Songs like Disco Inferno by The Trammps
Based on a tempo of (+/- 10%) and a similar genre
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The Trammps
Disco Inferno
128 bpm • F Maj • 03:38 • -6.34db
62% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
62% Popularity • 80% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Gwen McCrae
Keep the Fire Burning
128 bpm • C min • 05:44 • -13.81db
55% Popularity • 89% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 89% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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CHIC
Everybody Dance
128 bpm • F Maj • 04:07 • -8.74db
47% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 83% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Sly & The Family Stone
Dance to the Music
128 bpm • G Maj • 02:59 • -11.11db
59% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 70% Danceability • 53% Energy • 91% Liveness
0% Instrumentalness • 77% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
128 bpm • C Maj • 02:40 • -9db
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
79% Popularity • 67% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Supremes
You Keep Me Hangin' On
128 bpm • G# min • 02:43 • -7db
57% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Smokey Robinson & The Miracles
The Tears Of A Clown
128 bpm • C# Maj • 03:01 • -10db
59% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 59% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Trammps
Shout
128 bpm • F min • 03:30 • -7db
40% Popularity • 75% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 75% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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The O'Jays
I Love Music
128 bpm • C min • 06:53 • -8db
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
52% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Average White Band
Let's Go Round Again
128 bpm • B min • 04:56 • -7.37db
48% Popularity • 71% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 71% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Anita Ward
Ring My Bell (Rerecorded)
128 bpm • A# min • 03:56 • -12db
26% Popularity • 79% Danceability • 56% Energy • 4% Liveness
50% Instrumentalness • 93% Positiveness
26% Popularity • 79% Danceability • 56% Energy • 4% Liveness
50% Instrumentalness • 93% Positiveness
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Dan Hartman
Instant Replay - 12" Single
128 bpm • A min • 08:19 • -6db
20% Popularity • 77% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
20% Popularity • 77% Danceability • 79% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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CHIC
Everybody Dance - 12" Mix
129 bpm • F Maj • 08:27 • -8.02db
43% Popularity • 76% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
43% Popularity • 76% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
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Odyssey
Use It Up and Wear It Out - 12" Single E...
127 bpm • G Maj • 04:58 • -12.55db
28% Popularity • 77% Danceability • 70% Energy • 24% Liveness
2% Instrumentalness • 62% Positiveness
28% Popularity • 77% Danceability • 70% Energy • 24% Liveness
2% Instrumentalness • 62% Positiveness
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The Trammps
Disco Inferno
129 bpm • A# Maj • 10:59 • -12.36db
58% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
58% Popularity • 80% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 97% Positiveness
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Leif Garrett
I Was Made for Dancin'
127 bpm • B min • 03:16 • -13.96db
46% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 69% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Leo Sayer
Thunder in My Heart
129 bpm • A min • 03:37 • -5.23db
31% Popularity • 70% Danceability • 85% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
31% Popularity • 70% Danceability • 85% Energy • 9% Liveness
22% Instrumentalness • 51% Positiveness
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Boney M.
Ma Baker
129 bpm • D min • 04:36 • -6.01db
66% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
66% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Odyssey
Use It Up and Wear It Out - Radio Versio...
127 bpm • G Maj • 03:04 • -14db
41% Popularity • 81% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
41% Popularity • 81% Danceability • 61% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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The Trammps
Love Epidemic - Extended Version
127 bpm • A# min • 05:58 • -7.29db
13% Popularity • 75% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 75% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Hartman
Instant Replay
129 bpm • A min • 05:20 • -7.55db
40% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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ABBA
Voulez-Vous
127 bpm • B min • 05:09 • -6.93db
73% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Mary Wells
My Guy
127 bpm • A# Maj • 02:54 • -8db
66% Popularity • 69% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 69% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Martha Reeves & The Vandellas
Nowhere To Run
129 bpm • D min • 03:01 • -9.38db
64% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
64% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Aretha Franklin
Freeway Of Love
127 bpm • D Maj • 05:52 • -6db
48% Popularity • 69% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 69% Danceability • 90% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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The Trammps
Hold Back the Night
127 bpm • E Maj • 03:16 • -7.35db
13% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Chicago
Street Player - 2003 Remaster
126 bpm • A# min • 09:10 • -5.16db
46% Popularity • 76% Danceability • 83% Energy • 8% Liveness
27% Instrumentalness • 84% Positiveness
46% Popularity • 76% Danceability • 83% Energy • 8% Liveness
27% Instrumentalness • 84% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
64% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
64% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Gibson Brothers
Non Stop Dance
130 bpm • D# Maj • 03:57 • -8.31db
35% Popularity • 69% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 69% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Carol Douglas
Doctor's Orders
126 bpm • C Maj • 03:02 • -11.1db
41% Popularity • 64% Danceability • 71% Energy • 26% Liveness
67% Instrumentalness • 92% Positiveness
41% Popularity • 64% Danceability • 71% Energy • 26% Liveness
67% Instrumentalness • 92% Positiveness
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The Supremes
Come See About Me
126 bpm • G Maj • 02:43 • -11.74db
62% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
62% Popularity • 73% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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The Trammps
Hold Back the Night
127 bpm • B Maj • 03:54 • -10.88db
22% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 77% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Chicago
Street Player
126 bpm • D# min • 04:21 • -4.75db
27% Popularity • 68% Danceability • 88% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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The Isley Brothers
That Lady, Pts. 1 & 2
126 bpm • F min • 05:34 • -9db
56% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 34% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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The Real Thing
Can You Feel the Force
130 bpm • E min • 04:06 • -7.74db
41% Popularity • 67% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 67% Danceability • 97% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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CHIC
Everybody Dance - 2018 Remaster
130 bpm • F min • 06:42 • -13.44db
54% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 72% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Bananarama
Venus
126 bpm • A Maj • 03:49 • -4.81db
71% Popularity • 72% Danceability • 96% Energy • 28% Liveness
61% Instrumentalness • 91% Positiveness
71% Popularity • 72% Danceability • 96% Energy • 28% Liveness
61% Instrumentalness • 91% Positiveness
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Gerard Joling
Disco Inferno
130 bpm • A# Maj • 03:24 • -9.55db
4% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
4% Popularity • 67% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Marvin Gaye
Ain't No Mountain High Enough
130 bpm • G Maj • 02:31 • -10.87db
85% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
85% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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De Toppers
Disco Inferno
130 bpm • A# Maj • 02:33 • -6db
30% Popularity • 67% Danceability • 91% Energy • 85% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 91% Energy • 85% Liveness
0% Instrumentalness • 92% Positiveness
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Anita Ward
Ring My Bell
126 bpm • F min • 08:11 • -13.07db
63% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
63% Popularity • 78% Danceability • 56% Energy • 3% Liveness
9% Instrumentalness • 97% Positiveness
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Martha Reeves & The Vandellas
Dancing In The Street
126 bpm • D Maj • 02:45 • -9.47db
65% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 56% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Earth, Wind & Fire
September
126 bpm • A Maj • 03:36 • -7.89db
84% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
84% Popularity • 67% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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James Brown
Living in America
126 bpm • G Maj • 04:06 • -10.02db
37% Popularity • 59% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 59% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Paul
Only the Strong Survive
130 bpm • F Maj • 05:35 • -7.74db
45% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 74% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
71% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Isley Brothers
This Old Heart Of Mine (Is Weak For You)
130 bpm • F Maj • 02:52 • -10.21db
69% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
69% Popularity • 63% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Irene Cara
Fame
131 bpm • C min • 05:16 • -8.76db
68% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 70% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Stevie Wonder
Higher Ground
125 bpm • G# Maj • 03:42 • -9.95db
66% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
66% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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The Jacksons
Can You Feel It
125 bpm • B Maj • 05:59 • -8.27db
57% Popularity • 89% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
57% Popularity • 89% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie - Rerecording
125 bpm • A min • 05:22 • -12db
32% Popularity • 79% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 89% Positiveness
32% Popularity • 79% Danceability • 47% Energy • 25% Liveness
1% Instrumentalness • 89% Positiveness
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The Trammps
Soul Bones
125 bpm • G# Maj • 04:17 • -10.05db
17% Popularity • 78% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 78% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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C.J. & Co.
Devil's Gun
125 bpm • C Maj • 03:35 • -5db
31% Popularity • 74% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 74% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Sylvester
You Make Me Feel (Mighty Real)
131 bpm • F min • 06:40 • -11.18db
62% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
62% Popularity • 63% Danceability • 85% Energy • 9% Liveness
30% Instrumentalness • 96% Positiveness
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Four Tops
It's The Same Old Song
125 bpm • D min • 02:46 • -9.12db
57% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
57% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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The Jacksons
Can You Feel It - 7" Version
125 bpm • B min • 03:50 • -5.72db
49% Popularity • 83% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 83% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Alicia Bridges
I Love The Nightlife
125 bpm • C Maj • 05:37 • -5.84db
44% Popularity • 52% Danceability • 66% Energy • 14% Liveness
80% Instrumentalness • 89% Positiveness
44% Popularity • 52% Danceability • 66% Energy • 14% Liveness
80% Instrumentalness • 89% Positiveness
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The Trammps
Disco Party
125 bpm • C# Maj • 08:12 • -13.5db
16% Popularity • 68% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 68% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Thelma Houston
I've Got The Music in Me
125 bpm • C Maj • 02:44 • -15db
29% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yes
Owner of a Lonely Heart
125 bpm • G Maj • 04:28 • -5.98db
71% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
71% Popularity • 74% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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M People
Moving on Up
125 bpm • C min • 03:35 • -6.13db
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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![Ring My Bell (Re-Recorded) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e99cccfae1c5654ccfda6ad6)
Anita Ward
Ring My Bell (Re-Recorded) [Remastered]
125 bpm • F Maj • 03:50 • -12.93db
43% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Edwin Starr
Contact - Extended Mix
131 bpm • F# Maj • 07:17 • -9.44db
24% Popularity • 77% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
24% Popularity • 77% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
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The Trammps
Where Do We Go from Here
125 bpm • C# Maj • 04:26 • -5.99db
11% Popularity • 76% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 76% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Earth, Wind & Fire
Let's Groove
125 bpm • B min • 05:39 • -8.7db
78% Popularity • 87% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
78% Popularity • 87% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Vicki Sue Robinson
Turn the Beat Around - Single Version
131 bpm • F# min • 04:12 • -4.05db
43% Popularity • 66% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 66% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Stevie Wonder
Master Blaster (Jammin')
131 bpm • A# min • 05:07 • -14.93db
64% Popularity • 88% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
64% Popularity • 88% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Gibson Brothers
Que Sera Mi Vida
131 bpm • F# Maj • 05:52 • -6.49db
48% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 59% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Chaka Khan
I Feel for You
125 bpm • B Maj • 05:43 • -8.99db
61% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
61% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
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The Trammps
Soul Bones
125 bpm • G# Maj • 05:35 • -17.33db
6% Popularity • 81% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 72% Positiveness
6% Popularity • 81% Danceability • 54% Energy • 30% Liveness
1% Instrumentalness • 72% Positiveness
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KC & The Sunshine Band
Give It Up
125 bpm • D# Maj • 04:14 • -11.63db
71% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Vicki Sue Robinson
Turn the Beat Around
131 bpm • G min • 05:33 • -4.03db
46% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Billy Paul
Your Song
131 bpm • C min • 06:30 • -8.51db
59% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Alicia Bridges
I Love The Nightlife
125 bpm • G Maj • 05:35 • -5db
21% Popularity • 64% Danceability • 82% Energy • 37% Liveness
14% Instrumentalness • 93% Positiveness
21% Popularity • 64% Danceability • 82% Energy • 37% Liveness
14% Instrumentalness • 93% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Four Tops
Don't Walk Away
125 bpm • A# Maj • 04:13 • -8.11db
37% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Elton John
Don't Go Breaking My Heart
131 bpm • F Maj • 04:35 • -8.82db
82% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
82% Popularity • 73% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Vicki Sue Robinson
Turn the Beat Around - 7" Single Edit
131 bpm • F# min • 03:24 • -7.54db
39% Popularity • 71% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Patrick Hernandez
Born to Be Alive - The Original
131 bpm • D Maj • 03:08 • -5.81db
74% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
74% Popularity • 70% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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The Trammps
Soul Searchin' Time
125 bpm • C# Maj • 06:04 • -13.45db
14% Popularity • 83% Danceability • 61% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
14% Popularity • 83% Danceability • 61% Energy • 7% Liveness
9% Instrumentalness • 96% Positiveness
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Boney M.
Gotta Go Home
132 bpm • C# Maj • 03:45 • -5.84db
61% Popularity • 78% Danceability • 94% Energy • 30% Liveness
5% Instrumentalness • 98% Positiveness
61% Popularity • 78% Danceability • 94% Energy • 30% Liveness
5% Instrumentalness • 98% Positiveness
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The Three Degrees
Year Of Decision
124 bpm • A# Maj • 02:41 • -7db
37% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 74% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Earth, Wind & Fire
Boogie Wonderland
132 bpm • D min • 04:48 • -10.79db
77% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
77% Popularity • 80% Danceability • 76% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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Dan Hartman
This Is It
132 bpm • D Maj • 06:45 • -5.48db
16% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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The Communards
Don't Leave Me This Way
132 bpm • D# Maj • 04:31 • -5.6db
68% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 64% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Boney M.
Daddy Cool
124 bpm • F min • 03:28 • -6.93db
76% Popularity • 76% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
76% Popularity • 76% Danceability • 78% Energy • 13% Liveness
79% Instrumentalness • 93% Positiveness
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The Three Degrees
Givin' Up Givin' In
132 bpm • C min • 03:54 • -9.69db
33% Popularity • 61% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 61% Danceability • 79% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
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Earth, Wind & Fire
Boogie Wonderland - 12" Version
132 bpm • D min • 08:15 • -8.65db
44% Popularity • 77% Danceability • 86% Energy • 3% Liveness
37% Instrumentalness • 97% Positiveness
44% Popularity • 77% Danceability • 86% Energy • 3% Liveness
37% Instrumentalness • 97% Positiveness
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Rockwell
Somebody's Watching Me - Single Version
124 bpm • C# min • 03:58 • -7db
62% Popularity • 79% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
62% Popularity • 79% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Trammps
Born to Be Alive - Rerecorded
132 bpm • A min • 03:16 • -6.9db
9% Popularity • 82% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 82% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Edwin Starr
Contact - UK 7" Single Version
132 bpm • F# Maj • 03:31 • -9.02db
39% Popularity • 84% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 84% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie - Remastered 2004
124 bpm • D min • 05:38 • -10.37db
53% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Alicia Bridges
I Love The Nightlife (Disco 'Round)
124 bpm • G Maj • 05:39 • -11.5db
43% Popularity • 74% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 90% Positiveness
43% Popularity • 74% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 90% Positiveness
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Olivia Newton-John
Physical
124 bpm • E min • 03:40 • -8.23db
46% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
