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Disappear
Songs like
Disappear
by
Mike Faist
Based on a tempo of (+/- 10%) and a similar genre
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Kaitlyn Dever
Only Us
137 bpm • C# Maj • 03:59 • -8.39db
41% Popularity • 36% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Will Roland
More Than Survive (Reprise)
137 bpm • C Maj • 00:46 • -9.73db
25% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Leah Greenhaus
I Know It's Today
137 bpm • D Maj • 05:18 • -9.45db
56% Popularity • 56% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
52% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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John Dossett
The Bottom Line
138 bpm • G Maj • 02:16 • -11.94db
42% Popularity • 59% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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B. D'Addario as Flounder
She's In Love
138 bpm • C min • 03:39 • -16.89db
50% Popularity • 60% Danceability • 26% Energy • 59% Liveness
0% Instrumentalness • 78% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
36% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
35% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Sophia Anne Caruso
Dead Mom
135 bpm • D Maj • 03:04 • -6.55db
60% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
46% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Trensch
Obvious - Bonus Track
135 bpm • G Maj • 04:14 • -8.85db
36% Popularity • 52% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Newsies Original Broadway Cast
Brooklyn's Here
139 bpm • G Maj • 01:53 • -8.07db
46% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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SIX
Six
135 bpm • D# Maj • 03:59 • -6.25db
62% Popularity • 73% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Platt
This Is Not Over Yet
135 bpm • A Maj • 02:52 • -6db
43% Popularity • 54% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Ryan McCartan
Freeze Your Brain
135 bpm • G# Maj • 02:53 • -8.2db
60% Popularity • 50% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
45% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Caissie Levy
Dangerous to Dream
139 bpm • A Maj • 05:03 • -8.44db
44% Popularity • 31% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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'Legally Blonde' Ensemble
Blood in the Water
140 bpm • C# Maj • 04:49 • -12.59db
46% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Ethan Slater
Best Day Ever
135 bpm • G Maj • 04:19 • -9.21db
36% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
39% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jenn Colella
38 Planes (Reprise) / Somewhere In The M...
140 bpm • D Maj • 04:22 • -6.03db
44% Popularity • 73% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Platt
In Case You Don't Live Forever
140 bpm • A Maj • 03:48 • -8.24db
54% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Barrett Wilbert Weed
I'd Rather Be Me
140 bpm • E Maj • 02:50 • -3.33db
56% Popularity • 67% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • D# Maj • 02:44 • -7.28db
51% Popularity • 50% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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Adam Pascal
What You Own
134 bpm • D Maj • 03:58 • -3.36db
43% Popularity • 54% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Laura Osnes
How 'Bout a Dance?
134 bpm • G# Maj • 02:54 • -11.41db
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
41% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
49% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Katlyn Carlson
Do You Wanna Hang?
140 bpm • C# Maj • 01:11 • -8.95db
27% Popularity • 56% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • G# Maj • 02:44 • -7db
28% Popularity • 52% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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The Original Broadway Cast Of School Of Rock
Where Did the Rock Go
141 bpm • A# Maj • 04:14 • -7.58db
36% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Platt
Cherry On Top
134 bpm • E Maj • 04:14 • -5.36db
57% Popularity • 62% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Annaleigh Ashford
What You Want
133 bpm • F Maj • 08:07 • -10.64db
50% Popularity • 68% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Lauren Marcus
Do You Wanna Ride?
141 bpm • A# Maj • 01:33 • -10.15db
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Christian Borle
Will Power
133 bpm • C# Maj • 04:59 • -6.73db
43% Popularity • 43% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Jodie Steele
Candy Store
141 bpm • C# Maj • 02:56 • -5.53db
50% Popularity • 56% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Lilla Crawford
I Know Things Now
133 bpm • C Maj • 02:04 • -13.54db
43% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Lauren Marcus
Upgrade
133 bpm • G# min • 03:48 • -6.91db
26% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
35% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
43% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Lynn Ahrens
Alone In The Universe - Original Broadwa...
143 bpm • C Maj • 04:49 • -12.83db
36% Popularity • 35% Danceability • 27% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
43% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jeremy Kushnier
Almost Paradise
143 bpm • G Maj • 03:20 • -14db
31% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Megan McGinnis
The Color of Your Eyes
131 bpm • F Maj • 03:01 • -10db
27% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Krystina Alabado
Goosebumps (Reprise)
132 bpm • G Maj • 02:50 • -10.53db
22% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Brian Gonzales
High Adventure
143 bpm • C Maj • 05:31 • -7db
37% Popularity • 50% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Lightning Thief Company
Bring on the Monsters
144 bpm • C min • 02:44 • -6.46db
42% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
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Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Platt
Unworthy of Your Love
130 bpm • E Maj • 03:33 • -7.05db
36% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
19% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
31% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
34% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Original Broadway Cast Of School Of Rock
If Only You Would Listen
130 bpm • F Maj • 03:12 • -5.51db
29% Popularity • 49% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
32% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
60% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
36% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Bring It On: The Musical - Original Broadway Cast
It's All Happening
130 bpm • F# Maj • 05:45 • -4.34db
38% Popularity • 59% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Leslie Kritzer
Day-O (The Banana Boat Song) - Act 1 Fin...
130 bpm • C Maj • 03:44 • -7.09db
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
25% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:55 • -6.45db
46% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
29% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
44% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Laura Osnes
Welcome Home (Finale)
129 bpm • C Maj • 03:34 • -6.7db
26% Popularity • 49% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
51% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
41% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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John Bolton
Learn to Do It
129 bpm • G Maj • 04:07 • -10.74db
48% Popularity • 66% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Platt
Ease My Mind
146 bpm • G Maj • 04:36 • -8.4db
45% Popularity • 38% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
51% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
39% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Billy Hartung
The Girl Gets Around
147 bpm • A Maj • 02:21 • -8.42db
34% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
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Jessie Mueller
What Baking Can Do
128 bpm • F# Maj • 03:30 • -5.96db
52% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Platt
Share Your Address
128 bpm • B Maj • 03:02 • -5.05db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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'Come From Away' Company
38 Planes
128 bpm • D min • 01:09 • -9.02db
45% Popularity • 58% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Disappear