Popularity • 42% Danceability • 94% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
20% Popularity • 42% Danceability • 94% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
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Jayke Orvis
Lead Me Astray
162 bpm • D min • 04:29 • -8db
30% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 57% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Mojo Nixon
Drunk-Divorced Floozie (The Ballad of Di...
162 bpm • C# Maj • 03:05 • -5db
18% Popularity • 56% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 56% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Hayseed Dixie
Won't Get Fooled Again
164 bpm • D Maj • 06:47 • -7.58db
8% Popularity • 62% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
8% Popularity • 62% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
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Frank Mackey and the Keltic Cowboys
Kiss My Irish Ass
183 bpm • E Maj • 04:07 • -2.37db
25% Popularity • 28% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 28% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Mahones
Paint the Town Red
162 bpm • G Maj • 03:24 • -6.32db
44% Popularity • 54% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 54% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Southern Culture on the Skids
Cheap Motels
161 bpm • D Maj • 02:21 • -5db
21% Popularity • 61% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 61% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Wylie Hubbard
New Year's Eve at the Gates of Hell
161 bpm • D Maj • 03:30 • -5.73db
22% Popularity • 57% Danceability • 97% Energy • 29% Liveness
39% Instrumentalness • 77% Positiveness
22% Popularity • 57% Danceability • 97% Energy • 29% Liveness
39% Instrumentalness • 77% Positiveness
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The Stanfields
Crocodile Tears
161 bpm • F Maj • 06:16 • -6.3db
12% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Hayseed Dixie
Eternal Flame
181 bpm • D Maj • 02:33 • -7.2db
8% Popularity • 45% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 45% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Earl Scruggs
Foggy Mountain Breakdown - 2001 Earl Scr...
160 bpm • G Maj • 04:49 • -7.45db
32% Popularity • 46% Danceability • 88% Energy • 21% Liveness
88% Instrumentalness • 87% Positiveness
32% Popularity • 46% Danceability • 88% Energy • 21% Liveness
88% Instrumentalness • 87% Positiveness
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Grandpa's Cough Medicine
Brand New .22
160 bpm • D Maj • 02:34 • -6.24db
31% Popularity • 61% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 61% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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Long John Baldry
What've I Been Drinking
160 bpm • C Maj • 03:03 • -13.29db
8% Popularity • 59% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Southern Culture on the Skids
My Neighbor Burns Trash
185 bpm • D Maj • 02:45 • -4.59db
16% Popularity • 51% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 51% Danceability • 79% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Roger Alan Wade
Put Another Log on the Fire
185 bpm • E min • 02:12 • -14.36db
36% Popularity • 68% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 68% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Hayseed Dixie
I Believe in a Thing Called Love
161 bpm • E Maj • 02:49 • -7.77db
15% Popularity • 62% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 62% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 93% Positiveness
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Shooter Jennings
Walk Of Life
159 bpm • E Maj • 03:57 • -5.65db
35% Popularity • 38% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 38% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Grandpa's Cough Medicine
Drinkin' money
160 bpm • A Maj • 03:20 • -9.4db
22% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Bill Evans
A Hard Day's Night
159 bpm • C Maj • 02:40 • -5.1db
22% Popularity • 32% Danceability • 79% Energy • 10% Liveness
67% Instrumentalness • 91% Positiveness
22% Popularity • 32% Danceability • 79% Energy • 10% Liveness
67% Instrumentalness • 91% Positiveness
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Hillbilly Hellcats
Hillbillies On Speed
158 bpm • F# min • 02:32 • -6db
33% Popularity • 37% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 37% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Roger Alan Wade
All Likkered Up
159 bpm • A Maj • 03:41 • -16db
22% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 54% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Old Crow Medicine Show
Alabama HighTest
158 bpm • D Maj • 02:25 • -4.82db
46% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 52% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Hayseed Dixie
Don't Fear the Reaper
158 bpm • A min • 04:52 • -7.48db
14% Popularity • 41% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 41% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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7Horse
Low Fuel Drug Run
157 bpm • G Maj • 03:36 • -2.99db
37% Popularity • 38% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 38% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Brother Dege
The Girl Who Wept Stones
157 bpm • D min • 03:16 • -5db
36% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 56% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Hackensaw Boys
Cannonball
155 bpm • C Maj • 02:35 • -5.16db
27% Popularity • 60% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 60% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Roger Alan Wade
Party In My Pants
190 bpm • G Maj • 01:55 • -5.2db
28% Popularity • 38% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 38% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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The Bottle Rockets
The Bar's on Fire
155 bpm • G Maj • 03:47 • -5.25db
14% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 57% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Fred Eaglesmith
49 Tons
154 bpm • E Maj • 09:05 • -10.43db
10% Popularity • 37% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 37% Danceability • 41% Energy • 70% Liveness
0% Instrumentalness • 17% Positiveness
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Southern Culture on the Skids
Liquored Up And Lacquered Down
154 bpm • F Maj • 02:24 • -3.1db
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 97% Positiveness
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Hayseed Dixie
Sixteen Tons
154 bpm • B min • 02:50 • -5.6db
18% Popularity • 80% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 80% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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William Elliott Whitmore
Take It on the Chin
152 bpm • C Maj • 02:29 • -7.66db
32% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Roger Alan Wade
Fryin' Bacon Neddid
155 bpm • E Maj • 02:36 • -13db
25% Popularity • 50% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 50% Danceability • 24% Energy • 59% Liveness
0% Instrumentalness • 69% Positiveness
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John R. Butler
Vampars
152 bpm • G Maj • 04:04 • -14.02db
8% Popularity • 63% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 63% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Fred Eaglesmith
Lucille
154 bpm • E Maj • 04:01 • -6.59db
14% Popularity • 53% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 53% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 85% Positiveness
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Hank Williams III
Six Pack Of Beer
153 bpm • C Maj • 02:30 • -2.57db
32% Popularity • 55% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 55% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Grandpa's Cough Medicine
Beer Truck Drivin' man
152 bpm • E Maj • 02:58 • -9.58db
29% Popularity • 55% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 55% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Hayseed Dixie
Paint It Black
152 bpm • B min • 03:47 • -9.32db
16% Popularity • 55% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 55% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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The Dead South
Blue Trash
152 bpm • G Maj • 04:05 • -5.69db
33% Popularity • 39% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 39% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Seasick Steve
Back In The Doghouse
151 bpm • G Maj • 04:15 • -4.87db
29% Popularity • 53% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 53% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Fred Eaglesmith
I Like Trains
152 bpm • A min • 03:30 • -7.09db
21% Popularity • 55% Danceability • 63% Energy • 95% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 55% Danceability • 63% Energy • 95% Liveness
0% Instrumentalness • 65% Positiveness
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Pine Mountain Railroad
Don't Stop Believing
151 bpm • A Maj • 04:06 • -8.78db
18% Popularity • 41% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 41% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Pine Box Boys
Will You Remember Me?
151 bpm • G Maj • 03:30 • -12.32db
37% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 45% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Blaggards
Drunken Sailor
151 bpm • G Maj • 02:41 • -7db
18% Popularity • 46% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 46% Danceability • 92% Energy • 91% Liveness
0% Instrumentalness • 98% Positiveness
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Hank Williams III
Smoke & Wine
151 bpm • D Maj • 02:35 • -3.31db
37% Popularity • 55% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 55% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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Ben Miller Band
You Don’t Know
150 bpm • G Maj • 03:32 • -6.91db
36% Popularity • 45% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 45% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Blasters
I'm Shakin'
151 bpm • G# min • 02:21 • -10.87db
30% Popularity • 71% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 71% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Hayseed Dixie
Comfortably Numb
150 bpm • B min • 04:39 • -8.84db
15% Popularity • 40% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 40% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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John Fogerty
Wicked Old Witch
150 bpm • A Maj • 03:26 • -5.97db
20% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 61% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Mike Ness
Six More Miles
197 bpm • G# Maj • 02:41 • -4.34db
29% Popularity • 30% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 30% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Blaggards
Irish Rover
149 bpm • A Maj • 03:21 • -6.84db
26% Popularity • 23% Danceability • 94% Energy • 24% Liveness
71% Instrumentalness • 55% Positiveness
26% Popularity • 23% Danceability • 94% Energy • 24% Liveness
71% Instrumentalness • 55% Positiveness
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The Stanfields
The Road to Guysborough
199 bpm • G Maj • 03:25 • -3.24db
31% Popularity • 27% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 27% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Joe Buck Yourself
Evil Motherfucker from Tennessee
148 bpm • B min • 03:05 • -7db
28% Popularity • 64% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 92% Energy • 6% Liveness
4% Instrumentalness • 61% Positiveness
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Hayseed Dixie
Blue Monday
150 bpm • D Maj • 04:34 • -7.7db
8% Popularity • 54% Danceability • 71% Energy • 16% Liveness
10% Instrumentalness • 85% Positiveness
8% Popularity • 54% Danceability • 71% Energy • 16% Liveness
10% Instrumentalness • 85% Positiveness
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Honeywagon
Man In The Mirror
199 bpm • A# Maj • 04:16 • -13.07db
9% Popularity • 37% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 37% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Young Dubliners
Fisherman’s Blues
148 bpm • C Maj • 03:46 • -6.93db
30% Popularity • 47% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 47% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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The Pine Box Boys
The Crow
148 bpm • D Maj • 03:00 • -10.66db
15% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 56% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Jello Biafra
Let's Go Burn Ole Nashville Down
148 bpm • G Maj • 02:40 • -9db
24% Popularity • 38% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 38% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Ricky Skaggs
Super Freak
148 bpm • A# Maj • 04:04 • -4.21db
21% Popularity • 52% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 52% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Honky Tonk Hustlas
Never Gonna Quit
148 bpm • A Maj • 02:13 • -5.42db
22% Popularity • 57% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 57% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Mike Ness
I Fought The Law
148 bpm • D# Maj • 02:49 • -5db
37% Popularity • 53% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 53% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Roger Alan Wade
Sioux Named Boy
201 bpm • F# Maj • 02:43 • -5.48db
24% Popularity • 38% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 38% Danceability • 62% Energy • 75% Liveness
0% Instrumentalness • 91% Positiveness
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The Pine Box Boys
Stab
147 bpm • C Maj • 02:44 • -9.25db
27% Popularity • 55% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 55% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dave Alvin
You'll Never Leave Harlan Alive
147 bpm • G min • 05:51 • -16.23db
19% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Blaggards
Whiskey in the Jar
147 bpm • D Maj • 04:08 • -6.54db
14% Popularity • 33% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 33% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness