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Dirty Mile
Songs like
Dirty Mile
by
Isaac Waddington
Based on a tempo of (+/- 10%) and a similar genre
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Toby Johnson
Bulletproof
125 bpm • G# Maj • 03:26 • -10.49db
19% Popularity • 66% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Georgi Krastev
all the other times
125 bpm • G# Maj • 01:48 • -16.66db
23% Popularity • 46% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Isaac Tyler
All Drained Out
125 bpm • A# Maj • 03:47 • -7.7db
15% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ethan Hodges
Don't Watch Me Cry
125 bpm • G Maj • 03:10 • -12.55db
29% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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FINNEAS
Flume - Spotify Singles
125 bpm • C Maj • 03:51 • -16db
39% Popularity • 34% Danceability • 7% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
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Isaac Waddington
Dirty Mile
125 bpm • C Maj • 03:01 • -9.25db
17% Popularity • 41% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jessica Mazin
The Peak of My Existence
126 bpm • B Maj • 05:52 • -19db
29% Popularity • 43% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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paperthread
Battlefield
126 bpm • D Maj • 03:41 • -12.69db
15% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Native
Otherside
126 bpm • G# Maj • 03:53 • -8.48db
17% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Eddie Benjamin
Back To Black
124 bpm • A min • 03:01 • -11.92db
26% Popularity • 52% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Valencia Grace
It Was You
126 bpm • B Maj • 02:51 • -11.11db
28% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac Waddington
Can't Blame the Whiskey
126 bpm • G Maj • 02:49 • -14.96db
4% Popularity • 53% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Jordan Mackampa
Tight
126 bpm • F min • 04:31 • -11.76db
27% Popularity • 66% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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JP Saxe
What Keeps Me From It
126 bpm • D Maj • 02:29 • -15.68db
34% Popularity • 45% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Cara Rose
What Next
124 bpm • E Maj • 03:31 • -9.1db
21% Popularity • 47% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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John-Robert
Adeline
126 bpm • D Maj • 03:49 • -10db
40% Popularity • 39% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 18% Positiveness
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Hana Lili
Red Hearts
124 bpm • C min • 04:23 • -10.02db
19% Popularity • 49% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Isaac Waddington
Pay the Bill
124 bpm • C Maj • 03:08 • -12.38db
11% Popularity • 78% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jordan Hart
Only Pieces of the Truth
127 bpm • F Maj • 04:22 • -10db
26% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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JP Saxe
4:30 In Toronto
126 bpm • C# Maj • 03:57 • -10.27db
38% Popularity • 40% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Greyson Chance
Overloved
127 bpm • G Maj • 03:03 • -7.57db
27% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Luca Fogale
Nothing Is Lost - Piano
127 bpm • F# Maj • 03:31 • -13.71db
22% Popularity • 54% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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OSKA
Misunderstood
123 bpm • E min • 03:18 • -12.36db
28% Popularity • 67% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Sydney Rose
Things That Don’t Exist
123 bpm • C# Maj • 02:48 • -10.73db
28% Popularity • 62% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jonny Brenns
Blue Jeans
127 bpm • C# Maj • 03:34 • -20.94db
31% Popularity • 53% Danceability • 1% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Kamal.
lose
128 bpm • D Maj • 02:56 • -13.2db
27% Popularity • 41% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Class
Green Man - Single Edit
128 bpm • A Maj • 04:12 • -19.98db
3% Popularity • 40% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Harry Gardner
Invisible Man
122 bpm • F# Maj • 02:59 • -13db
13% Popularity • 47% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Jesse Hart
where do we go when the sky moves?
128 bpm • F# min • 04:11 • -9.44db
12% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Aeris Roves
No Guarantee - Acoustic Version
122 bpm • G Maj • 03:23 • -13.1db
32% Popularity • 70% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jonny Brenns
You Could Be Happy
122 bpm • F Maj • 03:26 • -13.89db
18% Popularity • 51% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Mathilda Homer
Kissing Games
128 bpm • E Maj • 04:13 • -17.72db
10% Popularity • 80% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Sarah Class
Green Man - Extended Version
128 bpm • A Maj • 05:54 • -20.32db
1% Popularity • 45% Danceability • 8% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Georgi Krastev
Light Years
128 bpm • D# Maj • 02:51 • -14.11db
29% Popularity • 61% Danceability • 26% Energy • 13% Liveness
5% Instrumentalness • 36% Positiveness
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Liam Ross
Can You Be My Friend
122 bpm • D# Maj • 03:19 • -12.65db
9% Popularity • 65% Danceability • 30% Energy • 39% Liveness
1% Instrumentalness • 20% Positiveness
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Toby Johnson
Carolina
128 bpm • F# Maj • 02:55 • -11.47db
18% Popularity • 63% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Shungudzo
Paper - Isaac Remix
122 bpm • B min • 03:43 • -9.33db
5% Popularity • 89% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Benjamin Love
The Part Where You Leave
122 bpm • G Maj • 04:02 • -14db
23% Popularity • 71% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Rothwell
Darling
128 bpm • F# Maj • 03:47 • -6.55db
39% Popularity • 49% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Frankie Stew and Harvey Gunn
Lost at Sea
122 bpm • G# min • 05:08 • -7.74db
27% Popularity • 81% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Joy Oladokun
too high
129 bpm • F# Maj • 03:16 • -12.44db
28% Popularity • 49% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Aeris Roves
Offline - Acoustic
129 bpm • C# min • 03:43 • -14.21db
16% Popularity • 76% Danceability • 18% Energy • 61% Liveness
0% Instrumentalness • 49% Positiveness
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Jack Gray
Winter City
121 bpm • C Maj • 02:41 • -6db
28% Popularity • 43% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Emma McGrath
Old Times - Acoustic
129 bpm • A# min • 03:36 • -12db
9% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sydney Rose
Novels
121 bpm • C Maj • 04:27 • -16.3db
23% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Isaac Waddington
Doing Wrong
121 bpm • F# Maj • 03:17 • -6.51db
14% Popularity • 78% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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IsaacO
Skin on My Bones
129 bpm • C# Maj • 04:03 • -12.06db
9% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jeremiah Lloyd Harmon
Almost Heaven
129 bpm • F# Maj • 03:49 • -6.96db
33% Popularity • 39% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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James Smith
When You Love Somebody
121 bpm • C Maj • 03:24 • -10.26db
29% Popularity • 67% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Joshua Thew
Painted Blue
129 bpm • G min • 02:48 • -11.53db
17% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Luz
we'll be fine
121 bpm • A# Maj • 04:22 • -11.14db
49% Popularity • 56% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Chelsea Cutler
the stars
130 bpm • B min • 02:53 • -11.62db
47% Popularity • 56% Danceability • 38% Energy • 12% Liveness
13% Instrumentalness • 24% Positiveness
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Colouring
I Can't Make You Love Me
121 bpm • F Maj • 04:37 • -15.79db
38% Popularity • 36% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Alfie Jukes
take my breath
120 bpm • G# min • 03:11 • -17db
33% Popularity • 52% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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JP Saxe
Tension
130 bpm • C Maj • 04:09 • -6db
38% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah Proctor
The Breaks (Acoustic)
130 bpm • C Maj • 03:23 • -11.27db
14% Popularity • 61% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Daniel Leggs
Ballerina
120 bpm • D Maj • 03:35 • -16db
29% Popularity • 60% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ber
Same Effect
130 bpm • G# Maj • 02:42 • -10.26db
30% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Olivia Dean
The Hardest Part - Acoustic
130 bpm • F Maj • 02:55 • -8.38db
45% Popularity • 51% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Morning Midnight
You & I
130 bpm • G Maj • 04:36 • -9.84db
27% Popularity • 67% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Sam Fischer
The Usual - Homework Live Acoustic Sessi...
130 bpm • C# Maj • 04:58 • -7.84db
12% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ashley Singh
Keep Me - Acoustic
120 bpm • G min • 02:43 • -8db
45% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Hollow Men
White Lies
120 bpm • D# Maj • 03:00 • -12.14db
21% Popularity • 57% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 20% Positiveness
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PJ Harding
You Belong To Somebody Else
120 bpm • F Maj • 03:19 • -8.24db
46% Popularity • 70% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Kings Elliot
Dancing Alone
130 bpm • D Maj • 03:00 • -11.69db
28% Popularity • 70% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Claudia Valentina
Seven
120 bpm • G min • 03:43 • -10.7db
41% Popularity • 80% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ashley Singh
10 Summers
120 bpm • F Maj • 02:40 • -7.76db
45% Popularity • 76% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Lily Papas
Encore
120 bpm • D Maj • 03:54 • -10.22db
9% Popularity • 53% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Brad Heidi
She
120 bpm • G Maj • 02:58 • -8.81db
15% Popularity • 51% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Addict.
Corduroy
120 bpm • E min • 03:00 • -9.87db
17% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Isaac Waddington
To the Moon
131 bpm • F Maj • 03:13 • -11.65db
34% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jordan Mackampa
Foreigner
120 bpm • F Maj • 05:03 • -13.36db
24% Popularity • 48% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 25% Positiveness
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Ashley Singh
10 Summers (Jaylon Ashaun Open Verse Edi...
120 bpm • F Maj • 02:40 • -7.55db
20% Popularity • 77% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ethan Hodges
Almost Is Never Enough
119 bpm • A# Maj • 03:35 • -12.92db
33% Popularity • 55% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Tamzene
Cut Me Out Your Photos
131 bpm • D Maj • 02:48 • -8.9db
17% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ady Suleiman
Strange Roses
119 bpm • C# Maj • 03:32 • -9.54db
35% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Willum Maindo
We All Fall Sometimes
131 bpm • A# Maj • 04:30 • -10.39db
27% Popularity • 44% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Ashley Singh
10 Summers - Alfie Jukes Open Verse Edit...
120 bpm • F Maj • 02:40 • -7.97db
38% Popularity • 75% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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New West
The Wait
131 bpm • F# Maj • 03:34 • -10.76db
26% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Genevieve Stokes
Surface Tension - Stripped
119 bpm • A min • 03:34 • -15db
36% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Tarn PK
Serenity
119 bpm • B Maj • 04:24 • -12.96db
14% Popularity • 72% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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MATT TAYLOR
no matter what i say.
132 bpm • F# min • 03:55 • -12.84db
13% Popularity • 35% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Emmit Fenn
What Falling in Love Is For - Acoustic
132 bpm • F Maj • 02:17 • -17.74db
39% Popularity • 58% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Cj Pandit
New York Time
132 bpm • A Maj • 04:12 • -12.55db
16% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Victoria Canal
Favor
118 bpm • C Maj • 03:44 • -13.12db
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
37% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Isaac Waddington
1am in Calgary
132 bpm • G Maj • 03:47 • -11.7db
6% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Connor Mac
Hippie
118 bpm • F# Maj • 04:04 • -10db
28% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Corey Harper
pinball
118 bpm • G Maj • 03:11 • -11.29db
13% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jordan Mackampa
Marks
118 bpm • D Maj • 03:52 • -10.7db
30% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cara Rose
Tough Love
133 bpm • C min • 02:56 • -7.53db
30% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Holly Humberstone
The Walls Are Way Too Thin - Floorboards...
118 bpm • B Maj • 03:23 • -7.46db
32% Popularity • 49% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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GRACEY
What A Waste - Acoustic
118 bpm • D Maj • 03:29 • -7.43db
10% Popularity • 78% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Sydney Rose
Feeling Whitney
133 bpm • A Maj • 04:37 • -17.57db
38% Popularity • 45% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Isaac Waddington
Japanese Denim
118 bpm • D# Maj • 03:48 • -12.71db
21% Popularity • 45% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Nambyar
How Would It Feel
117 bpm • F Maj • 04:08 • -10.94db
15% Popularity • 49% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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New West
In Good Time
134 bpm • D Maj • 03:51 • -9.25db
28% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Luca Fogale
Care Of
117 bpm • F Maj • 03:36 • -10.8db
25% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Dirty Mile